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The Cambridge companion to recorded music / / edited by Nicholas Cook ... [et al.] [[electronic resource]]
| The Cambridge companion to recorded music / / edited by Nicholas Cook ... [et al.] [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2009 |
| Descrizione fisica | 1 online resource (xvii, 359 pages) : digital, PDF file(s) |
| Disciplina | 780.26/6 |
| Collana | Cambridge companions to music |
| Soggetto topico |
Sound recordings - History
Sound recording industry - History Music - History and criticism Sound recordings - Production and direction - History |
| ISBN |
1-139-80142-2
1-139-00268-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / the editors -- Learning to live with recording / Susan Tomes -- A short take in praise of long takes / Peter Hill -- Performing for (and against) the microphone / Donald Greig -- Producing a credible vocal / Mike Howlett -- It could have happened : the evolution of music construction / Steve Savage -- Recording practices and the role of the producer / Andrew Blake -- Still small voices / Jonathan Freeman-Attwood -- Broadening horizons : 'performance' in the studio / Michael Haas -- Getting sounds : the art of sound engineering / Albin Zak -- Limitations and creativity in recording and performance / Martyn Ware -- Records and recordings in post-punk England, 1978-80 / Richard Witts -- The politics of the recording studio : a case study from South Africa / Louise Meintjes -- From Lanza to Lassus / Tully Potter -- From wind-up to iPod : techno-cultures of listening / Arild Bergh and Tia DeNora -- A matter of circumstance : on experiencing recordings / Martin Elste -- Selling sounds : recordings and the record business / David Patmore -- Revisiting concert life in the mid-century : the survival of acetate discs / Lewis Foreman -- The development of recording technologies / George Brock-Nannestad -- Raiders of the lost archive / Roger Beardsley -- The original cast recording of West Side Story / Nigel Simeone -- The recorded document : interpretation and discography / Simon Trezise -- One man's approach to remastering / Ted Kendall -- Technology, the studio, music / Nick Mason -- Reminder : a recording is not a performance / Roger Heaton -- Methods for analysing recordings / Nicholas Cook -- Recordings and histories of performance style / Daniel Leech-Wilkinson -- Recreating history : a clarinettist's retrospective / Colin Lawson -- Going critical : writing about recordings / Simon Frith -- Something in the air / Chris Watson -- Recording : from reproduction to representation to remediation / Georgina Born. |
| Record Nr. | UNISA-996210315203316 |
| Cambridge : , : Cambridge University Press, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The Complete Historical Collections 1899-1950 : Indian Recordings (Schomerus 1929) / / Ulla Remmer
| The Complete Historical Collections 1899-1950 : Indian Recordings (Schomerus 1929) / / Ulla Remmer |
| Autore | Remmer Ulla |
| Pubbl/distr/stampa | Austria : , : Verlag der Österreichischen Akademie der Wissenschaften, , 2019 |
| Descrizione fisica | 1 online resource (1 page) |
| Disciplina | 384 |
| Soggetto topico | Sound recordings - History |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | 01 The Complete Historical Collections 1899–1950, Indian Recordings |
| Record Nr. | UNINA-9910724387003321 |
Remmer Ulla
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| Austria : , : Verlag der Österreichischen Akademie der Wissenschaften, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Encyclopedia of great popular song recordings / / Steve Sullivan
| Encyclopedia of great popular song recordings / / Steve Sullivan |
| Autore | Sullivan Steve |
| Edizione | [[Enhanced Credo edition]] |
| Pubbl/distr/stampa | Lanham : , : Scarecrow Press, , [2013] |
| Descrizione fisica | 1 online resource (1027 p.) |
| Disciplina | 016.781640266 |
| Soggetto topico |
Popular music
Popular music - History and criticism Sound recordings - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78684-189-4
0-8108-8296-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Volume 1 : Abbreviations -- Criteria for Song Selection -- Introduction -- Playlist 1: Crazy Blues, 1906 / 2004 -- Playlist 2: Down Home Rag, 1897 / 2005 -- Playlist 3: Sitting on Top of the World, 1890 / 2011 -- Playlist 4: Good Rockin' Tonight, 1904 / 2005 -- Playlist 5: Jazznocracy, 1897 / 2010 -- Playlist 6: Hot Time in the Old Town, 1893 / 2008 -- Playlist 7: Fascinating Rhythm, 1891 / 2008 -- Playlist 8: Let the Good Times Roll, 1895 / 2011 -- Playlist 9: Wasn't That a Time? 1895 / 2006 -- Playlist 10: Memories of You, 1889 / 2012 -- Bibliography. |
| Record Nr. | UNINA-9910464959703321 |
|
Sullivan Steve
|
||
| Lanham : , : Scarecrow Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Encyclopedia of great popular song recordings / / Steve Sullivan
| Encyclopedia of great popular song recordings / / Steve Sullivan |
| Autore | Sullivan Steve |
| Edizione | [[Enhanced Credo edition]] |
| Pubbl/distr/stampa | Lanham : , : Scarecrow Press, , [2013] |
| Descrizione fisica | 1 online resource (1027 p.) |
| Disciplina | 016.781640266 |
| Soggetto topico |
Popular music
Popular music - History and criticism Sound recordings - History |
| ISBN |
1-78684-189-4
0-8108-8296-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Volume 1 : Abbreviations -- Criteria for Song Selection -- Introduction -- Playlist 1: Crazy Blues, 1906 / 2004 -- Playlist 2: Down Home Rag, 1897 / 2005 -- Playlist 3: Sitting on Top of the World, 1890 / 2011 -- Playlist 4: Good Rockin' Tonight, 1904 / 2005 -- Playlist 5: Jazznocracy, 1897 / 2010 -- Playlist 6: Hot Time in the Old Town, 1893 / 2008 -- Playlist 7: Fascinating Rhythm, 1891 / 2008 -- Playlist 8: Let the Good Times Roll, 1895 / 2011 -- Playlist 9: Wasn't That a Time? 1895 / 2006 -- Playlist 10: Memories of You, 1889 / 2012 -- Bibliography. |
| Record Nr. | UNINA-9910789471903321 |
|
Sullivan Steve
|
||
| Lanham : , : Scarecrow Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Encyclopedia of great popular song recordings / / Steve Sullivan
| Encyclopedia of great popular song recordings / / Steve Sullivan |
| Autore | Sullivan Steve |
| Edizione | [[Enhanced Credo edition]] |
| Pubbl/distr/stampa | Lanham : , : Scarecrow Press, , [2013] |
| Descrizione fisica | 1 online resource (1027 p.) |
| Disciplina | 016.781640266 |
| Soggetto topico |
Popular music
Popular music - History and criticism Sound recordings - History |
| ISBN |
1-78684-189-4
0-8108-8296-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Volume 1 : Abbreviations -- Criteria for Song Selection -- Introduction -- Playlist 1: Crazy Blues, 1906 / 2004 -- Playlist 2: Down Home Rag, 1897 / 2005 -- Playlist 3: Sitting on Top of the World, 1890 / 2011 -- Playlist 4: Good Rockin' Tonight, 1904 / 2005 -- Playlist 5: Jazznocracy, 1897 / 2010 -- Playlist 6: Hot Time in the Old Town, 1893 / 2008 -- Playlist 7: Fascinating Rhythm, 1891 / 2008 -- Playlist 8: Let the Good Times Roll, 1895 / 2011 -- Playlist 9: Wasn't That a Time? 1895 / 2006 -- Playlist 10: Memories of You, 1889 / 2012 -- Bibliography. |
| Record Nr. | UNINA-9910828036903321 |
|
Sullivan Steve
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||
| Lanham : , : Scarecrow Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The history of music production / / Richard James Burgess
| The history of music production / / Richard James Burgess |
| Autore | Burgess Richard James |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina | 781.4909 |
| Soggetto topico |
Sound recording industry - History
Sound recordings - Production and direction - History Sound - Recording and reproducing - History Sound recordings - History Music and technology |
| ISBN |
0-19-938501-7
0-19-935718-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The History of Music Production; Copyright; Dedication; CONTENTS; List of Illustrations; Preface; Introduction; 1 Beginnings; Understanding Sound; Toward Recording; The Phonograph; The First Producers; 2 The Acoustic Period; Acoustic Recording; International Expansion; The Third Major Label; The Sooys; Documentation of Cultural Expression; The End of an Era; 3 The Electric Period; Toward Electric Recording; Better Sound; Country Music; Further Technological Foundations; The Calm before the Storm; The Thirties and Forties; Radio, Film, and Tape Innovations
4 Economic and Societal OverlayCyclical Decline; One Thing after Another: The Thirties through the War; Recovery; 5 The Studio Is Interactive; Toward Greater Control; Magnetic Tape Recording; Defining Some Terms; Mastering; Editing; Sound on Sound; Overdubbing; Summing up Tape's Impact; The Microgroove LP; 6 The Post-World War II Reconstruction of the Recording Industry; After the War; The Boom in Independent Labels; The Fifties; Radio DJs; 7 Mobile Music; More Music for More People; Music Anywhere: Radio on the Move; My Music on the Move; My Music Anywhere; 8 Expanding the Palette Electric Instruments and AmplifiersSynthesizers; Genre Hybridization; 9 Some Key Producers; The Objective; Review of Early Producers; Mitch Miller; Leiber and Stoller; Phil Spector; Sam Phillips; Steve Sholes; Norrie Paramor; Joe Meek; Brian Wilson; George Martin; Holland, Dozier, and Holland; Teo Macero; King Tubby; Prince; Rick Rubin; Quincy Jones; Robert John "Mutt" Lange; Dr. Dre; Max Martin; 10 The Sixties and Seventies; Cultural and Creative Revolution; The Sixties; Mix Automation; The Seventies; 11 Toward the Digital Age; Digital Recording; Hip Hop; The State of the Eighties The Sound of the EightiesThe Look of the Eighties; Shiny Silver Discs; Singles; Mixing; Dance Music; Remixes; Further Eighties Developments; Mergers and Acquisitions; The Internet and the World Wide Web; 12 The Nineties; The Corporate State; The Charts and SoundScan; Alternative Rock; Toward Music Online; Progress with Digitized Data; Digital Radio; Millennials; Preparing the Way for Napster; 13 Periods of Standards and Stability; Proprietary versus Open Systems; Standards; 14 Deconstructing the Studio; Democratizing Technologies; Improvised Environments; When Is a Home Not a Home?; Freedom 15 Random Access Recording TechnologyWhy Random Access?; The Beginnings of Random Access for Producers; Drum Machines, Next Generation Sequencers, and MIDI; The Beginnings of Random Access Digital Recording; Convergence and Integration; 16 Transformative/Disruptive Technologies and the Value of Music; Definitions of Terms; The Industry at the Turn of the 21st Century; Missed Opportunity; Oh, Wait; No Big Surprises; What a Great Idea; What Happened to Vertical Integration?; An Idea Whose Time Had Come; Denial and Inaction; The Consequences; The Digital Disruption and Producer Income Performance Royalties |
| Record Nr. | UNINA-9910786554203321 |
|
Burgess Richard James
|
||
| New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The history of music production / / Richard James Burgess
| The history of music production / / Richard James Burgess |
| Autore | Burgess Richard James |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina | 781.4909 |
| Soggetto topico |
Sound recording industry - History
Sound recordings - Production and direction - History Sound - Recording and reproducing - History Sound recordings - History Music and technology |
| ISBN |
0-19-938501-7
0-19-935718-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The History of Music Production; Copyright; Dedication; CONTENTS; List of Illustrations; Preface; Introduction; 1 Beginnings; Understanding Sound; Toward Recording; The Phonograph; The First Producers; 2 The Acoustic Period; Acoustic Recording; International Expansion; The Third Major Label; The Sooys; Documentation of Cultural Expression; The End of an Era; 3 The Electric Period; Toward Electric Recording; Better Sound; Country Music; Further Technological Foundations; The Calm before the Storm; The Thirties and Forties; Radio, Film, and Tape Innovations
4 Economic and Societal OverlayCyclical Decline; One Thing after Another: The Thirties through the War; Recovery; 5 The Studio Is Interactive; Toward Greater Control; Magnetic Tape Recording; Defining Some Terms; Mastering; Editing; Sound on Sound; Overdubbing; Summing up Tape's Impact; The Microgroove LP; 6 The Post-World War II Reconstruction of the Recording Industry; After the War; The Boom in Independent Labels; The Fifties; Radio DJs; 7 Mobile Music; More Music for More People; Music Anywhere: Radio on the Move; My Music on the Move; My Music Anywhere; 8 Expanding the Palette Electric Instruments and AmplifiersSynthesizers; Genre Hybridization; 9 Some Key Producers; The Objective; Review of Early Producers; Mitch Miller; Leiber and Stoller; Phil Spector; Sam Phillips; Steve Sholes; Norrie Paramor; Joe Meek; Brian Wilson; George Martin; Holland, Dozier, and Holland; Teo Macero; King Tubby; Prince; Rick Rubin; Quincy Jones; Robert John "Mutt" Lange; Dr. Dre; Max Martin; 10 The Sixties and Seventies; Cultural and Creative Revolution; The Sixties; Mix Automation; The Seventies; 11 Toward the Digital Age; Digital Recording; Hip Hop; The State of the Eighties The Sound of the EightiesThe Look of the Eighties; Shiny Silver Discs; Singles; Mixing; Dance Music; Remixes; Further Eighties Developments; Mergers and Acquisitions; The Internet and the World Wide Web; 12 The Nineties; The Corporate State; The Charts and SoundScan; Alternative Rock; Toward Music Online; Progress with Digitized Data; Digital Radio; Millennials; Preparing the Way for Napster; 13 Periods of Standards and Stability; Proprietary versus Open Systems; Standards; 14 Deconstructing the Studio; Democratizing Technologies; Improvised Environments; When Is a Home Not a Home?; Freedom 15 Random Access Recording TechnologyWhy Random Access?; The Beginnings of Random Access for Producers; Drum Machines, Next Generation Sequencers, and MIDI; The Beginnings of Random Access Digital Recording; Convergence and Integration; 16 Transformative/Disruptive Technologies and the Value of Music; Definitions of Terms; The Industry at the Turn of the 21st Century; Missed Opportunity; Oh, Wait; No Big Surprises; What a Great Idea; What Happened to Vertical Integration?; An Idea Whose Time Had Come; Denial and Inaction; The Consequences; The Digital Disruption and Producer Income Performance Royalties |
| Record Nr. | UNINA-9910818227603321 |
|
Burgess Richard James
|
||
| New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Vinyl records and analog culture in the digital age : pressing matters / / Paul E. Winters
| Vinyl records and analog culture in the digital age : pressing matters / / Paul E. Winters |
| Autore | Winters Paul E. |
| Pubbl/distr/stampa | Lanham : , : Lexington Books, , [2016] |
| Descrizione fisica | 1 online resource (208 pages) |
| Disciplina | 384 |
| Soggetto topico |
Sound recordings - History
Sound recordings - Social aspects |
| ISBN | 1-4985-1008-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cueing up -- "Dogs don't listen to phonographs" : Nipper, "His master's voice," and the discourse of "fidelity" -- The Beatles on itunes and vinyl reissue : aesthetic discourse and the listening subject -- Virtual authenticity : the reemergence of vinyl in the digital age -- Criminal records : record collecting as counter-discourse - "Cabinets of wonder" or "coffins of disuse?" : reissues, box sets, and commodity fetishism -- "You spin me around (like a record)" : analog audiophilia as disciplinary mechanism -- "The vinyl anachronist" : the role of social media in the formation of communities of vinyl -- The run-out groove. |
| Record Nr. | UNINA-9910798645103321 |
|
Winters Paul E.
|
||
| Lanham : , : Lexington Books, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Vinyl records and analog culture in the digital age : pressing matters / / Paul E. Winters
| Vinyl records and analog culture in the digital age : pressing matters / / Paul E. Winters |
| Autore | Winters Paul E. |
| Pubbl/distr/stampa | Lanham : , : Lexington Books, , [2016] |
| Descrizione fisica | 1 online resource (208 pages) |
| Disciplina | 384 |
| Soggetto topico |
Sound recordings - History
Sound recordings - Social aspects |
| ISBN | 1-4985-1008-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cueing up -- "Dogs don't listen to phonographs" : Nipper, "His master's voice," and the discourse of "fidelity" -- The Beatles on itunes and vinyl reissue : aesthetic discourse and the listening subject -- Virtual authenticity : the reemergence of vinyl in the digital age -- Criminal records : record collecting as counter-discourse - "Cabinets of wonder" or "coffins of disuse?" : reissues, box sets, and commodity fetishism -- "You spin me around (like a record)" : analog audiophilia as disciplinary mechanism -- "The vinyl anachronist" : the role of social media in the formation of communities of vinyl -- The run-out groove. |
| Record Nr. | UNINA-9910810012203321 |
|
Winters Paul E.
|
||
| Lanham : , : Lexington Books, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
