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The Cambridge companion to singing / / edited by John Potter [[electronic resource]]
| The Cambridge companion to singing / / edited by John Potter [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2000 |
| Descrizione fisica | 1 online resource (x, 286 pages) : digital, PDF file(s) |
| Disciplina | 782/.009 |
| Collana | Cambridge companions to music |
| Soggetto topico |
Singing - History
Performance practice (Music) Vocal music - History and criticism Choral singing - History |
| ISBN |
1-139-81581-4
1-139-00207-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Popular traditions -- The voice in the theatre -- Choral music and song -- Performance practices. |
| Record Nr. | UNISA-996210328203316 |
| Cambridge : , : Cambridge University Press, , 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
A history of singing / / John Potter and Neil Sorrell [[electronic resource]]
| A history of singing / / John Potter and Neil Sorrell [[electronic resource]] |
| Autore | Potter John (Tenor) |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
| Descrizione fisica | 1 online resource (vii, 349 pages) : digital, PDF file(s) |
| Disciplina | 782.009 |
| Soggetto topico | Singing - History |
| ISBN |
1-139-20935-3
1-316-08899-5 1-280-39373-4 1-139-22217-1 9786613571656 1-139-02441-8 1-139-21736-4 1-139-21428-4 1-139-22388-7 1-139-22045-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; A HISTORY OF SINGING; Title; Copyright; Contents; Acknowledgements; Introduction; PART I Imagined voices; Chapter 1 Origins, myths and muses; WHAT MAKES US SING?; A POSSIBLE GENESIS; UNTANGLING UNIVERSALS; BIRDS AND BEASTS AS SINGERS; A SCIENTIFIC APPROACH; MYTHOLOGICAL CONCLUSIONS; PART II Historical voices; CHAPTER 2 The genesis of the Western tradition; SINGING IN THE WESTERN ART MUSIC TRADITION: AN OVERVIEW; ORAL TRADITION IN THE ANCIENT WORLD; ORAL TRADITION IN ANCIENT GREECE; CHRISTIANITY: A RELIGION OF THE VOICE; ORAL VERSUS WRITTEN SOURCES; THE SOUND OF MEDIEVAL SINGING
NOTRE DAME AND AFTER: THE SPECIALISED SOLOISTSECULAR MONOPHONY: FROM ORAL TRADITION TO POETIC LYRIC; CHAPTER 3 The emerging soloist and the primacy of text; POLYPHONIC SONG; OCKEGHEM AND JOSQUIN: COMPOSING SINGERS; THE WRITTEN AND THE SUNG: INTABULATION; FROM POLYPHONIST TO SOLOIST: THE RISE OF THE VIRTUOSO; REVELATION VERSUS ROULADES: VIRTUOSITY AND THE PRIMACY OF TEXT; ITALIAN SINGING EXPORTED; CHAPTER 4 The age of the virtuoso; CASTRATO: AN ARTIFICIAL VOICE FOR VOCAL ARTIFICE; TRAINING AND PEDAGOGY: THE LONG TAIL OF RENAISSANCE TECHNIQUES; FROM PRIMO UOMO TO PRIMA DONNA TOSI'S EUROPEAN REACHTHE COMPOSER AS SINGER; CHAPTER 5 The nineteenth-century revolution; THE RISING MALE; NEW TIMES, NEW TEACHING: GARCIA AND THE CONSERVATOIRE; TECHNIQUE AND STYLE POST-GARCIA; WAGNER'S VOCAL VISION; NEW SINGING, ANCIENT TRADITION; PART III Recorded voices; CHAPTER 6 A Great Tradition: singing through history - history through singing; APOLOGIA; CARRIERS OF TRADITION; ORIGINS AND PRIORITIES; CARNATIC MUSIC; BIMUSICALITY: WESTERN MUSICIANS CAN MASTER INDIAN MUSIC; HINDUSTANI MUSIC: DHRUPAD; KHYAL; SINGING AND MODERN TECHNOLOGY; GENDER SINGING WITH THE HANDS AND THROUGH THE INSTRUMENTS`HOW SINGING IS ACCOMPANIED; TOWARDS VOCAL AND INSTRUMENTAL PARITY; CHAPTER 7 Classical singing in the twentieth century: recording and retrenchment; THE GRAMOPHONE AND THE END OF INNOCENCE; THE SONG REPERTOIRE AND THE CREATION OF ART SONG; INTERPRETING THE FIRST RECORDINGS; PORTAMENTO AS A DEFINING CRITERION OF GOOD SINGING; THE WAR YEARS AND AFTER: 'STÄNDCHEN' AS A BAROMETER OF TASTE; PORTAMENTO AND CURRENT PERFORMANCE PRACTICE; FROM PARADIGM TO PERFORMANCE: PERFORMERS, TEACHERS AND THEIR MODELS CHAPTER 8 Post-classical: beyond the mainstreamSTYLISTIC FRAGMENTATION AND DIVERGENCE; THE EARLY MUSIC MOVEMENT; THE VOCAL AVANT-GARDE; CHAPTER 9 The emancipation of the popular voice; POPULAR CLASSICAL: ASPIRATIONAL IMITATION; THE MICROPHONE AND THE INTERNATIONAL PROJECTION OF INTIMACY; CROONING; VIRTUOSITY, IMPROVISATION AND THE LIMITS OF JAZZ; THE END OF AN ERA; ELVIS PRESLEY AND STYLISTIC SYNTHESIS; THE SINGER RECLAIMS THE SONG; HIP-HOP: A GLOBAL SUBCULTURE; THE END OF THE ANGLOPHONE ERA?; CHAPTER 10 Sung and unsung: singers and songs of the non-English-speaking world; GERMANY AND CABARET FRANCE AND THE CHANSON TRADITION |
| Record Nr. | UNINA-9910461603003321 |
Potter John (Tenor)
|
||
| Cambridge : , : Cambridge University Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A history of singing / / John Potter and Neil Sorrell [[electronic resource]]
| A history of singing / / John Potter and Neil Sorrell [[electronic resource]] |
| Autore | Potter John (Tenor) |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
| Descrizione fisica | 1 online resource (vii, 349 pages) : digital, PDF file(s) |
| Disciplina | 782.009 |
| Soggetto topico | Singing - History |
| ISBN |
1-139-20935-3
1-316-08899-5 1-280-39373-4 1-139-22217-1 9786613571656 1-139-02441-8 1-139-21736-4 1-139-21428-4 1-139-22388-7 1-139-22045-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; A HISTORY OF SINGING; Title; Copyright; Contents; Acknowledgements; Introduction; PART I Imagined voices; Chapter 1 Origins, myths and muses; WHAT MAKES US SING?; A POSSIBLE GENESIS; UNTANGLING UNIVERSALS; BIRDS AND BEASTS AS SINGERS; A SCIENTIFIC APPROACH; MYTHOLOGICAL CONCLUSIONS; PART II Historical voices; CHAPTER 2 The genesis of the Western tradition; SINGING IN THE WESTERN ART MUSIC TRADITION: AN OVERVIEW; ORAL TRADITION IN THE ANCIENT WORLD; ORAL TRADITION IN ANCIENT GREECE; CHRISTIANITY: A RELIGION OF THE VOICE; ORAL VERSUS WRITTEN SOURCES; THE SOUND OF MEDIEVAL SINGING
NOTRE DAME AND AFTER: THE SPECIALISED SOLOISTSECULAR MONOPHONY: FROM ORAL TRADITION TO POETIC LYRIC; CHAPTER 3 The emerging soloist and the primacy of text; POLYPHONIC SONG; OCKEGHEM AND JOSQUIN: COMPOSING SINGERS; THE WRITTEN AND THE SUNG: INTABULATION; FROM POLYPHONIST TO SOLOIST: THE RISE OF THE VIRTUOSO; REVELATION VERSUS ROULADES: VIRTUOSITY AND THE PRIMACY OF TEXT; ITALIAN SINGING EXPORTED; CHAPTER 4 The age of the virtuoso; CASTRATO: AN ARTIFICIAL VOICE FOR VOCAL ARTIFICE; TRAINING AND PEDAGOGY: THE LONG TAIL OF RENAISSANCE TECHNIQUES; FROM PRIMO UOMO TO PRIMA DONNA TOSI'S EUROPEAN REACHTHE COMPOSER AS SINGER; CHAPTER 5 The nineteenth-century revolution; THE RISING MALE; NEW TIMES, NEW TEACHING: GARCIA AND THE CONSERVATOIRE; TECHNIQUE AND STYLE POST-GARCIA; WAGNER'S VOCAL VISION; NEW SINGING, ANCIENT TRADITION; PART III Recorded voices; CHAPTER 6 A Great Tradition: singing through history - history through singing; APOLOGIA; CARRIERS OF TRADITION; ORIGINS AND PRIORITIES; CARNATIC MUSIC; BIMUSICALITY: WESTERN MUSICIANS CAN MASTER INDIAN MUSIC; HINDUSTANI MUSIC: DHRUPAD; KHYAL; SINGING AND MODERN TECHNOLOGY; GENDER SINGING WITH THE HANDS AND THROUGH THE INSTRUMENTS`HOW SINGING IS ACCOMPANIED; TOWARDS VOCAL AND INSTRUMENTAL PARITY; CHAPTER 7 Classical singing in the twentieth century: recording and retrenchment; THE GRAMOPHONE AND THE END OF INNOCENCE; THE SONG REPERTOIRE AND THE CREATION OF ART SONG; INTERPRETING THE FIRST RECORDINGS; PORTAMENTO AS A DEFINING CRITERION OF GOOD SINGING; THE WAR YEARS AND AFTER: 'STÄNDCHEN' AS A BAROMETER OF TASTE; PORTAMENTO AND CURRENT PERFORMANCE PRACTICE; FROM PARADIGM TO PERFORMANCE: PERFORMERS, TEACHERS AND THEIR MODELS CHAPTER 8 Post-classical: beyond the mainstreamSTYLISTIC FRAGMENTATION AND DIVERGENCE; THE EARLY MUSIC MOVEMENT; THE VOCAL AVANT-GARDE; CHAPTER 9 The emancipation of the popular voice; POPULAR CLASSICAL: ASPIRATIONAL IMITATION; THE MICROPHONE AND THE INTERNATIONAL PROJECTION OF INTIMACY; CROONING; VIRTUOSITY, IMPROVISATION AND THE LIMITS OF JAZZ; THE END OF AN ERA; ELVIS PRESLEY AND STYLISTIC SYNTHESIS; THE SINGER RECLAIMS THE SONG; HIP-HOP: A GLOBAL SUBCULTURE; THE END OF THE ANGLOPHONE ERA?; CHAPTER 10 Sung and unsung: singers and songs of the non-English-speaking world; GERMANY AND CABARET FRANCE AND THE CHANSON TRADITION |
| Record Nr. | UNINA-9910790272503321 |
|
Potter John (Tenor)
|
||
| Cambridge : , : Cambridge University Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A history of singing / / John Potter and Neil Sorrell [[electronic resource]]
| A history of singing / / John Potter and Neil Sorrell [[electronic resource]] |
| Autore | Potter John (Tenor) |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
| Descrizione fisica | 1 online resource (vii, 349 pages) : digital, PDF file(s) |
| Disciplina | 782.009 |
| Soggetto topico | Singing - History |
| ISBN |
1-139-20935-3
1-316-08899-5 1-280-39373-4 1-139-22217-1 9786613571656 1-139-02441-8 1-139-21736-4 1-139-21428-4 1-139-22388-7 1-139-22045-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; A HISTORY OF SINGING; Title; Copyright; Contents; Acknowledgements; Introduction; PART I Imagined voices; Chapter 1 Origins, myths and muses; WHAT MAKES US SING?; A POSSIBLE GENESIS; UNTANGLING UNIVERSALS; BIRDS AND BEASTS AS SINGERS; A SCIENTIFIC APPROACH; MYTHOLOGICAL CONCLUSIONS; PART II Historical voices; CHAPTER 2 The genesis of the Western tradition; SINGING IN THE WESTERN ART MUSIC TRADITION: AN OVERVIEW; ORAL TRADITION IN THE ANCIENT WORLD; ORAL TRADITION IN ANCIENT GREECE; CHRISTIANITY: A RELIGION OF THE VOICE; ORAL VERSUS WRITTEN SOURCES; THE SOUND OF MEDIEVAL SINGING
NOTRE DAME AND AFTER: THE SPECIALISED SOLOISTSECULAR MONOPHONY: FROM ORAL TRADITION TO POETIC LYRIC; CHAPTER 3 The emerging soloist and the primacy of text; POLYPHONIC SONG; OCKEGHEM AND JOSQUIN: COMPOSING SINGERS; THE WRITTEN AND THE SUNG: INTABULATION; FROM POLYPHONIST TO SOLOIST: THE RISE OF THE VIRTUOSO; REVELATION VERSUS ROULADES: VIRTUOSITY AND THE PRIMACY OF TEXT; ITALIAN SINGING EXPORTED; CHAPTER 4 The age of the virtuoso; CASTRATO: AN ARTIFICIAL VOICE FOR VOCAL ARTIFICE; TRAINING AND PEDAGOGY: THE LONG TAIL OF RENAISSANCE TECHNIQUES; FROM PRIMO UOMO TO PRIMA DONNA TOSI'S EUROPEAN REACHTHE COMPOSER AS SINGER; CHAPTER 5 The nineteenth-century revolution; THE RISING MALE; NEW TIMES, NEW TEACHING: GARCIA AND THE CONSERVATOIRE; TECHNIQUE AND STYLE POST-GARCIA; WAGNER'S VOCAL VISION; NEW SINGING, ANCIENT TRADITION; PART III Recorded voices; CHAPTER 6 A Great Tradition: singing through history - history through singing; APOLOGIA; CARRIERS OF TRADITION; ORIGINS AND PRIORITIES; CARNATIC MUSIC; BIMUSICALITY: WESTERN MUSICIANS CAN MASTER INDIAN MUSIC; HINDUSTANI MUSIC: DHRUPAD; KHYAL; SINGING AND MODERN TECHNOLOGY; GENDER SINGING WITH THE HANDS AND THROUGH THE INSTRUMENTS`HOW SINGING IS ACCOMPANIED; TOWARDS VOCAL AND INSTRUMENTAL PARITY; CHAPTER 7 Classical singing in the twentieth century: recording and retrenchment; THE GRAMOPHONE AND THE END OF INNOCENCE; THE SONG REPERTOIRE AND THE CREATION OF ART SONG; INTERPRETING THE FIRST RECORDINGS; PORTAMENTO AS A DEFINING CRITERION OF GOOD SINGING; THE WAR YEARS AND AFTER: 'STÄNDCHEN' AS A BAROMETER OF TASTE; PORTAMENTO AND CURRENT PERFORMANCE PRACTICE; FROM PARADIGM TO PERFORMANCE: PERFORMERS, TEACHERS AND THEIR MODELS CHAPTER 8 Post-classical: beyond the mainstreamSTYLISTIC FRAGMENTATION AND DIVERGENCE; THE EARLY MUSIC MOVEMENT; THE VOCAL AVANT-GARDE; CHAPTER 9 The emancipation of the popular voice; POPULAR CLASSICAL: ASPIRATIONAL IMITATION; THE MICROPHONE AND THE INTERNATIONAL PROJECTION OF INTIMACY; CROONING; VIRTUOSITY, IMPROVISATION AND THE LIMITS OF JAZZ; THE END OF AN ERA; ELVIS PRESLEY AND STYLISTIC SYNTHESIS; THE SINGER RECLAIMS THE SONG; HIP-HOP: A GLOBAL SUBCULTURE; THE END OF THE ANGLOPHONE ERA?; CHAPTER 10 Sung and unsung: singers and songs of the non-English-speaking world; GERMANY AND CABARET FRANCE AND THE CHANSON TRADITION |
| Record Nr. | UNINA-9910811210703321 |
|
Potter John (Tenor)
|
||
| Cambridge : , : Cambridge University Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
