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Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff
| Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (373 pages) |
| Disciplina |
741.5973
801 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Performing arts
Motion picture acting Technology in literature Literature—Translations Motion picture authorship Theater—Production and direction Performing Arts Screen Performance Literature and Technology/Media Translation Studies Screenwriting Theatre Direction and Production |
| ISBN | 3-030-25161-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Process and Practice -- 2. Collaborating with the Dead, or Adapters as Secret Agents -- 3. 'Playing the Maids': Playing with Adaptive Possibilities - Collaboration and the Actor's Process -- 4. The Not-So-Singular Life of Albert Nobbs -- 5. Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- 6. The Alien World of Objects: Stanley Kubrick's The Killing -- 7. Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- 8. "His world had vanished long before he entered it" Wes Anderson's homage to Stefan Zweig -- 9. Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter / The Rider on the White Horse (1888) -- 10. Adapting Hein's Willenbrock: Andreas Dresen and the legacy of the GDR 'Ensemble' Tradition -- 11. Same Player, Shoot Again: Géla Babluan's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration -- 12. Anselm Kiefer's Signature -- 13. Adaptation as Arguing with the Past: The Case of Sherlock -- 14. The Prestige Noverlisation of the Contemporary TV Series: David Hewson's The Killing -- 15. Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist -- 16. Collaborating with the Dead, Playing the Shakespeare Archive; or How We Can Avoid Being Pushed from Our Stools. |
| Record Nr. | UNINA-9910483880203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Bernard Shaw's Marriages and Misalliances / / edited by Robert A. Gaines
| Bernard Shaw's Marriages and Misalliances / / edited by Robert A. Gaines |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XXXV, 229 p. 6 illus.) |
| Disciplina | 792.09 |
| Collana | Bernard Shaw and His Contemporaries |
| Soggetto topico |
Theater—History
British literature Literature, Modern—20th century Theater—Production and direction Theatre History British and Irish Literature Twentieth-Century Literature Theatre Direction and Production |
| ISBN | 1-349-95170-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preamble; Robert A. Gaines -- 1. Shaw’s Early Writings: A Prelude to the Playwright; Richard Farr Dietrich -- 2. The “Mystical Union” De-Mystified: Marriage in Plays Unpleasant; L.W. Conolly -- 3. The Pragmatic Partnerships of the Plays Pleasant; Jennifer Buckley -- 4. Three Plays for Puritans: Decoy Marriages and Social Contracts; Lawrence Switzky -- 5. Not Really a Philanderer; Rodelle Weintraub -- 6. Shaw’s Salvation Trilogy: Man and Superman, John Bull’s Other Island, Major Barbara; Michel Pharand -- 7. Marriage and Mating in the plays of Bernard Shaw and Granville Barker 1908-1911; Peter Gahan -- 8. Ruled by Autonomy: Women’s Evolving Material Choices from The Doctor’s Dilemma (1906) to Pygmalion (1914); Ellen Ecker Dolgin -- 9. From Elle to Eve: the Quintessence of Marriage in Shaw’s Heartbreak House, The Bolshevik Empress and Back to Methuselah; Audrey McNamara -- 10. Beyond /Married Love/: Shaw, Stopes, and Female Desire in the Drama between the Wars, 1923-1934; D.A. Hadfield.- 11. Definitions of Marriage: Village Wooing, On the Rocks and The Simpleton of the Unexpected Isles: A Vision of Judgment; Jean Reynolds.- 12. Matrimonial Partnerships and Politics in Three Late Plays: In Good King Charles’s Golden Days: A True History that Never Happened, The Apple Cart: A Political Extravaganza, and Geneva: Another Political Extravaganza; Matthew Yde.- Appendix A: Divorce Decrees, Divorce Rates per 1,000 Married Couples, And Petitions for Judicial Separation (England and Wales) 1851-1987.- Appendix B: Marriage and Divorce: Liturgy and Legislation; Edited by L.W. Conolly.- Bibliography; Edited by Michel Pharand -- Index; Compiled by D. A. Hadfield.-. |
| Record Nr. | UNINA-9910255084503321 |
| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Dance Leadership : Theory Into Practice / / by Jane M. Alexandre
| Dance Leadership : Theory Into Practice / / by Jane M. Alexandre |
| Autore | Alexandre Jane M |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (X, 212 p. 33 illus., 29 illus. in color.) |
| Disciplina | 792.8 |
| Soggetto topico |
Dance
Theater—Production and direction Performing arts Theater Actors Theatre Direction and Production Performing Arts Contemporary Theatre Performers and Practitioners |
| ISBN | 1-137-57592-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Chapter 1. Toward a Theoretical View of Dance Leadership -- Chapter 2. “We Think Differently in the Landscape of Dance" -- Chapter 3. “I Wanted to Be a Dance Company and not a Social Project" -- Chapter 4. “The Outcome Will Be Exciting If the Process Is Exciting" -- Chapter 5. “We Found There Were Issues We Had to Address” -- Chapter 6. “I Want to Ask Questions That Are Normally Swept Under the Carpet” -- Chapter 7. “Dance Points Us into Life” -- Chapter 8. Circling Back, Moving Forward -- Chapter 9. Enhancing the Theory -- Chapter 10. Conclusion. Bibliography. |
| Record Nr. | UNINA-9910164899903321 |
Alexandre Jane M
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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debbie tucker green : Critical Perspectives / / edited by Siân Adiseshiah, Jacqueline Bolton
| debbie tucker green : Critical Perspectives / / edited by Siân Adiseshiah, Jacqueline Bolton |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (355 pages) |
| Disciplina |
791
822.92 |
| Soggetto topico |
Theater
Performing arts Theater—Production and direction Actors Contemporary Theatre Performing Arts Theatre Direction and Production National/Regional Theatre and Performance Theatre Industry Performers and Practitioners |
| ISBN | 3-030-34581-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: ‘change ain’t fuckin polite, scuse my language’: situating debbie tucker green -- Part I: Dramaturgies of Resistance -- Chapter 2: Black Rage: Diasporic Empathy and Ritual in debbie tucker green’s hang -- Chapter 3: ‘What about the burn their bra bitches?’: debbie tucker green as the Willfully Emotional Subject -- Chapter 4: debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter -- Chapter 5: Engaging with Human Rights: truth and reconciliation and hang -- Chapter 6: ‘I’m a black woman. I write black characters’: Black Mothers, the Police, and Social Justice in random and hang -- Chapter 7: ‘Almost, but not quite’: Reconciling debbie tucker green’s Dramaturgy with British Playwriting Studies -- Chapter 8: Yarns and Yearnings: Story-Layering, Signifyin’, and debbie tucker green’s Black-Feminist Anger -- Part II: Affective Encounters -- Chapter 9: sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green’s stoning mary and hang -- Chapter 10: Jumping to (and away from) Conclusions: Rhythm and Temporality in debbie tucker green’s Drama -- Chapter 11: Trading Voice and Voicing Trades: Musicality in debbie tucker green’s trade -- Chapter 12: ‘Hearing Voices’: Performing the Mind in debbie tucker green’s Dramatic-Poetics -- Chapter 13: Cartographies of Silence in debbie tucker green's truth and reconciliation -- Chapter 14: debbie tucker green and the Work of Mourning -- Chapter 15: Reflections on hang. |
| Record Nr. | UNINA-9910484433603321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Introverted Actor : Practical Approaches / / by Rob Roznowski, Carolyn Conover, Heidi Kasevich
| The Introverted Actor : Practical Approaches / / by Rob Roznowski, Carolyn Conover, Heidi Kasevich |
| Autore | Roznowski Rob |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (289 pages) |
| Disciplina |
792.028
301 |
| Soggetto topico |
Performing arts
Culture—Study and teaching Theater—Production and direction Art education Performing Arts Popular Science in Cultural and Media Studies Theatre Direction and Production Creativity and Arts Education |
| ISBN | 3-030-41607-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Chapter 1: Foundations: Temperament-Diversity -- 2. Chapter 2: Introversion & Acting -- 3. Chapter 3: Self-Awareness -- 4. Chapter 4: Survey Results -- 5. Chapter 5: Temperament-Inclusive Learning: Essential Strategies For Educators -- 6. Chapter 6: Acting Classroom Design -- 7. Chapter 7: Improvisation & The Introvert -- 8. Chapter 8: Cultural Comparisons -- 9. Chapter 9: Interview With Rodney Cottier -- 10. Chapter 10: Case Study: Comedy Class -- 11. Chapter 11: Interview With Jennifer Simard -- 12. Chapter 12: Auditioning -- 13. Chapter 13: Rehearsals -- 14. Chapter 14: Performances -- 15. Chapter 15: Networking -- 16. Chapter 16: A Call To Action. |
| Record Nr. | UNINA-9910484784303321 |
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Roznowski Rob
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Lady Gregory and Irish National Theatre : Art, Drama, Politics / / by Eglantina Remport
| Lady Gregory and Irish National Theatre : Art, Drama, Politics / / by Eglantina Remport |
| Autore | Remport Eglantina |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (243 pages) |
| Disciplina | 306.071 |
| Collana | Bernard Shaw and His Contemporaries |
| Soggetto topico |
Theater—History
Theater Theater—Production and direction British literature Theatre History National/Regional Theatre and Performance Theatre Industry Theatre Direction and Production British and Irish Literature |
| ISBN | 3-319-76611-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. “My Education:” Sir William Gregory, the Grand Tours, and the Visual Arts -- 3. “The ‘whorl’ of Troy:” Celtic Mythology, Victorian Hellenism, and the Irish Literary Revival -- 4. “Ní neart go cur le chéile:” Education, Social Reform, and the Abbey Theatre -- 5. “See a play as a picture:” the Pre-Raphaelite Brotherhood, the Sister Arts, and the Irish Plays -- 6. The Light of the World: Christianity, Cultural Politics, and Constitutional Reform -- 7. Conclusion. |
| Record Nr. | UNINA-9910300011503321 |
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Remport Eglantina
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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New Media Dramaturgy : Performance, Media and New-Materialism / / by Peter Eckersall, Helena Grehan, Edward Scheer
| New Media Dramaturgy : Performance, Media and New-Materialism / / by Peter Eckersall, Helena Grehan, Edward Scheer |
| Autore | Eckersall Peter |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XI, 236 p. 22 illus.) |
| Disciplina | 790 |
| Collana | New Dramaturgies |
| Soggetto topico |
Performing arts
Theater Theater—Production and direction Performing Arts Contemporary Theatre Theatre Direction and Production |
| ISBN | 1-137-55604-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Cue Black Shadow Effect: The New Media Dramaturgy Experience -- 2. The Virtual Machine: Projection in the Theatre -- 3. Organised Light and ‘Useful Lumens’ in Environmental Video Projection: Or the Meaning of Light -- 4. The Theatre of Atmospheres -- 5. Robots: Asleep, Awake, Alone, and in Love -- 6. The Theatrical Superfield: On Soundscapes and Acoustic Dramaturgy -- 7. XD: Reproducing Technological Experience -- 8. Play/Pause, FF/Rewind, End. Machine Times, End Times: Theatre, Live Film, and Video -- Bibliography -- Index.-. |
| Record Nr. | UNINA-9910255063303321 |
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Eckersall Peter
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of Musical Theatre Producers / / edited by Laura MacDonald, William A. Everett
| The Palgrave Handbook of Musical Theatre Producers / / edited by Laura MacDonald, William A. Everett |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XVIII, 559 p.) |
| Disciplina | 782.1 |
| Soggetto topico |
Theater—Production and direction
Theater Performing arts Theater—History Film genres Theatre Direction and Production Theatre Industry Performing Arts Theatre History Genre |
| Soggetto genere / forma | Handbooks and manuals. |
| ISBN |
1-78684-701-9
1-137-43308-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prologue -- 1. Overture; -- 2. Actors Act, Directors Direct, Producers…Produce?; Kathryn Edney -- Act 1. To the 1940s -- 3. Tony Pastor; Gillian Rodger -- 4. Adolf Philipp and the German-American Musical Comedy; John Koegel -- 5. George Edwardes; William A. Everett -- 6. Charles Frohman; Brian D. Valencia -- 7. Aggressive, Beleaguered, Commercial, Defiant; Marlis Schweitzer -- 8. Did the Shuberts Save Broadway?; Anthony Vickery -- 9. Sam Harris; Alisa Roost -- 10. Florenz Ziegfeld Jr.’s “Simple Idea”; Todd Decker -- 11. Feather-Footed Impresario; Maya Cantu -- 12. Alexander A. Aarons and Vinton Freedley; Jennifer Ashley Tepper and William A. Everett -- 13. Coherency; Dominic Symonds -- 14. Firm Foundations; Frank Van Straten.-15. Japanese Women’s Popular Musicals; Nobuko Anan -- Act 2. From the 1940s through the 1970s -- 16. Refining the Tastes of Broadway Audiences; Claudia Wilsch Case -- 17. More than a Producer; Paul R. Laird -- 18. Rodgers and Hammerstein; Valerie Joyce -- 19. The Nice One; Michael Schwartz -- 20. The Sparkplug and the Engineer; Dominic McHugh -- 21. Roger L. Stevens; Karen Patricia Heath -- 22. “He Could Get It for You Wholesale”; Ryan McKinney -- 23. Stuart Ostrow; Elissa Harbert -- 24. Hal Prince; Paul R. Laird -- 25. Korean Musical Theatre’s Past; Ji Hyon (Kayla) Yuh -- 26. Joseph Papp and the Public Theater; Elizabeth L. Wollman -- 27. Giora Godik; Shiraz Biggie -- 28. The West End (and Broadway) Head East; Kevin J. Wetmore, Jr. -- Act 3. Since the 1970s -- 29. The Shubert Organization; Mark E. Swartz -- 30. Emanuel Azenberg's Life in Theatre; Sarah Taylor Ellis -- 31. Cameron Mackintosh; Jessica Sternfeld -- 32. Laying Down the RUG; Kyle A. Thomas -- 33. “My American Dream”; Sir Anril Tiatco -- 34. Trading Globally in Austrian History; Laura MacDonald -- 35. Stage Entertainment’s Global Success; Sanne Thierens -- 36. West Side Story; Doug Reside -- 37. Making Musicals that Matter; Donatella Galella -- 38. Broadway Bound; Claudia Case -- 39. Our Brand Is Revival; Bryan M. Vandevender -- 40. Reclaiming, Restoring, and Reviving the American Musical; Bryan M. Vandevender -- 41. Garth Drabinsky’s “Grand Moves”; Todd Decker -- 42. Disney Theatrical Productions; Amy S. Osatinski -- 43. Against All Odds; Chris McCoy -- 44. “I am them”; Rashida Shaw -- 45. Between Broadway and the Local; Hyunjung Lee -- 46. Performing Like a Concert King or a Queen; Sir Anril Tiatco -- 47. Producing Musicals in Russia at the Turn of the Twenty-First Century; Art Babayants -- 48. David Stone; David Carlyon -- 49. ART for ART’s Sake; Stuart Hecht -- 50. Roth and Son; Laura MacDonald.-Curtain Call -- 51. New Paradigms for Broadway Producers in Popular Culture and Beyond; Mary Jo Lodge -- Biblibography -- Index. |
| Record Nr. | UNINA-9910255072403321 |
| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Robert Lepage’s Scenographic Dramaturgy : The Aesthetic Signature at Work / / by Melissa Poll
| Robert Lepage’s Scenographic Dramaturgy : The Aesthetic Signature at Work / / by Melissa Poll |
| Autore | Poll Melissa |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XI, 199 p. 33 illus., 21 illus. in color.) |
| Disciplina | 792.0233092 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Theater
Theater—Production and direction Actors Contemporary Theatre Theatre Direction and Production Performers and Practitioners |
| ISBN | 3-319-73368-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Scenographic Dramaturgy & Auteuring Adaptations -- 3. The Nightingale and Other Short Fables: Re-Authoring Atypical Opera -- 4. Making Music Visible: Robert Lepage Adapts Aspects of Siegfried Without Shifting a Word -- 5. Adapting ‘Le Grand Will’ in Wendake: Ex Machina and the Huron-Wendat Nation’s La Tempête -- 6. Re-‘Writing’ The Dragons’ Trilogy and Needles & Opium for the Twenty-First Century: Robert Lepage’s Auto-Adaptations -- 7 Conclusion. |
| Record Nr. | UNINA-9910300037603321 |
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Poll Melissa
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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