100 silent films / / Bryony Dixon |
Autore | Dixon Bryony |
Pubbl/distr/stampa | New York, New York : , : Palgrave Macmillan, , 2011 |
Descrizione fisica | 1 online resource (270 pages) : illustrations, photographs |
Disciplina | 791.43/61 |
Collana | BFI Screen Guides |
Soggetto topico | Silent films - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN | 1-84457-569-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The Nibelungen Saga (Die Nibelungen Saga) -- Nosferatu: A Symphony of Horrors (Nosferatu: Eine Symphonie des Grauens) -- The Oyster Princess (Die Austernprinzessin) -- Page of Madness (Kurutta ippeiji) -- Pandora's Box (Die Büchse der Pandora) -- Panorama du Grand Canal vu d'un bateau -- Paris qui dort (The Crazy Ray) -- The Passion of Joan of Arc (La Passion de Jeanne d'Arc) -- People on Sunday (Menschen am Sonntag) -- The Perils of Pauline -- The Phantom Carriage (Körkarlen) -- Policeman (Keisatsukan) -- Poor Little Rich Girl -- Premier prix de violoncelle -- The Queen of Spades (Pikovaya dama) -- Regen (Rain) -- Revolutionshochzeit (The Last Night) -- Safety Last! -- The Scarecrow -- Sex in Chains (Geschlecht in Fesseln) -- The Smiling Madame Beudet (La Souriante Madame Beudet) -- The Son of the Sheik -- The Spirit of His Forefathers -- Stachka (Strike) -- Stage Struck -- The Student of Prague (Der Student von Prag) -- Sunrise: A Song of Two Humans -- Suspense -- The Talisman (Pied de mouton) -- The Thief of Bagdad -- The Three-Must-Get-Theres -- Tol'able David -- Topical Budget 93-1 The Derby 1913 -- Underworld -- The Unknown -- Les Vampires -- Voyage à travers l'impossible (The Impossible Voyage) -- Way Down East -- The White Slave Trade (Den hvide slavehandel) -- The Wind -- Witchcraft through the Ages (Häxan) -- Notes -- Bibliography -- Index. |
Record Nr. | UNINA-9910467910603321 |
Dixon Bryony
![]() |
||
New York, New York : , : Palgrave Macmillan, , 2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
100 silent films / / Bryony Dixon |
Autore | Dixon Bryony |
Edizione | [First edition.] |
Pubbl/distr/stampa | London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 |
Descrizione fisica | 1 online resource (270 pages) : illustrations, photographs |
Disciplina | 791.43/61 |
Collana | Screen Guides |
Soggetto topico |
Silent films - History and criticism
Silent films Film & Media Films, cinema |
Soggetto genere / forma | Criticism, interpretation, etc. |
ISBN |
1-83871-062-0
1-83871-410-3 1-84457-569-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The Nibelungen Saga (Die Nibelungen Saga) -- Nosferatu: A Symphony of Horrors (Nosferatu: Eine Symphonie des Grauens) -- The Oyster Princess (Die Austernprinzessin) -- Page of Madness (Kurutta ippeiji) -- Pandora's Box (Die Büchse der Pandora) -- Panorama du Grand Canal vu d'un bateau -- Paris qui dort (The Crazy Ray) -- The Passion of Joan of Arc (La Passion de Jeanne d'Arc) -- People on Sunday (Menschen am Sonntag) -- The Perils of Pauline -- The Phantom Carriage (Körkarlen) -- Policeman (Keisatsukan) -- Poor Little Rich Girl -- Premier prix de violoncelle -- The Queen of Spades (Pikovaya dama) -- Regen (Rain) -- Revolutionshochzeit (The Last Night) -- Safety Last! -- The Scarecrow -- Sex in Chains (Geschlecht in Fesseln) -- The Smiling Madame Beudet (La Souriante Madame Beudet) -- The Son of the Sheik -- The Spirit of His Forefathers -- Stachka (Strike) -- Stage Struck -- The Student of Prague (Der Student von Prag) -- Sunrise: A Song of Two Humans -- Suspense -- The Talisman (Pied de mouton) -- The Thief of Bagdad -- The Three-Must-Get-Theres -- Tol'able David -- Topical Budget 93-1 The Derby 1913 -- Underworld -- The Unknown -- Les Vampires -- Voyage à travers l'impossible (The Impossible Voyage) -- Way Down East -- The White Slave Trade (Den hvide slavehandel) -- The Wind -- Witchcraft through the Ages (Häxan) -- Notes -- Bibliography -- Index. |
Altri titoli varianti |
One hundred silent films
Hundred silent films |
Record Nr. | UNINA-9910794822703321 |
Dixon Bryony
![]() |
||
London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
100 silent films / / Bryony Dixon |
Autore | Dixon Bryony |
Edizione | [First edition.] |
Pubbl/distr/stampa | London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 |
Descrizione fisica | 1 online resource (270 pages) : illustrations, photographs |
Disciplina | 791.43/61 |
Collana | Screen Guides |
Soggetto topico |
Silent films - History and criticism
Silent films Film & Media Films, cinema |
Soggetto genere / forma | Criticism, interpretation, etc. |
ISBN |
1-83871-062-0
1-83871-410-3 1-84457-569-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The Nibelungen Saga (Die Nibelungen Saga) -- Nosferatu: A Symphony of Horrors (Nosferatu: Eine Symphonie des Grauens) -- The Oyster Princess (Die Austernprinzessin) -- Page of Madness (Kurutta ippeiji) -- Pandora's Box (Die Büchse der Pandora) -- Panorama du Grand Canal vu d'un bateau -- Paris qui dort (The Crazy Ray) -- The Passion of Joan of Arc (La Passion de Jeanne d'Arc) -- People on Sunday (Menschen am Sonntag) -- The Perils of Pauline -- The Phantom Carriage (Körkarlen) -- Policeman (Keisatsukan) -- Poor Little Rich Girl -- Premier prix de violoncelle -- The Queen of Spades (Pikovaya dama) -- Regen (Rain) -- Revolutionshochzeit (The Last Night) -- Safety Last! -- The Scarecrow -- Sex in Chains (Geschlecht in Fesseln) -- The Smiling Madame Beudet (La Souriante Madame Beudet) -- The Son of the Sheik -- The Spirit of His Forefathers -- Stachka (Strike) -- Stage Struck -- The Student of Prague (Der Student von Prag) -- Sunrise: A Song of Two Humans -- Suspense -- The Talisman (Pied de mouton) -- The Thief of Bagdad -- The Three-Must-Get-Theres -- Tol'able David -- Topical Budget 93-1 The Derby 1913 -- Underworld -- The Unknown -- Les Vampires -- Voyage à travers l'impossible (The Impossible Voyage) -- Way Down East -- The White Slave Trade (Den hvide slavehandel) -- The Wind -- Witchcraft through the Ages (Häxan) -- Notes -- Bibliography -- Index. |
Altri titoli varianti |
One hundred silent films
Hundred silent films |
Record Nr. | UNINA-9910827208603321 |
Dixon Bryony
![]() |
||
London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The ancient world in silent cinema / / edited by Pantelis Michelakis and Maria Wyke [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (xxi, 379 pages) : digital, PDF file(s) |
Disciplina | 791.43/658 |
Soggetto topico |
Historical films - History and criticism
Silent films - History and criticism Civilization, Ancient, in motion pictures |
ISBN |
1-107-28957-2
1-139-89068-9 1-107-28908-4 1-107-29397-9 1-107-29118-6 1-139-06007-4 1-107-29013-9 1-107-29290-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | ; 1. Introduction: silent cinema, antiquity and 'The Exhaustless Urn of Time' / Pantelis Michelakis and Maria Wyke -- ; Part I. Theories, Histories, Receptions: ; 2. The ancient world on silent film: the view from the archive / Bryony Dixon; ; 3. On visual cogency: the emergence of an antiquity of moving images / Marcus Becker; ; 4. Cinema in the time of the pharaoh / Antonia Lant; ; 5. 'Hieroglyphics in motion': representing ancient Egypt and the Middle East in film theory and criticism of the silent period / Laura Marcus; ; 6. Architecture and art dance meet in the ancient world / David Mayer; ; 7. Ancient Rome in London: classical subjects in the forefront of cinema's expansion after 1910 / Ian Christie; ; 8. Gloria Swanson as Venus: silent stardom, antiquity and the classical vernacular / Michael Williams; ; 9. Homer in silent cinema / Pantelis Michelakis -- ; Part II. Movement, Image, Music, Text:: ; 10. Silent saviours: representations of Jesus' Passion in early cinema / Caroline Vander Stichele; ; 11. The Kalem Ben-Hur (1907) / Jon Solomon; ; 12. Judith's vampish virtue and its double market appeal / Judith Buchanan; ; 13. Competing ancient worlds in early historical film: the example of Cabiria (1914) / Annette Dorgerloh; ; 14. Peplum, melodrama and musicality: Giuliano l'Apostata (1919) / Giuseppe Pucci; ; 15. 'An orgy Sunday school children can watch': the spectacle of sex and the seduction of spectacle in Cecil B. DeMille's The Ten Commandments (1923) / David Shepherd; ; 16. Silent laughter and the counter-historical: Buster Keaton's Three Ages (1923) / Maria Wyke; ; 17. From Roman history to German nationalism: Arminius and Varus in Die Hermannschlacht (1924) / Martin M. Winkler; ; 18. The 1925 Ben-Hur and the 'Hollywood Question' / Ruth Scodel; ; 19. Consuming passions: Helen of Troy in the jazz age / Margaret Malamud. |
Record Nr. | UNINA-9910453645703321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The ancient world in silent cinema / / edited by Pantelis Michelakis and Maria Wyke [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (xxi, 379 pages) : digital, PDF file(s) |
Disciplina | 791.43/658 |
Soggetto topico |
Historical films - History and criticism
Silent films - History and criticism Civilization, Ancient, in motion pictures |
ISBN |
1-107-28957-2
1-139-89068-9 1-107-28908-4 1-107-29397-9 1-107-29118-6 1-139-06007-4 1-107-29013-9 1-107-29290-5 |
Classificazione | HIS000000 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | ; 1. Introduction: silent cinema, antiquity and 'The Exhaustless Urn of Time' / Pantelis Michelakis and Maria Wyke -- ; Part I. Theories, Histories, Receptions: ; 2. The ancient world on silent film: the view from the archive / Bryony Dixon; ; 3. On visual cogency: the emergence of an antiquity of moving images / Marcus Becker; ; 4. Cinema in the time of the pharaoh / Antonia Lant; ; 5. 'Hieroglyphics in motion': representing ancient Egypt and the Middle East in film theory and criticism of the silent period / Laura Marcus; ; 6. Architecture and art dance meet in the ancient world / David Mayer; ; 7. Ancient Rome in London: classical subjects in the forefront of cinema's expansion after 1910 / Ian Christie; ; 8. Gloria Swanson as Venus: silent stardom, antiquity and the classical vernacular / Michael Williams; ; 9. Homer in silent cinema / Pantelis Michelakis -- ; Part II. Movement, Image, Music, Text:: ; 10. Silent saviours: representations of Jesus' Passion in early cinema / Caroline Vander Stichele; ; 11. The Kalem Ben-Hur (1907) / Jon Solomon; ; 12. Judith's vampish virtue and its double market appeal / Judith Buchanan; ; 13. Competing ancient worlds in early historical film: the example of Cabiria (1914) / Annette Dorgerloh; ; 14. Peplum, melodrama and musicality: Giuliano l'Apostata (1919) / Giuseppe Pucci; ; 15. 'An orgy Sunday school children can watch': the spectacle of sex and the seduction of spectacle in Cecil B. DeMille's The Ten Commandments (1923) / David Shepherd; ; 16. Silent laughter and the counter-historical: Buster Keaton's Three Ages (1923) / Maria Wyke; ; 17. From Roman history to German nationalism: Arminius and Varus in Die Hermannschlacht (1924) / Martin M. Winkler; ; 18. The 1925 Ben-Hur and the 'Hollywood Question' / Ruth Scodel; ; 19. Consuming passions: Helen of Troy in the jazz age / Margaret Malamud. |
Record Nr. | UNINA-9910790614803321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The ancient world in silent cinema / / edited by Pantelis Michelakis and Maria Wyke [[electronic resource]] |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (xxi, 379 pages) : digital, PDF file(s) |
Disciplina | 791.43/658 |
Soggetto topico |
Historical films - History and criticism
Silent films - History and criticism Civilization, Ancient, in motion pictures |
ISBN |
1-107-28957-2
1-139-89068-9 1-107-28908-4 1-107-29397-9 1-107-29118-6 1-139-06007-4 1-107-29013-9 1-107-29290-5 |
Classificazione | HIS000000 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | ; 1. Introduction: silent cinema, antiquity and 'The Exhaustless Urn of Time' / Pantelis Michelakis and Maria Wyke -- ; Part I. Theories, Histories, Receptions: ; 2. The ancient world on silent film: the view from the archive / Bryony Dixon; ; 3. On visual cogency: the emergence of an antiquity of moving images / Marcus Becker; ; 4. Cinema in the time of the pharaoh / Antonia Lant; ; 5. 'Hieroglyphics in motion': representing ancient Egypt and the Middle East in film theory and criticism of the silent period / Laura Marcus; ; 6. Architecture and art dance meet in the ancient world / David Mayer; ; 7. Ancient Rome in London: classical subjects in the forefront of cinema's expansion after 1910 / Ian Christie; ; 8. Gloria Swanson as Venus: silent stardom, antiquity and the classical vernacular / Michael Williams; ; 9. Homer in silent cinema / Pantelis Michelakis -- ; Part II. Movement, Image, Music, Text:: ; 10. Silent saviours: representations of Jesus' Passion in early cinema / Caroline Vander Stichele; ; 11. The Kalem Ben-Hur (1907) / Jon Solomon; ; 12. Judith's vampish virtue and its double market appeal / Judith Buchanan; ; 13. Competing ancient worlds in early historical film: the example of Cabiria (1914) / Annette Dorgerloh; ; 14. Peplum, melodrama and musicality: Giuliano l'Apostata (1919) / Giuseppe Pucci; ; 15. 'An orgy Sunday school children can watch': the spectacle of sex and the seduction of spectacle in Cecil B. DeMille's The Ten Commandments (1923) / David Shepherd; ; 16. Silent laughter and the counter-historical: Buster Keaton's Three Ages (1923) / Maria Wyke; ; 17. From Roman history to German nationalism: Arminius and Varus in Die Hermannschlacht (1924) / Martin M. Winkler; ; 18. The 1925 Ben-Hur and the 'Hollywood Question' / Ruth Scodel; ; 19. Consuming passions: Helen of Troy in the jazz age / Margaret Malamud. |
Record Nr. | UNINA-9910823444403321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Beyond the screen : institutions, networks, and publics of early cinema / / edited by Marta Braun [and four others] |
Pubbl/distr/stampa | New Barnet, England : , : John Libbey Publishing, , 2016 |
Descrizione fisica | 1 online resource (346 p.) |
Disciplina | 791 |
Collana | Early Cinema in Review: Proceedings of Domitor |
Soggetto topico |
Motion pictures - History - 20th century
Silent films - History and criticism Educational films - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN | 0-86196-913-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction / Marta Braun, Charlie Keil, Rob King, Paul Moore and Louis Pelletier -- part I. Charity and religion -- "Neutrality-humanity" : the humanitarian mission and the films of the American Red Cross / Jennifer Horne -- Early missionary filming and the emergence of the professional cameraman / Stephen Bottomore -- Mission on screen : the church army and its multi-media activities / Frank Gray -- "Baits to entrapthe pleasure-seeker and the worldling" : charity bazaars introduce moving pictures to Ireland / Denis Condon -- Paroles éducatives et religieuses lors des projections de films en France avant 1915 / Martin Barnier -- Mütter, verzaget nicht! (1911) [Mothers, despair not!] : Henny Porten's promotion for mothers' welfare / Martin Loiperdinger and Holger Ziegler -- part II. Government and civics -- The tsar and the kinematograph : film as history and the chronicle of the Russian monarchy / Oksana Chefranova -- "Wheelbarrows" and "Real soldiers" : advertising, audiences and war films of all varieties / Liz Clarke -- "What is a picture?" : film as defined in British law before 1910 / Ian Christie -- Le cinéma et les élections au Québec : de l'attraction à la banalité / Germain Lacasse -- A moving picture farce : public opinion and the beginnings of film censorship in Quebec / Louis Pelletier -- part III. Education and advocacy -- Health instruction on screen : the Department of Health in New York City, 1909-1917 / Marina Dahlquist -- John Collier, Thomas Edison and the educational promotion of moving pictures / Amanda R. Keeler -- "And they can see half-naked dancers, catching young men in their nets" : teachers and the cinema in Norway, 1907-1913 / Gunnar Iversen -- Documentaries, family film nights and the first film university : the early works and big ideas of Belgian film pioneer Hippolyte De Kempeneer (1876-1944) / Gerda Cammaer -- part IV. Science and magic -- The school of the future or Ganot's Physics? : Edison's foray into educational cinema / Oliver Gaycken -- Multi-purposing early cinema : a psychological experiment involving Van Bibber's experiment (Edison, 1911) / Marsha Orgeron -- Dissecting the medical training film / Scott Curtis -- Corporal permeability and shadow pictures : reconsidering Uncle Josh at the moving picture show (1902) / Amy E. Borden -- Eroticism and death : the skeleton in the trick film / Murray Leeder -- Magies en images, les prestidigitateurs et la machine / Frédéric Tabet -- part V. Art and aesthetics -- Early film colour, today and yesterday / Charles O'Brien -- Salvage ethnography and the exoticisation of decay in Peter Delpeut's Lyrical nitrate and Bill Morrison's Decasia / Nadia Bozak -- Picture craft, visual education and the lantern : a lecture fantasy / Kaveh Askari -- The socpe of those scopes : production diversity for the mutoscope and biograph during the movies' early years / Paul C. Spehr -- The high-stakes history of the French Camera Operators' Union before the First World War / Priska Morrissey -- part VI. Exhibition and showmanship -- Les séries culturelles de la conférence-avec-projection et de la projection-avec-boniment : continuités et ruptures / André Gaudreault and Philippe Gauthier -- Les "conférenciers de cinéma" en France (1896-1930) : historique à travers différents lieux de projection, genres filmiques et réseaux / Thierry Lecointe -- Les images en mouvement au théâtre de variétés : le cas de l'Apollo de Düsseldorf / Frank Kessler et Sabine Lenk -- Royals, Rembrandts and Luxors : patterns and clusters in the nomenclature of Dutch cinemas / André van der Velden -- Local showmanship in the early feature era : the case of Stanley Mastbaum / Joel Frykholm -- A transformative moment : Samuel Rothafel and the rise of multi-class moviegoing in the Midwest, 1911-1913 / Ross Melnick -- part VII. Community and the public sphere -- "This splendid temple" : watching movies in the Wanamaker department store / Catilin McGrath -- "Boost your town in the movies" : municipal film companies in the United States, 1910-1917 / Martin L. Johnson -- Early cinema and the public sphere of the neighbourhood meeting hall : the longue durée of working-class sociability / Judith Thissen -- Trans-inter-national public spheres / Wolfgang Fuhrmann -- Turning the social problem into performance : slumming and screen culture in Victorian lantern shows / Ludwig Maria Vogl-Bienek. |
Record Nr. | UNINA-9910465308003321 |
New Barnet, England : , : John Libbey Publishing, , 2016 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Beyond the screen : institutions, networks, and publics of early cinema / / edited by Marta Braun [and four others] |
Pubbl/distr/stampa | New Barnet, England : , : John Libbey Publishing, , 2016 |
Descrizione fisica | 1 online resource (346 p.) |
Disciplina | 791 |
Collana | Early Cinema in Review: Proceedings of Domitor |
Soggetto topico |
Motion pictures - History - 20th century
Silent films - History and criticism Educational films - History and criticism |
ISBN | 0-86196-913-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction / Marta Braun, Charlie Keil, Rob King, Paul Moore and Louis Pelletier -- part I. Charity and religion -- "Neutrality-humanity" : the humanitarian mission and the films of the American Red Cross / Jennifer Horne -- Early missionary filming and the emergence of the professional cameraman / Stephen Bottomore -- Mission on screen : the church army and its multi-media activities / Frank Gray -- "Baits to entrapthe pleasure-seeker and the worldling" : charity bazaars introduce moving pictures to Ireland / Denis Condon -- Paroles éducatives et religieuses lors des projections de films en France avant 1915 / Martin Barnier -- Mütter, verzaget nicht! (1911) [Mothers, despair not!] : Henny Porten's promotion for mothers' welfare / Martin Loiperdinger and Holger Ziegler -- part II. Government and civics -- The tsar and the kinematograph : film as history and the chronicle of the Russian monarchy / Oksana Chefranova -- "Wheelbarrows" and "Real soldiers" : advertising, audiences and war films of all varieties / Liz Clarke -- "What is a picture?" : film as defined in British law before 1910 / Ian Christie -- Le cinéma et les élections au Québec : de l'attraction à la banalité / Germain Lacasse -- A moving picture farce : public opinion and the beginnings of film censorship in Quebec / Louis Pelletier -- part III. Education and advocacy -- Health instruction on screen : the Department of Health in New York City, 1909-1917 / Marina Dahlquist -- John Collier, Thomas Edison and the educational promotion of moving pictures / Amanda R. Keeler -- "And they can see half-naked dancers, catching young men in their nets" : teachers and the cinema in Norway, 1907-1913 / Gunnar Iversen -- Documentaries, family film nights and the first film university : the early works and big ideas of Belgian film pioneer Hippolyte De Kempeneer (1876-1944) / Gerda Cammaer -- part IV. Science and magic -- The school of the future or Ganot's Physics? : Edison's foray into educational cinema / Oliver Gaycken -- Multi-purposing early cinema : a psychological experiment involving Van Bibber's experiment (Edison, 1911) / Marsha Orgeron -- Dissecting the medical training film / Scott Curtis -- Corporal permeability and shadow pictures : reconsidering Uncle Josh at the moving picture show (1902) / Amy E. Borden -- Eroticism and death : the skeleton in the trick film / Murray Leeder -- Magies en images, les prestidigitateurs et la machine / Frédéric Tabet -- part V. Art and aesthetics -- Early film colour, today and yesterday / Charles O'Brien -- Salvage ethnography and the exoticisation of decay in Peter Delpeut's Lyrical nitrate and Bill Morrison's Decasia / Nadia Bozak -- Picture craft, visual education and the lantern : a lecture fantasy / Kaveh Askari -- The socpe of those scopes : production diversity for the mutoscope and biograph during the movies' early years / Paul C. Spehr -- The high-stakes history of the French Camera Operators' Union before the First World War / Priska Morrissey -- part VI. Exhibition and showmanship -- Les séries culturelles de la conférence-avec-projection et de la projection-avec-boniment : continuités et ruptures / André Gaudreault and Philippe Gauthier -- Les "conférenciers de cinéma" en France (1896-1930) : historique à travers différents lieux de projection, genres filmiques et réseaux / Thierry Lecointe -- Les images en mouvement au théâtre de variétés : le cas de l'Apollo de Düsseldorf / Frank Kessler et Sabine Lenk -- Royals, Rembrandts and Luxors : patterns and clusters in the nomenclature of Dutch cinemas / André van der Velden -- Local showmanship in the early feature era : the case of Stanley Mastbaum / Joel Frykholm -- A transformative moment : Samuel Rothafel and the rise of multi-class moviegoing in the Midwest, 1911-1913 / Ross Melnick -- part VII. Community and the public sphere -- "This splendid temple" : watching movies in the Wanamaker department store / Catilin McGrath -- "Boost your town in the movies" : municipal film companies in the United States, 1910-1917 / Martin L. Johnson -- Early cinema and the public sphere of the neighbourhood meeting hall : the longue durée of working-class sociability / Judith Thissen -- Trans-inter-national public spheres / Wolfgang Fuhrmann -- Turning the social problem into performance : slumming and screen culture in Victorian lantern shows / Ludwig Maria Vogl-Bienek. |
Record Nr. | UNINA-9910798115803321 |
New Barnet, England : , : John Libbey Publishing, , 2016 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Beyond the screen : institutions, networks, and publics of early cinema / / edited by Marta Braun [and four others] |
Pubbl/distr/stampa | New Barnet, England : , : John Libbey Publishing, , 2016 |
Descrizione fisica | 1 online resource (346 p.) |
Disciplina | 791 |
Collana | Early Cinema in Review: Proceedings of Domitor |
Soggetto topico |
Motion pictures - History - 20th century
Silent films - History and criticism Educational films - History and criticism |
ISBN | 0-86196-913-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction / Marta Braun, Charlie Keil, Rob King, Paul Moore and Louis Pelletier -- part I. Charity and religion -- "Neutrality-humanity" : the humanitarian mission and the films of the American Red Cross / Jennifer Horne -- Early missionary filming and the emergence of the professional cameraman / Stephen Bottomore -- Mission on screen : the church army and its multi-media activities / Frank Gray -- "Baits to entrapthe pleasure-seeker and the worldling" : charity bazaars introduce moving pictures to Ireland / Denis Condon -- Paroles éducatives et religieuses lors des projections de films en France avant 1915 / Martin Barnier -- Mütter, verzaget nicht! (1911) [Mothers, despair not!] : Henny Porten's promotion for mothers' welfare / Martin Loiperdinger and Holger Ziegler -- part II. Government and civics -- The tsar and the kinematograph : film as history and the chronicle of the Russian monarchy / Oksana Chefranova -- "Wheelbarrows" and "Real soldiers" : advertising, audiences and war films of all varieties / Liz Clarke -- "What is a picture?" : film as defined in British law before 1910 / Ian Christie -- Le cinéma et les élections au Québec : de l'attraction à la banalité / Germain Lacasse -- A moving picture farce : public opinion and the beginnings of film censorship in Quebec / Louis Pelletier -- part III. Education and advocacy -- Health instruction on screen : the Department of Health in New York City, 1909-1917 / Marina Dahlquist -- John Collier, Thomas Edison and the educational promotion of moving pictures / Amanda R. Keeler -- "And they can see half-naked dancers, catching young men in their nets" : teachers and the cinema in Norway, 1907-1913 / Gunnar Iversen -- Documentaries, family film nights and the first film university : the early works and big ideas of Belgian film pioneer Hippolyte De Kempeneer (1876-1944) / Gerda Cammaer -- part IV. Science and magic -- The school of the future or Ganot's Physics? : Edison's foray into educational cinema / Oliver Gaycken -- Multi-purposing early cinema : a psychological experiment involving Van Bibber's experiment (Edison, 1911) / Marsha Orgeron -- Dissecting the medical training film / Scott Curtis -- Corporal permeability and shadow pictures : reconsidering Uncle Josh at the moving picture show (1902) / Amy E. Borden -- Eroticism and death : the skeleton in the trick film / Murray Leeder -- Magies en images, les prestidigitateurs et la machine / Frédéric Tabet -- part V. Art and aesthetics -- Early film colour, today and yesterday / Charles O'Brien -- Salvage ethnography and the exoticisation of decay in Peter Delpeut's Lyrical nitrate and Bill Morrison's Decasia / Nadia Bozak -- Picture craft, visual education and the lantern : a lecture fantasy / Kaveh Askari -- The socpe of those scopes : production diversity for the mutoscope and biograph during the movies' early years / Paul C. Spehr -- The high-stakes history of the French Camera Operators' Union before the First World War / Priska Morrissey -- part VI. Exhibition and showmanship -- Les séries culturelles de la conférence-avec-projection et de la projection-avec-boniment : continuités et ruptures / André Gaudreault and Philippe Gauthier -- Les "conférenciers de cinéma" en France (1896-1930) : historique à travers différents lieux de projection, genres filmiques et réseaux / Thierry Lecointe -- Les images en mouvement au théâtre de variétés : le cas de l'Apollo de Düsseldorf / Frank Kessler et Sabine Lenk -- Royals, Rembrandts and Luxors : patterns and clusters in the nomenclature of Dutch cinemas / André van der Velden -- Local showmanship in the early feature era : the case of Stanley Mastbaum / Joel Frykholm -- A transformative moment : Samuel Rothafel and the rise of multi-class moviegoing in the Midwest, 1911-1913 / Ross Melnick -- part VII. Community and the public sphere -- "This splendid temple" : watching movies in the Wanamaker department store / Catilin McGrath -- "Boost your town in the movies" : municipal film companies in the United States, 1910-1917 / Martin L. Johnson -- Early cinema and the public sphere of the neighbourhood meeting hall : the longue durée of working-class sociability / Judith Thissen -- Trans-inter-national public spheres / Wolfgang Fuhrmann -- Turning the social problem into performance : slumming and screen culture in Victorian lantern shows / Ludwig Maria Vogl-Bienek. |
Record Nr. | UNINA-9910822388203321 |
New Barnet, England : , : John Libbey Publishing, , 2016 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
A companion to early cinema [[electronic resource] /] / edited by André Gaudreault, Nicolas Dulac and Santiago Hidalgo ; assisted by Pierre Chemartin ; editorial board François Albera ... [et al.] |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Malden, Mass., : Wiley-Blackwell, 2012 |
Descrizione fisica | 1 online resource (647 p.) |
Disciplina | 791.4309 |
Altri autori (Persone) |
GaudreaultAndré
DulacNicolas HidalgoSantiago ChemartinPierre AlberaFrançois |
Soggetto topico |
Motion pictures - History
Silent films - History and criticism Cinematografia Cinema mut Història |
Soggetto genere / forma | Llibres electrònics |
ISBN |
1-118-29387-8
1-118-27448-2 1-280-58656-7 9786613616395 1-118-27446-6 1-118-27445-8 1-118-27447-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction / Nicolas Dulac, André Gaudreault, Santiago Hidalgo -- Early Cinema Cultures. The Culture Broth and the Froth of Cultures of So-called Early Cinema / André Gaudreault -- Toward A History Of Peep Practice / Erkki Huhtamo -- "We are Here and Not Here": Late Nineteenth Century Stage Magic and the Roots of Cinema in the Appearance (and Disappearance) of the Virtual Image / Tom Gunning -- The Féerie between Stage and Screen / Frank Kessler -- The Théâtrophone, an Anachronistic Hybrid Experiment or One of the First Immobile Traveler Devices? / Giusy Pisano -- The "Silent" Arts: Modern Pantomime and the Making of an Art Cinema in Belle Époque Paris: The Case of Georges Wague and Germaine Dulac / Tami Williams -- Early Cinema Discourses. First Discourses on Film and the Construction of a "Cinematic Episteme" / François Albera -- The Discourses of Art in Early Film, or, Why not Rancière? / Rob King -- Sensationalism and Early Cinema / Annemone Ligensa -- From Craft to Industry: Series and Serial Production Discourses and Practices in France / Laurent Le Forestier -- Awareness of Film, Language and Self in Early American Film Publications / Santiago Hidalgo -- Early Cinema and Film Theory / Roger Odin -- Early Cinema Forms. A Bunch of Violets / Ben Brewster -- Modernity Stops at Nothing: The American Chase Film and the Specter of Lynching / Jan Olsson -- "The Knowledge Which Comes in Pictures": Educational Films and Early Cinema Audiences / Jennifer Peterson -- Motion Picture Color and Pathé-Frères: The Aesthetic Consequences of Industrialization / Charles O'Brien -- Early Cinema Presentations. The European Fairground Cinema: (Re-)defining and (Re-)contextualizing the "Cinema of -- Attractions" / Joseph Garncarz -- Early Film Programs: an Overture, Five Acts, and an Interlude / Richard Abel -- "Half Real-Half Reel": Alternation Format Stage-and-Screen Hybrids / Gwendolyn Waltz -- Advance Newspaper Publicity for the Vitascope and the Mass Address of Cinema's Reading Public / Paul S. Moore -- Storefront Theater Advertising and the Evolution of the American Film Poster / Kathryn H. Fuller-Seeley -- Bound by Cinematic Chains: Film and Prisons during the Early Era / Alison Griffiths -- Early Cinema Identities. Anonymity: Uncredited and Unknown in Early Cinema / Jane M. Gaines -- The Invention of Cinematic Celebrity in Britain / -- Andrew shail -- the film lecturer / Germain Lacasse -- Richard Hoffman: A Collector's Archive / Richard Koszarski -- Early Cinema Recollections. Early Films in the Age of Content; or, "Cinema of Attractions" Pursued by Digital Means / Paolo Cherchi Usai -- Multiple Originals: The (Digital) Restoration and Exhibition of Early Films / Giovanna Fossati -- Pointing Forward, Looking Back: Reflexivity and Deixis in Early Cinema and Contemporary Installations / Nanna Verhoeff -- Is Nothing New? Turn of the Century Epistemes in Film History / Thomas Elsaesser. |
Record Nr. | UNINA-9910141320403321 |
Malden, Mass., : Wiley-Blackwell, 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|