American remakes of British television [[electronic resource] ] : transformations and mistranslations / / edited by Carlen Lavigne and Heather Marcovitch |
Pubbl/distr/stampa | Lanham, Md., : Lexington Books, c2011 |
Descrizione fisica | 1 online resource (259 p.) |
Disciplina | 791.45/75 |
Altri autori (Persone) |
LavigneCarlen <1976->
MarcovitchHeather <1969-> |
Soggetto topico |
Television programs - Social aspects - Great Britain
Television programs - Social aspects - United States Television programs - Great Britain Television remakes - United States - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-59946-5
9786613911919 0-7391-4674-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; I: Methods and Mechanics; 1 British Television in the American Marketplace; 2 No Contest: American Idol and the Culture of Competition; 3 Americanization, Hollywoodization, or English-Language Market Variation? Comparing British and American Versions of Cracker; 4 A Hollywood Gamble: Blackpool, Viva Laughlin, and the Failed Mechanics of Americanization; II: Personal and Political; 5 Public Education: What Not To Wear in the United Kingdom and the United States
6 "Making Do" vs. "Making Anew": What Not to Wear in Britain and America7 "There's nowt as Queer as Folk": British and American Televisual Approaches to the Politics of Homosexuality; 8 Friend, Boss, and Entertainer? The Embattled Self as a Guiding Theme in the British and American Productions of The Office; III: Text and Context; 9 Memory and the 1996 American Remake of Doctor Who; 10 Memories of Mars: Life on Mars and the Discursive Practices of Memory; 11 Translating the Hyperreal (Or How the The Office Came to America, Made Us Laugh, and Tricked Us into Accepting Hegemonic Bureaucracy) 12 Come On Over! The African Americanization of Steptoe and SonIndex; About the Contributors |
Record Nr. | UNINA-9910462505103321 |
Lanham, Md., : Lexington Books, c2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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American remakes of British television [[electronic resource] ] : transformations and mistranslations / / edited by Carlen Lavigne and Heather Marcovitch |
Pubbl/distr/stampa | Lanham, Md., : Lexington Books, c2011 |
Descrizione fisica | 1 online resource (259 p.) |
Disciplina | 791.45/75 |
Altri autori (Persone) |
LavigneCarlen <1976->
MarcovitchHeather <1969-> |
Soggetto topico |
Television programs - Social aspects - Great Britain
Television programs - Social aspects - United States Television programs - Great Britain Television remakes - United States - History and criticism |
ISBN |
1-283-59946-5
9786613911919 0-7391-4674-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; I: Methods and Mechanics; 1 British Television in the American Marketplace; 2 No Contest: American Idol and the Culture of Competition; 3 Americanization, Hollywoodization, or English-Language Market Variation? Comparing British and American Versions of Cracker; 4 A Hollywood Gamble: Blackpool, Viva Laughlin, and the Failed Mechanics of Americanization; II: Personal and Political; 5 Public Education: What Not To Wear in the United Kingdom and the United States
6 "Making Do" vs. "Making Anew": What Not to Wear in Britain and America7 "There's nowt as Queer as Folk": British and American Televisual Approaches to the Politics of Homosexuality; 8 Friend, Boss, and Entertainer? The Embattled Self as a Guiding Theme in the British and American Productions of The Office; III: Text and Context; 9 Memory and the 1996 American Remake of Doctor Who; 10 Memories of Mars: Life on Mars and the Discursive Practices of Memory; 11 Translating the Hyperreal (Or How the The Office Came to America, Made Us Laugh, and Tricked Us into Accepting Hegemonic Bureaucracy) 12 Come On Over! The African Americanization of Steptoe and SonIndex; About the Contributors |
Record Nr. | UNINA-9910785772603321 |
Lanham, Md., : Lexington Books, c2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
American remakes of British television [[electronic resource] ] : transformations and mistranslations / / edited by Carlen Lavigne and Heather Marcovitch |
Pubbl/distr/stampa | Lanham, Md., : Lexington Books, c2011 |
Descrizione fisica | 1 online resource (259 p.) |
Disciplina | 791.45/75 |
Altri autori (Persone) |
LavigneCarlen <1976->
MarcovitchHeather <1969-> |
Soggetto topico |
Television programs - Social aspects - Great Britain
Television programs - Social aspects - United States Television programs - Great Britain Television remakes - United States - History and criticism |
ISBN |
1-283-59946-5
9786613911919 0-7391-4674-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; I: Methods and Mechanics; 1 British Television in the American Marketplace; 2 No Contest: American Idol and the Culture of Competition; 3 Americanization, Hollywoodization, or English-Language Market Variation? Comparing British and American Versions of Cracker; 4 A Hollywood Gamble: Blackpool, Viva Laughlin, and the Failed Mechanics of Americanization; II: Personal and Political; 5 Public Education: What Not To Wear in the United Kingdom and the United States
6 "Making Do" vs. "Making Anew": What Not to Wear in Britain and America7 "There's nowt as Queer as Folk": British and American Televisual Approaches to the Politics of Homosexuality; 8 Friend, Boss, and Entertainer? The Embattled Self as a Guiding Theme in the British and American Productions of The Office; III: Text and Context; 9 Memory and the 1996 American Remake of Doctor Who; 10 Memories of Mars: Life on Mars and the Discursive Practices of Memory; 11 Translating the Hyperreal (Or How the The Office Came to America, Made Us Laugh, and Tricked Us into Accepting Hegemonic Bureaucracy) 12 Come On Over! The African Americanization of Steptoe and SonIndex; About the Contributors |
Record Nr. | UNINA-9910815309603321 |
Lanham, Md., : Lexington Books, c2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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Beverly Hills, 90210 [[electronic resource] ] : television, gender, and identity / / E. Graham McKinley |
Autore | McKinley E. Graham |
Pubbl/distr/stampa | Philadelphia, : University of Pennsylvania Press, c1997 |
Descrizione fisica | 1 online resource (283 p.) |
Disciplina | 791.45/72 |
Collana | Feminist cultural studies, the media, and political culture |
Soggetto topico |
Television viewers - United States - Psychology
Television programs - Social aspects - United States |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-21122-X
9786613211224 0-8122-0075-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Chapter 1. The Enthusiastic Voices -- Chapter 2. Watching Beverly Hills, 90210 -- Chapter 3. Cultural Studies: Agency, Community, and Pleasure -- Chapter 4. Social Construction: The Discursive Self -- Chapter 5. Appearance: Expertise and the Community of Viewers -- Chapter 6. Characterizations: Community with the Characters -- Chapter 7. Narrative: Playing Pundit -- Chapter 8 Talk About TV Effects: Enculturation -- Chapter 9. Issues: Closing Down the Moral Voice -- Chapter 10. Dating: The Passive Female -- Chapter 11. Guessing: The Microprocesses of Hegemony -- Chapter 12. Conclusion: Swimming with the Tide -- Appendix: Data Collection and Subjects -- Glossary -- Bibliography -- Index |
Record Nr. | UNINA-9910457480603321 |
McKinley E. Graham
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Philadelphia, : University of Pennsylvania Press, c1997 | ||
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Lo trovi qui: Univ. Federico II | ||
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Beverly Hills, 90210 [[electronic resource] ] : television, gender, and identity / / E. Graham McKinley |
Autore | McKinley E. Graham |
Pubbl/distr/stampa | Philadelphia, : University of Pennsylvania Press, c1997 |
Descrizione fisica | 1 online resource (283 p.) |
Disciplina | 791.45/72 |
Collana | Feminist cultural studies, the media, and political culture |
Soggetto topico |
Television viewers - United States - Psychology
Television programs - Social aspects - United States |
ISBN |
1-283-21122-X
9786613211224 0-8122-0075-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Chapter 1. The Enthusiastic Voices -- Chapter 2. Watching Beverly Hills, 90210 -- Chapter 3. Cultural Studies: Agency, Community, and Pleasure -- Chapter 4. Social Construction: The Discursive Self -- Chapter 5. Appearance: Expertise and the Community of Viewers -- Chapter 6. Characterizations: Community with the Characters -- Chapter 7. Narrative: Playing Pundit -- Chapter 8 Talk About TV Effects: Enculturation -- Chapter 9. Issues: Closing Down the Moral Voice -- Chapter 10. Dating: The Passive Female -- Chapter 11. Guessing: The Microprocesses of Hegemony -- Chapter 12. Conclusion: Swimming with the Tide -- Appendix: Data Collection and Subjects -- Glossary -- Bibliography -- Index |
Record Nr. | UNINA-9910781738803321 |
McKinley E. Graham
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Philadelphia, : University of Pennsylvania Press, c1997 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Beverly Hills, 90210 [[electronic resource] ] : television, gender, and identity / / E. Graham McKinley |
Autore | McKinley E. Graham |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Philadelphia, : University of Pennsylvania Press, c1997 |
Descrizione fisica | 1 online resource (283 p.) |
Disciplina | 791.45/72 |
Collana | Feminist cultural studies, the media, and political culture |
Soggetto topico |
Television viewers - United States - Psychology
Television programs - Social aspects - United States |
ISBN |
1-283-21122-X
9786613211224 0-8122-0075-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Chapter 1. The Enthusiastic Voices -- Chapter 2. Watching Beverly Hills, 90210 -- Chapter 3. Cultural Studies: Agency, Community, and Pleasure -- Chapter 4. Social Construction: The Discursive Self -- Chapter 5. Appearance: Expertise and the Community of Viewers -- Chapter 6. Characterizations: Community with the Characters -- Chapter 7. Narrative: Playing Pundit -- Chapter 8 Talk About TV Effects: Enculturation -- Chapter 9. Issues: Closing Down the Moral Voice -- Chapter 10. Dating: The Passive Female -- Chapter 11. Guessing: The Microprocesses of Hegemony -- Chapter 12. Conclusion: Swimming with the Tide -- Appendix: Data Collection and Subjects -- Glossary -- Bibliography -- Index |
Record Nr. | UNINA-9910818357203321 |
McKinley E. Graham
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Philadelphia, : University of Pennsylvania Press, c1997 | ||
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Lo trovi qui: Univ. Federico II | ||
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Black Television Travels : African American Media around the Globe / / Timothy Havens |
Autore | Havens Timothy |
Pubbl/distr/stampa | New York, NY : , : New York University Press, , [2013] |
Descrizione fisica | 1 online resource (228 p.) |
Disciplina | 791.4508996073 |
Collana | Critical Cultural Communication |
Soggetto topico |
Foreign television programs - History and criticism
Television programs - Social aspects - United States African Americans on television |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8147-5944-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Preface -- Introduction -- 1. Roots and the Perils of African American Television Drama in a Global World -- 2. Integrated Eighties Situation Comedies and the Struggle against Apartheid -- 3. The Cosby Show, Family Themes, and the Ascent of White Situation Comedies Abroad in the Late 1980s -- 4. The Fresh Prince of Bel-Air, Channel Fragmentation, and the Recognition of Difference -- 5. The Worldwide Circulation of Contemporary African American Television -- 6. Black Television from Elsewhere -- Conclusion -- Notes -- References -- Index -- About the Author |
Record Nr. | UNISA-996582048403316 |
Havens Timothy
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New York, NY : , : New York University Press, , [2013] | ||
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Lo trovi qui: Univ. di Salerno | ||
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Black Television Travels : African American Media around the Globe / / Timothy Havens |
Autore | Havens Timothy |
Pubbl/distr/stampa | New York, NY : , : New York University Press, , [2013] |
Descrizione fisica | 1 online resource (228 p.) |
Disciplina | 791.4508996073 |
Collana | Critical Cultural Communication |
Soggetto topico |
Foreign television programs - History and criticism
Television programs - Social aspects - United States African Americans on television |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8147-5944-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Preface -- Introduction -- 1. Roots and the Perils of African American Television Drama in a Global World -- 2. Integrated Eighties Situation Comedies and the Struggle against Apartheid -- 3. The Cosby Show, Family Themes, and the Ascent of White Situation Comedies Abroad in the Late 1980s -- 4. The Fresh Prince of Bel-Air, Channel Fragmentation, and the Recognition of Difference -- 5. The Worldwide Circulation of Contemporary African American Television -- 6. Black Television from Elsewhere -- Conclusion -- Notes -- References -- Index -- About the Author |
Record Nr. | UNINA-9910852986703321 |
Havens Timothy
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New York, NY : , : New York University Press, , [2013] | ||
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Lo trovi qui: Univ. Federico II | ||
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The construction of masculinities and femininities in Beverly Hills, 90210 [[electronic resource] /] / Justin Charlebois |
Autore | Charlebois Justin <1978-> |
Pubbl/distr/stampa | Lanham, MD, : University Press of America, 2012 |
Descrizione fisica | 1 online resource (143 p.) |
Disciplina | 791.4572 |
Soggetto topico |
Gender identity in mass media
Television programs - Social aspects - United States |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-57184-6
9786613884299 0-7618-5826-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Overview; Chapter One. Theory and Methodology; Chapter Two. Dominant and Hegemonic Masculinities; Chapter Three. Dominant and Emphasized Femininities; Chapter Four. Dominant Oppositional Masculinities; Chapter Five. Subordinate Oppositional Femininities; Chapter Six. Conclusion; References; Index |
Record Nr. | UNINA-9910462358603321 |
Charlebois Justin <1978->
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Lanham, MD, : University Press of America, 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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The construction of masculinities and femininities in Beverly Hills, 90210 [[electronic resource] /] / Justin Charlebois |
Autore | Charlebois Justin <1978-> |
Pubbl/distr/stampa | Lanham, MD, : University Press of America, 2012 |
Descrizione fisica | 1 online resource (143 p.) |
Disciplina | 791.4572 |
Soggetto topico |
Gender identity in mass media
Television programs - Social aspects - United States |
ISBN |
1-283-57184-6
9786613884299 0-7618-5826-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Overview; Chapter One. Theory and Methodology; Chapter Two. Dominant and Hegemonic Masculinities; Chapter Three. Dominant and Emphasized Femininities; Chapter Four. Dominant Oppositional Masculinities; Chapter Five. Subordinate Oppositional Femininities; Chapter Six. Conclusion; References; Index |
Record Nr. | UNINA-9910785763403321 |
Charlebois Justin <1978->
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Lanham, MD, : University Press of America, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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