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African Drama and Performance [[electronic resource]]
| African Drama and Performance [[electronic resource]] |
| Autore | Conteh-Morgan John |
| Pubbl/distr/stampa | Bloomington, IN, : Indiana University Press, 2004 |
| Descrizione fisica | 1 online resource (285 p.) |
| Disciplina | 791/.096/0904 |
| Altri autori (Persone) | OlaniyanTejumola |
| Collana | African expressive cultures African drama and performance |
| Soggetto topico |
Theater - Africa - History - 20th century
Theater - History - 20th century - Africa Performing arts - History - 20th century - Africa African drama - History and criticism - 20th century Drama Music, Dance, Drama & Film |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-07134-3
0-253-11090-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Table of Contents; Acknowledgments; Introduction; 1. King Baabu and the Renaissance Vision; 2. Dimensions of Theatricality in Africa; 3. Theatre and Anthropology, Theatricality and Culture; 4. Pre-Texts and Intermedia: African Theatre and the Question of History; 5. Soyinka, Euripides, and the Anxiety of Empire; 6. Antigone in the "Land of the Incorruptible": Sylvain Bemba's Noces posthumes de Santigone (Black Wedding Candles for Blessed Antigone); 7. Gestural Interpretation of the Occult in the Bin Kadi-SoAdaptation of Macbeth
15. Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music16. Theatres of Truth, Acts of Reconciliation: The TRC in South Africa; 17. The Turner-Schechner Model of Performance as Social Drama: A Reexamination in Light of Anlo-Ewe Haló; 18. Theatricality and Social Mimodrama; Bibliography; Contributors; Index |
| Record Nr. | UNINA-9910449812003321 |
Conteh-Morgan John
|
||
| Bloomington, IN, : Indiana University Press, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
African Drama and Performance [[electronic resource]]
| African Drama and Performance [[electronic resource]] |
| Autore | Conteh-Morgan John |
| Pubbl/distr/stampa | Bloomington, IN, : Indiana University Press, 2004 |
| Descrizione fisica | 1 online resource (285 p.) |
| Disciplina | 791/.096/0904 |
| Altri autori (Persone) | OlaniyanTejumola |
| Collana | African expressive cultures African drama and performance |
| Soggetto topico |
Theater - Africa - History - 20th century
Theater - History - 20th century - Africa Performing arts - History - 20th century - Africa African drama - History and criticism - 20th century Drama Music, Dance, Drama & Film |
| ISBN |
1-282-07134-3
0-253-11090-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Table of Contents; Acknowledgments; Introduction; 1. King Baabu and the Renaissance Vision; 2. Dimensions of Theatricality in Africa; 3. Theatre and Anthropology, Theatricality and Culture; 4. Pre-Texts and Intermedia: African Theatre and the Question of History; 5. Soyinka, Euripides, and the Anxiety of Empire; 6. Antigone in the "Land of the Incorruptible": Sylvain Bemba's Noces posthumes de Santigone (Black Wedding Candles for Blessed Antigone); 7. Gestural Interpretation of the Occult in the Bin Kadi-SoAdaptation of Macbeth
15. Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music16. Theatres of Truth, Acts of Reconciliation: The TRC in South Africa; 17. The Turner-Schechner Model of Performance as Social Drama: A Reexamination in Light of Anlo-Ewe Haló; 18. Theatricality and Social Mimodrama; Bibliography; Contributors; Index |
| Record Nr. | UNINA-9910783405803321 |
|
Conteh-Morgan John
|
||
| Bloomington, IN, : Indiana University Press, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
African drama and performance / / edited by John Conteh-Morgan and Tejumola Olaniyan
| African drama and performance / / edited by John Conteh-Morgan and Tejumola Olaniyan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2004 |
| Descrizione fisica | 1 online resource (285 p.) |
| Disciplina | 791/.096/0904 |
| Altri autori (Persone) |
Conteh-MorganJohn
OlaniyanTejumola |
| Collana | African expressive cultures |
| Soggetto topico |
Theater - Africa - History - 20th century
Performing arts - Africa - History - 20th century African drama - 20th century - History and criticism |
| ISBN |
1-282-07134-3
0-253-11090-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Table of Contents; Acknowledgments; Introduction; 1. King Baabu and the Renaissance Vision; 2. Dimensions of Theatricality in Africa; 3. Theatre and Anthropology, Theatricality and Culture; 4. Pre-Texts and Intermedia: African Theatre and the Question of History; 5. Soyinka, Euripides, and the Anxiety of Empire; 6. Antigone in the "Land of the Incorruptible": Sylvain Bemba's Noces posthumes de Santigone (Black Wedding Candles for Blessed Antigone); 7. Gestural Interpretation of the Occult in the Bin Kadi-SoAdaptation of Macbeth
15. Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music16. Theatres of Truth, Acts of Reconciliation: The TRC in South Africa; 17. The Turner-Schechner Model of Performance as Social Drama: A Reexamination in Light of Anlo-Ewe Haló; 18. Theatricality and Social Mimodrama; Bibliography; Contributors; Index |
| Record Nr. | UNINA-9910821274403321 |
| Bloomington, : Indiana University Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
