The art of music production : the theory and practice / / Richard James Burgess |
Autore | Burgess Richard James |
Edizione | [Fourth edition.] |
Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
Descrizione fisica | 1 online resource (352 pages) |
Disciplina | 781.49023 |
Soggetto topico |
Sound recording industry - Vocational guidance
Sound recordings - Production and direction |
Soggetto genere / forma | Electronic books. |
ISBN |
0-19-992172-5
0-19-992173-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910452400203321 |
Burgess Richard James
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New York : , : Oxford University Press, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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The art of music production : the theory and practice / / Richard James Burgess |
Autore | Burgess Richard James |
Edizione | [Fourth edition.] |
Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
Descrizione fisica | 1 online resource (352 pages) |
Disciplina | 781.49023 |
Soggetto topico |
Sound recording industry - Vocational guidance
Sound recordings - Production and direction |
ISBN |
0-19-935932-6
0-19-992172-5 0-19-992173-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910790689703321 |
Burgess Richard James
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New York : , : Oxford University Press, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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The art of music production : the theory and practice / / Richard James Burgess |
Autore | Burgess Richard James |
Edizione | [Fourth edition.] |
Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
Descrizione fisica | 1 online resource (352 pages) |
Disciplina | 781.49023 |
Soggetto topico |
Sound recording industry - Vocational guidance
Sound recordings - Production and direction |
ISBN |
0-19-935932-6
0-19-992172-5 0-19-992173-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910815931303321 |
Burgess Richard James
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New York : , : Oxford University Press, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Audio production tips : getting the sound right at the source / / Peter Dowsett |
Autore | Dowsett Peter |
Edizione | [1st edition] |
Pubbl/distr/stampa | New York, NY : , : Focal Press, , 2016 |
Descrizione fisica | 1 online resource (538 p.) |
Disciplina | 781.49 |
Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction Sound - Recording and reproducing |
ISBN |
1-317-61420-8
1-315-75112-7 1-317-61421-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Production philosophies, your ears and critical listening -- Project management and pre-production -- Basic music theory -- Song structure, lyrics and melody -- Advanced music theory -- Arrangement and orchestration -- Demystifying recording levels -- Microphone, pre-amp and live room choice -- The critical listening environment -- Decision-making and general recording techniques -- Tracking drums -- Tracking electric and bass guitar -- Tracking other instrumentation -- Tracking vocals. |
Record Nr. | UNINA-9910797823403321 |
Dowsett Peter
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New York, NY : , : Focal Press, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Audio production tips : getting the sound right at the source / / Peter Dowsett |
Autore | Dowsett Peter |
Edizione | [1st edition] |
Pubbl/distr/stampa | New York, NY : , : Focal Press, , 2016 |
Descrizione fisica | 1 online resource (538 p.) |
Disciplina | 781.49 |
Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction Sound - Recording and reproducing |
ISBN |
1-317-61420-8
1-315-75112-7 1-317-61421-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Production philosophies, your ears and critical listening -- Project management and pre-production -- Basic music theory -- Song structure, lyrics and melody -- Advanced music theory -- Arrangement and orchestration -- Demystifying recording levels -- Microphone, pre-amp and live room choice -- The critical listening environment -- Decision-making and general recording techniques -- Tracking drums -- Tracking electric and bass guitar -- Tracking other instrumentation -- Tracking vocals. |
Record Nr. | UNINA-9910827924903321 |
Dowsett Peter
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New York, NY : , : Focal Press, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Bytes and backbeats : repurposing music in the digital age / / Steve Savage |
Autore | Savage Steve <1948-> |
Pubbl/distr/stampa | Ann Arbor, Mich. : , : University of Michigan Press, , c2011 |
Descrizione fisica | 1 online resource (x, 251 p. ) |
Disciplina | 781.6409/051 |
Collana | Tracking pop |
Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
ISBN |
0-472-90118-4
1-283-33436-4 9786613334367 0-472-02773-5 |
Classificazione |
9,2
LR 57790 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Repurposing presentation. Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy breathing ; Art or artifice? -- Repurposing performance. Application study : jazz piano trio ; Studio study : capturing the unintentional performance ; Artist or artisan? -- Repurposing participation. Application study : African folklore and music communities ; Studio study : from iPod to GarageBand ; Integration or (dis)integration? |
Record Nr. | UNINA-9910309960403321 |
Savage Steve <1948->
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Ann Arbor, Mich. : , : University of Michigan Press, , c2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
Descrizione fisica | 1 online resource (289 pages) |
Disciplina | 781.49 |
Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
Soggetto genere / forma | Electronic books. |
ISBN |
1-5013-3207-4
1-5013-3206-6 1-5013-3208-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
Record Nr. | UNINA-9910511664103321 |
New York NY : , : Bloomsbury Academic, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
Descrizione fisica | 1 online resource (289 pages) |
Disciplina | 781.49 |
Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
ISBN |
1-5013-3207-4
1-5013-3206-6 1-5013-3208-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
Record Nr. | UNINA-9910796355703321 |
New York NY : , : Bloomsbury Academic, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
Descrizione fisica | 1 online resource (289 pages) |
Disciplina | 781.49 |
Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
ISBN |
1-5013-3207-4
1-5013-3206-6 1-5013-3208-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
Record Nr. | UNINA-9910822122303321 |
New York NY : , : Bloomsbury Academic, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Gender inequality in metal music production / / by Pauwke Berkers and Julian Schaap |
Autore | Berkers Pauwke |
Pubbl/distr/stampa | United Kingdom : , : Emerald Publishing, , 2018 |
Descrizione fisica | 1 online resource (170 pages) |
Disciplina | 338.4778 |
Collana | Emerald Studies in Metal Music and Culture |
Soggetto topico |
Music trade
Sound recordings - Production and direction Sex discrimination against women Discrimination in employment |
Soggetto genere / forma | Electronic books. |
ISBN |
1-78743-929-1
1-78714-674-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910480161103321 |
Berkers Pauwke
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United Kingdom : , : Emerald Publishing, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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