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Developing variations [[electronic resource] ] : style and ideology in Western music / / Rose Rosengard Subotnik
| Developing variations [[electronic resource] ] : style and ideology in Western music / / Rose Rosengard Subotnik |
| Autore | Subotnik Rose Rosengard |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1991 |
| Descrizione fisica | 1 online resource (408 p.) |
| Disciplina | 780/.1 |
| Soggetto topico |
Music - Philosophy and aesthetics
Style, Musical Musical criticism Musicology |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8166-8349-2
0-8166-1874-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910452325603321 |
Subotnik Rose Rosengard
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| Minneapolis, : University of Minnesota Press, c1991 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Developing variations [[electronic resource] ] : style and ideology in Western music / / Rose Rosengard Subotnik
| Developing variations [[electronic resource] ] : style and ideology in Western music / / Rose Rosengard Subotnik |
| Autore | Subotnik Rose Rosengard |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1991 |
| Descrizione fisica | 1 online resource (408 p.) |
| Disciplina | 780/.1 |
| Soggetto topico |
Music - Philosophy and aesthetics
Style, Musical Musical criticism Musicology |
| ISBN |
0-8166-8349-2
0-8166-1874-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910778392803321 |
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Subotnik Rose Rosengard
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| Minneapolis, : University of Minnesota Press, c1991 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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From the erotic to the demonic [[electronic resource] ] : on critical musicology / / Derek B. Scott
| From the erotic to the demonic [[electronic resource] ] : on critical musicology / / Derek B. Scott |
| Autore | Scott Derek B |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2003 |
| Descrizione fisica | 1 online resource (258 p.) : ill |
| Disciplina | 780 |
| Soggetto topico |
Music - Social aspects
Music - Philosophy and aesthetics Style, Musical |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9786610532438
0-19-534377-8 1-280-53243-2 1-4337-0009-3 1-4237-6306-8 0-19-515196-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- CONTENTS -- INTRODUCTION -- PART ONE: SEXUALITY, GENDER, AND MUSICAL STYLE -- 1 Erotic Representation from Monteverdi to Mae West -- 2 The Sexual Politics of Victorian Musical Aesthetics -- PART TWO: IDEOLOGY AND THE POPULAR -- 3 The Native American in Popular Music -- 4 Incongruity and Predictability in British Dance Band Music of the 1920s and 1930s -- PART THREE: THE SACRED AND THE PROFANE -- 5 Lux in Tenebris: Bruckner and the Dialectic of Darkness and Light -- 6 Diabolus in Musica: Liszt and the Demonic -- PART FOUR: IDEOLOGY AND CULTURAL OTHERNESS -- 7 Orientalism and Musical Style -- 8 The Impact of African-American Music Making on the European Classical Tradition in the 1920s -- Notes -- Index. |
| Record Nr. | UNINA-9910465829103321 |
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Scott Derek B
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| Oxford ; ; New York, : Oxford University Press, 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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From the erotic to the demonic [[electronic resource] ] : on critical musicology / / Derek B. Scott
| From the erotic to the demonic [[electronic resource] ] : on critical musicology / / Derek B. Scott |
| Autore | Scott Derek B |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2003 |
| Descrizione fisica | 1 online resource (258 p.) : ill |
| Disciplina | 780 |
| Soggetto topico |
Music - Social aspects
Music - Philosophy and aesthetics Style, Musical |
| ISBN |
9786610532438
0-19-534377-8 1-280-53243-2 1-4337-0009-3 1-4237-6306-8 0-19-515196-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- CONTENTS -- INTRODUCTION -- PART ONE: SEXUALITY, GENDER, AND MUSICAL STYLE -- 1 Erotic Representation from Monteverdi to Mae West -- 2 The Sexual Politics of Victorian Musical Aesthetics -- PART TWO: IDEOLOGY AND THE POPULAR -- 3 The Native American in Popular Music -- 4 Incongruity and Predictability in British Dance Band Music of the 1920s and 1930s -- PART THREE: THE SACRED AND THE PROFANE -- 5 Lux in Tenebris: Bruckner and the Dialectic of Darkness and Light -- 6 Diabolus in Musica: Liszt and the Demonic -- PART FOUR: IDEOLOGY AND CULTURAL OTHERNESS -- 7 Orientalism and Musical Style -- 8 The Impact of African-American Music Making on the European Classical Tradition in the 1920s -- Notes -- Index. |
| Record Nr. | UNINA-9910792229503321 |
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Scott Derek B
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| Oxford ; ; New York, : Oxford University Press, 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Inside early music [[electronic resource] ] : conversations with performers / / Bernard D. Sherman
| Inside early music [[electronic resource] ] : conversations with performers / / Bernard D. Sherman |
| Autore | Sherman Bernard D |
| Pubbl/distr/stampa | New York, : Oxford University Press, [2003], c1997 |
| Descrizione fisica | 431p |
| Disciplina | 780.902 |
| Soggetto topico |
Performance practice (Music)
Style, Musical Musicians |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9786610704170
0-19-518600-1 1-280-70417-9 0-19-802573-4 0-19-509708-4 0-19-534365-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910465783003321 |
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Sherman Bernard D
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| New York, : Oxford University Press, [2003], c1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Inside early music [[electronic resource] ] : conversations with performers / / Bernard D. Sherman
| Inside early music [[electronic resource] ] : conversations with performers / / Bernard D. Sherman |
| Autore | Sherman Bernard D |
| Pubbl/distr/stampa | New York, : Oxford University Press, [2003], c1997 |
| Descrizione fisica | 431p |
| Disciplina | 780.902 |
| Soggetto topico |
Performance practice (Music)
Style, Musical Musicians |
| ISBN |
9786610704170
0-19-518600-1 1-280-70417-9 0-19-802573-4 0-19-509708-4 0-19-534365-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910792230103321 |
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Sherman Bernard D
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| New York, : Oxford University Press, [2003], c1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Jazz styles / / Mark C. Gridley
| Jazz styles / / Mark C. Gridley |
| Autore | Gridley Mark C. <1947-> |
| Edizione | [Eleventh edition, Pearson new international edition.] |
| Pubbl/distr/stampa | Harlow, England : , : Pearson, , [2014] |
| Descrizione fisica | 1 online resource (539 pages) : illustrations (some color) |
| Disciplina | 781.65 |
| Collana | Always learning |
| Soggetto topico |
Jazz - Analysis, appreciation
Style, Musical Jazz musicians |
| ISBN | 1-292-05335-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Table of Contents -- 1. Introduction -- 2. What Is Jazz? -- 3. Origins of Jazz -- 4. Early Jazz: Combo Jazz Prior to the Middle 1930s -- 5. Swing: The Early 1930s to the Late 1940s -- 6. Duke Ellington -- 7. The Count Basie Bands -- 8. Bop: The Early 1940s to the Early 1950s -- 9. Cool Jazz -- 10. Hard Bop -- 11. Miles Davis, His Groups and Sidemen -- 12. John Coltrane -- 13. 1960s and 1970s Avant-Garde and "Free" Jazz -- 14. Bill Evans, Herbie Hancock, Chick Corea, and Keith Jarrett -- 15. Jazz-Rock Fusion -- 16. 1980 to the Present -- 17. Other Voices -- Appendix: Brief Outline of Jazz Styles -- Appendix: Elements of Music -- Appendix: Strategies for Buying Recorded Music -- Appendix: A Small Basic Collection of Jazz Videos -- Appendix: Supplementary Reading -- Appendix: For Musicians -- Appendix: Glossary -- Appendix: Sources for Solo Transcriptions -- Demo CD Contents for Jazz Styles, 11th Edition -- List of Recordings -- Index -- 1. |
| Record Nr. | UNINA-9910153063203321 |
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Gridley Mark C. <1947->
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| Harlow, England : , : Pearson, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen
| Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen |
| Autore | Gjerdingen Robert O |
| Pubbl/distr/stampa | New York, : Oxford University Press, 2007 |
| Descrizione fisica | 1 online resource (792 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Music - Europe - 18th century - History and criticism
Style, Musical Musical analysis |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-16379-1
9786611163792 0-19-971836-9 1-4356-3884-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover Page; Title Page; Copyright Page; Dedication; Acknowledgments; Contents; 1 Introduction; 2 The Romanesca; 3 The Prinner; 4 The Fonte; 5 A Minuet; 6 The Do-Re-Mi; 7 The Monte; 8 A Theme And Variations; 9 The Meyer; 10 A Theme And Variations; 11 Clausulae; 12 An Andante; 13 The Quiescenza; 14 The Ponte; 15 A Grave Sostenuto; 16 The Fenaroli; 17 An Allegro; 18 The Sol-Fa-Mi; 19 An Andante; 20 The Indugio; 21 A Cantabile; 22 A Larghetto; 23 An Andantino; 24 An Andantino Affettuoso; 25 The Child Mozart; 26 An Allegro; 27 II Filo: A Poco Adagio; 28 A Model Adagio; 29 A Model Allegro
30 Summary And CadenzaAppendix A: Schema Prototypes; Appendix B: Partimenti; Notes; Index Of Music Sources; General Index |
| Record Nr. | UNINA-9910451863203321 |
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Gjerdingen Robert O
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| New York, : Oxford University Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen
| Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen |
| Autore | Gjerdingen Robert O |
| Pubbl/distr/stampa | New York, : Oxford University Press, 2007 |
| Descrizione fisica | 1 online resource (792 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Music - Europe - 18th century - History and criticism
Style, Musical Musical analysis |
| ISBN |
0-19-772865-0
0-19-988610-5 1-281-16379-1 9786611163792 0-19-971836-9 1-4356-3884-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover Page; Title Page; Copyright Page; Dedication; Acknowledgments; Contents; 1 Introduction; 2 The Romanesca; 3 The Prinner; 4 The Fonte; 5 A Minuet; 6 The Do-Re-Mi; 7 The Monte; 8 A Theme And Variations; 9 The Meyer; 10 A Theme And Variations; 11 Clausulae; 12 An Andante; 13 The Quiescenza; 14 The Ponte; 15 A Grave Sostenuto; 16 The Fenaroli; 17 An Allegro; 18 The Sol-Fa-Mi; 19 An Andante; 20 The Indugio; 21 A Cantabile; 22 A Larghetto; 23 An Andantino; 24 An Andantino Affettuoso; 25 The Child Mozart; 26 An Allegro; 27 II Filo: A Poco Adagio; 28 A Model Adagio; 29 A Model Allegro
30 Summary And CadenzaAppendix A: Schema Prototypes; Appendix B: Partimenti; Notes; Index Of Music Sources; General Index |
| Record Nr. | UNINA-9910778102403321 |
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Gjerdingen Robert O
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| New York, : Oxford University Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Text and act [[electronic resource] ] : essays on music and performance / / Richard Taruskin
| Text and act [[electronic resource] ] : essays on music and performance / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, : Oxford University Press, 1995 |
| Descrizione fisica | 1 online resource (391 p.) |
| Disciplina |
781.4/3
781.43 |
| Soggetto topico |
Performance practice (Music)
Style, Musical |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-45099-1
0-19-535743-4 1-60256-031-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Author's Note; INTRODUCTION; Last Thoughts First; IN THEORY; 1. On Letting the Music Speak for Itself; 2. The Limits of Authenticity: A Contribution; 3. Down with the Fence; 4. The Pastness of the Present and the Presence of the Past; 5. What-or Where-Is the Original?; 6. The Modern Sound of Early Music; 7. Tradition and Authority; IN PRACTICE; Beethoven; 8. The New Antiquity; 9. Resisting the Ninth; Mozart; 10. An Icon for Our Time; 11. A Mozart Wholly Ours; 12. Old (New) Instruments, New (Old) Tempos; Bach; 13. Backslide or Harbinger?; 14. Facing up, Finally, to Bach's Dark Vision
15. The Crooked Straight and the Rough Places PlainAntiquarian Innocence; 16. Report from Lincoln Center: The International Josquin Festival-Conference, 21-25 June 1971; 17. The Price of Literacy, or, Why We Need Musicology; 18. High, Sweet, and Loud; 19. Text and Act; Full Circle; 20. Stravinsky Lite (Even ""The Rite""); Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z |
| Record Nr. | UNINA-9910450438603321 |
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Taruskin Richard
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| New York, : Oxford University Press, 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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