Info
2.5D printing : bridging the gap between 2D and 3D applications / / by Carinna Parraman, Maria Ortiz Segovia
| 2.5D printing : bridging the gap between 2D and 3D applications / / by Carinna Parraman, Maria Ortiz Segovia |
| Autore | Parraman Carinna |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Hoboken, New Jersey : , : John Wiley & Sons, , 2018 |
| Descrizione fisica | 1 online resource (275 pages) |
| Disciplina | 621.9/88 |
| Collana | Wiley-IS&T series in imaging science and technology |
| Soggetto topico |
Three-dimensional printing
Texture (Art) |
| ISBN |
1-118-96732-1
1-118-96733-X 1-118-96731-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Defining the field of 2.5D printing -- The past -- The present : materials, making, capturing and measuring -- The future -- Case studies. |
| Record Nr. | UNINA-9910555242803321 |
Parraman Carinna
|
||
| Hoboken, New Jersey : , : John Wiley & Sons, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
2.5D printing : bridging the gap between 2D and 3D applications / / by Carinna Parraman, Maria Ortiz Segovia
| 2.5D printing : bridging the gap between 2D and 3D applications / / by Carinna Parraman, Maria Ortiz Segovia |
| Autore | Parraman Carinna |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Hoboken, New Jersey : , : John Wiley & Sons, , 2018 |
| Descrizione fisica | 1 online resource (275 pages) |
| Disciplina | 621.9/88 |
| Collana | Wiley-IS&T series in imaging science and technology |
| Soggetto topico |
Three-dimensional printing
Texture (Art) |
| ISBN |
1-118-96732-1
1-118-96733-X 1-118-96731-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Defining the field of 2.5D printing -- The past -- The present : materials, making, capturing and measuring -- The future -- Case studies. |
| Record Nr. | UNINA-9910830801903321 |
|
Parraman Carinna
|
||
| Hoboken, New Jersey : , : John Wiley & Sons, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art beyond the lens : working with digital textures / / by Sarah Gardner
| Art beyond the lens : working with digital textures / / by Sarah Gardner |
| Autore | Gardner Sarah <1973-, > |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Waltham, Mass. : , : Elsevier, , 2012 |
| Descrizione fisica | 1 online resource (183 p.) |
| Disciplina | 770 |
| Soggetto topico |
Photography, Artistic
Texture (Art) Photography - Digital techniques |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-10869-6
1-136-10870-X 1-280-58234-0 9786613612120 0-240-82413-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Introduction; Chapter 1 Back to Art; An artist's journey; A question of art; Painters who influenced my style; Minimalism: Hidden in the absence of detail; Painting with a digital canvas; Discovering textures; Gaining confidence to work intuitively; Chapter 2 A Working Style; How textures bring nostalgia and emotion to my work; A question of inspiration or influence; Developing a signature style; Chapter 3 Shooting with Textures in Mind; Negative space and the right composition; Backgrounds; How light and dark backgrounds work differently
From plain to texturedWorking with bokeh; Shooting with natural light; Why is it important to shoot with textures in mind?; Chapter 4 Digital Textures Explained; The right textures; What is a digital texture?; Don't judge a book; Making textures from the right source material; Processing textures; How scale is important; Varying scale; Layers, blend modes, and opacity; Blend modes explained; Tints and color casts; Pictorial layers; Chapter 5 Processing Insights; How to prepare an image for texturing; Identifying my image; Lightening with a Screen Blend; Reducing image contrast Increasing clarityFinal adjustments and fine tuning; Levels Adjustments; First Save; Processing with textures; Pure texture; Effective texture removal; Using a mask layer effectively; The "paint away" technique; Processing example; The "paint away" technique on a single texture; Layering multiple textures; The "paint away" technique on multiple textures; Flatten; Beyond the textured; Gradient Fills; Processing example; Introducing Gradient Fills; Gradient fills on extreme backgrounds; Levels RGB tinting; Black-and-white conversion; Desaturating Textures; Solid color layers Background color layersFinish with a curves adjustment; Final sharpen and save; Example recipes; Last word on processing; Chapter 6 Photography Insights; ISO settings; Keep ISO settings as low as possible to reduce unwanted image noise; Aperture priority; Work in AV (aperture priority) mode to ensure shallow depth of field; Prime lenses; Get moving with prime lenses and vary shooting angles; Exposure; Slightly overexpose to keep photograph's light and colors vibrant; White balance; Customize white balance to avoid overly warm or "yellowed" greens and skin tones; Lighting Identify the right light for the jobComposition; Consider backgrounds, middle grounds, and foregrounds; Focus; Self-select the auto focal points for precision focusing; Chapter 7 Presentation & Design Work; Introducing digital papers and design ideas; Client storyboard presentation; Client work, weddings, and portrait shoots; Endnote; Special thanks; Index |
| Record Nr. | UNINA-9910457542703321 |
|
Gardner Sarah <1973-, >
|
||
| Waltham, Mass. : , : Elsevier, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art beyond the lens : working with digital textures / / by Sarah Gardner
| Art beyond the lens : working with digital textures / / by Sarah Gardner |
| Autore | Gardner Sarah <1973-, > |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Waltham, Mass. : , : Elsevier, , 2012 |
| Descrizione fisica | 1 online resource (183 p.) |
| Disciplina | 770 |
| Soggetto topico |
Photography, Artistic
Texture (Art) Photography - Digital techniques |
| ISBN |
1-136-10869-6
1-136-10870-X 1-280-58234-0 9786613612120 0-240-82413-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Introduction; Chapter 1 Back to Art; An artist's journey; A question of art; Painters who influenced my style; Minimalism: Hidden in the absence of detail; Painting with a digital canvas; Discovering textures; Gaining confidence to work intuitively; Chapter 2 A Working Style; How textures bring nostalgia and emotion to my work; A question of inspiration or influence; Developing a signature style; Chapter 3 Shooting with Textures in Mind; Negative space and the right composition; Backgrounds; How light and dark backgrounds work differently
From plain to texturedWorking with bokeh; Shooting with natural light; Why is it important to shoot with textures in mind?; Chapter 4 Digital Textures Explained; The right textures; What is a digital texture?; Don't judge a book; Making textures from the right source material; Processing textures; How scale is important; Varying scale; Layers, blend modes, and opacity; Blend modes explained; Tints and color casts; Pictorial layers; Chapter 5 Processing Insights; How to prepare an image for texturing; Identifying my image; Lightening with a Screen Blend; Reducing image contrast Increasing clarityFinal adjustments and fine tuning; Levels Adjustments; First Save; Processing with textures; Pure texture; Effective texture removal; Using a mask layer effectively; The "paint away" technique; Processing example; The "paint away" technique on a single texture; Layering multiple textures; The "paint away" technique on multiple textures; Flatten; Beyond the textured; Gradient Fills; Processing example; Introducing Gradient Fills; Gradient fills on extreme backgrounds; Levels RGB tinting; Black-and-white conversion; Desaturating Textures; Solid color layers Background color layersFinish with a curves adjustment; Final sharpen and save; Example recipes; Last word on processing; Chapter 6 Photography Insights; ISO settings; Keep ISO settings as low as possible to reduce unwanted image noise; Aperture priority; Work in AV (aperture priority) mode to ensure shallow depth of field; Prime lenses; Get moving with prime lenses and vary shooting angles; Exposure; Slightly overexpose to keep photograph's light and colors vibrant; White balance; Customize white balance to avoid overly warm or "yellowed" greens and skin tones; Lighting Identify the right light for the jobComposition; Consider backgrounds, middle grounds, and foregrounds; Focus; Self-select the auto focal points for precision focusing; Chapter 7 Presentation & Design Work; Introducing digital papers and design ideas; Client storyboard presentation; Client work, weddings, and portrait shoots; Endnote; Special thanks; Index |
| Record Nr. | UNINA-9910778920403321 |
|
Gardner Sarah <1973-, >
|
||
| Waltham, Mass. : , : Elsevier, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
