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Cinematic appeals : the experience of new movie technologies / / Ariel Rogers
| Cinematic appeals : the experience of new movie technologies / / Ariel Rogers |
| Autore | Rogers Ariel |
| Pubbl/distr/stampa | New York : , : Columbia University Press, , [2013] |
| Descrizione fisica | 1 online resource (353 p.) |
| Disciplina | 302.23/43 |
| Collana |
Film and Culture Series
Film and culture |
| Soggetto topico |
Motion picture audiences
Technology in motion pictures Cinematography - Technological innovations Digital cinematography |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-231-53578-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Moving Machines -- 1. "Smothered in Baked Alaska": The Anxious Appeal of Widescreen Cinema -- 2. East of Eden in Cinema Scope: Intimacy Writ Large -- 3. Digital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- 4. Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- 5. Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now -- Notes -- Selected Bibliography -- Index -- Back matter |
| Record Nr. | UNINA-9910462908503321 |
Rogers Ariel
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| New York : , : Columbia University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinematic appeals : the experience of new movie technologies / / Ariel Rogers
| Cinematic appeals : the experience of new movie technologies / / Ariel Rogers |
| Autore | Rogers Ariel |
| Pubbl/distr/stampa | New York : , : Columbia University Press, , [2013] |
| Descrizione fisica | 1 online resource (353 p.) |
| Disciplina | 302.23/43 |
| Collana |
Film and Culture Series
Film and culture |
| Soggetto topico |
Motion picture audiences
Technology in motion pictures Cinematography - Technological innovations Digital cinematography |
| ISBN | 0-231-53578-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Moving Machines -- 1. "Smothered in Baked Alaska": The Anxious Appeal of Widescreen Cinema -- 2. East of Eden in Cinema Scope: Intimacy Writ Large -- 3. Digital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- 4. Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- 5. Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now -- Notes -- Selected Bibliography -- Index -- Back matter |
| Record Nr. | UNINA-9910787641503321 |
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Rogers Ariel
|
||
| New York : , : Columbia University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinematic appeals : the experience of new movie technologies / / Ariel Rogers
| Cinematic appeals : the experience of new movie technologies / / Ariel Rogers |
| Autore | Rogers Ariel |
| Pubbl/distr/stampa | New York : , : Columbia University Press, , [2013] |
| Descrizione fisica | 1 online resource (353 p.) |
| Disciplina | 302.23/43 |
| Collana |
Film and Culture Series
Film and culture |
| Soggetto topico |
Motion picture audiences
Technology in motion pictures Cinematography - Technological innovations Digital cinematography |
| ISBN | 0-231-53578-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Moving Machines -- 1. "Smothered in Baked Alaska": The Anxious Appeal of Widescreen Cinema -- 2. East of Eden in Cinema Scope: Intimacy Writ Large -- 3. Digital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- 4. Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- 5. Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now -- Notes -- Selected Bibliography -- Index -- Back matter |
| Record Nr. | UNINA-9910819286403321 |
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Rogers Ariel
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| New York : , : Columbia University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Drone age cinema : action film and sensory assault / / Steen Ledet Christiansen
| Drone age cinema : action film and sensory assault / / Steen Ledet Christiansen |
| Autore | Christiansen Steen Ledet |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : I.B. Tauris & Co. Ltd, , 2016 |
| Descrizione fisica | 1 online resource (ix, 211 pages, 16 unnumbered pages of plates) : color illustrations |
| Disciplina | 791.43/6582 |
| Collana | International library of the moving image |
| Soggetto topico |
Action and adventure films
Action and adventure films - History and criticism Technology in motion pictures |
| ISBN |
1-350-98615-1
1-78672-076-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | War of the senses -- Vectors and the transfer of affect -- Kinetics and the force of movement -- Volatility and flexible bodies -- Corporeal projections and drone bodies -- Droning and audiovisual stun mode -- Cinematic war machines. |
| Record Nr. | UNINA-9910162792903321 |
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Christiansen Steen Ledet
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| London, England : , : I.B. Tauris & Co. Ltd, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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From light to byte [[electronic resource] ] : toward an ethics of digital cinema / / Markos Hadjioannou
| From light to byte [[electronic resource] ] : toward an ethics of digital cinema / / Markos Hadjioannou |
| Autore | Hadjioannou Markos |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2012 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 791.43/656 |
| Soggetto topico |
Cinematography - Technological innovations
Digital cinematography Motion pictures - Aesthetics Technology in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4529-4799-6
0-8166-8207-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; Preface; Introduction: Going Digital: Cinema's New Age; Chapter 1: The Reality of the Index, or Where Does The Truth Lie?; Chapter 2: Physical Presences: Reality, Materiality, Corporeality; Chapter 3: Spatial Coordinates: In between Celluloid Strips and Codified Pixels; Chapter 4: Rediscovering Cinematic Time; Chapter 5: Tracing an Ethics of the Movie Image; Conclusion: Change: A Point of Constant Departure; Acknowledgments; Notes; Bibliography; Filmography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z |
| Record Nr. | UNINA-9910462901303321 |
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Hadjioannou Markos
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||
| Minneapolis, : University of Minnesota Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From light to byte [[electronic resource] ] : toward an ethics of digital cinema / / Markos Hadjioannou
| From light to byte [[electronic resource] ] : toward an ethics of digital cinema / / Markos Hadjioannou |
| Autore | Hadjioannou Markos |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2012 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 791.43/656 |
| Soggetto topico |
Cinematography - Technological innovations
Digital cinematography Motion pictures - Aesthetics Technology in motion pictures |
| ISBN |
1-4529-4799-6
0-8166-8207-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; Preface; Introduction: Going Digital: Cinema's New Age; Chapter 1: The Reality of the Index, or Where Does The Truth Lie?; Chapter 2: Physical Presences: Reality, Materiality, Corporeality; Chapter 3: Spatial Coordinates: In between Celluloid Strips and Codified Pixels; Chapter 4: Rediscovering Cinematic Time; Chapter 5: Tracing an Ethics of the Movie Image; Conclusion: Change: A Point of Constant Departure; Acknowledgments; Notes; Bibliography; Filmography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z |
| Record Nr. | UNINA-9910786116603321 |
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Hadjioannou Markos
|
||
| Minneapolis, : University of Minnesota Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From light to byte [[electronic resource] ] : toward an ethics of digital cinema / / Markos Hadjioannou
| From light to byte [[electronic resource] ] : toward an ethics of digital cinema / / Markos Hadjioannou |
| Autore | Hadjioannou Markos |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2012 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 791.43/656 |
| Soggetto topico |
Cinematography - Technological innovations
Digital cinematography Motion pictures - Aesthetics Technology in motion pictures |
| ISBN |
1-4529-4799-6
0-8166-8207-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; Preface; Introduction: Going Digital: Cinema's New Age; Chapter 1: The Reality of the Index, or Where Does The Truth Lie?; Chapter 2: Physical Presences: Reality, Materiality, Corporeality; Chapter 3: Spatial Coordinates: In between Celluloid Strips and Codified Pixels; Chapter 4: Rediscovering Cinematic Time; Chapter 5: Tracing an Ethics of the Movie Image; Conclusion: Change: A Point of Constant Departure; Acknowledgments; Notes; Bibliography; Filmography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z |
| Record Nr. | UNINA-9910827332403321 |
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Hadjioannou Markos
|
||
| Minneapolis, : University of Minnesota Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott
| Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
| Autore | Benson-Allott Caetlin Anne |
| Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (312 p.) |
| Disciplina | 791.43/656 |
| Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-520-95449-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
| Record Nr. | UNINA-9910452732403321 |
|
Benson-Allott Caetlin Anne
|
||
| Berkeley, CA, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott
| Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
| Autore | Benson-Allott Caetlin Anne |
| Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (312 p.) |
| Disciplina | 791.43/656 |
| Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
| Soggetto non controllato |
apparatus theory
blu ray box office case studies digital video dvd file sharing film and culture film audiences film critics film industry film scholars film studies home viewing horror movies media studies motion pictures movie culture movies nonfiction piracy post cinematic postmodern philosophy prerecorded video psychoanalysis spectatorship streaming services thrillers united states vhs video on demand video platforms video revenues |
| ISBN | 0-520-95449-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
| Record Nr. | UNINA-9910779540003321 |
|
Benson-Allott Caetlin Anne
|
||
| Berkeley, CA, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott
| Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
| Autore | Benson-Allott Caetlin Anne |
| Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (312 p.) |
| Disciplina | 791.43/656 |
| Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
| Soggetto non controllato |
apparatus theory
blu ray box office case studies digital video dvd file sharing film and culture film audiences film critics film industry film scholars film studies home viewing horror movies media studies motion pictures movie culture movies nonfiction piracy post cinematic postmodern philosophy prerecorded video psychoanalysis spectatorship streaming services thrillers united states vhs video on demand video platforms video revenues |
| ISBN | 0-520-95449-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
| Record Nr. | UNINA-9910826753503321 |
|
Benson-Allott Caetlin Anne
|
||
| Berkeley, CA, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
