The Art and Science of 3D Audio Recording / / by Edwin Pfanzagl-Cardone
| The Art and Science of 3D Audio Recording / / by Edwin Pfanzagl-Cardone |
| Autore | Pfanzagl-Cardone Edwin |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2023 |
| Descrizione fisica | 1 online resource (433 pages) |
| Disciplina |
799
621.3893 |
| Collana | Engineering Series |
| Soggetto topico |
Signal processing
Science - Social aspects Signal, Speech and Image Processing Sound Studies |
| ISBN |
9783031230462
9783031230455 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Critical introduction and a few case studies -- 3D- or 'Immersive Audio' – the Basics and a Primer on Spatial Hearing -- The DOLBY® „AtmosTM“ System -- HOA – Higher Order Ambisonics (Eigenmike) -- The Isosceles-Triangle, M.A.G.I.C Arrayand MMAD 3D (after Williams) -- DTS:X -- SONY “360 Reality Audio” -- Recording microphone techniques for 3D-Audio -- Comparative 3D audio microphone array tests. |
| Record Nr. | UNINA-9910682600003321 |
Pfanzagl-Cardone Edwin
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| Cham : , : Springer International Publishing : , : Imprint : Springer, , 2023 | ||
| Lo trovi qui: Univ. Federico II | ||
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The Audiovisual Chord : Embodied Listening in Film / / by Martine Huvenne
| The Audiovisual Chord : Embodied Listening in Film / / by Martine Huvenne |
| Autore | Huvenne Martine |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (322 pages) |
| Disciplina | 152.15 |
| Collana | Palgrave Studies in Sound |
| Soggetto topico |
Science - Social aspects
Motion pictures Phenomenology Science and Technology Studies Sound Studies Film Theory Audio-Visual Culture |
| ISBN |
9789811948077
9811948070 9789811948060 9811948062 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Part I -- “The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.” -- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening -- Phenomenology, an introductionv -- Part II -- A phenomenological approach to audiovisual experience in practice -- Thinking in movement, and different ways to create space in film sound -- The audiovisual chord, an invitation to the audience to interact -- Part III -- Embodied listening, felt sound and the audiovisual chord in film history -- The audiovisual chord in relation to film as an audiovisual composition -- The importance of embodied (panic) listening in film as an audiovisual composition -- A phenomenological approach to film sound and film at the basis of film-making -- Conclusion. |
| Record Nr. | UNINA-9910635383503321 |
Huvenne Martine
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| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Lo trovi qui: Univ. Federico II | ||
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The Experience of Noise : Philosophical and Phenomenological Perspectives / / edited by Basil Vassilicos, Giuseppe Torre, Fabio Tommy Pellizzer
| The Experience of Noise : Philosophical and Phenomenological Perspectives / / edited by Basil Vassilicos, Giuseppe Torre, Fabio Tommy Pellizzer |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (XI, 327 p. 8 illus.) |
| Disciplina | 142.7 |
| Soggetto topico |
Phenomenology
Science - Social aspects Music - Philosophy and aesthetics Sound Studies Philosophy of Music |
| ISBN | 3-031-82802-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1: Introduction: The Experience of Noise -- 2: Kinds of Noise: On the Objective and Subjective Conceptions of Noise -- 3: Specific Sensations of Noise’: Wundt on Noise and Tone -- 4: Sound, Tone, and Noise in Early Phenomenology -- 5: The Noises of Nature and the Nature of Noise -- 6: The Phenomenal Character of Perceptual Noise: Epistemic Misfire, Sensory Misfire, or Perceptual Disjoint?- 7: Making Noise: Two Proposals for a Concept of Visual Noise -- 8: Noise, the Mess, and the Inexhaustible World -- 9: Broken Perceptions: Noise and Human Handiness -- 10: On Gibberish -- 11: Noise: Some Seed in the Heart of God’s Dream.-12: Odi et amo: From the Digital to the (Aesthetic) Experience of Noise -- 13: Still the Noise. |
| Record Nr. | UNINA-9910988296003321 |
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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Explosions in the Mind : Composing Psychedelic Sounds and Visualisations / / by Jonathan Weinel
| Explosions in the Mind : Composing Psychedelic Sounds and Visualisations / / by Jonathan Weinel |
| Autore | Weinel Jonathan |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (239 pages) |
| Disciplina | 781.34 |
| Collana | Palgrave Studies in Sound |
| Soggetto topico |
Science - Social aspects
Music Technology - Philosophy Culture - Study and teaching Sound Studies Philosophy of Technology Cultural Studies |
| ISBN |
9789811640551
9789811640544 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Psychedelic Journeys in Sound: Electroacoustic Compositions -- Melting in the Mind's Eye: Real-time Performances -- Tune In, Turn Up, and Trip Out: Audio-Visual Compositions -- Sensorial Apparatus: Interactive Projects -- Optical Geometry: VJ Performances -- Future Sound Dream: Virtual Reality Experiences -- Conclusion: Design Frameworks. |
| Record Nr. | UNINA-9910520087003321 |
Weinel Jonathan
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| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Lo trovi qui: Univ. Federico II | ||
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Hearing Experiences in Germany, 1914–1945 : Noises of Modernity / / by Yaron Jean
| Hearing Experiences in Germany, 1914–1945 : Noises of Modernity / / by Yaron Jean |
| Autore | Jean Yaron |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (290 pages) |
| Disciplina |
303.483
943.08 |
| Soggetto topico |
Europe, Central - History
World War, 1939-1945 Science - Social aspects History of Germany and Central Europe History of World War II and the Holocaust Sound Studies |
| ISBN |
9783030996086
3030996085 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1 Introduction -- Chapter 2 The Great War and the Sonic Grammar of the Modern in Germany -- Chapter 3 Wireless Civilization and the Soundscape of the Weimar Republic -- Chapter 4 Hearing in Crisis -- Chapter 5 Sounds of Nazism -- Chapter 6 The Second Noisy World War -- Chapter 7 Epilogue- the Age of Silence. |
| Record Nr. | UNINA-9910629292903321 |
Jean Yaron
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Lo trovi qui: Univ. Federico II | ||
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Horrors of a Voice (object a) : Vox-Exo / / by Tristam Adams
| Horrors of a Voice (object a) : Vox-Exo / / by Tristam Adams |
| Autore | Adams Tristam |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (290 pages) |
| Disciplina | 150.195092 |
| Soggetto topico |
Aesthetics
Psychoanalysis Motion pictures Culture - Study and teaching Art - Philosophy Science - Social aspects Film Theory Cultural Theory Philosophy of Art Sound Studies |
| ISBN | 9783031620508 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1: Introduction -- 2: Beyond the Veil of our World -- 3: Violence -- 4: Changes -- 5: Insidious -- 6: Conclusion. |
| Record Nr. | UNINA-9910874684903321 |
Adams Tristam
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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The McGurk Universe : The Physiological and the Psychological in Audiovisual Culture / / by K.J. Donnelly
| The McGurk Universe : The Physiological and the Psychological in Audiovisual Culture / / by K.J. Donnelly |
| Autore | Donnelly K. J. |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (227 pages) |
| Disciplina |
371.33
306.019 |
| Collana | Palgrave Studies in Audio-Visual Culture |
| Soggetto topico |
Motion pictures
Psychology Science - Social aspects Culture - Study and teaching Audio-Visual Culture Behavioral Sciences and Psychology Sound Studies Cultural Studies |
| ISBN |
9783031186332
9783031186325 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CHAPTER 1 Introduction -- CHAPTER 2: The McGurk Universe – Neuro and Aesthetic Theory -- CHAPTER 3: Perpetual Realism: Mediating Fantasy and Reality -- CHAPTER 4: Mediating the Psychological and the Physiological -- CHAPTER 5: Spandrels and Synergy -- CHAPTER 6: ‘Gymnasium for the Senses’: the Artificiality of Audiovisual Space -- CHAPTER 7: Conclusion. |
| Record Nr. | UNINA-9910639888603321 |
Donnelly K. J.
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Lo trovi qui: Univ. Federico II | ||
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Navigating Urban Soundscapes : Dublin and Los Angeles in Fiction / / by Annika Eisenberg
| Navigating Urban Soundscapes : Dublin and Los Angeles in Fiction / / by Annika Eisenberg |
| Autore | Eisenberg Annika |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (253 pages) |
| Disciplina |
813.52
809.93321732 |
| Collana | Literary Urban Studies |
| Soggetto topico |
Literature, Modern - 20th century
Literature - Aesthetics Science - Social aspects Cities and towns - History Space Culture Twentieth-Century Literature Literary Aesthetics Sound Studies Urban History Space and Place in Culture |
| ISBN |
9783031167348
9783031167331 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Mediated Sound -- Tunement: Listening to Listening -- Urban Sonar -- Teeming with Traffic -- Crowded Voices -- Aquacities -- Conclusion: Rewind – Fast Forward. . |
| Record Nr. | UNINA-9910637727603321 |
Eisenberg Annika
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of Music and Sound in Japanese Animation / / edited by Marco Pellitteri
| The Palgrave Handbook of Music and Sound in Japanese Animation / / edited by Marco Pellitteri |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (1107 pages) : illustrations (some color) |
| Disciplina | 777.53 |
| Collana | Palgrave Studies in Sound |
| Soggetto topico |
Mass media
Science - Social aspects Animated films Culture - Study and teaching Media Sociology Science and Technology Studies Animation Sound Studies Cultural Studies |
| ISBN |
9789819704293
9819704294 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | About this book -- Praises for The Palgrave Handbook of Music and Sound in Japanese animation -- Acknowledgements -- Editorial Note -- List of Contributors -- List of Images and Tables -- Foreword. Birth and structure of the Handbook -- Introduction. Tool kits / 0: Presenting Japanese animation and a summary of selected sources on music and animation -- Part I. Early history, theoretical framing, and practice of music and sound in Japanese animation -- Chapter 1. Tool kits / 1: Hearing moods, emotions, pictures. A basic overview on the rhetoric of music -- Chapter 2. Tool kits / 2: Key concepts of music language in anime -- Chapter 3. Tool kits / 3: A short outlook of anison from 1963 to the 21st century -- Chapter 4. Tool kits / 4: Mapping anime’s voice acting industry -- Chapter 5. Early history / 1: Introducing European music to Meiji Japan -- Chapter 6. Early history / 2: The early period of music in Japanese animation. From the 1930s to the advent of Tōei Dōga (1956) -- Chapter 7. Early history / 3: Shiftingpractice, industry, and ideology in the first decade of TV anime songs (1962-72). From Torirō Miki to Michiaki Watanabe -- PART II. Music and sound for animation in Japan from the 1970s to the 2010s -- Chapter 8. Scoring Japan’s pasts and futures / 1: Legends, folklore, monsters, and his-torical drama -- Chapter 9. Scoring Japan’s pasts and futures / 2: Drama, trauma, and sonic eclecticism in mainstream music scores for giant armour-themed and SF animated se-ries of the 1970s -- Chapter 10. Scoring Japan’s pasts and futures / 3: The soundtrack of Shunsuke Kikuchi for UFO Robo Grendizer. Composition and selection criteria -- Chapter 11. Transcultural musical encounters / 1: Jō Hisaishi and Yūji Nomi. Variation, citation, and emulation -- Chapter 12. Transcultural musical encounters / 2: A cultural history of Dvořák’s Largo from Meiji era to anime -- Chapter 13. Transcultural musical encounters / 3: Kōji Morimoto, Yōko Kanno, and the Zagreb school of animation -- Chapter 14. Transcultural musical encounters / 4: The power of alternative music in Japanese animation. Can the beats and vibes of anime change the world? -- Chapter 15. Authorship in music and sound design / 1: Isao Takahata and his music di-rection -- Chapter 16. Authorship in music and sound design / 2: Geinō Yamashirogumi and Akira -- Chapter 17. Authorship in music and sound design / 3: The music and method of Kenji Kawai -- Chapter 18. Authorship in music and sound design / 4: Kōji Yamamura and Satoshi Kon -- Chapter 19. Authorship in music and sound design / 5: Tenmon and his musics for Ma-koto Shinkai’s films -- Chapter 20. Authorship in music and sound design / 6: Four outstanding cases in the anime industry, 1995-2016 -- Chapter 21. Extra-musical sonic environments / 1: Voice actresses performing boy characters. Historical, political, social, and cultural significance in postwar Japan -- Chapter 22. Extra-musical sonic environments / 2: Sonic embedment and spatial “worlding”. Soundscapes, psychoacoustics, and post-human sonics inShin-seiki Evangelion -- Part III. Musics, songs, and voices for Japanese animation beyond Japan -- Chapter 23. Re-written songs, musics, and dubbing for anime / 1: United States -- Chapter 24. Re-written songs, musics, and dubbing for anime / 2: Italy -- Chapter 25. Re-written songs, musics, and dubbing for anime / 3: Philippines -- Chapter 26. Re-written songs, musics, and dubbing for anime / 4: Indonesia -- Chapter 27. Re-written songs, musics, and dubbing for anime / 5: Latin America -- Chapter 28. Re-written songs, musics, and dubbing for anime / 6: Four outstanding cases in Europe and the United States -- Chapter 29. Re-written songs, musics and dubbing for anime / 7: Finland -- Chapter 30. Re-written songs, musics, and dubbing for anime / 8: Cultural strategies of anime’s re-dubbing in Italy, France, Germany, and Spain -- Chapter 31. Anime’s impact on pop music in the two European leading markets / 1: France -- Chapter 32. Anime’s impact on pop music in the two European leading markets / 2: Italy -- Part IV. Interviews, supplemental essays, appendixes -- Chapter 33. Brief guide on sound design in the anime industry -- Chapter 34. Isao Tomita and his collaborations with Osamu Tezuka: Music’s versatility between crosscultural epigonism and ultimate mastery -- Chapter 35. Ambiguities of post-dubbing in the United States -- Chapter 36. Interview with Shunsuke Kikuchi -- Chapter 37. Interview with Michiaki Watanabe -- Chapter 38. Interview with Mitsuko Horie -- Chapter 39. Interview with Kentarō Anai -- Chapter 40. Conversations with four outstanding animators: what they have to say -- Chapter 41. Interview with Takuya Imahori -- Chapter 42. Interview with Kenji Kawai -- Chapter 43. Appendix 1: The main music score composers in the history of anime -- Chapter 44. Appendix 2: The main vocal performers in the history of anison -- Chapter 45. Appendix 3: Historic composers for animation in Japan, 1920s-1950s -- Afterword -- Glossary. Basic keywords of Japanese animation, music, and sound -- Filmography and videography -- Discography and dubs -- Editor and Contributors -- Index. |
| Record Nr. | UNINA-9910887884403321 |
| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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Participatory Sound Art : Technologies, Aesthetics, Politics / / by Vadim Keylin
| Participatory Sound Art : Technologies, Aesthetics, Politics / / by Vadim Keylin |
| Autore | Keylin Vadim |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (161 pages) |
| Disciplina | 709.04074 |
| Collana | Palgrave Studies in Sound |
| Soggetto topico |
Science - Social aspects
Mass media and culture Music Sound Studies Media Culture Science and Technology Studies |
| ISBN |
9789819963577
9819963575 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Chapter 2. Histories -- Chapter 3. Discourses -- Chapter 4. Affordances -- Chapter 5. Perspectives -- Chapter 6. Gestures -- Chapter 7. Conclusion. |
| Record Nr. | UNINA-9910765482003321 |
Keylin Vadim
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| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Lo trovi qui: Univ. Federico II | ||
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