The prop's the thing [[electronic resource] ] : stage properties reconsidered |
Pubbl/distr/stampa | Tuscaloosa, Ala., : Southeastern Theatre Conference and the University of Alabama Press, 2010 |
Descrizione fisica | 1 online resource (152 p.) |
Disciplina |
792.05
792/.05 |
Collana | Theatre symposium : a publication of the Southeastern Theatre Conference |
Soggetto topico |
Stage props
Theater |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8173-8481-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction; Through the Eyes of the Property Director; "Summon up the Blood": The Stylized (or Sticky) Stuff of Violence in Three Plays by Sarah Kane; Helen's Theatrical Mêchanê: Props and Costumes in Euripides' Helen; A Cannonade of Weapons: Signs of Transgression in the Early Commedia dell'arte; Adding Some "PEP" ("Proto-Expressionistic Props") to the Swedish Stage: Strindberg's Property Usage and His Intima Teater; Rattle Away at Your Bin: Women, Community, and Bin Lids in Northern Irish Drama; Bearing Witness: The Noose as an Iconic Prop in African American Theatre
Hawaiian Culture Propped High with Meaning: The Lei Hoaka in Victoria Nalani Kneubuhl's EmmalehuaRevisiting Eva Marie Saint's White Glove: On Props, Neurons, Subtext, and Empathy; From Props to Affordances: An Ecological Approachto Theatrical Objects; "Take up the Bodies": Shakespeare's Body Parts, Babies, and Corpses; Contributors |
Record Nr. | UNINA-9910465267603321 |
Tuscaloosa, Ala., : Southeastern Theatre Conference and the University of Alabama Press, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The prop's the thing [[electronic resource] ] : stage properties reconsidered |
Pubbl/distr/stampa | Tuscaloosa, Ala., : Southeastern Theatre Conference and the University of Alabama Press, 2010 |
Descrizione fisica | 1 online resource (152 p.) |
Disciplina |
792.05
792/.05 |
Collana | Theatre symposium : a publication of the Southeastern Theatre Conference |
Soggetto topico |
Stage props
Theater |
ISBN | 0-8173-8481-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction; Through the Eyes of the Property Director; "Summon up the Blood": The Stylized (or Sticky) Stuff of Violence in Three Plays by Sarah Kane; Helen's Theatrical Mêchanê: Props and Costumes in Euripides' Helen; A Cannonade of Weapons: Signs of Transgression in the Early Commedia dell'arte; Adding Some "PEP" ("Proto-Expressionistic Props") to the Swedish Stage: Strindberg's Property Usage and His Intima Teater; Rattle Away at Your Bin: Women, Community, and Bin Lids in Northern Irish Drama; Bearing Witness: The Noose as an Iconic Prop in African American Theatre
Hawaiian Culture Propped High with Meaning: The Lei Hoaka in Victoria Nalani Kneubuhl's EmmalehuaRevisiting Eva Marie Saint's White Glove: On Props, Neurons, Subtext, and Empathy; From Props to Affordances: An Ecological Approachto Theatrical Objects; "Take up the Bodies": Shakespeare's Body Parts, Babies, and Corpses; Contributors |
Record Nr. | UNINA-9910791963403321 |
Tuscaloosa, Ala., : Southeastern Theatre Conference and the University of Alabama Press, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The prop's the thing [[electronic resource] ] : stage properties reconsidered |
Pubbl/distr/stampa | Tuscaloosa, Ala., : Southeastern Theatre Conference and the University of Alabama Press, 2010 |
Descrizione fisica | 1 online resource (152 p.) |
Disciplina |
792.05
792/.05 |
Collana | Theatre symposium : a publication of the Southeastern Theatre Conference |
Soggetto topico |
Stage props
Theater |
ISBN | 0-8173-8481-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction; Through the Eyes of the Property Director; "Summon up the Blood": The Stylized (or Sticky) Stuff of Violence in Three Plays by Sarah Kane; Helen's Theatrical Mêchanê: Props and Costumes in Euripides' Helen; A Cannonade of Weapons: Signs of Transgression in the Early Commedia dell'arte; Adding Some "PEP" ("Proto-Expressionistic Props") to the Swedish Stage: Strindberg's Property Usage and His Intima Teater; Rattle Away at Your Bin: Women, Community, and Bin Lids in Northern Irish Drama; Bearing Witness: The Noose as an Iconic Prop in African American Theatre
Hawaiian Culture Propped High with Meaning: The Lei Hoaka in Victoria Nalani Kneubuhl's EmmalehuaRevisiting Eva Marie Saint's White Glove: On Props, Neurons, Subtext, and Empathy; From Props to Affordances: An Ecological Approachto Theatrical Objects; "Take up the Bodies": Shakespeare's Body Parts, Babies, and Corpses; Contributors |
Record Nr. | UNINA-9910825843003321 |
Tuscaloosa, Ala., : Southeastern Theatre Conference and the University of Alabama Press, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The stage life of props [[electronic resource] /] / by Andrew Sofer |
Autore | Sofer Andrew <1964-> |
Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, c2003 |
Descrizione fisica | 1 online resource (297 p.) |
Disciplina | 792/.025 |
Collana | Theater--theory/text/performance |
Soggetto topico |
Theaters - Stage-setting and scenery
Stage props European drama - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-59406-0
9786612594069 0-472-02633-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Introduction: Rematerializing the Prop; 1. Playing Host: The Prop as Temporal Contract on the Medieval Stage ; 2. Absorbing Interests: The Bloody Handkerchief on the Elizabethan Stage; 3. Dropping the Subject: The Skull on the Jacobean Stage; 4. The Fan of Mode: Sexual Semaphore on the Restoration and Early-Eighteenth-Century Stage; 5. Killing Time: Guns and the Play of Predictability on the Modern Stage; Notes; Bibliography; Index |
Record Nr. | UNINA-9910458303003321 |
Sofer Andrew <1964-> | ||
Ann Arbor, : University of Michigan Press, c2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The stage life of props / / by Andrew Sofer |
Autore | Sofer Andrew <1964-> |
Pubbl/distr/stampa | Ann Arbor : , : University of Michigan Press, , c2003 |
Descrizione fisica | 1 online resource (297 p.) |
Disciplina | 792/.025 |
Collana | Theater--theory/text/performance |
Soggetto topico |
Theaters - Stage-setting and scenery
Stage props European drama - History and criticism |
ISBN |
1-282-59406-0
9786612594069 0-472-02633-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Introduction: Rematerializing the Prop; 1. Playing Host: The Prop as Temporal Contract on the Medieval Stage ; 2. Absorbing Interests: The Bloody Handkerchief on the Elizabethan Stage; 3. Dropping the Subject: The Skull on the Jacobean Stage; 4. The Fan of Mode: Sexual Semaphore on the Restoration and Early-Eighteenth-Century Stage; 5. Killing Time: Guns and the Play of Predictability on the Modern Stage; Notes; Bibliography; Index |
Record Nr. | UNINA-9910791231903321 |
Sofer Andrew <1964-> | ||
Ann Arbor : , : University of Michigan Press, , c2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The stage life of props / / by Andrew Sofer |
Autore | Sofer Andrew <1964-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, c2003 |
Descrizione fisica | 1 online resource (297 p.) |
Disciplina | 792/.025 |
Collana | Theater--theory/text/performance |
Soggetto topico |
Theaters - Stage-setting and scenery
Stage props European drama - History and criticism |
ISBN |
1-282-59406-0
9786612594069 0-472-02633-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Introduction: Rematerializing the Prop; 1. Playing Host: The Prop as Temporal Contract on the Medieval Stage ; 2. Absorbing Interests: The Bloody Handkerchief on the Elizabethan Stage; 3. Dropping the Subject: The Skull on the Jacobean Stage; 4. The Fan of Mode: Sexual Semaphore on the Restoration and Early-Eighteenth-Century Stage; 5. Killing Time: Guns and the Play of Predictability on the Modern Stage; Notes; Bibliography; Index |
Record Nr. | UNINA-9910807199303321 |
Sofer Andrew <1964-> | ||
Ann Arbor, : University of Michigan Press, c2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|