Food television discourse : a cross-cultural diachronic approach / / Linda Rossato |
Autore | Rossato Linda |
Pubbl/distr/stampa | Paolo Loffredo Editore |
Soggetto topico |
Television cooking shows - Great Britain - History and criticism
Television broadcasting - Language English language - Discourse analysis Cooking - Terminology Food on television |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Altri titoli varianti | Food television discourse |
Record Nr. | UNINA-9910733790403321 |
Rossato Linda | ||
Paolo Loffredo Editore | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The language of fictional television [[electronic resource] ] : drama and identity / / Monika Bednarek |
Autore | Bednarek Monika <1977-> |
Pubbl/distr/stampa | New York, NY, : Continuum International Pub. Group, 2010 |
Descrizione fisica | 1 online resource (294 p.) |
Disciplina | 302.23/45 |
Soggetto topico |
Television broadcasting - Language
Television series - United States Television series - Great Britain Mass media and language English language - Usage |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-80644-0
9786612806445 1-4411-0527-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Acknowledgements; 1. Introduction; Part I: Fictional Television: Dialogue and Drama; 2. Analysing Television; 3. The Genre of Dramedy and its Audience; 4. Television Dialogue; Part II: Fictional Television: Character Identity; 5. Dialogue and Character Identity; 6. Expressive Character Identity and Emotive Interjections; 7. The Multimodal Performance; 8. Expressive Character Identity and Ideology: Shared Attitudes; 9. Conclusion; Appendices; Notes to Appendices; References; Indices; General Index; Index of Television Programmes |
Record Nr. | UNINA-9910459210803321 |
Bednarek Monika <1977-> | ||
New York, NY, : Continuum International Pub. Group, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The language of fictional television [[electronic resource] ] : drama and identity / / Monika Bednarek |
Autore | Bednarek Monika <1977-> |
Pubbl/distr/stampa | New York, NY, : Continuum International Pub. Group, 2010 |
Descrizione fisica | 1 online resource (294 p.) |
Disciplina | 302.23/45 |
Soggetto topico |
Television broadcasting - Language
Television series - United States Television series - Great Britain Mass media and language English language - Usage |
ISBN |
1-282-80644-0
9786612806445 1-4411-0527-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Acknowledgements; 1. Introduction; Part I: Fictional Television: Dialogue and Drama; 2. Analysing Television; 3. The Genre of Dramedy and its Audience; 4. Television Dialogue; Part II: Fictional Television: Character Identity; 5. Dialogue and Character Identity; 6. Expressive Character Identity and Emotive Interjections; 7. The Multimodal Performance; 8. Expressive Character Identity and Ideology: Shared Attitudes; 9. Conclusion; Appendices; Notes to Appendices; References; Indices; General Index; Index of Television Programmes |
Record Nr. | UNINA-9910785394203321 |
Bednarek Monika <1977-> | ||
New York, NY, : Continuum International Pub. Group, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The language of fictional television : drama and identity / / Monika Bednarek |
Autore | Bednarek Monika <1977-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, NY, : Continuum International Pub. Group, 2010 |
Descrizione fisica | 1 online resource (294 p.) |
Disciplina | 302.23/45 |
Soggetto topico |
Television broadcasting - Language
Television series - United States Television series - Great Britain Mass media and language English language - Usage |
ISBN |
1-282-80644-0
9786612806445 1-4411-0527-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Acknowledgements; 1. Introduction; Part I: Fictional Television: Dialogue and Drama; 2. Analysing Television; 3. The Genre of Dramedy and its Audience; 4. Television Dialogue; Part II: Fictional Television: Character Identity; 5. Dialogue and Character Identity; 6. Expressive Character Identity and Emotive Interjections; 7. The Multimodal Performance; 8. Expressive Character Identity and Ideology: Shared Attitudes; 9. Conclusion; Appendices; Notes to Appendices; References; Indices; General Index; Index of Television Programmes |
Record Nr. | UNINA-9910812764903321 |
Bednarek Monika <1977-> | ||
New York, NY, : Continuum International Pub. Group, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Telecinematic discourse [[electronic resource] ] : approaches to the language of films and television series / / edited by Roberta Piazza, Monika Bednarek, Fabio Rossi |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Company, 2011 |
Descrizione fisica | xi, 315 p. : ill |
Disciplina | 302.23/45 |
Altri autori (Persone) |
PiazzaRoberta
BednarekMonika <1977-> RossiFabio <1967-> |
Collana | Pragmatics & beyond new series |
Soggetto topico |
Television broadcasting - Language
Dialogue in motion pictures Discourse analysis |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-17481-2
9786613174819 90-272-8515-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910456281403321 |
Amsterdam ; ; Philadelphia, : John Benjamins Pub. Company, 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Telecinematic discourse [[electronic resource] ] : approaches to the language of films and television series / / edited by Roberta Piazza, Monika Bednarek, Fabio Rossi |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Company, 2011 |
Descrizione fisica | xi, 315 p. : ill |
Disciplina | 302.23/45 |
Altri autori (Persone) |
PiazzaRoberta
BednarekMonika <1977-> RossiFabio <1967-> |
Collana | Pragmatics & beyond new series |
Soggetto topico |
Television broadcasting - Language
Dialogue in motion pictures Discourse analysis |
ISBN |
1-283-17481-2
9786613174819 90-272-8515-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910781455503321 |
Amsterdam ; ; Philadelphia, : John Benjamins Pub. Company, 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Telecinematic discourse : approaches to the language of films and television series / / edited by Roberta Piazza, Monika Bednarek, Fabio Rossi |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : John Benjamins Pub. Company, 2011 |
Descrizione fisica | xi, 315 p. : ill |
Disciplina | 302.23/45 |
Altri autori (Persone) |
PiazzaRoberta
BednarekMonika <1977-> RossiFabio <1967-> |
Collana | Pragmatics & beyond new series |
Soggetto topico |
Television broadcasting - Language
Dialogue in motion pictures Discourse analysis |
ISBN |
1-283-17481-2
9786613174819 90-272-8515-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Telecinematic Discourse -- Editorial page -- Title page -- LCC data -- Table of contents -- Contributors -- 1. Introduction -- Part I. Cinematic discourse -- 2. Discourse analysis of film dialogues -- 1. Introduction -- 2. Film dialogue and dubbing -- 3. Film analysis -- 3.1 Fluency -- 3.2 Discourse markers and verbal tenses -- 3.3 Allocution -- 3.4 Repetition and other discourse and rhetorical strategies -- 3.5 Glosses -- 3.6 The telephone -- 3.7 Avoided overlapping -- 4. A contemporary example -- 5. Conclusions -- 3. Using film as linguistic specimen -- 1. Introduction -- 2. Films as "artifacts" and "specimens" -- 2.1 The status of films as linguistic artifacts -- 2.2 The status of film dialogues as linguistic artifacts -- 3. The problems of "incorporating" film dialogue -- 3.1 Scope of the problem -- 3.2 Films as social artifacts -- 3.3 Films as artistic artifacts -- 3.4 Filmmaking and its impact on filmspeak -- 4. Using film as linguistic specimen: The advantages -- 4.1 Production as imprimatur -- 4.2 The heuristic value of language dramatisation -- 4.3 A workbench for quantitative hypotheses? -- 4.4 The good, the bad and the ugly specimen -- 5. Conclusions -- 4. Multimodal realisations of mind style in Enduring Love -- 1. Introduction -- 2. Mind style: Verbal realisations -- 3. Mind style: Multimodal realisations -- 4. Conclusion -- 5. Pragmatic deviance in realist horror films -- 1. Introduction -- 2. The context of the study. The notion of deviance in killers' discourse -- 3. Methodological framework and choice of data -- 4. The analysis of linguistic and visual deviance -- 4.1 The opening of horror films -- 4.2 Later stages in the narrative -- 4.3 Beyond Italian cinema -- 5. Conclusions -- 6. Emotion and empathy in Martin Scorsese's Goodfellas -- 1. Introduction -- 2. Goodfellas -- 2.1 The "funny guy" scene.
3. A multimodal analysis of the "funny guy" scene -- 3.1 Discoursal interaction -- 3.2 Paralinguistic and non-linguistic elements of the scene -- 4. Audio-visual transcript of "funny guy" scene -- 5. Conclusions -- 7. Quantifying the emotional tone of James Bond films -- 1. Introduction -- 2. Quantifying emotion -- 3. The James Bond film series -- 4. DAL analysis -- 5. Summary and future directions -- 8. Structure and function in the generic staging of film trailers -- 1. Introduction -- 2. The interdisciplinary methodological framework and data -- 3. Types of generic stages -- 3.1 Types of implicit promotional stages -- 3.2 Types of explicit promotional stages -- 4. Conclusions -- Part II. Televisual discourse -- 9. "I don't know what they're saying half the time, but I'm hooked on the series" -- 1. Introduction -- 2. The Wire: An overview -- 3. Measuring comprehensibility -- 4. Test materials -- 4.1 State of Play -- 5. Scripted repetition as aid to comprehension -- 6. The multimodal integration of the dialogue -- 7. Conclusions -- Appendix -- 10. The stability of the televisual character -- 1. Introduction -- 2. The "stable" televisual character -- 3. A corpus stylistic study of characterisation -- 3.1 Corpora used in this study -- 3.2 Key word/cluster analysis -- 4. Characterisation in Gilmore Girls: A corpus stylistic case study -- 4.1 Lorelai: An example of a "stable" televisual character? -- 4.2 Diachronic character stability re-visited -- 4.3 Intersubjective stability re-visited -- 5. Conclusions -- 11. Star Trek: Voyager's Seven of nine -- 1. Introduction -- 2. Negative politeness -- 3. Positive politeness -- 4. Repairing interpersonal rifts -- 5. Conclusions -- 12. Relationship impression formation -- 1. Introduction -- 2. Friendship -- 3. Relationship impression formation -- 4. Recognising friendship through talk -- 4.1 Alignment. 4.2 Shifting and diverging alignments in Sex and the City -- 5. Conclusions -- 13. Genre, performance and Sex and the City -- 1. Introduction -- 2. Sex and the City: A description of the series -- 3. Gender, performance, performativity -- 4. The genre of casual conversation and its use in Sex and the City -- 5. The performance of gender in Sex and the City -- 6. Sex and the City and the creation and mediation of femininity -- 7. Conclusions -- 14. Bumcivilian -- 1. Introduction -- 2. Manipulating the language system for humour - examples -- 2.1 Phonetics/phonology -- 2.2 Morphology/lexicon -- 2.3 Syntax -- 2.4 Semantics -- 2.5 Varieties -- 2.6 Text/discourse -- 3. Systemic or non-systemic use - levels and carriers -- 4. When comedy enters our language system -- 5. Conclusions -- References -- List of tables -- List of figures -- Index of films and TV series -- Index. |
Record Nr. | UNINA-9910821930403321 |
Amsterdam ; ; Philadelphia, : John Benjamins Pub. Company, 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|