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Jean Genet and the Semiotics of Performance / Laura Oswald
| Jean Genet and the Semiotics of Performance / Laura Oswald |
| Autore | Oswald Laura R |
| Pubbl/distr/stampa | Bloomington : , : Indiana University Press, , 1989 |
| Descrizione fisica | 1 online resource (1 online resource xvii, 169 pages.) |
| Collana | Advances in semiotics |
| Soggetto topico |
Semiotics and literature
Semiotique et litterature Semiotics and literature - France |
| Soggetto genere / forma |
Criticism, interpretation, etc.
Electronic books. |
| ISBN | 0-253-05328-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910524851303321 |
Oswald Laura R
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| Bloomington : , : Indiana University Press, , 1989 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Maupassant [[electronic resource] ] : the semiotics of text : practical exercises / / Algirdas Julien Greimas ; translated by Paul Perron
| Maupassant [[electronic resource] ] : the semiotics of text : practical exercises / / Algirdas Julien Greimas ; translated by Paul Perron |
| Autore | Greimas Algirdas Julien |
| Pubbl/distr/stampa | Amsterdam, : J. Benjamins Pub. Co., 1988 |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina | 843/.8 |
| Altri autori (Persone) | MaupassantGuy de <1850-1893.> |
| Collana | Semiotic crossroads |
| Soggetto topico | Semiotics and literature - France |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-42460-6
9786613424600 90-272-7864-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
MAUPASSANT The Semiotics of Text Practical Exercises; Editorial page; Title page; Copyright page; Table of contents; INTRODUCTION; NOTES; REFERENCES; FOREWORD; TWO FRIENDS; SEQUENCE I. PARIS; I. TEXTUAL ORGANIZATION; 1. Spatial and Temporal Disjunctions; 1.1. Temporality; 1.2. Spatiality; 2. Actorial Disjunction; II. THE FIRST SENTENCE; 1. Thematic Roles; 2. Aspectual Structures; 3. A Logic of Approximations; III. THE SECOND SENTENCE; 1. The Discoursive Isotopy; 2. SpatialRepresentation; 3. Semantic Explicitation; 4. Axiological Investments; IV. THE THIRD SENTENCE
1. The Spatial Figure of Paris2. Toward the Abolition of Meaning; V. FINAL REMARKS; SEQUENCE II. FRIENDSHIP; I. THE SEQUENCE AND ITS CONTEXT; 1. Intercalation; 1.1. Disengagement; 1.2. Engagement; 2. The Linearity of Discourse; 2.1. The Cognitive Dimension and its Figurativization; 2.2. The Actorial Isotopy of Discourse; 2.3. Anaphorization and Cataphorization; II. THE INTERNAL ORGANIZATION OF THE SEQUENCE; 1. Paradigmatic Organization; 1.1. The Demarcators; 1.2. Segmentation; 1.3. Symmetries and Dissymmetries; 2. Syntagmatic Organization; 2.1. Doing and Being; 2.2. Doing; 2.3. The Pivot 2.4. BeingIII. EUPHORIC DOING; 1. The Discoursive Program; 2. The Valorization of the Program; 3. The Installation of the Dual Actant; IV. THE FIGURATIVE UNIVERSE OF VALUES; 1. The Identification of Values; 2. The Transfigurations of the Sun; 3. Aquatic Mist; 4. Celestial Mist; 5. Solar Blood; 6. The Seeming of the Sky; 7. The Semiotic Square; V. ACTANTIAL DISTRIBUTION; SEQUENCE III. THE PROMENADE; I. THE STATUS AND THE ORGANIZATION OF THE SEQUENCE; 1. The Spatio-temporal Frame; 2. The Promenade; 3. Walking and Halting; II. THE ADVENT OF THE EVENT; 1. Temporalization and Aspectualization 2. The Focalization of the Actor-Subject3. Triggering of Narration; III. RECONSTITUTING THE ACTANT; 1. Recognition; 2. The Reunion; 3. The Virtualization and the Actualization of Contents; 4. The Institution of Illusion; IV. THE COMPETENCE OF THE SUBJECT; 1. The Actualization of Wanting-to-do; 2. An Illusory Being-able-to-do; 3. The Tricksters; 4. The Two Figures of the Trickster; 5. The Non-Sender; 6. The Act; SEQUENCE IV. THE QUEST; I. PROVISIONAL SEGMENTATION; II. FAMILIAR SPACE; 1. The Pass; 2. The Spatial Organization of the Narrative; 2.1. The Crossing; 2.2. The Space of Folktale 2.3. Spatial Engagement and Disengagement2.4. Uttered Space; III. TOPICAL SPACE; 1. New Segmentation; 2. The Interpretive Halt; 2.1. The Exploration of Topical Space; 2.2. Interpretive Doing; 2.2.1. Variations of the Isotopies; 2.2.2. The Fiduciary Relation; 2.2.3. The Actualization of the Antactant; 2.3. The Social Anti-sender; 2.4. The Qualifying Test; 2.4.1. Anxiety; 2.4.2. Cheeky Humor; 2.4.3. Hesitation; 3. Persuasive Displacement; 3.1. The Pragmatic Program; 3.2. The Cognitive Program; SEQUENCE V. PEACE; I. PROBLEMS OF SEGMENTATION; II. THE CONSTRUCTION OF COGNITIVE SPACE 1. The Quest for Solitude |
| Record Nr. | UNINA-9910461179603321 |
|
Greimas Algirdas Julien
|
||
| Amsterdam, : J. Benjamins Pub. Co., 1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Maupassant : the semiotics of text : practical exercises / / Algirdas Julien Greimas ; translated by Paul Perron
| Maupassant : the semiotics of text : practical exercises / / Algirdas Julien Greimas ; translated by Paul Perron |
| Autore | Greimas Algirdas Julien |
| Pubbl/distr/stampa | Amsterdam : , : J. Benjamins Pub. Co., , 1988 |
| Descrizione fisica | 1 online resource (xxxiv, 258 pages) : illustrations |
| Disciplina | 843/.8 |
| Altri autori (Persone) | MaupassantGuy de <1850-1893.> |
| Collana | Semiotic crossroads |
| Soggetto topico | Semiotics and literature - France |
| ISBN |
1-283-42460-6
9786613424600 90-272-7864-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
MAUPASSANT The Semiotics of Text Practical Exercises; Editorial page; Title page; Copyright page; Table of contents; INTRODUCTION; NOTES; REFERENCES; FOREWORD; TWO FRIENDS; SEQUENCE I. PARIS; I. TEXTUAL ORGANIZATION; 1. Spatial and Temporal Disjunctions; 1.1. Temporality; 1.2. Spatiality; 2. Actorial Disjunction; II. THE FIRST SENTENCE; 1. Thematic Roles; 2. Aspectual Structures; 3. A Logic of Approximations; III. THE SECOND SENTENCE; 1. The Discoursive Isotopy; 2. SpatialRepresentation; 3. Semantic Explicitation; 4. Axiological Investments; IV. THE THIRD SENTENCE
1. The Spatial Figure of Paris; 2. Toward the Abolition of Meaning; V. FINAL REMARKS; SEQUENCE II. FRIENDSHIP; I. THE SEQUENCE AND ITS CONTEXT; 1. Intercalation; 1.1. Disengagement; 1.2. Engagement; 2. The Linearity of Discourse; 2.1. The Cognitive Dimension and its Figurativization; 2.2. The Actorial Isotopy of Discourse; 2.3. Anaphorization and Cataphorization; II. THE INTERNAL ORGANIZATION OF THE SEQUENCE; 1. Paradigmatic Organization; 1.1. The Demarcators; 1.2. Segmentation; 1.3. Symmetries and Dissymmetries; 2. Syntagmatic Organization; 2.1. Doing and Being; 2.2. Doing; 2.3. The Pivot 2.4. Being; III. EUPHORIC DOING; 1. The Discoursive Program; 2. The Valorization of the Program; 3. The Installation of the Dual Actant; IV. THE FIGURATIVE UNIVERSE OF VALUES; 1. The Identification of Values; 2. The Transfigurations of the Sun; 3. Aquatic Mist; 4. Celestial Mist; 5. Solar Blood; 6. The Seeming of the Sky; 7. The Semiotic Square; V. ACTANTIAL DISTRIBUTION; SEQUENCE III. THE PROMENADE; I. THE STATUS AND THE ORGANIZATION OF THE SEQUENCE; 1. The Spatio-temporal Frame; 2. The Promenade; 3. Walking and Halting; II. THE ADVENT OF THE EVENT; 1. Temporalization and Aspectualization 2. The Focalization of the Actor-Subject; 3. Triggering of Narration; III. RECONSTITUTING THE ACTANT; 1. Recognition; 2. The Reunion; 3. The Virtualization and the Actualization of Contents; 4. The Institution of Illusion; IV. THE COMPETENCE OF THE SUBJECT; 1. The Actualization of Wanting-to-do; 2. An Illusory Being-able-to-do; 3. The Tricksters; 4. The Two Figures of the Trickster; 5. The Non-Sender; 6. The Act; SEQUENCE IV. THE QUEST; I. PROVISIONAL SEGMENTATION; II. FAMILIAR SPACE; 1. The Pass; 2. The Spatial Organization of the Narrative; 2.1. The Crossing; 2.2. The Space of Folktale 2.3. Spatial Engagement and Disengagement; 2.4. Uttered Space; III. TOPICAL SPACE; 1. New Segmentation; 2. The Interpretive Halt; 2.1. The Exploration of Topical Space; 2.2. Interpretive Doing; 2.2.1. Variations of the Isotopies; 2.2.2. The Fiduciary Relation; 2.2.3. The Actualization of the Antactant; 2.3. The Social Anti-sender; 2.4. The Qualifying Test; 2.4.1. Anxiety; 2.4.2. Cheeky Humor; 2.4.3. Hesitation; 3. Persuasive Displacement; 3.1. The Pragmatic Program; 3.2. The Cognitive Program; SEQUENCE V. PEACE; I. PROBLEMS OF SEGMENTATION; II. THE CONSTRUCTION OF COGNITIVE SPACE; 1. The Quest for Solitude |
| Record Nr. | UNINA-9910789884303321 |
|
Greimas Algirdas Julien
|
||
| Amsterdam : , : J. Benjamins Pub. Co., , 1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Maupassant : the semiotics of text : practical exercises / / Algirdas Julien Greimas ; translated by Paul Perron
| Maupassant : the semiotics of text : practical exercises / / Algirdas Julien Greimas ; translated by Paul Perron |
| Autore | Greimas Algirdas Julien |
| Pubbl/distr/stampa | Amsterdam : , : J. Benjamins Pub. Co., , 1988 |
| Descrizione fisica | 1 online resource (xxxiv, 258 pages) : illustrations |
| Disciplina | 843/.8 |
| Altri autori (Persone) | MaupassantGuy de <1850-1893.> |
| Collana | Semiotic crossroads |
| Soggetto topico | Semiotics and literature - France |
| ISBN |
1-283-42460-6
9786613424600 90-272-7864-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
MAUPASSANT The Semiotics of Text Practical Exercises; Editorial page; Title page; Copyright page; Table of contents; INTRODUCTION; NOTES; REFERENCES; FOREWORD; TWO FRIENDS; SEQUENCE I. PARIS; I. TEXTUAL ORGANIZATION; 1. Spatial and Temporal Disjunctions; 1.1. Temporality; 1.2. Spatiality; 2. Actorial Disjunction; II. THE FIRST SENTENCE; 1. Thematic Roles; 2. Aspectual Structures; 3. A Logic of Approximations; III. THE SECOND SENTENCE; 1. The Discoursive Isotopy; 2. SpatialRepresentation; 3. Semantic Explicitation; 4. Axiological Investments; IV. THE THIRD SENTENCE
1. The Spatial Figure of Paris; 2. Toward the Abolition of Meaning; V. FINAL REMARKS; SEQUENCE II. FRIENDSHIP; I. THE SEQUENCE AND ITS CONTEXT; 1. Intercalation; 1.1. Disengagement; 1.2. Engagement; 2. The Linearity of Discourse; 2.1. The Cognitive Dimension and its Figurativization; 2.2. The Actorial Isotopy of Discourse; 2.3. Anaphorization and Cataphorization; II. THE INTERNAL ORGANIZATION OF THE SEQUENCE; 1. Paradigmatic Organization; 1.1. The Demarcators; 1.2. Segmentation; 1.3. Symmetries and Dissymmetries; 2. Syntagmatic Organization; 2.1. Doing and Being; 2.2. Doing; 2.3. The Pivot 2.4. Being; III. EUPHORIC DOING; 1. The Discoursive Program; 2. The Valorization of the Program; 3. The Installation of the Dual Actant; IV. THE FIGURATIVE UNIVERSE OF VALUES; 1. The Identification of Values; 2. The Transfigurations of the Sun; 3. Aquatic Mist; 4. Celestial Mist; 5. Solar Blood; 6. The Seeming of the Sky; 7. The Semiotic Square; V. ACTANTIAL DISTRIBUTION; SEQUENCE III. THE PROMENADE; I. THE STATUS AND THE ORGANIZATION OF THE SEQUENCE; 1. The Spatio-temporal Frame; 2. The Promenade; 3. Walking and Halting; II. THE ADVENT OF THE EVENT; 1. Temporalization and Aspectualization 2. The Focalization of the Actor-Subject; 3. Triggering of Narration; III. RECONSTITUTING THE ACTANT; 1. Recognition; 2. The Reunion; 3. The Virtualization and the Actualization of Contents; 4. The Institution of Illusion; IV. THE COMPETENCE OF THE SUBJECT; 1. The Actualization of Wanting-to-do; 2. An Illusory Being-able-to-do; 3. The Tricksters; 4. The Two Figures of the Trickster; 5. The Non-Sender; 6. The Act; SEQUENCE IV. THE QUEST; I. PROVISIONAL SEGMENTATION; II. FAMILIAR SPACE; 1. The Pass; 2. The Spatial Organization of the Narrative; 2.1. The Crossing; 2.2. The Space of Folktale 2.3. Spatial Engagement and Disengagement; 2.4. Uttered Space; III. TOPICAL SPACE; 1. New Segmentation; 2. The Interpretive Halt; 2.1. The Exploration of Topical Space; 2.2. Interpretive Doing; 2.2.1. Variations of the Isotopies; 2.2.2. The Fiduciary Relation; 2.2.3. The Actualization of the Antactant; 2.3. The Social Anti-sender; 2.4. The Qualifying Test; 2.4.1. Anxiety; 2.4.2. Cheeky Humor; 2.4.3. Hesitation; 3. Persuasive Displacement; 3.1. The Pragmatic Program; 3.2. The Cognitive Program; SEQUENCE V. PEACE; I. PROBLEMS OF SEGMENTATION; II. THE CONSTRUCTION OF COGNITIVE SPACE; 1. The Quest for Solitude |
| Record Nr. | UNINA-9910823946203321 |
|
Greimas Algirdas Julien
|
||
| Amsterdam : , : J. Benjamins Pub. Co., , 1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Régimes poétique et romanesque de la fiction / / Marie-France Boireau, Christine Chollier, Anne-Élisabeth Halpern [et autres] ; Christine Chollier, Anne-Élisabeth Halpern, Audrey Louyer, Alain Trouvé
| Régimes poétique et romanesque de la fiction / / Marie-France Boireau, Christine Chollier, Anne-Élisabeth Halpern [et autres] ; Christine Chollier, Anne-Élisabeth Halpern, Audrey Louyer, Alain Trouvé |
| Pubbl/distr/stampa | Reims, France : , : Éditions et Presses universitaires de Reims, , 2022 |
| Descrizione fisica | 1 online resource (nnn pages) : illustrations ; ; digital file (PDF) |
| Collana | Approches interdisciplinaires de la lecture |
| Soggetto topico |
Semiotics and literature - France
Discourse analysis Semiotics and literature Humanities Philosophy Poetry |
| Soggetto non controllato |
analyse du discours littéraire
sémiotique et littérature poétique théorie de la fiction roman (technique) création (esthétique) |
| ISBN | 2-37496-204-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910746990103321 |
| Reims, France : , : Éditions et Presses universitaires de Reims, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
