Gender in Play on the Shakespearean Stage : Boy Heroines and Female Pages / / Michael Shapiro |
Autore | Shapiro Michael <1938-> |
Edizione | [First paperback edition.] |
Pubbl/distr/stampa | Ann Arbor : , : The University of Michigan Press, , 1996 |
Descrizione fisica | 1 online resource |
Soggetto topico |
Theâtre - Angleterre (GB) - Identite sexuelle - Dans la litterature
Theâtre - Angleterre (GB) - 17e siecle Theâtre - Angleterre (GB) - 16e siecle Rôle selon le sexe - Dans la litterature Women in the theater Women in literature Theater - Casting Theater Sex role in literature Gender identity in the theater Gender identity in literature Disguise in literature Cross-dressing in literature Child actors Travestisme dans la litterature Femmes dans la litterature Deguisement dans la litterature Rôle selon le sexe dans la litterature Identite de genre dans la litterature Enfants acteurs - Angleterre - Histoire - 17e siecle Enfants acteurs - Angleterre - Histoire - 16e siecle Femmes au theâtre - Angleterre - Histoire - 17e siecle Femmes au theâtre - Angleterre - Histoire - 16e siecle Identite de genre au theâtre - Angleterre - Histoire - 17e siecle Identite de genre au theâtre - Angleterre - Histoire - 16e siecle Theâtre - Distribution artistique - Angleterre - Histoire - 17e siecle Theâtre - Distribution artistique - Angleterre - Histoire - 16e siecle Child actors - England - History - 17th century Child actors - England - History - 16th century Women in the theater - England - History - 17th century Women in the theater - England - History - 16th century Gender identity in the theater - England - History - 17th century Gender identity in the theater - England - History - 16th century Theater - Casting - England - History - 17th century Theater - Casting - England - History - 16th century |
Soggetto genere / forma | History |
ISBN | 0-472-90424-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A brief social history of female cross-dressing -- Male cross-dressing in playhouses and plays -- Cross-gender disguise plus cross-gender casting -- Bringing the page onstage: The two gentlemen of Verona -- Doubling of cross-gender disguise: The merchant of Venice -- Layers of disguise: As you like it -- Anxieties of intimacy: Twelfth night -- From center to periphery: Cymbeline. |
Record Nr. | UNINA-9910735592903321 |
Shapiro Michael <1938->
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Ann Arbor : , : The University of Michigan Press, , 1996 | ||
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Lo trovi qui: Univ. Federico II | ||
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Shakespeare without women : representing gender and race on the Renaissance stage / / Dympna Callaghan |
Autore | Callaghan Dympna |
Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2000 |
Descrizione fisica | xiii, 219 p. : ill |
Disciplina | 822.3/3 |
Collana | Accents on Shakespeare |
Soggetto topico |
Theater - Casting - England - History - 16th century
Theater - Casting - England - History - 17th century Feminism and theater - England - History Female impersonators - England - History Theater and society - England - History Africans in literature Black people in literature Women in literature |
Soggetto genere / forma | Electronic books. |
ISBN |
1-134-63312-2
1-280-31743-4 0-203-45772-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | chapter Introduction -- Cleopatra had a way with her -- chapter 1 And all is semblative a woman's part -- Body politics and Twelfth Night -- chapter 2 The castrator's song -- Female impersonation on the early modern stage -- chapter 3 Othello was a white man: Properties of race on -- Properties of race on Shakespeare's stage / Shakespeare's stage -- chapter 4 Irish memories in -- chapter 5 What is an audience?. |
Record Nr. | UNINA-9910455530503321 |
Callaghan Dympna
![]() |
||
London ; ; New York : , : Routledge, , 2000 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespeare without women : representing gender and race on the Renaissance stage / / Dympna Callaghan |
Autore | Callaghan Dympna |
Edizione | [1st ed.] |
Pubbl/distr/stampa | London ; ; New York, : Routledge, 2000 |
Descrizione fisica | xiii, 219 p. : ill |
Disciplina | 822.3/3 |
Collana | Accents on Shakespeare |
Soggetto topico |
Theater - Casting - England - History - 16th century
Theater - Casting - England - History - 17th century Feminism and theater - England - History Female impersonators - England - History Theater and society - England - History Africans in literature Blacks in literature Women in literature |
ISBN |
1-134-63311-4
1-134-63312-2 1-280-31743-4 0-203-45772-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | chapter Introduction -- Cleopatra had a way with her -- chapter 1 And all is semblative a woman's part -- Body politics and Twelfth Night -- chapter 2 The castrator's song -- Female impersonation on the early modern stage -- chapter 3 Othello was a white man: Properties of race on -- Properties of race on Shakespeare's stage / Shakespeare's stage -- chapter 4 Irish memories in -- chapter 5 What is an audience?. |
Record Nr. | UNINA-9910806279003321 |
Callaghan Dympna
![]() |
||
London ; ; New York, : Routledge, 2000 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespeare without women |
Autore | Callaghan Dympna |
Pubbl/distr/stampa | London, : Routledge, 1999 |
Descrizione fisica | xiii, 219 p. : ill |
Disciplina | 822.3/3 |
Collana | Accents on Shakespeare |
Soggetto topico |
Theater - Casting - England - History - 16th century
Theater - Casting - England - History - 17th century Feminism and theater - England - History Female impersonators - England - History Theater and society - England - History Africans in literature Black people in literature Women in literature |
ISBN |
1-134-63311-4
1-134-63312-2 1-280-31743-4 0-203-45772-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | chapter Introduction -- Cleopatra had a way with her -- chapter 1 And all is semblative a woman's part -- Body politics and Twelfth Night -- chapter 2 The castrator's song -- Female impersonation on the early modern stage -- chapter 3 Othello was a white man: Properties of race on -- Properties of race on Shakespeare's stage / Shakespeare's stage -- chapter 4 Irish memories in -- chapter 5 What is an audience?. |
Record Nr. | UNINA-9910779941503321 |
Callaghan Dympna
![]() |
||
London, : Routledge, 1999 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|