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Antropologia e teatro
| Antropologia e teatro |
| Pubbl/distr/stampa | [Bologna] : , : Università di Bologna, Dipartimento di Musica e Spettacolo, , [2010]- |
| Descrizione fisica | 1 online resource |
| Soggetto topico | Theater - Anthropological aspects |
| Soggetto genere / forma | Periodicals. |
| Formato | Materiale a stampa  |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-996321170703316 |
| [Bologna] : , : Università di Bologna, Dipartimento di Musica e Spettacolo, , [2010]- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Antropologia e teatro
| Antropologia e teatro |
| Pubbl/distr/stampa | [Bologna] : , : Università di Bologna, Dipartimento di Musica e Spettacolo, , [2010]- |
| Descrizione fisica | 1 online resource |
| Soggetto topico | Theater - Anthropological aspects |
| Soggetto genere / forma | Periodicals. |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-9910139458003321 |
| [Bologna] : , : Università di Bologna, Dipartimento di Musica e Spettacolo, , [2010]- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Between theater & anthropology [[electronic resource] /] / Richard Schechner ; foreword by Victor Turner
| Between theater & anthropology [[electronic resource] /] / Richard Schechner ; foreword by Victor Turner |
| Autore | Schechner Richard <1934-> |
| Pubbl/distr/stampa | Philadelphia, : University of Pennsylvania Press, c1985 |
| Descrizione fisica | 1 online resource (360 p.) |
| Disciplina | 792/.01 |
| Altri autori (Persone) | TurnerVictor W <1920-1983.> (Victor Witter) |
| Soggetto topico |
Theater - Anthropological aspects
Rites and ceremonies Performing arts |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-21135-1
9786613211354 0-8122-0092-6 0-585-22479-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Foreword -- Acknowledgments -- 1. Points of Contact Between Anthropological and Theatrical Thought -- 2. Restoration of Behavior -- 3. Performers and Spectators Transported and Transformed -- 4. Ramlila of Ramnagar -- 5. Performer Training Interculturally -- 6. Playing with Genet's Balcony: Looking Back on a 1979/1980 Production -- 7. News, Sex, and Performance Theory -- References -- Index |
| Altri titoli varianti | Between theater and anthropology |
| Record Nr. | UNINA-9910454921103321 |
Schechner Richard <1934->
|
||
| Philadelphia, : University of Pennsylvania Press, c1985 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Between theater & anthropology / / Richard Schechner ; foreword by Victor Turner
| Between theater & anthropology / / Richard Schechner ; foreword by Victor Turner |
| Autore | Schechner Richard <1934-> |
| Pubbl/distr/stampa | Philadelphia, : University of Pennsylvania Press, c1985 |
| Descrizione fisica | 1 online resource (360 pages) : illustrations |
| Disciplina | 792/.01 |
| Altri autori (Persone) | TurnerVictor W <1920-1983.> (Victor Witter) |
| Soggetto topico |
Theater - Anthropological aspects
Rites and ceremonies Performing arts |
| ISBN |
1-283-21135-1
9786613211354 0-8122-0092-6 0-585-22479-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Foreword -- Acknowledgments -- 1. Points of Contact Between Anthropological and Theatrical Thought -- 2. Restoration of Behavior -- 3. Performers and Spectators Transported and Transformed -- 4. Ramlila of Ramnagar -- 5. Performer Training Interculturally -- 6. Playing with Genet's Balcony: Looking Back on a 1979/1980 Production -- 7. News, Sex, and Performance Theory -- References -- Index |
| Altri titoli varianti | Between theater and anthropology |
| Record Nr. | UNINA-9910778979303321 |
|
Schechner Richard <1934->
|
||
| Philadelphia, : University of Pennsylvania Press, c1985 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Between theater & anthropology / / Richard Schechner ; foreword by Victor Turner
| Between theater & anthropology / / Richard Schechner ; foreword by Victor Turner |
| Autore | Schechner Richard <1934-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Philadelphia, : University of Pennsylvania Press, c1985 |
| Descrizione fisica | 1 online resource (360 pages) : illustrations |
| Disciplina | 792/.01 |
| Altri autori (Persone) | TurnerVictor W <1920-1983.> (Victor Witter) |
| Soggetto topico |
Theater - Anthropological aspects
Rites and ceremonies Performing arts |
| ISBN |
1-283-21135-1
9786613211354 0-8122-0092-6 0-585-22479-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Foreword -- Acknowledgments -- 1. Points of Contact Between Anthropological and Theatrical Thought -- 2. Restoration of Behavior -- 3. Performers and Spectators Transported and Transformed -- 4. Ramlila of Ramnagar -- 5. Performer Training Interculturally -- 6. Playing with Genet's Balcony: Looking Back on a 1979/1980 Production -- 7. News, Sex, and Performance Theory -- References -- Index |
| Altri titoli varianti | Between theater and anthropology |
| Record Nr. | UNINA-9910808011803321 |
|
Schechner Richard <1934->
|
||
| Philadelphia, : University of Pennsylvania Press, c1985 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
La Conférence de sept Parfums / / Pierre Guicheney
| La Conférence de sept Parfums / / Pierre Guicheney |
| Autore | Guicheney Pierre |
| Pubbl/distr/stampa | Torino, : Accademia University Press, 2018 |
| Descrizione fisica | 1 online resource (112 p.) |
| Altri autori (Persone) | AttisaniAntonio |
| Soggetto topico |
Theater - Anthropological aspects
Theater - History - 20th century |
| Soggetto non controllato |
Grotowski
Morocco travel Nigeria |
| ISBN |
88-99982-66-X
88-99982-68-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910284455903321 |
|
Guicheney Pierre
|
||
| Torino, : Accademia University Press, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler
| A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler |
| Autore | Barba Eugenio |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2006 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 795/.03 |
| Altri autori (Persone) |
FowlerRichard
SavareseNicola <1945-> |
| Soggetto topico |
Theater - Anthropological aspects
Acting Dance |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-10221-8
9786613102218 1-135-17635-3 1-135-17634-5 0-203-86395-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; A Dictionary of Theatre Anthropology; Copyright Page; Contents; Preface: Eugenio Barba; Introduction; Theatre anthropology - Eugenio Barba; Similar principles, different performances; Lokadharmi and Natyadharmi; Balance in action; The dance of oppositions; The virtue of omission; Intermezzo; A decided body; A fictive body; A million candles; Anatomy; Can the sea rise above the mountain tops? - Nicola Savarese; Apprenticeship; Western examples - Fabrizio Cruciani; Founding fathers and pedagogical theatre at the beginning of the twentieth century
Creative process, theatre school and theatre cultureAuthor's pedagogy; An Indian example - Rosemary Jeanes Antze; Guru as parent, honoured preceptor; Guru-kula,study in the guru's home; Guru-dakshina, gifts and fees; Ekalavya, disciple extraordinaire; Guru-shishya-parampara; Balance; Extra-daily balance; Luxury balance; Extra-daily technique: the search for a new posture; Generalisations regarding balance; Balance in action; Steel and cotton; Why does the performer aim for a luxury balance? What does the performer's alteration of balance mean for the spectator?; Balance and imagination Brecht's unknown danceDilation; The dilated body - Eugenio Barba; The bridge; Peripeteias; The negation principle; To think the thought; Twin logics; Seven-gated Thebes; The dilated mind - Franco Ruffini; Dramaturgy; Actions at work - Eugenio Barba; Energy; Kung-fu; Energy and continuity; Koshi, ki-hai, bayu; Animus, anima; Keras and manis; Lasya and tandava; Tame; Energy in space and energy in time; Santai, the actor's three bodies; Braking the action; The performer's presence; Equivalence; The equivalence principle; Dhanu: archery in Indian odissi dance How one shoots an arrow in japanese kyogen theatreShooting with a bow; Eurasian theatre; Eurasian theatre - Eugenio Barba; Dawn; Eurasian theatre; Anti-tradition; Why; Roots; Village; To interpret a text or to create a context; Spectator; Incomprehensions and inventions: from the silk road to seki sano - Nicola Savarese; Exercises; Score and subscore: the significance of exercise in the actor's dramaturgy - Eugenio Barba; A physical action: the smallest perceptible action; The age of exercises; Inner life and interpretation; The complexity of emotion; The real relationship; Sport as dance The physical dialogue with the spectatorsThe real action; Meyerhold's theatre fission; The exercise: a model of organic and dynamic dramaturgy; Form, rhythm, flow; Tacit knowledge; Face and eyes; Physiology and codification; The concrete gaze; The action of seeing; Showing that one is seeing; The natural face; The provisional face; The painted face; Feet; Microcosm, macrocosm; On point; Foot grammar; Hands; Physiology and codification of the hands; The hands: pure sound or silence; How to invent hands in movement; India: hands and meaning; Hands and the Peking Opera; Hands and Balinese dance Hands and the Japanese theatre |
| Altri titoli varianti | Dictionary of theatre anthropology |
| Record Nr. | UNINA-9910459980903321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler
| A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler |
| Autore | Barba Eugenio |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2006 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 795/.03 |
| Altri autori (Persone) |
FowlerRichard
SavareseNicola <1945-> |
| Soggetto topico |
Theater - Anthropological aspects
Acting Dance |
| ISBN |
1-283-10221-8
9786613102218 1-135-17635-3 1-135-17634-5 0-203-86395-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; A Dictionary of Theatre Anthropology; Copyright Page; Contents; Preface: Eugenio Barba; Introduction; Theatre anthropology - Eugenio Barba; Similar principles, different performances; Lokadharmi and Natyadharmi; Balance in action; The dance of oppositions; The virtue of omission; Intermezzo; A decided body; A fictive body; A million candles; Anatomy; Can the sea rise above the mountain tops? - Nicola Savarese; Apprenticeship; Western examples - Fabrizio Cruciani; Founding fathers and pedagogical theatre at the beginning of the twentieth century
Creative process, theatre school and theatre cultureAuthor's pedagogy; An Indian example - Rosemary Jeanes Antze; Guru as parent, honoured preceptor; Guru-kula,study in the guru's home; Guru-dakshina, gifts and fees; Ekalavya, disciple extraordinaire; Guru-shishya-parampara; Balance; Extra-daily balance; Luxury balance; Extra-daily technique: the search for a new posture; Generalisations regarding balance; Balance in action; Steel and cotton; Why does the performer aim for a luxury balance? What does the performer's alteration of balance mean for the spectator?; Balance and imagination Brecht's unknown danceDilation; The dilated body - Eugenio Barba; The bridge; Peripeteias; The negation principle; To think the thought; Twin logics; Seven-gated Thebes; The dilated mind - Franco Ruffini; Dramaturgy; Actions at work - Eugenio Barba; Energy; Kung-fu; Energy and continuity; Koshi, ki-hai, bayu; Animus, anima; Keras and manis; Lasya and tandava; Tame; Energy in space and energy in time; Santai, the actor's three bodies; Braking the action; The performer's presence; Equivalence; The equivalence principle; Dhanu: archery in Indian odissi dance How one shoots an arrow in japanese kyogen theatreShooting with a bow; Eurasian theatre; Eurasian theatre - Eugenio Barba; Dawn; Eurasian theatre; Anti-tradition; Why; Roots; Village; To interpret a text or to create a context; Spectator; Incomprehensions and inventions: from the silk road to seki sano - Nicola Savarese; Exercises; Score and subscore: the significance of exercise in the actor's dramaturgy - Eugenio Barba; A physical action: the smallest perceptible action; The age of exercises; Inner life and interpretation; The complexity of emotion; The real relationship; Sport as dance The physical dialogue with the spectatorsThe real action; Meyerhold's theatre fission; The exercise: a model of organic and dynamic dramaturgy; Form, rhythm, flow; Tacit knowledge; Face and eyes; Physiology and codification; The concrete gaze; The action of seeing; Showing that one is seeing; The natural face; The provisional face; The painted face; Feet; Microcosm, macrocosm; On point; Foot grammar; Hands; Physiology and codification of the hands; The hands: pure sound or silence; How to invent hands in movement; India: hands and meaning; Hands and the Peking Opera; Hands and Balinese dance Hands and the Japanese theatre |
| Altri titoli varianti | Dictionary of theatre anthropology |
| Record Nr. | UNINA-9910789602603321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler
| A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler |
| Autore | Barba Eugenio |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2006 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 795/.03 |
| Altri autori (Persone) |
FowlerRichard
SavareseNicola <1945-> |
| Soggetto topico |
Theater - Anthropological aspects
Acting Dance |
| ISBN |
1-283-10221-8
9786613102218 1-135-17635-3 1-135-17634-5 0-203-86395-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; A Dictionary of Theatre Anthropology; Copyright Page; Contents; Preface: Eugenio Barba; Introduction; Theatre anthropology - Eugenio Barba; Similar principles, different performances; Lokadharmi and Natyadharmi; Balance in action; The dance of oppositions; The virtue of omission; Intermezzo; A decided body; A fictive body; A million candles; Anatomy; Can the sea rise above the mountain tops? - Nicola Savarese; Apprenticeship; Western examples - Fabrizio Cruciani; Founding fathers and pedagogical theatre at the beginning of the twentieth century
Creative process, theatre school and theatre cultureAuthor's pedagogy; An Indian example - Rosemary Jeanes Antze; Guru as parent, honoured preceptor; Guru-kula,study in the guru's home; Guru-dakshina, gifts and fees; Ekalavya, disciple extraordinaire; Guru-shishya-parampara; Balance; Extra-daily balance; Luxury balance; Extra-daily technique: the search for a new posture; Generalisations regarding balance; Balance in action; Steel and cotton; Why does the performer aim for a luxury balance? What does the performer's alteration of balance mean for the spectator?; Balance and imagination Brecht's unknown danceDilation; The dilated body - Eugenio Barba; The bridge; Peripeteias; The negation principle; To think the thought; Twin logics; Seven-gated Thebes; The dilated mind - Franco Ruffini; Dramaturgy; Actions at work - Eugenio Barba; Energy; Kung-fu; Energy and continuity; Koshi, ki-hai, bayu; Animus, anima; Keras and manis; Lasya and tandava; Tame; Energy in space and energy in time; Santai, the actor's three bodies; Braking the action; The performer's presence; Equivalence; The equivalence principle; Dhanu: archery in Indian odissi dance How one shoots an arrow in japanese kyogen theatreShooting with a bow; Eurasian theatre; Eurasian theatre - Eugenio Barba; Dawn; Eurasian theatre; Anti-tradition; Why; Roots; Village; To interpret a text or to create a context; Spectator; Incomprehensions and inventions: from the silk road to seki sano - Nicola Savarese; Exercises; Score and subscore: the significance of exercise in the actor's dramaturgy - Eugenio Barba; A physical action: the smallest perceptible action; The age of exercises; Inner life and interpretation; The complexity of emotion; The real relationship; Sport as dance The physical dialogue with the spectatorsThe real action; Meyerhold's theatre fission; The exercise: a model of organic and dynamic dramaturgy; Form, rhythm, flow; Tacit knowledge; Face and eyes; Physiology and codification; The concrete gaze; The action of seeing; Showing that one is seeing; The natural face; The provisional face; The painted face; Feet; Microcosm, macrocosm; On point; Foot grammar; Hands; Physiology and codification of the hands; The hands: pure sound or silence; How to invent hands in movement; India: hands and meaning; Hands and the Peking Opera; Hands and Balinese dance Hands and the Japanese theatre |
| Altri titoli varianti | Dictionary of theatre anthropology |
| Record Nr. | UNINA-9910820957703321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The paper canoe : a guide to theatre anthropology / / Eugenio Barba ; translated by Richard Fowler
| The paper canoe : a guide to theatre anthropology / / Eugenio Barba ; translated by Richard Fowler |
| Autore | Barba Eugenio |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1995 |
| Descrizione fisica | 1 online resource (197 p.) |
| Disciplina |
792
792.01 |
| Altri autori (Persone) | FowlerRichard |
| Soggetto topico |
Acting
Dance Theater - Anthropological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-415-11674-0
1-134-81820-3 1-280-05266-X 0-203-36009-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Book Cover; Title; Contents; Preface; THE GENESIS OF THEATRE ANTHROPOLOGY; DEFINITION; RECURRING PRINCIPLES; NOTES FOR THE PERPLEXED (AND FOR MYSELF); ENERGY, OR RATHER, THE THOUGHT; THE DILATED BODY: Notes on the search for meaning; A THEATRE NOT MADE OF STONES AND BRICKS; CANOES, BUTTERFLIES AND A HORSE; Notes; Index |
| Record Nr. | UNINA-9910451097203321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
-
Theater - Anthropological aspects
(13)
- Acting (6)
- Dance (6)
- Performing arts (3)
- Rites and ceremonies (3)