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Comedy and the public sphere : the rebirth of theatre as comedy and the genealogy of the modern public arena / / Arpad Szakolczai
| Comedy and the public sphere : the rebirth of theatre as comedy and the genealogy of the modern public arena / / Arpad Szakolczai |
| Autore | Szakolczai Arpad |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 792.094 |
| Collana | Routledge studies in social and political thought |
| Soggetto topico |
Theater - Europe - History
Theater and society - Europe - History Comedy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-08126-9
1-283-89426-2 1-136-17255-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion. |
| Record Nr. | UNINA-9910452261503321 |
Szakolczai Arpad
|
||
| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Comedy and the public sphere : the rebirth of theatre as comedy and the genealogy of the modern public arena / / Arpad Szakolczai
| Comedy and the public sphere : the rebirth of theatre as comedy and the genealogy of the modern public arena / / Arpad Szakolczai |
| Autore | Szakolczai Arpad |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 792.094 |
| Collana | Routledge studies in social and political thought |
| Soggetto topico |
Theater - Europe - History
Theater and society - Europe - History Comedy |
| ISBN |
0-203-08126-9
1-283-89426-2 1-136-17255-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion. |
| Record Nr. | UNINA-9910779448803321 |
|
Szakolczai Arpad
|
||
| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Comedy and the public sphere : the rebirth of theatre as comedy and the genealogy of the modern public arena / / Arpad Szakolczai
| Comedy and the public sphere : the rebirth of theatre as comedy and the genealogy of the modern public arena / / Arpad Szakolczai |
| Autore | Szakolczai Arpad |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 792.094 |
| Collana | Routledge studies in social and political thought |
| Soggetto topico |
Theater - Europe - History
Theater and society - Europe - History Comedy |
| ISBN |
0-203-08126-9
1-283-89426-2 1-136-17255-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion. |
| Record Nr. | UNINA-9910810934703321 |
|
Szakolczai Arpad
|
||
| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Early modern encounters with the Islamic East [[electronic resource] ] : performing cultures / / edited by Sabine Schülting, Sabine Lucia Müller and Ralf Hertel
| Early modern encounters with the Islamic East [[electronic resource] ] : performing cultures / / edited by Sabine Schülting, Sabine Lucia Müller and Ralf Hertel |
| Pubbl/distr/stampa | Burlington, Vt., : Ashgate, 2012 |
| Descrizione fisica | 1 online resource (223 p.) |
| Disciplina | 790.2094 |
| Altri autori (Persone) |
SchültingSabine
MüllerSabine Lucia HertelRalf <1973-> |
| Collana | Transculturalisms, 1400-1700 |
| Soggetto topico |
Theater - Europe - History
Performing arts - Europe - History Performing arts - Islamic Empire |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-14706-5
1-280-67753-8 9786613654465 1-4094-3851-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: cultures at play / Sabine Schülting, Sabine Lucia Müller and Ralf Hertel -- Players and playgrounds. William Harborne's embassies: scripting, performing and editing Anglo-Ottoman diplomacy / Sabine Lucia Müller -- Performing at the Ottoman Porte in 1599: the case of Henry Lello / Gerald MacLean -- Command performances: early English traders in Arabia Felix / Richmond Barbour -- Strategic improvisation: Henry Blount in the Ottoman Empire / Sabine Schülting -- Props and Costumes. English women in Oriental dress: playing the Turk in Lady Mary Wortley Montagu's Turkish embassy letters and Daniel Defoe's Roxana / Susanne Scholz -- Painting the "Orient" Dosso Dossi's Melissa / Wibke Joswig -- Materialising Islam on the early modern English stage / Matthew Dimmock -- Encounters on stage. Ousting the Ottomans: the double vision of the East in The travels of the three English brothers (1607) / Ralf Hertel -- Claudio Monteverdi's Combattimento di Tancredi e Clorinda (1624 or 1625): a Christian-Muslim encounter in music? / Clemens Risi -- After Orientalism? post-September 11 culturalisms at play in Bambiland and The Persians / Claudia Breger. |
| Record Nr. | UNINA-9910462359903321 |
| Burlington, Vt., : Ashgate, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Early modern encounters with the Islamic East [[electronic resource] ] : performing cultures / / edited by Sabine Schülting, Sabine Lucia Müller and Ralf Hertel
| Early modern encounters with the Islamic East [[electronic resource] ] : performing cultures / / edited by Sabine Schülting, Sabine Lucia Müller and Ralf Hertel |
| Pubbl/distr/stampa | Burlington, Vt., : Ashgate, 2012 |
| Descrizione fisica | 1 online resource (223 p.) |
| Disciplina | 790.2094 |
| Altri autori (Persone) |
SchültingSabine
MüllerSabine Lucia HertelRalf <1973-> |
| Collana | Transculturalisms, 1400-1700 |
| Soggetto topico |
Theater - Europe - History
Performing arts - Europe - History Performing arts - Islamic Empire Islamic civilization - European influences |
| ISBN |
1-315-57842-5
1-317-14707-3 1-317-14706-5 1-280-67753-8 9786613654465 1-4094-3851-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: cultures at play / Sabine Schülting, Sabine Lucia Müller and Ralf Hertel -- Players and playgrounds. William Harborne's embassies: scripting, performing and editing Anglo-Ottoman diplomacy / Sabine Lucia Müller -- Performing at the Ottoman Porte in 1599: the case of Henry Lello / Gerald MacLean -- Command performances: early English traders in Arabia Felix / Richmond Barbour -- Strategic improvisation: Henry Blount in the Ottoman Empire / Sabine Schülting -- Props and Costumes. English women in Oriental dress: playing the Turk in Lady Mary Wortley Montagu's Turkish embassy letters and Daniel Defoe's Roxana / Susanne Scholz -- Painting the "Orient" Dosso Dossi's Melissa / Wibke Joswig -- Materialising Islam on the early modern English stage / Matthew Dimmock -- Encounters on stage. Ousting the Ottomans: the double vision of the East in The travels of the three English brothers (1607) / Ralf Hertel -- Claudio Monteverdi's Combattimento di Tancredi e Clorinda (1624 or 1625): a Christian-Muslim encounter in music? / Clemens Risi -- After Orientalism? post-September 11 culturalisms at play in Bambiland and The Persians / Claudia Breger. |
| Record Nr. | UNINA-9910790384903321 |
| Burlington, Vt., : Ashgate, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Early modern encounters with the Islamic East : performing cultures / / edited by Sabine Schülting, Sabine Lucia Müller and Ralf Hertel
| Early modern encounters with the Islamic East : performing cultures / / edited by Sabine Schülting, Sabine Lucia Müller and Ralf Hertel |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Burlington, Vt., : Ashgate, 2012 |
| Descrizione fisica | 1 online resource (223 p.) |
| Disciplina | 790.2094 |
| Altri autori (Persone) |
SchültingSabine
MüllerSabine Lucia HertelRalf <1973-> |
| Collana | Transculturalisms, 1400-1700 |
| Soggetto topico |
Theater - Europe - History
Performing arts - Europe - History Performing arts - Islamic Empire Islamic civilization - European influences |
| ISBN |
1-315-57842-5
1-317-14707-3 1-317-14706-5 1-280-67753-8 9786613654465 1-4094-3851-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: cultures at play / Sabine Schülting, Sabine Lucia Müller and Ralf Hertel -- Players and playgrounds. William Harborne's embassies: scripting, performing and editing Anglo-Ottoman diplomacy / Sabine Lucia Müller -- Performing at the Ottoman Porte in 1599: the case of Henry Lello / Gerald MacLean -- Command performances: early English traders in Arabia Felix / Richmond Barbour -- Strategic improvisation: Henry Blount in the Ottoman Empire / Sabine Schülting -- Props and Costumes. English women in Oriental dress: playing the Turk in Lady Mary Wortley Montagu's Turkish embassy letters and Daniel Defoe's Roxana / Susanne Scholz -- Painting the "Orient" Dosso Dossi's Melissa / Wibke Joswig -- Materialising Islam on the early modern English stage / Matthew Dimmock -- Encounters on stage. Ousting the Ottomans: the double vision of the East in The travels of the three English brothers (1607) / Ralf Hertel -- Claudio Monteverdi's Combattimento di Tancredi e Clorinda (1624 or 1625): a Christian-Muslim encounter in music? / Clemens Risi -- After Orientalism? post-September 11 culturalisms at play in Bambiland and The Persians / Claudia Breger. |
| Record Nr. | UNINA-9910815269803321 |
| Burlington, Vt., : Ashgate, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fremde Helden auf europäischen Bühnen (1600-1900) / / Achim Aurnhammer, Barbara Korte (Hg.)
| Fremde Helden auf europäischen Bühnen (1600-1900) / / Achim Aurnhammer, Barbara Korte (Hg.) |
| Pubbl/distr/stampa | Baden-Baden : , : Nomos Verlagsgesellschaft mbH & Co. KG, , 2017 |
| Descrizione fisica | 1 online resource (286 pages) |
| Disciplina | 809 |
| Collana | Helden - Heroisierungen - Heroismen |
| Soggetto topico |
Heroes in literature
Noncitizens in literature Theater - Europe - History |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Einleitung -- Tamburlaine: Christopher Marlowes fremder Held -- Wie fremd müssen Helden sein? Überlegungen zu Othello -- Miles Iaponus et Christianus: Japanische Märtyrer auf der Jesuitenbühne -- Im Universum von (fremden) Welten: Über die Erziehung zum Helden im höfischen Musiktheater des 17. Jahrhunderts -- "This borrow'd shape": Barbarische Fremdheit und heroische Täuschung in Elkanah Settles The Conquest of China, by the Tartars (1676) -- John Drydens Amboyna: Verfremdungen des Heroischen im Kontext des Welthandels -- Alexander der Große und der indische Raja Puru: Zur Exotik in einem Libretto Metastasios und in darauf basierenden Opern von Hasse und Händel -- Friedrichs II. Montezuma (1755): Ein aztekischer Anti-Machiavel -- Muslimische Helden: Die Kreuzzüge im Musiktheater -- Römische Helden aus der chinesischen Fremde: Paul Weidmanns ,Originaltrauerspiel'. Usanquei, oder die Patrioten in Sina -- Goethes Heldin Iphigenie: Zu einer Morphologie des Fremden -- Andere Helden: Morphologien des Heroisch-Fremden im Tanztheater des 19. Jahrhunderts -- Die neue Stimme des fremden Helden: Gaetano Fraschini als Zamoro in Giuseppe Verdis Alzira -- Alterität und Heroismus in Franz Grillparzers Trilogie Das Goldene Vließ und in Euripides' Medeia -- Andere Helden im populären englischen Melodrama des frühen 19. Jahrhunderts -- Die Borgias: Fremde Charaktere und Fremdheit in der Bühnenerzählung. Überlegungen aus der Theaterpraxis -- Verzeichnis der Autorinnen und Autoren. |
| Altri titoli varianti |
Fremde Helden auf europäischen Bühnen
Fremde Helden auf europäischen Bühnen |
| Record Nr. | UNINA-9910346834403321 |
| Baden-Baden : , : Nomos Verlagsgesellschaft mbH & Co. KG, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fremde Helden auf europäischen Bühnen (1600-1900) / / Achim Aurnhammer, Barbara Korte (Hg.)
| Fremde Helden auf europäischen Bühnen (1600-1900) / / Achim Aurnhammer, Barbara Korte (Hg.) |
| Pubbl/distr/stampa | Baden-Baden : , : Nomos Verlagsgesellschaft mbH & Co. KG, , 2017 |
| Descrizione fisica | 1 online resource (286 pages) |
| Disciplina | 809 |
| Collana | Helden - Heroisierungen - Heroismen |
| Soggetto topico |
Heroes in literature
Noncitizens in literature Theater - Europe - History |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Einleitung -- Tamburlaine: Christopher Marlowes fremder Held -- Wie fremd müssen Helden sein? Überlegungen zu Othello -- Miles Iaponus et Christianus: Japanische Märtyrer auf der Jesuitenbühne -- Im Universum von (fremden) Welten: Über die Erziehung zum Helden im höfischen Musiktheater des 17. Jahrhunderts -- "This borrow'd shape": Barbarische Fremdheit und heroische Täuschung in Elkanah Settles The Conquest of China, by the Tartars (1676) -- John Drydens Amboyna: Verfremdungen des Heroischen im Kontext des Welthandels -- Alexander der Große und der indische Raja Puru: Zur Exotik in einem Libretto Metastasios und in darauf basierenden Opern von Hasse und Händel -- Friedrichs II. Montezuma (1755): Ein aztekischer Anti-Machiavel -- Muslimische Helden: Die Kreuzzüge im Musiktheater -- Römische Helden aus der chinesischen Fremde: Paul Weidmanns ,Originaltrauerspiel'. Usanquei, oder die Patrioten in Sina -- Goethes Heldin Iphigenie: Zu einer Morphologie des Fremden -- Andere Helden: Morphologien des Heroisch-Fremden im Tanztheater des 19. Jahrhunderts -- Die neue Stimme des fremden Helden: Gaetano Fraschini als Zamoro in Giuseppe Verdis Alzira -- Alterität und Heroismus in Franz Grillparzers Trilogie Das Goldene Vließ und in Euripides' Medeia -- Andere Helden im populären englischen Melodrama des frühen 19. Jahrhunderts -- Die Borgias: Fremde Charaktere und Fremdheit in der Bühnenerzählung. Überlegungen aus der Theaterpraxis -- Verzeichnis der Autorinnen und Autoren. |
| Altri titoli varianti |
Fremde Helden auf europäischen Bühnen
Fremde Helden auf europäischen Bühnen |
| Record Nr. | UNISA-996344247803316 |
| Baden-Baden : , : Nomos Verlagsgesellschaft mbH & Co. KG, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
History and Drama : the Pan-European tradition / / Joachim Küpper, Jan Mosch, Elena Penskaya
| History and Drama : the Pan-European tradition / / Joachim Küpper, Jan Mosch, Elena Penskaya |
| Autore | Küpper Joachim |
| Pubbl/distr/stampa | Berlin : , : De Gruyter, , 2019 |
| Descrizione fisica | 1 online resource (viii, 202 pages) : illustrations |
| Disciplina | 833.912 |
| Soggetto topico |
Theater - Europe - History
History in literature |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgments -- Contents -- Introduction -- Literature and Historiography in Aristotle and in Modern Times -- History, Myth, and Early Modern Drama -- King Arthur in Medieval French Literature: History and Fiction, the Sense of the Tragic, and the Role of Dreams in La Mort le Roi Artu -- When History Does Not Fit into Drama: Some Thoughts on the Absence of King Arthur in Early Modern Plays -- Machiavelli's Soteriology and the Humanist Quattrocento Dialogue -- Lucretia without Poniard: Pieter Corneliszoon Hooft's Geeraerdt van Velsen between Livy and Tacitus -- The Historical Writing of Catherine II: Dynasty and Self-Fashioning in The Chesme Palace (Chesmenskii Dvorets) -- History - Drama - Mythology -- Fielding's Farces: Travestying the Historiosophical Discourse -- Ostrovsky's Experience of the Creation of the European Theatrical Canon and Russian Stage Practice: Personal Preferences and General Trends -- The Bildungsdrama and Alexander Ostrovsky's Plays -- "Sail[ing] on the Pathless Deep": Michael Madhusudan Datta's Dramatic Entanglements -- The Crystallization of Early Modern European Drama in the Folk-Theater Tradition in Tyrol: The Marienberg Griseldis from 1713, Staged in 2016 -- Rhetorical Ventriloquism in Application -- Notes on Contributors -- Index. |
| Altri titoli varianti | History and Drama |
| Record Nr. | UNINA-9910476938103321 |
|
Küpper Joachim
|
||
| Berlin : , : De Gruyter, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Inszenierte Moderne : Populäres Theater in Berlin und London, 1880-1930 / / Tobias Becker; German Historical Institute London
| Inszenierte Moderne : Populäres Theater in Berlin und London, 1880-1930 / / Tobias Becker; German Historical Institute London |
| Autore | Becker Tobias |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | De Gruyter, 2014 |
| Descrizione fisica | 1 online resource (512 p.) |
| Disciplina | 792/.089924043155 |
| Collana | Veröffentlichungen des Deutschen Historischen Instituts London/ Publications of the German Historical Institute London |
| Soggetto topico |
Theater - Germany - Berlin - 19th century
Theater - Germany - Berlin - 20th century Theater - England - London - 19th century Theater - England - London - 20th century Theater - Europe - History |
| Soggetto non controllato |
German-British history
history of popular culture media history theater history urban history |
| ISBN |
3-11-039731-5
3-11-035371-7 |
| Classificazione | AP 64800 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhalt -- Einleitung -- 1. Theaterpolitik -- 2. Theaterräume -- 3. Theatergesellschaft -- 4. Theatergeschäft -- Fazit -- Dank -- Tabellen -- Verzeichnis der Abbildungen -- Quellen- und Literaturverzeichnis -- Abstract -- Personenregister -- Stückregister |
| Record Nr. | UNISA-996328049403316 |
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Becker Tobias
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| De Gruyter, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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