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The art of music production : the theory and practice / / Richard James Burgess
| The art of music production : the theory and practice / / Richard James Burgess |
| Autore | Burgess Richard James |
| Edizione | [Fourth edition.] |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (352 pages) |
| Disciplina | 781.49023 |
| Soggetto topico |
Sound recording industry - Vocational guidance
Sound recordings - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-992172-5
0-19-992173-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910452400203321 |
Burgess Richard James
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||
| New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of music production : the theory and practice / / Richard James Burgess
| The art of music production : the theory and practice / / Richard James Burgess |
| Autore | Burgess Richard James |
| Edizione | [Fourth edition.] |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (352 pages) |
| Disciplina | 781.49023 |
| Soggetto topico |
Sound recording industry - Vocational guidance
Sound recordings - Production and direction |
| ISBN |
0-19-935932-6
0-19-992172-5 0-19-992173-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910790689703321 |
|
Burgess Richard James
|
||
| New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of music production : the theory and practice / / Richard James Burgess
| The art of music production : the theory and practice / / Richard James Burgess |
| Autore | Burgess Richard James |
| Edizione | [Fourth edition.] |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (352 pages) |
| Disciplina | 781.49023 |
| Soggetto topico |
Sound recording industry - Vocational guidance
Sound recordings - Production and direction |
| ISBN |
0-19-935932-6
0-19-992172-5 0-19-992173-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Contents -- Preface -- Introduction -- SECTION ONE: The Theory -- 1. Types of Music Producers -- Functional Typologies -- Subset Typologies -- In Summation -- Analogous Structures -- Leadership Styles -- SECTION TWO: The Practice -- 2. Becoming a Music Producer -- How Do You Become a Music Producer? -- Examples of Producers from Different Backgrounds -- Qualifications and Training -- 3. Being a Music Producer -- The Day-to-Day Responsibilities and Process -- Some Session Specifics -- Which Method Makes a Better Record-Live, Overdubbed, or Computer? -- What Are "They" Going to Expect of You? -- 4. What Are the Timeless Ingredients in a Hit? -- The Song (or Material) -- The Vocal -- The Arrangement -- The Performance -- The Engineering -- How Important Is the Mix? -- Timeliness -- The Heart -- Are There Exceptions to These Rules? -- 5. What Can You Expect from a Career as a Producer? -- How Is Your Health? -- Why Do A& -- R People Hire You? -- Branding, Marketing, and Sales -- 6. Managers -- What is the Definition of the Term "Manager"? -- What Does a Producer Manager Do? -- What Does a Manager Cost? -- Do They Earn Their Percentage? -- How Do You Make Sure You Receive All the Money Due to You? -- Could You Lose Work to Other Producers on the Manager's Roster? -- How Do You Define "Best Manager" for You? -- How Can You Find Such a Person? -- How Do You Persuade Them to Take You On? -- Business Managers -- 7. The Producer's Relationships -- With the Artist -- What about Drugs and Alcohol? -- What Do You Do When the Artist Becomes Difficult? -- What Do You Do When the Record Company Is Unhappy? -- What Do You Do When the Artist's Manager Is Difficult? -- 8. Lawyers -- What Are the Issues? -- What Can Be Done to Protect Producers? -- 9. Challenges and Controversies -- Differences of Opinion -- How Much Loyalty Can You Expect?.
Final Word on Loyalty -- 10. Success and Money -- How Are Producers Paid? -- How Much Can a Producer Make? -- Where Can Income Come From? -- How Many Producers Make Millions? -- The Terms -- Do Producers Earn Their Percentage? -- Major versus Independent Labels -- How Will Producers Make Money in the Future? -- Can You Increase Your Chances of Success? -- Credits -- What Is the Secret to Longevity? -- Add Entrepreneur to Your Portfolio -- 11. Why Are There So Few Women Producers? -- What We Know -- Some Women Producers in History -- Women Producers Today -- Inconclusive Conclusion -- 12. Frequently Asked Questions -- How Much Is Learned -- How Much Is Natural Ability? -- How Do You Pick the Right Project? -- Should You Share in Songwriting Royalties? -- New versus Established Artists? -- What Is Involved in Being an Independent or Freelance Producer? -- What About Being a Staff Producer? -- What Are the Best Moments? -- Can You Successfully Genre-Hop? -- How Stable Is a Producer's Career? -- How Does a Production Career End? -- Making Plans and When? -- What Do Producers Do When Work Starts to Slow Down? -- Why Do People Want to Produce Records? -- Do You Know When You Have Produced a Hit? -- How Do Producers Feel about Mixers and Remixers? -- What's the Mixer's Viewpoint? -- What Is the "Sophomore Slump"? -- Digital versus Analog? -- 13. Working outside the Mainstream -- Classical -- Jazz -- Country -- Traditional, Folk, Roots, and World Music -- Children's Music -- Local and Regional Producers -- 14. Where Are We? How Did We Get Here? Where Are We Going? -- Will Mobile Modify the Internet that Crippled Cable but Vivified Video, which Killed the Radio Star? -- How Did We Get Here? -- The Revolution Continues -- What Does this Mean to the Professional Music Producer? -- Where Are We Going? -- Revenue Streams Are Multiplying. Will We Even Need Labels in the Future? -- Charts -- Marketing -- Will Music Producers Survive the Revolution? -- 15. Conclusion: What If? -- The Final Cut -- Notes -- Glossary -- Bibliography -- About the Author -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z. |
| Record Nr. | UNINA-9910955468603321 |
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Burgess Richard James
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| New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Audio production tips : getting the sound right at the source / / Peter Dowsett
| Audio production tips : getting the sound right at the source / / Peter Dowsett |
| Autore | Dowsett Peter |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | New York, NY : , : Focal Press, , 2016 |
| Descrizione fisica | 1 online resource (538 p.) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction Sound - Recording and reproducing |
| ISBN |
1-317-61420-8
1-315-75112-7 1-317-61421-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Production philosophies, your ears and critical listening -- Project management and pre-production -- Basic music theory -- Song structure, lyrics and melody -- Advanced music theory -- Arrangement and orchestration -- Demystifying recording levels -- Microphone, pre-amp and live room choice -- The critical listening environment -- Decision-making and general recording techniques -- Tracking drums -- Tracking electric and bass guitar -- Tracking other instrumentation -- Tracking vocals. |
| Record Nr. | UNINA-9910797823403321 |
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Dowsett Peter
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| New York, NY : , : Focal Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Bytes and backbeats : repurposing music in the digital age / / Steve Savage
| Bytes and backbeats : repurposing music in the digital age / / Steve Savage |
| Autore | Savage Steve <1948-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Ann Arbor, Mich. : , : University of Michigan Press, , c2011 |
| Descrizione fisica | 1 online resource (x, 251 p. ) |
| Disciplina | 781.6409/051 |
| Collana | Tracking pop |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| ISBN |
9786613334367
9780472901180 0472901184 9781283334365 1283334364 9780472027736 0472027735 |
| Classificazione |
9,2
LR 57790 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Repurposing presentation. Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy breathing ; Art or artifice? -- Repurposing performance. Application study : jazz piano trio ; Studio study : capturing the unintentional performance ; Artist or artisan? -- Repurposing participation. Application study : African folklore and music communities ; Studio study : from iPod to GarageBand ; Integration or (dis)integration? |
| Record Nr. | UNINA-9910309960403321 |
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Savage Steve <1948->
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| Ann Arbor, Mich. : , : University of Michigan Press, , c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates
| Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
| Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-5013-3207-4
1-5013-3206-6 1-5013-3208-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
| Record Nr. | UNINA-9910511664103321 |
| New York NY : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates
| Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
| Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| ISBN |
1-5013-3207-4
1-5013-3206-6 1-5013-3208-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
| Record Nr. | UNINA-9910796355703321 |
| New York NY : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates
| Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
| Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| ISBN |
9781501332074
1501332074 9781501332067 1501332066 9781501332081 1501332082 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
| Record Nr. | UNINA-9910967796003321 |
| New York NY : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gender inequality in metal music production / / by Pauwke Berkers and Julian Schaap
| Gender inequality in metal music production / / by Pauwke Berkers and Julian Schaap |
| Autore | Berkers Pauwke |
| Pubbl/distr/stampa | United Kingdom : , : Emerald Publishing, , 2018 |
| Descrizione fisica | 1 online resource (170 pages) |
| Disciplina | 338.4778 |
| Collana | Emerald Studies in Metal Music and Culture |
| Soggetto topico |
Music trade
Sound recordings - Production and direction Sex discrimination against women Discrimination in employment |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78743-929-1
1-78714-674-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910480161103321 |
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Berkers Pauwke
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| United Kingdom : , : Emerald Publishing, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Innovation in music : performance, production, technology, and business / / edited by Russ Hepworth-Sawyer [and three others]
| Innovation in music : performance, production, technology, and business / / edited by Russ Hepworth-Sawyer [and three others] |
| Autore | Hepworth-Sawyer Russ |
| Pubbl/distr/stampa | New York, New York ; ; London : , : Routledge, , 2019 |
| Descrizione fisica | 1 online resource (540 pages) |
| Disciplina | 780.9/05 |
| Collana | Perspectives on music production series |
| Soggetto topico |
Music and technology
Sound recordings - Production and direction Music - Performance Music trade |
| ISBN |
1-351-01669-5
1-351-01671-7 1-351-01670-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Performance. Transforming musical performance : the audience as performer / Adrian York ; Using electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation / Tim Sawyer ; Press play on tape : 8-bit composition on the Commodore 64 / Kenny McAlpine ; Defining and evaluating the performance of electronic music / Jenn Kirby ; Perspectives on musical time and human/machine agency in the development of performance systems for live electronic music / Paul Vandemast-Bell & John Ferguson ; Visual agency and liveness in the performance of electronic music / Tim Canfer ; Liveness and interactivity in popular music / Si Waite ; How algorithmic composition prompts innovative movement design in full-body taiko drumming / Stu Lambert -- Production. Collective creativity : a service model of commercial pop music production at PWL in the 1980s / Paul Thompson & Phil Harding ; Mix & persona : analyzing rejected mixes / Dan Sanders ; Mixing beyond the box : analyzing contemporary mixing practice / Alex Stevenson ; Optimizing vocal clarity in the mix / Kirsten Hermes ; Plugging in : exploring innovation in plugin design and utilization / Andrew Bourbon ; Mixing and recording a small orchestral ensemble to create a large orchestral sound / Jenna Doyle ; Committing to tape : questioning progress narratives in contemporary studio production / Joe Watson -- Technology. Harnessing ancillary microgestures in piano technique : implementing microgestural control into an expressive keyboard-based hyper-instrument / Niccolo Granieri, James Dooley & Tychonas Michailidis -- Mamic goes live : a music programming system for non-specialist delivery / Mat Dalgleish & Chris Payne -- Translating mixed multichannel electroacoustic music with acoustic soloist to the personal stereophonic listening space : a case study in Jorge Gregorio García / Simon Hall ; Acoustic transmission of metadata in audio files using sonic quick response codes (SQRC) / Mark Sheppard, Rob Toulson & Jorg Fachner ; Evaluating analog reconstruction performance of transient digital audio workstation signals at high- and standard- resolution sample frequencies / Rob Toulson -- Business. Can music samples be cleared more easily? Development of an automated process to clear music samples for legal creative reuse / Stephen Partridge -- (re)Engineering the cultural object : sonic pasts in hip-hop's future / Mike Exarchos ; Anticipating the cryptopirate : don't bury treasure and other potential preventative measures / Patrick Twaddle ; Can i get a witness? The significance of contracts in an age of musical abundance / Sally Gross ; The end of a golden era of British music? Exploration of educational gaps in the current UK creative industry strategy / Carola Boehm. |
| Record Nr. | UNINA-9910765895903321 |
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Hepworth-Sawyer Russ
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| New York, New York ; ; London : , : Routledge, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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