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The Cambridge companion to recorded music / / edited by Nicholas Cook ... [et al.] [[electronic resource]]
| The Cambridge companion to recorded music / / edited by Nicholas Cook ... [et al.] [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2009 |
| Descrizione fisica | 1 online resource (xvii, 359 pages) : digital, PDF file(s) |
| Disciplina | 780.26/6 |
| Collana | Cambridge companions to music |
| Soggetto topico |
Sound recordings - History
Sound recording industry - History Music - History and criticism Sound recordings - Production and direction - History |
| ISBN |
1-139-80142-2
1-139-00268-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / the editors -- Learning to live with recording / Susan Tomes -- A short take in praise of long takes / Peter Hill -- Performing for (and against) the microphone / Donald Greig -- Producing a credible vocal / Mike Howlett -- It could have happened : the evolution of music construction / Steve Savage -- Recording practices and the role of the producer / Andrew Blake -- Still small voices / Jonathan Freeman-Attwood -- Broadening horizons : 'performance' in the studio / Michael Haas -- Getting sounds : the art of sound engineering / Albin Zak -- Limitations and creativity in recording and performance / Martyn Ware -- Records and recordings in post-punk England, 1978-80 / Richard Witts -- The politics of the recording studio : a case study from South Africa / Louise Meintjes -- From Lanza to Lassus / Tully Potter -- From wind-up to iPod : techno-cultures of listening / Arild Bergh and Tia DeNora -- A matter of circumstance : on experiencing recordings / Martin Elste -- Selling sounds : recordings and the record business / David Patmore -- Revisiting concert life in the mid-century : the survival of acetate discs / Lewis Foreman -- The development of recording technologies / George Brock-Nannestad -- Raiders of the lost archive / Roger Beardsley -- The original cast recording of West Side Story / Nigel Simeone -- The recorded document : interpretation and discography / Simon Trezise -- One man's approach to remastering / Ted Kendall -- Technology, the studio, music / Nick Mason -- Reminder : a recording is not a performance / Roger Heaton -- Methods for analysing recordings / Nicholas Cook -- Recordings and histories of performance style / Daniel Leech-Wilkinson -- Recreating history : a clarinettist's retrospective / Colin Lawson -- Going critical : writing about recordings / Simon Frith -- Something in the air / Chris Watson -- Recording : from reproduction to representation to remediation / Georgina Born. |
| Record Nr. | UNISA-996210315203316 |
| Cambridge : , : Cambridge University Press, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning
| Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning |
| Autore | Schmidt Horning Susan |
| Pubbl/distr/stampa | Baltimore : , : Johns Hopkins University Press, , 2013 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 781.490973 |
| Collana | Studies in industry and society |
| Soggetto topico |
Popular music - Production and direction - History
Sound recording industry - History Sound recordings - Production and direction - History Sound studios - History Sound - Recording and reproducing - History |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4214-1023-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; Introduction; 1 Capturing Sound in the Acoustic Era: Recording Professionals and Clever Mechanics; 2 The Studio Electrifies: Radio, Recording, and the Birth of the Small Studio Business; 3 A Passion for Sound: Amateur Recordists, the Audio Engineering Society, and the Evolution of a Profession; 4 When High Fidelity Was New: The Studio as Instrument; 5 Control Men in Technological Transition: Engineering the Performance in the Age of High Fidelity; 6 The Search for the Sound: Rhythm and Blues, Rock 'n' Roll, and the Rise of the Independents
7 Channeling Sound: Technology, Control, and Fixing It in the MixConclusion; Notes; Essay on Sources; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Illustrations |
| Record Nr. | UNINA-9910453746203321 |
Schmidt Horning Susan
|
||
| Baltimore : , : Johns Hopkins University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning
| Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning |
| Autore | Schmidt Horning Susan |
| Pubbl/distr/stampa | Baltimore : , : Johns Hopkins University Press, , 2013 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 781.490973 |
| Collana | Studies in industry and society |
| Soggetto topico |
Popular music - Production and direction - History
Sound recording industry - History Sound recordings - Production and direction - History Sound studios - History Sound - Recording and reproducing - History |
| ISBN | 1-4214-1023-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; Introduction; 1 Capturing Sound in the Acoustic Era: Recording Professionals and Clever Mechanics; 2 The Studio Electrifies: Radio, Recording, and the Birth of the Small Studio Business; 3 A Passion for Sound: Amateur Recordists, the Audio Engineering Society, and the Evolution of a Profession; 4 When High Fidelity Was New: The Studio as Instrument; 5 Control Men in Technological Transition: Engineering the Performance in the Age of High Fidelity; 6 The Search for the Sound: Rhythm and Blues, Rock 'n' Roll, and the Rise of the Independents
7 Channeling Sound: Technology, Control, and Fixing It in the MixConclusion; Notes; Essay on Sources; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Illustrations |
| Record Nr. | UNINA-9910790773303321 |
|
Schmidt Horning Susan
|
||
| Baltimore : , : Johns Hopkins University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning
| Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning |
| Autore | Schmidt Horning Susan |
| Pubbl/distr/stampa | Baltimore : , : Johns Hopkins University Press, , 2013 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 781.490973 |
| Collana | Studies in industry and society |
| Soggetto topico |
Popular music - Production and direction - History
Sound recording industry - History Sound recordings - Production and direction - History Sound studios - History Sound - Recording and reproducing - History |
| ISBN | 1-4214-1023-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; Introduction; 1 Capturing Sound in the Acoustic Era: Recording Professionals and Clever Mechanics; 2 The Studio Electrifies: Radio, Recording, and the Birth of the Small Studio Business; 3 A Passion for Sound: Amateur Recordists, the Audio Engineering Society, and the Evolution of a Profession; 4 When High Fidelity Was New: The Studio as Instrument; 5 Control Men in Technological Transition: Engineering the Performance in the Age of High Fidelity; 6 The Search for the Sound: Rhythm and Blues, Rock 'n' Roll, and the Rise of the Independents
7 Channeling Sound: Technology, Control, and Fixing It in the MixConclusion; Notes; Essay on Sources; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Illustrations |
| Record Nr. | UNINA-9910823148103321 |
|
Schmidt Horning Susan
|
||
| Baltimore : , : Johns Hopkins University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The history of music production / / Richard James Burgess
| The history of music production / / Richard James Burgess |
| Autore | Burgess Richard James |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina | 781.4909 |
| Soggetto topico |
Sound recording industry - History
Sound recordings - Production and direction - History Sound - Recording and reproducing - History Sound recordings - History Music and technology |
| ISBN |
0-19-938501-7
0-19-935718-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The History of Music Production; Copyright; Dedication; CONTENTS; List of Illustrations; Preface; Introduction; 1 Beginnings; Understanding Sound; Toward Recording; The Phonograph; The First Producers; 2 The Acoustic Period; Acoustic Recording; International Expansion; The Third Major Label; The Sooys; Documentation of Cultural Expression; The End of an Era; 3 The Electric Period; Toward Electric Recording; Better Sound; Country Music; Further Technological Foundations; The Calm before the Storm; The Thirties and Forties; Radio, Film, and Tape Innovations
4 Economic and Societal OverlayCyclical Decline; One Thing after Another: The Thirties through the War; Recovery; 5 The Studio Is Interactive; Toward Greater Control; Magnetic Tape Recording; Defining Some Terms; Mastering; Editing; Sound on Sound; Overdubbing; Summing up Tape's Impact; The Microgroove LP; 6 The Post-World War II Reconstruction of the Recording Industry; After the War; The Boom in Independent Labels; The Fifties; Radio DJs; 7 Mobile Music; More Music for More People; Music Anywhere: Radio on the Move; My Music on the Move; My Music Anywhere; 8 Expanding the Palette Electric Instruments and AmplifiersSynthesizers; Genre Hybridization; 9 Some Key Producers; The Objective; Review of Early Producers; Mitch Miller; Leiber and Stoller; Phil Spector; Sam Phillips; Steve Sholes; Norrie Paramor; Joe Meek; Brian Wilson; George Martin; Holland, Dozier, and Holland; Teo Macero; King Tubby; Prince; Rick Rubin; Quincy Jones; Robert John "Mutt" Lange; Dr. Dre; Max Martin; 10 The Sixties and Seventies; Cultural and Creative Revolution; The Sixties; Mix Automation; The Seventies; 11 Toward the Digital Age; Digital Recording; Hip Hop; The State of the Eighties The Sound of the EightiesThe Look of the Eighties; Shiny Silver Discs; Singles; Mixing; Dance Music; Remixes; Further Eighties Developments; Mergers and Acquisitions; The Internet and the World Wide Web; 12 The Nineties; The Corporate State; The Charts and SoundScan; Alternative Rock; Toward Music Online; Progress with Digitized Data; Digital Radio; Millennials; Preparing the Way for Napster; 13 Periods of Standards and Stability; Proprietary versus Open Systems; Standards; 14 Deconstructing the Studio; Democratizing Technologies; Improvised Environments; When Is a Home Not a Home?; Freedom 15 Random Access Recording TechnologyWhy Random Access?; The Beginnings of Random Access for Producers; Drum Machines, Next Generation Sequencers, and MIDI; The Beginnings of Random Access Digital Recording; Convergence and Integration; 16 Transformative/Disruptive Technologies and the Value of Music; Definitions of Terms; The Industry at the Turn of the 21st Century; Missed Opportunity; Oh, Wait; No Big Surprises; What a Great Idea; What Happened to Vertical Integration?; An Idea Whose Time Had Come; Denial and Inaction; The Consequences; The Digital Disruption and Producer Income Performance Royalties |
| Record Nr. | UNINA-9910786554203321 |
|
Burgess Richard James
|
||
| New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The history of music production / / Richard James Burgess
| The history of music production / / Richard James Burgess |
| Autore | Burgess Richard James |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina | 781.4909 |
| Soggetto topico |
Sound recording industry - History
Sound recordings - Production and direction - History Sound - Recording and reproducing - History Sound recordings - History Music and technology |
| ISBN |
0-19-938501-7
0-19-935718-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The History of Music Production; Copyright; Dedication; CONTENTS; List of Illustrations; Preface; Introduction; 1 Beginnings; Understanding Sound; Toward Recording; The Phonograph; The First Producers; 2 The Acoustic Period; Acoustic Recording; International Expansion; The Third Major Label; The Sooys; Documentation of Cultural Expression; The End of an Era; 3 The Electric Period; Toward Electric Recording; Better Sound; Country Music; Further Technological Foundations; The Calm before the Storm; The Thirties and Forties; Radio, Film, and Tape Innovations
4 Economic and Societal OverlayCyclical Decline; One Thing after Another: The Thirties through the War; Recovery; 5 The Studio Is Interactive; Toward Greater Control; Magnetic Tape Recording; Defining Some Terms; Mastering; Editing; Sound on Sound; Overdubbing; Summing up Tape's Impact; The Microgroove LP; 6 The Post-World War II Reconstruction of the Recording Industry; After the War; The Boom in Independent Labels; The Fifties; Radio DJs; 7 Mobile Music; More Music for More People; Music Anywhere: Radio on the Move; My Music on the Move; My Music Anywhere; 8 Expanding the Palette Electric Instruments and AmplifiersSynthesizers; Genre Hybridization; 9 Some Key Producers; The Objective; Review of Early Producers; Mitch Miller; Leiber and Stoller; Phil Spector; Sam Phillips; Steve Sholes; Norrie Paramor; Joe Meek; Brian Wilson; George Martin; Holland, Dozier, and Holland; Teo Macero; King Tubby; Prince; Rick Rubin; Quincy Jones; Robert John "Mutt" Lange; Dr. Dre; Max Martin; 10 The Sixties and Seventies; Cultural and Creative Revolution; The Sixties; Mix Automation; The Seventies; 11 Toward the Digital Age; Digital Recording; Hip Hop; The State of the Eighties The Sound of the EightiesThe Look of the Eighties; Shiny Silver Discs; Singles; Mixing; Dance Music; Remixes; Further Eighties Developments; Mergers and Acquisitions; The Internet and the World Wide Web; 12 The Nineties; The Corporate State; The Charts and SoundScan; Alternative Rock; Toward Music Online; Progress with Digitized Data; Digital Radio; Millennials; Preparing the Way for Napster; 13 Periods of Standards and Stability; Proprietary versus Open Systems; Standards; 14 Deconstructing the Studio; Democratizing Technologies; Improvised Environments; When Is a Home Not a Home?; Freedom 15 Random Access Recording TechnologyWhy Random Access?; The Beginnings of Random Access for Producers; Drum Machines, Next Generation Sequencers, and MIDI; The Beginnings of Random Access Digital Recording; Convergence and Integration; 16 Transformative/Disruptive Technologies and the Value of Music; Definitions of Terms; The Industry at the Turn of the 21st Century; Missed Opportunity; Oh, Wait; No Big Surprises; What a Great Idea; What Happened to Vertical Integration?; An Idea Whose Time Had Come; Denial and Inaction; The Consequences; The Digital Disruption and Producer Income Performance Royalties |
| Record Nr. | UNINA-9910818227603321 |
|
Burgess Richard James
|
||
| New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Lost sounds [[electronic resource] ] : Blacks and the birth of the recording industry, 1890-1919 / / Tim Brooks ; appendix of Caribbean and South American recordings by Dick Spottswood
| Lost sounds [[electronic resource] ] : Blacks and the birth of the recording industry, 1890-1919 / / Tim Brooks ; appendix of Caribbean and South American recordings by Dick Spottswood |
| Autore | Brooks Tim |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2004 |
| Descrizione fisica | 1 online resource (655 p.) |
| Disciplina | 781.64 |
| Altri autori (Persone) | SpottswoodRichard K (Richard Keith) |
| Collana | Music in American life |
| Soggetto topico |
African Americans - Music - History and criticism
Sound recording industry - History Music - United States - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-13559-0
9786613135599 0-252-09063-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | George W. Johnson, the first Black recording artist. The early years ; Talking machines! ; The trial of George W. Johnson -- Black recording artists, 1890-99. The Unique Quartette ; Louis "Bebe" Vasnier : recording in nineteenth-century New Orleans ; The Standard Quartette and South before the War ; The Kentucky Jubilee Singers ; Bert Williams and George Walker ; Cousins and DeMoss ; Thomas Craig -- Black recording artists, 1900-1909. The Dinwiddie Quartet ; Carroll Clark ; Charley Case : passing for White? ; The Fisk Jubilee Singers and the popularization of Negro spirituals ; Polk Miller and his Old South Quartette -- Black recording artists, 1910-15. Jack Johnson ; Daisy Tapley ; Apollo Jubilee Quartette ; Edward Sterling Wright and the poetry of Paul Laurence Dunbar ; James Reese Europe ; Will Marion Cook and the Afro-American Folk Song Singers ; Dan Kildare and Joan Sawyer's Persian Garden Orchestra ; The Tuskegee Institute Singers ; The Right Quintette -- Black recording artists, 1916-19. Wilbur C. Sweatman : disrepecting Wilbur ; Opal D. Cooper ; Noble Sissle and Eubie Blake ; Ford T. Dabney : syncopation over Broadway ; W.C. Handy ; Roland Hayes ; The Four Harmony Kings ; Broome Special Phonograph Records ; Edward H. Boatner ; Harry T. Burleigh ; Florence Cole-Talbert ; R. Nathaniel Dett ; Clarence Cameron White -- Other early recordings ; Miscellaneous recordings. |
| Record Nr. | UNINA-9910462538003321 |
|
Brooks Tim
|
||
| Urbana, : University of Illinois Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Lost sounds [[electronic resource] ] : Blacks and the birth of the recording industry, 1890-1919 / / Tim Brooks ; appendix of Caribbean and South American recordings by Dick Spottswood
| Lost sounds [[electronic resource] ] : Blacks and the birth of the recording industry, 1890-1919 / / Tim Brooks ; appendix of Caribbean and South American recordings by Dick Spottswood |
| Autore | Brooks Tim |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2004 |
| Descrizione fisica | 1 online resource (655 p.) |
| Disciplina | 781.64 |
| Altri autori (Persone) | SpottswoodRichard K (Richard Keith) |
| Collana | Music in American life |
| Soggetto topico |
African Americans - Music - History and criticism
Sound recording industry - History Music - United States - History and criticism |
| ISBN |
1-283-13559-0
9786613135599 0-252-09063-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | George W. Johnson, the first Black recording artist. The early years ; Talking machines! ; The trial of George W. Johnson -- Black recording artists, 1890-99. The Unique Quartette ; Louis "Bebe" Vasnier : recording in nineteenth-century New Orleans ; The Standard Quartette and South before the War ; The Kentucky Jubilee Singers ; Bert Williams and George Walker ; Cousins and DeMoss ; Thomas Craig -- Black recording artists, 1900-1909. The Dinwiddie Quartet ; Carroll Clark ; Charley Case : passing for White? ; The Fisk Jubilee Singers and the popularization of Negro spirituals ; Polk Miller and his Old South Quartette -- Black recording artists, 1910-15. Jack Johnson ; Daisy Tapley ; Apollo Jubilee Quartette ; Edward Sterling Wright and the poetry of Paul Laurence Dunbar ; James Reese Europe ; Will Marion Cook and the Afro-American Folk Song Singers ; Dan Kildare and Joan Sawyer's Persian Garden Orchestra ; The Tuskegee Institute Singers ; The Right Quintette -- Black recording artists, 1916-19. Wilbur C. Sweatman : disrepecting Wilbur ; Opal D. Cooper ; Noble Sissle and Eubie Blake ; Ford T. Dabney : syncopation over Broadway ; W.C. Handy ; Roland Hayes ; The Four Harmony Kings ; Broome Special Phonograph Records ; Edward H. Boatner ; Harry T. Burleigh ; Florence Cole-Talbert ; R. Nathaniel Dett ; Clarence Cameron White -- Other early recordings ; Miscellaneous recordings. |
| Record Nr. | UNINA-9910790105903321 |
|
Brooks Tim
|
||
| Urbana, : University of Illinois Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Lost sounds : Blacks and the birth of the recording industry, 1890-1919 / / Tim Brooks ; appendix of Caribbean and South American recordings by Dick Spottswood
| Lost sounds : Blacks and the birth of the recording industry, 1890-1919 / / Tim Brooks ; appendix of Caribbean and South American recordings by Dick Spottswood |
| Autore | Brooks Tim |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Urbana, : University of Illinois Press, c2004 |
| Descrizione fisica | 1 online resource (655 p.) |
| Disciplina | 781.64 |
| Altri autori (Persone) | SpottswoodRichard K (Richard Keith) |
| Collana | Music in American life |
| Soggetto topico |
African Americans - Music - History and criticism
Sound recording industry - History Music - United States - History and criticism |
| ISBN |
1-283-13559-0
9786613135599 0-252-09063-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | George W. Johnson, the first Black recording artist. The early years ; Talking machines! ; The trial of George W. Johnson -- Black recording artists, 1890-99. The Unique Quartette ; Louis "Bebe" Vasnier : recording in nineteenth-century New Orleans ; The Standard Quartette and South before the War ; The Kentucky Jubilee Singers ; Bert Williams and George Walker ; Cousins and DeMoss ; Thomas Craig -- Black recording artists, 1900-1909. The Dinwiddie Quartet ; Carroll Clark ; Charley Case : passing for White? ; The Fisk Jubilee Singers and the popularization of Negro spirituals ; Polk Miller and his Old South Quartette -- Black recording artists, 1910-15. Jack Johnson ; Daisy Tapley ; Apollo Jubilee Quartette ; Edward Sterling Wright and the poetry of Paul Laurence Dunbar ; James Reese Europe ; Will Marion Cook and the Afro-American Folk Song Singers ; Dan Kildare and Joan Sawyer's Persian Garden Orchestra ; The Tuskegee Institute Singers ; The Right Quintette -- Black recording artists, 1916-19. Wilbur C. Sweatman : disrepecting Wilbur ; Opal D. Cooper ; Noble Sissle and Eubie Blake ; Ford T. Dabney : syncopation over Broadway ; W.C. Handy ; Roland Hayes ; The Four Harmony Kings ; Broome Special Phonograph Records ; Edward H. Boatner ; Harry T. Burleigh ; Florence Cole-Talbert ; R. Nathaniel Dett ; Clarence Cameron White -- Other early recordings ; Miscellaneous recordings. |
| Record Nr. | UNINA-9910824586403321 |
|
Brooks Tim
|
||
| Urbana, : University of Illinois Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Playback : from the Victrola to MP3, 100 years of music, machines, and money / / Mark Coleman ; text design by Jeff Williams
| Playback : from the Victrola to MP3, 100 years of music, machines, and money / / Mark Coleman ; text design by Jeff Williams |
| Autore | Coleman Mark <1957-> |
| Edizione | [First Da Capo Press paperback edition.] |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : Da Capo Press, , 2005 |
| Descrizione fisica | 1 online resource (237 p.) |
| Disciplina |
621.389/309
621.389309 |
| Soggetto topico |
Sound recording industry - History
Music and technology |
| ISBN |
0-306-80984-2
0-7867-4840-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover Page; Title Page; Copyright Page; Acknowledgments; Introduction; CD Equals Compact Disc, Controlled Delivery, Certain Death; The Big Playback; The Rise of the Nonmusician: Dick Clark Is the Father of Puff Daddy; Chapter 1: Magic in a Tin Can; Patent Wars; Magic in a Can; The Bell Connection; Penny Arcades and Playback; Format War One: Cylinder Versus Disc; The First Dance Craze; Edison: The Long Goodbye; Cakewalk and Kangaroo Dip; Chapter 2: War on Canned Music; The Rise of Radio; The Sound of Electricity; Edison: The End; Radio Versus Records; "Canned Music"; Jukebox Music
Dancing MachineChapter 3: Low Road to High Fidelity; World War II and Full Frequency Range Recording; Enter the LP; Groove Theory; The Long View; Battle of the Speeds; Hi-Fi at Home; Chapter 4: Ponytail Ribbons, Popsicles, and Peanut brittle; The 45 rpm Revolution; The Pancake Flippers; Transistors; Station to Station; Satellites; Chapter 5: Dreaming in Stereo; Dreaming in Stereo; The Sound of Living Stereo; Music for Heads; "I Hear a New World"; Headphone Music; Snap, Crackle, and Pop; Chapter 6: Last Dance; The Big 12-Inch Record; Riding the Rhythm; The Mix; Fever; The Crash of '79 Chapter 7: Adventures on Wheels of SteelThe Holy Trinity of Hip-Hop; Die Mensch Maschine; The Music Machine; Defenders of the Faith; Chapter 8: Sudden Death of the Record; Zeros and Ones; CD Versus LP: Victory by Any Means Necessary; Death of the CD?; Chapter 9: Canned Music's Last Stand; Back in the Day; Opening Salvo; Napster Holds No Patents; Noble Opposition; Net of Thieves; Gnutella and Others; Napster Wraps; Hardware as Software; Software Is Nowhere; Too Little Too Late?; Aftermath; The Looming Format War; Select Bibliography; Introduction and Chapter One; Chapter Two; Chapter Three Chapter FourChapter Five; Chapter Six; Chapter Seven; Chapter Eight; Chapter Nine; Index |
| Altri titoli varianti | From the Victrola to MP3, 100 years of music, machines, and money |
| Record Nr. | UNISA-996248096403316 |
|
Coleman Mark <1957->
|
||
| Cambridge, Massachusetts : , : Da Capo Press, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
