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The Cambridge companion to the symphony / / edited by Julian Horton [[electronic resource]]
| The Cambridge companion to the symphony / / edited by Julian Horton [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xiv, 452 pages) : digital, PDF file(s) |
| Disciplina | 784.2/184 |
| Collana | Cambridge companions to music |
| Soggetto topico | Symphony |
| ISBN |
1-107-45331-3
1-107-46044-1 1-139-02142-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : understanding the symphony / Julian Horton -- ; Historical overview of the genre. The Viennese symphony, 1750 to 1827 / John Irving ; Other classical repertories / Mary Sue Morrow ; The symphony after Beethoven after Dahlhaus / David Brodbeck ; The symphony since Mahler : national and international trends / David Fanning -- ; Studies in symphonic analysis. Six great early symphonists / Michael Spitzer ; Harmonies and effects : Haydn and Mozart in parallel / Simon P. Keefe ; Beethoven : structural principles and narrative strategies / Mark Anson-Cartwright ; Cyclical thematic processes in the nineteenth-century symphony / Julian Horton ; Tonal strategies in the nineteenth-century symphony / Julian Horton ; 'Two-dimensional' symphonic forms : Schoenberg's Chamber symphony, before, and after / Steven Vande Moortele ; Symphony/antiphony : formal strategies in the twentieth-century symphony / Daniel M. Grimley -- ; Performance, reception and genre. The symphony and the classical orchestra / Richard Will ; Beethoven's shadow : the nineteenth century / Mark Evan Bonds ; The symphony as programme music / John Williamson ; 'Symphonies of the free spirit' : the Austro-German symphony in early Soviet Russia / Pauline Fairclough ; The symphony in Britain : guardianship and renewal / Alain Frogley ; The symphony, the modern orchestra and the performing canon / Alan Street. |
| Record Nr. | UNISA-996204516903316 |
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music - History and criticism
Motion picture music -- History and criticism Symphony |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Frontmatter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910459979403321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910785691503321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910825955803321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mahler's voices [[electronic resource] ] : expression and irony in the songs and symphonies / / Julian Johnson
| Mahler's voices [[electronic resource] ] : expression and irony in the songs and symphonies / / Julian Johnson |
| Autore | Johnson Julian |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2009 |
| Descrizione fisica | 1 online resource (376 p.) |
| Disciplina | 780.92 |
| Soggetto topico |
Songs - History and criticism
Symphony |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-988820-5
1-282-05384-1 9786612053849 0-19-970708-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Index to Works Discussed; List of Music Examples; 1 Mahler and the Musical Voice; The Idea of Voice; Songs and Symphonies; Orchestral Voices; 2 Calling Forth a Voice; Calling Forth; Horn Calls, Birdsong, and Bells; Calling Back; 3 Constructing a Voice; Artifice and Invention; Des Knaben Wunderhorn; The Middle Symphonies; 4 Plural Voices; Carnival Humor; Irony and Tone; Borrowed Voices; 5 Genre and Voice; Song; Opera; Symphony; 6 Ways of Telling; Literary Voices; Idyll, Dream, and Fairy Tale; Narrative Strategies; 7 Vienna, Modernism, and Modernity; Critical Voices; Modernist Voices
Political Voices8 Performing Authenticity; Reception and Performance; Authenticity and Self-Critique; "As If "; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910465803403321 |
Johnson Julian
|
||
| Oxford ; ; New York, : Oxford University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mahler's voices : expression and irony in the songs and symphonies / / Julian Johnson
| Mahler's voices : expression and irony in the songs and symphonies / / Julian Johnson |
| Autore | Johnson Julian |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2009 |
| Descrizione fisica | 1 online resource (376 pages) |
| Disciplina | 780.92 |
| Soggetto topico |
Songs - History and criticism
Symphony |
| ISBN |
0199888205
1282053841 9786612053849 0199707081 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Index to Works Discussed; List of Music Examples; 1 Mahler and the Musical Voice; The Idea of Voice; Songs and Symphonies; Orchestral Voices; 2 Calling Forth a Voice; Calling Forth; Horn Calls, Birdsong, and Bells; Calling Back; 3 Constructing a Voice; Artifice and Invention; Des Knaben Wunderhorn; The Middle Symphonies; 4 Plural Voices; Carnival Humor; Irony and Tone; Borrowed Voices; 5 Genre and Voice; Song; Opera; Symphony; 6 Ways of Telling; Literary Voices; Idyll, Dream, and Fairy Tale; Narrative Strategies; 7 Vienna, Modernism, and Modernity; Critical Voices; Modernist Voices
Political Voices8 Performing Authenticity; Reception and Performance; Authenticity and Self-Critique; "As If "; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910792225703321 |
|
Johnson Julian
|
||
| Oxford ; ; New York, : Oxford University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mahler's voices : expression and irony in the songs and symphonies / / Julian Johnson
| Mahler's voices : expression and irony in the songs and symphonies / / Julian Johnson |
| Autore | Johnson Julian |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2009 |
| Descrizione fisica | 1 online resource (376 pages) |
| Disciplina | 780.92 |
| Soggetto topico |
Songs - History and criticism
Symphony |
| ISBN |
0199888205
1282053841 9786612053849 0199707081 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Index to Works Discussed; List of Music Examples; 1 Mahler and the Musical Voice; The Idea of Voice; Songs and Symphonies; Orchestral Voices; 2 Calling Forth a Voice; Calling Forth; Horn Calls, Birdsong, and Bells; Calling Back; 3 Constructing a Voice; Artifice and Invention; Des Knaben Wunderhorn; The Middle Symphonies; 4 Plural Voices; Carnival Humor; Irony and Tone; Borrowed Voices; 5 Genre and Voice; Song; Opera; Symphony; 6 Ways of Telling; Literary Voices; Idyll, Dream, and Fairy Tale; Narrative Strategies; 7 Vienna, Modernism, and Modernity; Critical Voices; Modernist Voices
Political Voices8 Performing Authenticity; Reception and Performance; Authenticity and Self-Critique; "As If "; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910820930203321 |
|
Johnson Julian
|
||
| Oxford ; ; New York, : Oxford University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A night at the symphony : stories of great orchestral works with early intermediate to intermediate piano arrangements / / Bernadine Johnson & Carol Matz
| A night at the symphony : stories of great orchestral works with early intermediate to intermediate piano arrangements / / Bernadine Johnson & Carol Matz |
| Autore | Johnson Bernadine |
| Pubbl/distr/stampa | Washington, DC, : USDA Forest Service, -[1999] |
| Descrizione fisica | 1 online resource (58 pages) : illustrations, photographs, musics |
| Disciplina | 784.2184 |
| Collana | Learning Link |
| Soggetto topico |
Symphony
Orchestra Piano music, Arranged |
| ISBN | 1-4574-2399-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910698111503321 |
|
Johnson Bernadine
|
||
| Washington, DC, : USDA Forest Service, -[1999] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Pleasure and meaning in the classical symphony [[electronic resource] /] / Melanie Lowe
| Pleasure and meaning in the classical symphony [[electronic resource] /] / Melanie Lowe |
| Autore | Lowe Melanie Diane <1969-> |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2007 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 784.2184 |
| Collana | Musical meaning and interpretation |
| Soggetto topico |
Symphony
Symphonies - Analysis, appreciation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-06577-7
9786612065774 0-253-00006-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | On meanings of musical meaning -- The immediacy of structural understanding -- Enlightening the listening subject -- Entertaining pleasure -- Pleasure and meaning in Haydn's Symphony in D major, no. 93 -- Old entertainments, new pleasures : meanings of late-eighteenth-century public instrumental music in contemporary American culture. |
| Record Nr. | UNINA-9910451698903321 |
|
Lowe Melanie Diane <1969->
|
||
| Bloomington, : Indiana University Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Pleasure and meaning in the classical symphony [[electronic resource] /] / Melanie Lowe
| Pleasure and meaning in the classical symphony [[electronic resource] /] / Melanie Lowe |
| Autore | Lowe Melanie Diane <1969-> |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2007 |
| Descrizione fisica | 1 online resource (241 p.) |
| Disciplina | 784.2184 |
| Collana | Musical meaning and interpretation |
| Soggetto topico |
Symphony
Symphonies - Analysis, appreciation |
| ISBN |
1-282-06577-7
9786612065774 0-253-00006-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | On meanings of musical meaning -- The immediacy of structural understanding -- Enlightening the listening subject -- Entertaining pleasure -- Pleasure and meaning in Haydn's Symphony in D major, no. 93 -- Old entertainments, new pleasures : meanings of late-eighteenth-century public instrumental music in contemporary American culture. |
| Record Nr. | UNINA-9910781803703321 |
|
Lowe Melanie Diane <1969->
|
||
| Bloomington, : Indiana University Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
