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Figurines de terre cuite en Méditerranée grecque et romaine : 2 - Iconographie et contextes / Arthur Muller, Ergün Laflı
| Figurines de terre cuite en Méditerranée grecque et romaine : 2 - Iconographie et contextes / Arthur Muller, Ergün Laflı |
| Autore | Alexandropoulou Anna |
| Pubbl/distr/stampa | Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2019 |
| Descrizione fisica | 1 online resource (700 p.) |
| Disciplina | 938 |
| Altri autori (Persone) |
Barakari-GleniAikaterini
BarrettCaitlín E BelliaAngela BertiFede Bonanno AravantinosMargherita BourniasLeonidas C CaillouJean-Sylvain ÇekİlmezMurat CiuccarelliMaria Raffaella DeoudiMaria Dereboylu-PoulainEmel DewaillyMartine Doğan GürbüzerElçin DuplouyAlain FerrazzoliAdele Federica GüçlüHüsniye HaramiAlexandra IlyinaTatiana IorioVincenza IşinGül JappSarah JeammetViolaine KarapanagiotouAnna Vassiliki KarlssonLars KopestonskyTheodora KosmaMaria KozanliCandan KozlowskiJacky LaflıErgün Lang-AuingerClaudia Leibundgut WielandDanielle LeventiIphigeneia MalamaPenelope MariaudOlivier MartinNathalie MathieuxNéguine MullerArthur MussUlrike NagelAlexander NassiotiEleni PautassoAntonella PicaudSophie PodvinJean-Louis RathmayrElisabeth ReckeMatthias Rosenthal-HeginbottomRenate SabetaiVictoria ŞahİnIşık Samartzidou-OrkopoulouStavroula SchwarzerHolger SchwarzmaierAgnes SelekouMaria SharpeHeather F Simantoni-BourniasEvangelia SkoumiNelly SpathiMaria G SummererLâtife SvanaIrini TanriverDuygu Sevil Akar TolunVeysel TzanavariKaterina UhlenbrockJaimee P VassilopoulouVivi Wamser-KrasznaiWaltrud ZambonAlessia ZografouElektra |
| Soggetto topico |
Terra-cotta figurines, Greek
Terra-cotta figurines, Roman Terra-cotta figurines, Classical |
| ISBN | 2-7574-2780-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Nota di contenuto | volume 1. Production, diffusion, étude -- volume 2. Iconographie et contextes. |
| Record Nr. | UNINA-9910495780003321 |
Alexandropoulou Anna
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| Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Goddesses of Akragas : A Study of Terracotta Votive Figurines from Sicily
| Goddesses of Akragas : A Study of Terracotta Votive Figurines from Sicily |
| Autore | Van Rooijen G |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Leiden : , : Sidestone Press, , 2021 |
| Descrizione fisica | 1 online resource (392 pages) |
| Disciplina | 937 |
| Soggetto topico |
Terra-cotta figurines
Antiquities Terra-cotta figurines, Classical |
| ISBN | 90-8890-902-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- List of figures with references -- Akragantine figurines and their context -- I.1 Introduction -- I.2 State of research -- I.2.a Identifying the figurine and the dedicants -- I.2.b Proving literature right by the archaeological material -- I.2.b.i Cult transfer and a prototype reconstruction -- I.2.c Athena Lindia? Rhodian and Sicilian figurines compared -- I.2.d Other views on identification and origin -- I.2.e Oikist cult and cultural identity formation -- I.2.f Intermarriage and gender -- I.3 Aims and research questions -- I.4 Method and archaeological theory -- I.5 Research structure -- I.6 Greek historiography on Sicily - some general remarks -- I.6.a Mythical past -- I.6.b Political setting -- I.6.b.i The perception of ancient authors -- I.6.b.ii Sicily in the account of Thucydides -- I.6.b.iii The foundation of Gelas and Akragas -- I.6.b.iii.1 Gelas -- I.6.b.iii.2 Herodotus on Gelas -- I.6.b.iii.3 Akragas -- I.6.b.iii.4 Herodotus on Theron of Akragas -- I.6.c Social and economic setting -- I.6.c.i Diversity among the inhabitants of Sicily -- I.6.c.ii Phoenicians -- I.6.c.iii Prosperity of Akragas -- I.6.d Religious setting -- I.6.d.i Demeter and Persephone on Sicily -- I.6.d.ii Temple building and politics -- I.6.e Conclusions on the ancient literary sources -- Iconography of the figurines -- II.1 Introduction -- II.2 Aims -- II.3 Method -- II.4 The body -- II.4.a The local tradition -- I.4.a.i Arms and feet -- II.4.b Imported and imitated images -- II.4.c Upright -- II.4.d From wood to terracotta -- II.4.e An aniconic tradition -- II.4.f Gender -- II.4.g Practical implications of the figurines' form -- II.4.h The form of the figurines and their role as votives -- II.5 Head and face -- II.5.a General shape and expression of the face -- II.5.b A personal expression -- II.5.c Cultural influences -- II.5.c.i Noses.
II.5.c.ii Mouth and chin -- II.5.c.iii Eyes -- II.5.c.iv Ears -- II.5.c.v Hair -- II.5.d Gender -- II.6 Dress and personal adornment -- II.6.a The apron -- II.6.b Non-Sicilian garments -- II.6.b.i The undergarment -- II.6.c Cultic dress -- II.6.d Footwear -- II.6.e Headgear -- II.6.e.i Veil -- II.6.e.ii Polos -- II.6.e.iii The meaning of the polos and veil -- II.6.e.iii The headdress as an indication of marital status -- II.6.f Fibulae -- II.6.f.i Interpretation and comparison with real-life objects -- II.6.g Pectoral bands and pendants -- II.6.g.i Akragantine pendants -- II.6.h.ii Linked to the locals: pectoral bands -- II.6.h.iii Discs and crescents -- II.6.h.iv Figurative pendants -- II.6.h.v Other beads and pendants with their real-life counterparts from other sites -- II.6.h.vi Comparison with other cultures -- II.6.h.vii Cultural exchange -- II.6.h.viii Function and meaning -- II.6.h Other jewellery -- II.6.h.i Ear studs and earrings -- II.6.h.ii Bracelets -- II.6.h.iii Necklaces and hairbands -- II.6.h.iv Comparison with korai jewellery -- II.6.i Gender, identity and the display of wealth -- II.7 Furniture -- II.7.a From bench to throne -- II.7.a.i The footstool -- II.7.b The origin of the represented chair shapes -- II.7.b.i Greek chairs: thronos and klismos -- II.7.b.ii Thrones and lions -- II.7.b.iii An enthroned couple -- II.7.c Gender and identity -- II.8 Conclusions -- The technology of Akragantine figurines -- III.1 Introduction -- III.2 Aims of technical research -- III.3 Method: An archaeological experiment with analogue reconstruction -- III.4 Interpretation and the chaîne opératoire approach -- III.5 The general production process -- III.5.a Object categories -- III.5.b Solid objects and plaques -- III.5.c Description of the steps in the production process -- III.6 The coroplastic experiment. III.7 Results of the experiment and comparison with features of the original objects -- III.7.a Step 1: The clays used in Akragas -- III.7.b Steps 2 and 3: Choice of patrix and creating the matrix -- III.7.c Step 4: Aspects of the shaping process and related items -- III.7.c.i Making the front of the figurine -- III.7.c.ii Making the back of the figurine -- III.7.c.iii Making an extra rim -- III.7.c.iv Drying and deformation -- III.7.c.v The derivative mould -- III.7.c.vi Time management and additions -- III.7.c.vii Retouching and tools -- III.8 The production of other types of objects -- III.9 Interpretation and discussion -- III.9.a Implications of the introduction of the moulding technique -- III.10 Identification of coroplastic workshops by different techniques -- III.10.a The Workshop of the White Clay -- III.10.b The Workshop of the Convex Back -- III.10.c The Workshop of Straight Reworking -- III.10.d The Workshop of the Chubby Faces and the One Pendant Necklace -- III.10.e The skills of the coroplast -- III.11 The coroplastic exchange between Sicilian towns -- III.11.a Terracotta production at the kerameikos of Selinous and workshops in Akragas -- III.12 Conclusions -- Technically and iconographically defined typology -- Group 1 -- Group 2 -- Group 3 -- Group 4 -- Group 5 -- Group 6 -- Chronological overview of the groups -- Conclusion -- V.1 Concerning literary sources -- V.2 Concerning iconography -- V.3 Concerning production techniques -- V.4 Concerning meaning and use -- Bibliography -- Catalogue -- How to use the catalogue -- Overview of the locations and contexts of findspots for figurines -- Abbreviations/references for museum collections with figurines from Akragas: -- Type A: Argive Type (no.1‑2) -- Type B: Face-moulded figurines (no.3‑7) -- Type C: block-like figurines (no.8‑64). Type D: Some characteristic faces and standing figurines (65‑70) -- Type E: Imported figurines with rounded shapes, and objects inspired by them (71‑76) -- Type F: Exceptional objects (77‑86) -- Type G: Standing group (87‑97) -- Type H: A variety of pendants (98‑106) -- Type I: The same head, a different body (107‑114) -- Type J: A patterned polos (115‑137) -- Type K: The outlined-throne throne group and some similar figurines (no.138‑153) -- Type L: other polos-wearing heads (154‑170) -- Type M: The chubby face (171‑184) -- Type N: A new hairstyle and widened polos (185‑197) -- Type O: Seated on the left shoulder (198‑200) -- Type P: Earrings (201‑202) -- Index -- Abstracts -- Curriculum Vitae -- Acknowledgements -- Blank Page. |
| Record Nr. | UNINA-9910794598603321 |
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Van Rooijen G
|
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| Leiden : , : Sidestone Press, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Goddesses of Akragas : A Study of Terracotta Votive Figurines from Sicily
| Goddesses of Akragas : A Study of Terracotta Votive Figurines from Sicily |
| Autore | Van Rooijen G |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Leiden : , : Sidestone Press, , 2021 |
| Descrizione fisica | 1 online resource (392 pages) |
| Disciplina | 937 |
| Soggetto topico |
Terra-cotta figurines
Antiquities Terra-cotta figurines, Classical |
| ISBN | 90-8890-902-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- List of figures with references -- Akragantine figurines and their context -- I.1 Introduction -- I.2 State of research -- I.2.a Identifying the figurine and the dedicants -- I.2.b Proving literature right by the archaeological material -- I.2.b.i Cult transfer and a prototype reconstruction -- I.2.c Athena Lindia? Rhodian and Sicilian figurines compared -- I.2.d Other views on identification and origin -- I.2.e Oikist cult and cultural identity formation -- I.2.f Intermarriage and gender -- I.3 Aims and research questions -- I.4 Method and archaeological theory -- I.5 Research structure -- I.6 Greek historiography on Sicily - some general remarks -- I.6.a Mythical past -- I.6.b Political setting -- I.6.b.i The perception of ancient authors -- I.6.b.ii Sicily in the account of Thucydides -- I.6.b.iii The foundation of Gelas and Akragas -- I.6.b.iii.1 Gelas -- I.6.b.iii.2 Herodotus on Gelas -- I.6.b.iii.3 Akragas -- I.6.b.iii.4 Herodotus on Theron of Akragas -- I.6.c Social and economic setting -- I.6.c.i Diversity among the inhabitants of Sicily -- I.6.c.ii Phoenicians -- I.6.c.iii Prosperity of Akragas -- I.6.d Religious setting -- I.6.d.i Demeter and Persephone on Sicily -- I.6.d.ii Temple building and politics -- I.6.e Conclusions on the ancient literary sources -- Iconography of the figurines -- II.1 Introduction -- II.2 Aims -- II.3 Method -- II.4 The body -- II.4.a The local tradition -- I.4.a.i Arms and feet -- II.4.b Imported and imitated images -- II.4.c Upright -- II.4.d From wood to terracotta -- II.4.e An aniconic tradition -- II.4.f Gender -- II.4.g Practical implications of the figurines' form -- II.4.h The form of the figurines and their role as votives -- II.5 Head and face -- II.5.a General shape and expression of the face -- II.5.b A personal expression -- II.5.c Cultural influences -- II.5.c.i Noses.
II.5.c.ii Mouth and chin -- II.5.c.iii Eyes -- II.5.c.iv Ears -- II.5.c.v Hair -- II.5.d Gender -- II.6 Dress and personal adornment -- II.6.a The apron -- II.6.b Non-Sicilian garments -- II.6.b.i The undergarment -- II.6.c Cultic dress -- II.6.d Footwear -- II.6.e Headgear -- II.6.e.i Veil -- II.6.e.ii Polos -- II.6.e.iii The meaning of the polos and veil -- II.6.e.iii The headdress as an indication of marital status -- II.6.f Fibulae -- II.6.f.i Interpretation and comparison with real-life objects -- II.6.g Pectoral bands and pendants -- II.6.g.i Akragantine pendants -- II.6.h.ii Linked to the locals: pectoral bands -- II.6.h.iii Discs and crescents -- II.6.h.iv Figurative pendants -- II.6.h.v Other beads and pendants with their real-life counterparts from other sites -- II.6.h.vi Comparison with other cultures -- II.6.h.vii Cultural exchange -- II.6.h.viii Function and meaning -- II.6.h Other jewellery -- II.6.h.i Ear studs and earrings -- II.6.h.ii Bracelets -- II.6.h.iii Necklaces and hairbands -- II.6.h.iv Comparison with korai jewellery -- II.6.i Gender, identity and the display of wealth -- II.7 Furniture -- II.7.a From bench to throne -- II.7.a.i The footstool -- II.7.b The origin of the represented chair shapes -- II.7.b.i Greek chairs: thronos and klismos -- II.7.b.ii Thrones and lions -- II.7.b.iii An enthroned couple -- II.7.c Gender and identity -- II.8 Conclusions -- The technology of Akragantine figurines -- III.1 Introduction -- III.2 Aims of technical research -- III.3 Method: An archaeological experiment with analogue reconstruction -- III.4 Interpretation and the chaîne opératoire approach -- III.5 The general production process -- III.5.a Object categories -- III.5.b Solid objects and plaques -- III.5.c Description of the steps in the production process -- III.6 The coroplastic experiment. III.7 Results of the experiment and comparison with features of the original objects -- III.7.a Step 1: The clays used in Akragas -- III.7.b Steps 2 and 3: Choice of patrix and creating the matrix -- III.7.c Step 4: Aspects of the shaping process and related items -- III.7.c.i Making the front of the figurine -- III.7.c.ii Making the back of the figurine -- III.7.c.iii Making an extra rim -- III.7.c.iv Drying and deformation -- III.7.c.v The derivative mould -- III.7.c.vi Time management and additions -- III.7.c.vii Retouching and tools -- III.8 The production of other types of objects -- III.9 Interpretation and discussion -- III.9.a Implications of the introduction of the moulding technique -- III.10 Identification of coroplastic workshops by different techniques -- III.10.a The Workshop of the White Clay -- III.10.b The Workshop of the Convex Back -- III.10.c The Workshop of Straight Reworking -- III.10.d The Workshop of the Chubby Faces and the One Pendant Necklace -- III.10.e The skills of the coroplast -- III.11 The coroplastic exchange between Sicilian towns -- III.11.a Terracotta production at the kerameikos of Selinous and workshops in Akragas -- III.12 Conclusions -- Technically and iconographically defined typology -- Group 1 -- Group 2 -- Group 3 -- Group 4 -- Group 5 -- Group 6 -- Chronological overview of the groups -- Conclusion -- V.1 Concerning literary sources -- V.2 Concerning iconography -- V.3 Concerning production techniques -- V.4 Concerning meaning and use -- Bibliography -- Catalogue -- How to use the catalogue -- Overview of the locations and contexts of findspots for figurines -- Abbreviations/references for museum collections with figurines from Akragas: -- Type A: Argive Type (no.1‑2) -- Type B: Face-moulded figurines (no.3‑7) -- Type C: block-like figurines (no.8‑64). Type D: Some characteristic faces and standing figurines (65‑70) -- Type E: Imported figurines with rounded shapes, and objects inspired by them (71‑76) -- Type F: Exceptional objects (77‑86) -- Type G: Standing group (87‑97) -- Type H: A variety of pendants (98‑106) -- Type I: The same head, a different body (107‑114) -- Type J: A patterned polos (115‑137) -- Type K: The outlined-throne throne group and some similar figurines (no.138‑153) -- Type L: other polos-wearing heads (154‑170) -- Type M: The chubby face (171‑184) -- Type N: A new hairstyle and widened polos (185‑197) -- Type O: Seated on the left shoulder (198‑200) -- Type P: Earrings (201‑202) -- Index -- Abstracts -- Curriculum Vitae -- Acknowledgements -- Blank Page. |
| Record Nr. | UNINA-9910823932603321 |
|
Van Rooijen G
|
||
| Leiden : , : Sidestone Press, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
