2018 International Conference on Audio, Language and Image Processing : 16-17 July 2018, Shanghai, China / / Institute of Electrical and Electronics Engineers |
Pubbl/distr/stampa | Piscataway, New Jersey : , : Institute of Electrical and Electronics Engineers, , 2018 |
Descrizione fisica | 1 online resource (326 pages) |
Disciplina | 621.367 |
Soggetto topico |
Image processing - Digital techniques
Sound - Recording and reproducing - Digital techniques Natural language processing (Computer science) |
Soggetto genere / forma | Electronic books. |
ISBN | 1-5386-5195-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNISA-996279929803316 |
Piscataway, New Jersey : , : Institute of Electrical and Electronics Engineers, , 2018 | ||
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Lo trovi qui: Univ. di Salerno | ||
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2018 International Conference on Audio, Language and Image Processing : 16-17 July 2018, Shanghai, China / / Institute of Electrical and Electronics Engineers |
Pubbl/distr/stampa | Piscataway, New Jersey : , : Institute of Electrical and Electronics Engineers, , 2018 |
Descrizione fisica | 1 online resource (326 pages) |
Disciplina | 621.367 |
Soggetto topico |
Image processing - Digital techniques
Sound - Recording and reproducing - Digital techniques Natural language processing (Computer science) |
Soggetto genere / forma | Electronic books. |
ISBN | 1-5386-5195-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910284449703321 |
Piscataway, New Jersey : , : Institute of Electrical and Electronics Engineers, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
Autore | Ashby Arved Mark |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
Descrizione fisica | 1 online resource (333 pages) |
Disciplina | 781.49 |
Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
Soggetto genere / forma | Electronic books. |
ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
Record Nr. | UNINA-9910456396403321 |
Ashby Arved Mark
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Berkeley, : University of California Press, c2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
Autore | Ashby Arved Mark |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
Descrizione fisica | 1 online resource (333 pages) |
Disciplina | 781.49 |
Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
Record Nr. | UNINA-9910781129403321 |
Ashby Arved Mark
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Berkeley, : University of California Press, c2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
Autore | Ashby Arved Mark |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
Descrizione fisica | 1 online resource (333 pages) |
Disciplina | 781.49 |
Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
Record Nr. | UNINA-9910808751903321 |
Ashby Arved Mark
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Berkeley, : University of California Press, c2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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The art and science of 3D audio recording / / Edwin Pfanzagl-Cardone |
Autore | Pfanzagl-Cardone Edwin |
Edizione | [1st ed. 2023.] |
Pubbl/distr/stampa | Cham, Switzerland : , : Springer Nature Switzerland AG, , [2023] |
Descrizione fisica | 1 online resource (433 pages) |
Disciplina | 799 |
Soggetto topico |
Signal processing
Sound - Recording and reproducing - Digital techniques |
ISBN |
9783031230462
9783031230455 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Critical introduction and a few case studies -- 3D- or 'Immersive Audio' – the Basics and a Primer on Spatial Hearing -- The DOLBY® „AtmosTM“ System -- HOA – Higher Order Ambisonics (Eigenmike) -- The Isosceles-Triangle, M.A.G.I.C Arrayand MMAD 3D (after Williams) -- DTS:X -- SONY “360 Reality Audio” -- Recording microphone techniques for 3D-Audio -- Comparative 3D audio microphone array tests. |
Record Nr. | UNINA-9910682600003321 |
Pfanzagl-Cardone Edwin
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Cham, Switzerland : , : Springer Nature Switzerland AG, , [2023] | ||
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Lo trovi qui: Univ. Federico II | ||
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The art of digital audio recording [[electronic resource] ] : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson |
Autore | Savage Steve |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2011 |
Descrizione fisica | 1 online resource (284 p.) |
Disciplina | 621.389/3 |
Altri autori (Persone) |
JohnsonRobert
FergussonIain |
Soggetto topico |
Sound studios
Sound - Recording and reproducing - Digital techniques |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-13650-3
9786613136503 0-19-987523-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Introduction; 1 The Starting Point: Sound Meets the Computer; 2 The Essentials: Where and How Recordings Are Made; 3 Recording Sessions: A Practical Guide; 4 Editing: The New Frontier; 5 Three Fundamentals: Techniques Every Recordist Needs to Know; 6 Mixing: The Most Creative and the Most Challenging Stage; 7 Mastering: One Last Session; 8 Three Best Practices: Easy Ways to Raise the Level of Your Sessions; Addendum 1 How to Walk into a Commercial Studio and Be the Engineer; Addendum 2 Researching and Buying Gear: Internet vs. Brick and Mortar
Appendix: Digital Audio Formats, Delivery, and StorageOnline Glossary Link; Index |
Record Nr. | UNINA-9910461328303321 |
Savage Steve
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Oxford ; ; New York, : Oxford University Press, 2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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The art of digital audio recording [[electronic resource] ] : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson |
Autore | Savage Steve |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2011 |
Descrizione fisica | xii, 271 p. : ill |
Disciplina | 621.389/3 |
Altri autori (Persone) |
JohnsonRobert
FergussonIain |
Soggetto topico |
Sound studios
Sound - Recording and reproducing - Digital techniques |
ISBN |
9786613136503
0-19-991050-2 1-283-13650-3 0-19-987523-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910795751403321 |
Savage Steve
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Oxford ; ; New York, : Oxford University Press, 2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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The art of digital audio recording [[electronic resource] ] : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson |
Autore | Savage Steve |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2011 |
Descrizione fisica | xii, 271 p. : ill |
Disciplina | 621.389/3 |
Altri autori (Persone) |
JohnsonRobert
FergussonIain |
Soggetto topico |
Sound studios
Sound - Recording and reproducing - Digital techniques |
ISBN |
9786613136503
0-19-991050-2 1-283-13650-3 0-19-987523-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910822892903321 |
Savage Steve
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Oxford ; ; New York, : Oxford University Press, 2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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Audio signal processing and coding / / Andreas Spanias, Ted Painter, Venkatraman Atti |
Autore | Spanias Andreas |
Edizione | [1st edition] |
Pubbl/distr/stampa | Hoboken, New Jersey : , : Wiley-Interscience, , c2007 |
Descrizione fisica | 1 online resource (486 p.) |
Disciplina | 621.3828 |
Altri autori (Persone) |
PainterTed <1967->
AttiVenkatraman <1978-> |
Soggetto topico |
Coding theory
Signal processing - Digital techniques Sound - Recording and reproducing - Digital techniques |
ISBN |
1-280-82180-9
9786610821808 0-470-04197-8 0-470-04196-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preface. -- 1. Introduction. -- 2. Signal Processing Essentials. -- 3. Quantization and Entropy Coding. -- 4. Linear Prediction in Narrowband and Wideband Coding. -- 5. Psychoacoustic Principles. -- 6. Time-Frequency Analysis: Filter Banks and Transforms. -- 7. Transform Coders. -- 8. Subband Coders. -- 9. Sinusoidal Coders. -- 10. Audio Coding Standards and Algorithms. -- 11. Lossless Audio Coding and Digital Watermarking. -- 12. Quality Measures for Perceptual Audio Coding. -- References. -- Index. |
Record Nr. | UNINA-9910143426103321 |
Spanias Andreas
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Hoboken, New Jersey : , : Wiley-Interscience, , c2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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