Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
Autore | Ashby Arved Mark |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
Descrizione fisica | 1 online resource (333 pages) |
Disciplina | 781.49 |
Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
Soggetto genere / forma | Electronic books. |
ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
Record Nr. | UNINA-9910456396403321 |
Ashby Arved Mark
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Berkeley, : University of California Press, c2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
Autore | Ashby Arved Mark |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
Descrizione fisica | 1 online resource (333 pages) |
Disciplina | 781.49 |
Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
Record Nr. | UNINA-9910781129403321 |
Ashby Arved Mark
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Berkeley, : University of California Press, c2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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Aesthetic technologies of modernity, subjectivity, and nature : opera, orchestra, phonograph, film / / Richard Leppert |
Autore | Leppert Richard D. |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2015] |
Descrizione fisica | 1 online resource (369 p.) |
Disciplina | 780.9/04 |
Soggetto topico |
Music - Philosophy and aesthetics
Modernism (Music) - History - 20th century Opera - Social aspects Motion pictures - Social aspects Sound recordings - Social aspects Nature in music Nature in motion pictures |
Soggetto genere / forma | Electronic books. |
ISBN | 0-520-96252-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The civilizing process : music and the aesthetics of time-space relations in The Girl of the golden West -- Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo -- Caruso, phonography, and operatic fidelities : regimes of music listening, 1904-1929 -- Aesthetic meanderings of the sonic psyche : three operas, two notes, and one ending at the boundary of the Great Divide -- Sound, subjectivity, and death : Days of heaven (promesse du bonheur) -- Conclusion : acoustic invocations of crisis and hope. |
Record Nr. | UNINA-9910460843203321 |
Leppert Richard D.
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Oakland, California : , : University of California Press, , [2015] | ||
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Lo trovi qui: Univ. Federico II | ||
|
Aesthetic technologies of modernity, subjectivity, and nature : opera, orchestra, phonograph, film / / Richard Leppert |
Autore | Leppert Richard D. |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2015] |
Descrizione fisica | 1 online resource (369 p.) |
Disciplina | 780.9/04 |
Soggetto topico |
Music - Philosophy and aesthetics
Modernism (Music) - History - 20th century Opera - Social aspects Motion pictures - Social aspects Sound recordings - Social aspects Nature in music Nature in motion pictures |
Soggetto non controllato |
aesthetic modernism
early 20th century culture early 20th century fine arts early 20th century music early 20th century subjectivity early century opera recording film modern media musical aesthetics of the early 20th century musical technology nature in film nature in western modernity opera music sound recording sounds of modernity tensions and traumas of modernity visions of modernity western modernity |
ISBN | 0-520-96252-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The civilizing process : music and the aesthetics of time-space relations in The Girl of the golden West -- Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo -- Caruso, phonography, and operatic fidelities : regimes of music listening, 1904-1929 -- Aesthetic meanderings of the sonic psyche : three operas, two notes, and one ending at the boundary of the Great Divide -- Sound, subjectivity, and death : Days of heaven (promesse du bonheur) -- Conclusion : acoustic invocations of crisis and hope. |
Record Nr. | UNINA-9910798069903321 |
Leppert Richard D.
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||
Oakland, California : , : University of California Press, , [2015] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Aesthetic technologies of modernity, subjectivity, and nature : opera, orchestra, phonograph, film / / Richard Leppert |
Autore | Leppert Richard D. |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2015] |
Descrizione fisica | 1 online resource (369 p.) |
Disciplina | 780.9/04 |
Soggetto topico |
Music - Philosophy and aesthetics
Modernism (Music) - History - 20th century Opera - Social aspects Motion pictures - Social aspects Sound recordings - Social aspects Nature in music Nature in motion pictures |
Soggetto non controllato |
aesthetic modernism
early 20th century culture early 20th century fine arts early 20th century music early 20th century subjectivity early century opera recording film modern media musical aesthetics of the early 20th century musical technology nature in film nature in western modernity opera music sound recording sounds of modernity tensions and traumas of modernity visions of modernity western modernity |
ISBN | 0-520-96252-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The civilizing process : music and the aesthetics of time-space relations in The Girl of the golden West -- Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo -- Caruso, phonography, and operatic fidelities : regimes of music listening, 1904-1929 -- Aesthetic meanderings of the sonic psyche : three operas, two notes, and one ending at the boundary of the Great Divide -- Sound, subjectivity, and death : Days of heaven (promesse du bonheur) -- Conclusion : acoustic invocations of crisis and hope. |
Record Nr. | UNINA-9910816070603321 |
Leppert Richard D.
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||
Oakland, California : , : University of California Press, , [2015] | ||
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Lo trovi qui: Univ. Federico II | ||
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Punk ethnography : the Sublime Frequencies companion / / edited by Michael E. Veal and E. Tammy Kim |
Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , 2016 |
Descrizione fisica | 1 online resource (441 p.) |
Disciplina | 780.9 |
Collana | Music/Culture |
Soggetto topico |
Ethnology
World music - History and criticism Sound recordings - Social aspects Sound recording executives and producers Motion picture producers and directors |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8195-7654-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Punk Ethnography; Title; Copyright; CONTENTS; PART ONE BACKGROUND CONTEXT ; Introduction ; The Sublime Frequencies of New Old Media ; Meet the Sun City Girls ; Interview with Alan Bishop ; Interview with Hisham Mayet
Collage, Creativity, and Copyright: Sublime Frequencies and the Ethics of Intellectual Property INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Brian Shimkovitz ; Interview with Robert Hardin; PART TWO VISUAL AND SONIC CULTURE "Just Pure Sound and Vision": Rawness as Aesthetic-Ideological Fulcrum in Sublime Frequencies' Videos Interview with Olivia Wyatt ; Ambient Sound in Sublime Frequencies as Art (and/or) Ethnography ; INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Chris Becker Interview with Ethan Holtzman PART THREE LOCAL FORAYS ; Trekking Africa ; Bush Taxi Mali: Taking the Long Way Home ; Interview with Tucker Martine ; Dry Spell Blues: Sublime Frequencies across the West African Sahel ; Middle East Steps Engineering Social Space: The "Silent" Structures of Alan Bishop's Radio Palestine The Punk Arab: Demystifying Omar Souleyman's Techno-Dabke ; Interview with Omar Souleyman and Rizan Sa'id ; Asian Emissions ; Radio India: Eternal Dream or Ephemeral Illusion? Interview with Laurent Jeanneau |
Record Nr. | UNINA-9910466218503321 |
Middletown, Connecticut : , : Wesleyan University Press, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
|
Punk ethnography : the Sublime Frequencies companion / / edited by Michael E. Veal and E. Tammy Kim |
Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , 2016 |
Descrizione fisica | 1 online resource (441 p.) |
Disciplina | 780.9 |
Collana | Music/Culture |
Soggetto topico |
Ethnology
World music - History and criticism Sound recordings - Social aspects Sound recording executives and producers Motion picture producers and directors |
ISBN | 0-8195-7654-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Punk Ethnography; Title; Copyright; CONTENTS; PART ONE BACKGROUND CONTEXT ; Introduction ; The Sublime Frequencies of New Old Media ; Meet the Sun City Girls ; Interview with Alan Bishop ; Interview with Hisham Mayet
Collage, Creativity, and Copyright: Sublime Frequencies and the Ethics of Intellectual Property INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Brian Shimkovitz ; Interview with Robert Hardin; PART TWO VISUAL AND SONIC CULTURE "Just Pure Sound and Vision": Rawness as Aesthetic-Ideological Fulcrum in Sublime Frequencies' Videos Interview with Olivia Wyatt ; Ambient Sound in Sublime Frequencies as Art (and/or) Ethnography ; INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Chris Becker Interview with Ethan Holtzman PART THREE LOCAL FORAYS ; Trekking Africa ; Bush Taxi Mali: Taking the Long Way Home ; Interview with Tucker Martine ; Dry Spell Blues: Sublime Frequencies across the West African Sahel ; Middle East Steps Engineering Social Space: The "Silent" Structures of Alan Bishop's Radio Palestine The Punk Arab: Demystifying Omar Souleyman's Techno-Dabke ; Interview with Omar Souleyman and Rizan Sa'id ; Asian Emissions ; Radio India: Eternal Dream or Ephemeral Illusion? Interview with Laurent Jeanneau |
Record Nr. | UNINA-9910798670503321 |
Middletown, Connecticut : , : Wesleyan University Press, , 2016 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Punk ethnography : the Sublime Frequencies companion / / edited by Michael E. Veal and E. Tammy Kim |
Pubbl/distr/stampa | Middletown, Connecticut : , : Wesleyan University Press, , 2016 |
Descrizione fisica | 1 online resource (441 p.) |
Disciplina | 780.9 |
Collana | Music/Culture |
Soggetto topico |
Ethnology
World music - History and criticism Sound recordings - Social aspects Sound recording executives and producers Motion picture producers and directors |
ISBN | 0-8195-7654-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Punk Ethnography; Title; Copyright; CONTENTS; PART ONE BACKGROUND CONTEXT ; Introduction ; The Sublime Frequencies of New Old Media ; Meet the Sun City Girls ; Interview with Alan Bishop ; Interview with Hisham Mayet
Collage, Creativity, and Copyright: Sublime Frequencies and the Ethics of Intellectual Property INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Brian Shimkovitz ; Interview with Robert Hardin; PART TWO VISUAL AND SONIC CULTURE "Just Pure Sound and Vision": Rawness as Aesthetic-Ideological Fulcrum in Sublime Frequencies' Videos Interview with Olivia Wyatt ; Ambient Sound in Sublime Frequencies as Art (and/or) Ethnography ; INTERLUDE SUBLIME FREQUENCIES LISTENER INTERVIEWS ; Interview with Chris Becker Interview with Ethan Holtzman PART THREE LOCAL FORAYS ; Trekking Africa ; Bush Taxi Mali: Taking the Long Way Home ; Interview with Tucker Martine ; Dry Spell Blues: Sublime Frequencies across the West African Sahel ; Middle East Steps Engineering Social Space: The "Silent" Structures of Alan Bishop's Radio Palestine The Punk Arab: Demystifying Omar Souleyman's Techno-Dabke ; Interview with Omar Souleyman and Rizan Sa'id ; Asian Emissions ; Radio India: Eternal Dream or Ephemeral Illusion? Interview with Laurent Jeanneau |
Record Nr. | UNINA-9910815129903321 |
Middletown, Connecticut : , : Wesleyan University Press, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Recording the classics [[electronic resource] ] : maestros, music, and technology / / James Badal |
Autore | Badal James Jessen <1943-> |
Pubbl/distr/stampa | Kent, Ohio, : Kent State University Press, c1996 |
Descrizione fisica | 1 online resource (203 p.) |
Disciplina | 781.49 |
Soggetto topico |
Conductors (Music)
Performance practice (Music) - History - 20th century Sound recordings - Social aspects Sound recording industry |
Soggetto genere / forma | Electronic books. |
ISBN |
1-61277-487-3
0-585-16105-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910456338903321 |
Badal James Jessen <1943->
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Kent, Ohio, : Kent State University Press, c1996 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Recording the classics [[electronic resource] ] : maestros, music, and technology / / James Badal |
Autore | Badal James Jessen <1943-> |
Pubbl/distr/stampa | Kent, Ohio, : Kent State University Press, c1996 |
Descrizione fisica | 1 online resource (203 p.) |
Disciplina | 781.49 |
Altri autori (Persone) | BadalJames Jessen <1943-> |
Soggetto topico |
Conductors (Music)
Performance practice (Music) - History - 20th century Sound recordings - Social aspects Sound recording industry |
ISBN |
1-61277-487-3
0-585-16105-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910778732503321 |
Badal James Jessen <1943->
![]() |
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Kent, Ohio, : Kent State University Press, c1996 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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