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The art and craft of TV directing : conversations with episodic television directors / / Jim Hemphill
| The art and craft of TV directing : conversations with episodic television directors / / Jim Hemphill |
| Autore | Hemphill Jim <1971-> |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2019 |
| Descrizione fisica | 1 online resource (165 pages) |
| Disciplina | 791.45023 |
| Soggetto topico |
Television series - Production and direction
Television - Production and direction Television producers and directors - United States |
| ISBN |
0-429-05586-2
0-429-62106-X 0-429-61891-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Bethany Rooney (Arrow, Bull, The originals) -- Kurt Kuenne (The blacklist) -- Stacey K. Black (The closer, MacGyver, Midnight Texas) -- Norman Buckley (Gossip girl, Pretty little liars, The perfectionists) -- Anthony Hemingway (American crime story, Underground) -- Lauren Wolkstein (Queen sugar) -- James Hayman (The Sopranos, NCIS: New Orleans) -- Julie Plec (The Vampire Diaries, Riverdale, Roswell) -- Michael Dinner (L.A. Confidential, Justified) -- Joanna Johnson (The Fosters, Good trouble) -- David M. Barrett (Star Trek: Discovery, Blue Bloods) -- Andrew Mccarthy (The Family, The Blacklist) -- Kimberly Peirce (Dear white people, I love Dick, Six) -- Mark Pellington (Blindspot, Cold case) -- Karen Gaviola (NYPD blue, Lucifer, Magnum Pi) -- Lea Thompson (The Goldbergs, Mom) -- Bryan Spicer (Hawaii Five-0, The man in the high castle) -- Kevin Dowling (The son, Bosch, The Americans) -- Michael Katleman (China Beach, Zoo, Quantum leap) -- Mary Lou Belli (NCIS: New Orleans, Famous in love, Station 19). |
| Record Nr. | UNINA-9910793765003321 |
Hemphill Jim <1971->
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| London ; ; New York : , : Routledge, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Broadcast news producing [[electronic resource] /] / Brad Schultz
| Broadcast news producing [[electronic resource] /] / Brad Schultz |
| Autore | Schultz Brad <1961-> |
| Pubbl/distr/stampa | Thousand Oaks, Calif. ; ; London, : SAGE, c2005 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 070.43 |
| Soggetto topico |
Television broadcasting of news
Television - Production and direction Radio journalism Radio - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4522-3309-8
1-4522-6706-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; Preface; Introduction; 1 - What Is a Producer?; 2 - Producing Today's News; 3 - The Producing Process; 4 - Writing; 5 - Producing for Television; 6 - Weather and Sports; 7 - Producing for Radio and the Internet; 8 - Surviving the Newsroom; 9 - Issues in Producing; 10 - The Job Market; References; About the Author |
| Record Nr. | UNINA-9910480173003321 |
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Schultz Brad <1961->
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| Thousand Oaks, Calif. ; ; London, : SAGE, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Broadcast news producing [[electronic resource] /] / Brad Schultz
| Broadcast news producing [[electronic resource] /] / Brad Schultz |
| Autore | Schultz Brad <1961-> |
| Pubbl/distr/stampa | Thousand Oaks, Calif. ; ; London, : SAGE, c2005 |
| Descrizione fisica | 1 online resource (xii, 217 p.) : ill |
| Disciplina | 070.43 |
| Soggetto topico |
Television broadcasting of news
Television - Production and direction Radio journalism Radio - Production and direction |
| ISBN |
1-4522-3309-8
1-4522-6706-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; Preface; Introduction; 1 - What Is a Producer?; 2 - Producing Today's News; 3 - The Producing Process; 4 - Writing; 5 - Producing for Television; 6 - Weather and Sports; 7 - Producing for Radio and the Internet; 8 - Surviving the Newsroom; 9 - Issues in Producing; 10 - The Job Market; References; About the Author |
| Record Nr. | UNINA-9910779497803321 |
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Schultz Brad <1961->
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| Thousand Oaks, Calif. ; ; London, : SAGE, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Journal of cinema and media studies
| Journal of cinema and media studies |
| Pubbl/distr/stampa | Austin, Texas : , : University of Texas Press, , 2018- |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.43 |
| Soggetto topico |
Motion pictures
Television programs Television - Production and direction Mass media and culture Cinéma |
| Soggetto genere / forma | Periodicals. |
| ISSN | 2578-4919 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | JCMS |
| Record Nr. | UNISA-996287350403316 |
| Austin, Texas : , : University of Texas Press, , 2018- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Journal of cinema and media studies
| Journal of cinema and media studies |
| Pubbl/distr/stampa | Austin, Texas : , : University of Texas Press, , 2018- |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.43 |
| Soggetto topico |
Motion pictures
Television programs Television - Production and direction Mass media and culture Cinéma |
| Soggetto genere / forma | Periodicals. |
| ISSN | 2578-4919 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | JCMS |
| Record Nr. | UNINA-9910331858403321 |
| Austin, Texas : , : University of Texas Press, , 2018- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Locating migrating media / / edited by Greg Elmer ... [et al.]
| Locating migrating media / / edited by Greg Elmer ... [et al.] |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham [Md.], : Lexington Books, c2010 |
| Descrizione fisica | 1 online resource (209 p.) |
| Disciplina | 791.4302/32 |
| Altri autori (Persone) | ElmerGreg <1967-> |
| Soggetto topico |
Motion picture locations - Canada
Motion picture locations Motion pictures and globalization Motion pictures - Production and direction Television and globalization Television program locations - Canada Television program locations Television - Production and direction |
| ISBN |
979-82-16-21003-0
1-283-59930-9 9786613911759 0-7391-4243-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction: Locating Migrating Media; Part I: Production, Distribution and Labor; 1: Migrating from South to North: The Role of Film Festivals in Funding and Shaping Global South Film and Video; 2: When TV Formats Migrate: Languages of Business and Culture; 3: Saskatchewan Television Labor and Jurisdictional Advantage; Part II: Infrastructure, Policy and Economic Development; 4: International Production Outsourcing and the Development of Indigenous Film and Television Capabilities: The Case of Canada
5: Fashioning the Boutique Location: Remaking the Gold Coast as an International Production Location6: If You Build It.. . Film Studios and the Transformative Effects of Migrating Media Production; Part III: Lived Local Screens; 7: Poetics of Place in Montreal Films; 8: Toronto's Aesthetic Turf War and the Look of Rival Film Policies in Monkey Warfare; 9: The Lord of the Rings as a Cultural Projection; Index; About the Contributors |
| Record Nr. | UNINA-9910955890203321 |
| Lanham [Md.], : Lexington Books, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The new television handbook / / Patricia Holland
| The new television handbook / / Patricia Holland |
| Autore | Holland Patricia <1936-, > |
| Edizione | [Fifth edition.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (347 pages) : illustrations |
| Disciplina | 791.4302/32 |
| Collana | Media Practice |
| Soggetto topico |
Television - Production and direction
Television broadcasting |
| ISBN |
1-315-72483-9
1-317-53214-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. On television and television studies -- pt. 2. The practitioners' perspective -- pt. 3. Programmes and genres -- pt. 4. Training and industry contexts. |
| Record Nr. | UNINA-9910162812403321 |
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Holland Patricia <1936-, >
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| London ; ; New York : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Picture composition for film and television / / Peter Ward
| Picture composition for film and television / / Peter Ward |
| Autore | Ward Peter <1936-, > |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Oxford ; ; Boston : , : Focal Press, , 2003 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina |
778.53
778.53 21 |
| Soggetto topico |
Cinematography
Motion pictures - Production and direction Television - Production and direction Composition (Photography) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-04505-8
1-136-04506-6 1-281-01252-1 9786611012526 0-08-049769-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Picture Composition for Film and Television; Copyright; Contents; Preface; 1 Invisible technique; Learning the ropes; A moving photograph; Continuity cinema; The shot; The creation of 'invisible' technique; Standard camerwork conventions; Realistic representation; Mechanical reproduction; Framing a shot; Composition; Does the shot work?; Intuition; 'I see what you mean!'; Why composition is important; Control of composition; Visual design techniques; Cultural influences; Changing fashions; Summary; 2 Alternative technique; Jump cuts; Alternatives; It's magic; Realism and imagination
The film moment is always nowWhy people dislike the rejection of standard conventions; Storytelling; Don't wake me up; Definition of alternative conventions; Conventions; Summary; 3 The lens, the eye and perception; Introduction; The imprint of the lens; The eye and a lens; Size constancy; How do we understand what we are looking at?; Characteristics of perception; Summary; 4 The lens and perspective; Perception and depth; Depth indicators and their relationship to the lens; Focal length; Angle of view; Depth-of-field; fno; Zoom; Focus; The structural skeleton of a shot Horizon line and camera height as a compositional deviceControlling space with choice of lens angle/camera distance; The internal space of a shot; Production style and lens angle; Estimating distance; Accentuating depth; Summary; 5 Visual design; Introduction; Movement; Sound; Controlling composition; Design techniques; Grouping and organization; Balance; Figure and ground; Shape; Line; Rhythm and visual beat; Pattern; Interest; Direction; Colour; Scale; Abstraction; Understanding an image; Summary; 6 Frame; Composition and the frame; Frame - an invisible focus of power; Static viewpoint A hard cut-offLimited depth and perspective indicators; Monochrome; The edge of frame as a reference; Frames within frames; A second frame; Frame and divided interest; Summary; 7 The shape of the screen; Aspect ratio; The shape of the screen and composition; Viewfinder as an editing tool; Could it have been different?; The invention of a world format standard; Widescreen returns; Design of the TV aspect ratio; HDTV; The need for a universal video format; 16:9 television widescreen; A reasonable compromise between competing aspect ratios; The divine proportion Widescreen - the shape of a banknoteSummary of film and television formats mentioned; 8 Widescreen composition and film; Finding ways to compose for the new shape; Widescreen advantages; Selling off the redundant format; Pan and scan; Cinematographers alarmed; Boom in shot; The growth of multiplexes; Common topline and super 35; Summary; 9 Widescreen composition and TV; Introduction; Letterboxing; Aspect ratio conversion; Protect and save; Shooting for two formats; Composing for 16:9; Fidgety zooms; Transitional period; The viewer takes control; Inserting 4:3 material into a 16:9 production Compilation programmes |
| Record Nr. | UNINA-9910457511003321 |
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Ward Peter <1936-, >
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| Oxford ; ; Boston : , : Focal Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Picture composition for film and television / / Peter Ward
| Picture composition for film and television / / Peter Ward |
| Autore | Ward Peter <1936-, > |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Oxford ; ; Boston : , : Focal Press, , 2003 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina |
778.53
778.53 21 |
| Soggetto topico |
Cinematography
Motion pictures - Production and direction Television - Production and direction Composition (Photography) |
| ISBN |
1-136-04505-8
1-136-04506-6 1-281-01252-1 9786611012526 0-08-049769-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Picture Composition for Film and Television; Copyright; Contents; Preface; 1 Invisible technique; Learning the ropes; A moving photograph; Continuity cinema; The shot; The creation of 'invisible' technique; Standard camerwork conventions; Realistic representation; Mechanical reproduction; Framing a shot; Composition; Does the shot work?; Intuition; 'I see what you mean!'; Why composition is important; Control of composition; Visual design techniques; Cultural influences; Changing fashions; Summary; 2 Alternative technique; Jump cuts; Alternatives; It's magic; Realism and imagination
The film moment is always nowWhy people dislike the rejection of standard conventions; Storytelling; Don't wake me up; Definition of alternative conventions; Conventions; Summary; 3 The lens, the eye and perception; Introduction; The imprint of the lens; The eye and a lens; Size constancy; How do we understand what we are looking at?; Characteristics of perception; Summary; 4 The lens and perspective; Perception and depth; Depth indicators and their relationship to the lens; Focal length; Angle of view; Depth-of-field; fno; Zoom; Focus; The structural skeleton of a shot Horizon line and camera height as a compositional deviceControlling space with choice of lens angle/camera distance; The internal space of a shot; Production style and lens angle; Estimating distance; Accentuating depth; Summary; 5 Visual design; Introduction; Movement; Sound; Controlling composition; Design techniques; Grouping and organization; Balance; Figure and ground; Shape; Line; Rhythm and visual beat; Pattern; Interest; Direction; Colour; Scale; Abstraction; Understanding an image; Summary; 6 Frame; Composition and the frame; Frame - an invisible focus of power; Static viewpoint A hard cut-offLimited depth and perspective indicators; Monochrome; The edge of frame as a reference; Frames within frames; A second frame; Frame and divided interest; Summary; 7 The shape of the screen; Aspect ratio; The shape of the screen and composition; Viewfinder as an editing tool; Could it have been different?; The invention of a world format standard; Widescreen returns; Design of the TV aspect ratio; HDTV; The need for a universal video format; 16:9 television widescreen; A reasonable compromise between competing aspect ratios; The divine proportion Widescreen - the shape of a banknoteSummary of film and television formats mentioned; 8 Widescreen composition and film; Finding ways to compose for the new shape; Widescreen advantages; Selling off the redundant format; Pan and scan; Cinematographers alarmed; Boom in shot; The growth of multiplexes; Common topline and super 35; Summary; 9 Widescreen composition and TV; Introduction; Letterboxing; Aspect ratio conversion; Protect and save; Shooting for two formats; Composing for 16:9; Fidgety zooms; Transitional period; The viewer takes control; Inserting 4:3 material into a 16:9 production Compilation programmes |
| Record Nr. | UNINA-9910784573203321 |
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Ward Peter <1936-, >
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| Oxford ; ; Boston : , : Focal Press, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Production studies [[electronic resource] ] : cultural studies of media industries / / edited by Vicki Mayer, Miranda J. Banks, John T. Caldwell
| Production studies [[electronic resource] ] : cultural studies of media industries / / edited by Vicki Mayer, Miranda J. Banks, John T. Caldwell |
| Pubbl/distr/stampa | New York, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 302.23 |
| Altri autori (Persone) |
MayerVicki <1971->
BanksMiranda J. <1972-> CaldwellJohn Thornton <1954-> |
| Soggetto topico |
Television - Production and direction
Motion pictures - Production and direction Mass media and culture |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-84016-4
1-282-23424-2 9786612234248 0-203-87959-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Copyright; Contents; Introduction: Production Studies: Roots and Routes; Part I Histories of Media Production Studies; Chapter 1 Bringing the Social Back In: Studies of Production Cultures and Social Theory; Chapter 2 Industry-Level Studies and the Contributions of Gitlin's Inside Prime Time; Chapter 3 Leo C. Rosten's Hollywood: Power, Status, and the Primacy of Economic and Social Networks in Cultural Production; Chapter 4 Privilege and Distinction in Production Worlds: Copyright, Collective Bargaining, and Working Conditions in Media Making
Part II Producers: Selves and OthersChapter 5 Self-Serve Celebrity: The Production of Ordinariness and the Ordinariness of Production in Reality Television; Chapter 6 Gender Below-the-Line: Defining Feminist Production Studies; Chapter 7 It's Not TV, It's Brand Management TV: The Collective Author(s) of the Lost Franchise; Chapter 8 Showrunning the Doctor Who Franchise: A Response to Denise Mann; Part III Production Spaces: Centers and Peripheries; Chapter 9 Liminal Places and Spaces: Public/Private Considerations Chapter 10 "Not in Kansas Anymore": Transnational Collaboration in Television Science Fiction ProductionChapter 11 Crossing the Border: Studying Canadian Television Production; Chapter 12 Borders of Production Research: A Response to Elana Levine; Part IV Production as Lived Experience; Chapter 13 Studying Sideways: Ethnographic Access in Hollywood; Chapter 14 Audience Knowledge and the Everyday Lives of Cultural Producers in Hollywood; Chapter 15 Lights, Camera, but Where's the Action?: Actor-Network Theory and the Production of Robert Connolly's Three Dollars Chapter 16 "Both Sides of the Fence": Blurred Distinctions in Scholarship and Production (a Portfolio of Interviews)Select Bibliography; List of Contributors; Index |
| Record Nr. | UNINA-9910455157903321 |
| New York, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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