Pubbl/distr/stampa	Piscataway, New Jersey : , : Institute of Electrical and Electronics Engineers, , 2018
Descrizione fisica	1 online resource (326 pages)
Disciplina	621.367
Soggetto topico	Image processing - Digital techniques Sound - Recording and reproducing - Digital techniques Natural language processing (Computer science)
Soggetto genere / forma	Electronic books.
ISBN	1-5386-5195-5
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Record Nr.	UNISA-996279929803316

Autore	Ashby Arved Mark
Pubbl/distr/stampa	Berkeley, : University of California Press, c2010
Descrizione fisica	1 online resource (333 pages)
Disciplina	781.49
Soggetto topico	Absolute music Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects
Soggetto genere / forma	Electronic books.
ISBN	9786612697661 0-520-94569-7 1-282-69766-8
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist.
Record Nr.	UNINA-9910456396403321

Autore	Savage Steve
Pubbl/distr/stampa	Oxford ; ; New York, : Oxford University Press, 2011
Descrizione fisica	1 online resource (284 p.)
Disciplina	621.389/3
Altri autori (Persone)	JohnsonRobert FergussonIain
Soggetto topico	Sound studios Sound - Recording and reproducing - Digital techniques
Soggetto genere / forma	Electronic books.
ISBN	1-283-13650-3 9786613136503 0-19-987523-5
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover; Contents; Introduction; 1 The Starting Point: Sound Meets the Computer; 2 The Essentials: Where and How Recordings Are Made; 3 Recording Sessions: A Practical Guide; 4 Editing: The New Frontier; 5 Three Fundamentals: Techniques Every Recordist Needs to Know; 6 Mixing: The Most Creative and the Most Challenging Stage; 7 Mastering: One Last Session; 8 Three Best Practices: Easy Ways to Raise the Level of Your Sessions; Addendum 1 How to Walk into a Commercial Studio and Be the Engineer; Addendum 2 Researching and Buying Gear: Internet vs. Brick and Mortar Appendix: Digital Audio Formats, Delivery, and StorageOnline Glossary Link; Index
Record Nr.	UNINA-9910461328303321

Autore	Savage Steve
Edizione	[1st ed.]
Pubbl/distr/stampa	Oxford ; ; New York, : Oxford University Press, 2011
Descrizione fisica	xii, 271 p. : ill. ; ; 29 cm
Disciplina	621.3893
Altri autori (Persone)	JohnsonRobert FergussonIain
Soggetto topico	Sound studios Sound - Recording and reproducing - Digital techniques
ISBN	9786613136503 0-19-991050-2 1-283-13650-3 0-19-987523-5
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover -- Contents -- Introduction -- 1 The Starting Point: Sound Meets the Computer -- 1.1 Why Computers -- 1.2 What Does It Sound Like? -- 1.3 Signal Path -- 2 The Essentials: Where and How Recordings Are Made -- 2.1 Recording Rooms and Control Rooms -- 2.2 Studio Monitors -- 2.3 Microphones and Mic Placement -- 2.4 Mixing Boards and Control Surfaces -- 2.5 EQ: General Information -- 2.6 Dynamics (Compressors and Noise Gates) -- 2.7 FX: Delays -- 2.8 FX: Reverb -- 2.9 Beyond Traditional DSP -- 3 Recording Sessions: A Practical Guide -- 3.1 Setup -- 3.2 Headphone Mixes -- 3.3 Survey of Recording Techniques for Instruments and Voice -- 3.4 Beyond -- 4 Editing: The New Frontier -- 4.1 Editing Features -- 4.2 Screen "Real Estate -- 4.3 Virtual Tracks (Playlists) -- 4.4 Advanced Editing -- 5 Three Fundamentals: Techniques Every Recordist Needs to Know -- 5.1 Inserts/Plug-ins -- 5.2 Send and Return -- 5.3 Auto-switching (Auto-input) -- 6 Mixing: The Most Creative and the Most Challenging Stage -- 6.1 Mixing Requirements -- 6.2 Building a Mix -- 6.3 Automation and Recall -- 6.4 Mix Collaboration, Communication, and Delivery -- 7 Mastering: One Last Session -- 7.1 What, Why, How, and Where -- 8 Three Best Practices: Easy Ways to Raise the Level of Your Sessions -- 8.1 Session Flow -- 8.2 Talkback -- 8.3 Playback Volume -- Addendum 1 How to Walk into a Commercial Studio and Be the Engineer -- Addendum 2 Researching and Buying Gear: Internet vs. Brick and Mortar -- Appendix: Digital Audio Formats, Delivery, and Storage -- Online Glossary Link -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Z.
Record Nr.	UNINA-9910974650303321

Autore	Spanias Andreas
Edizione	[1st edition]
Pubbl/distr/stampa	Hoboken, New Jersey : , : Wiley-Interscience, , c2007
Descrizione fisica	1 online resource (486 p.)
Disciplina	621.3828
Altri autori (Persone)	PainterTed <1967-> AttiVenkatraman <1978->
Soggetto topico	Coding theory Signal processing - Digital techniques Sound - Recording and reproducing - Digital techniques
ISBN	1-280-82180-9 9786610821808 0-470-04197-8 0-470-04196-X
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Preface. -- 1. Introduction. -- 2. Signal Processing Essentials. -- 3. Quantization and Entropy Coding. -- 4. Linear Prediction in Narrowband and Wideband Coding. -- 5. Psychoacoustic Principles. -- 6. Time-Frequency Analysis: Filter Banks and Transforms. -- 7. Transform Coders. -- 8. Subband Coders. -- 9. Sinusoidal Coders. -- 10. Audio Coding Standards and Algorithms. -- 11. Lossless Audio Coding and Digital Watermarking. -- 12. Quality Measures for Perceptual Audio Coding. -- References. -- Index.
Record Nr.	UNINA-9910143426103321