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Actors and the Art of Performance [[electronic resource] ] : Under Exposure / / by Susanne Granzer
| Actors and the Art of Performance [[electronic resource] ] : Under Exposure / / by Susanne Granzer |
| Autore | Granzer Susanne |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (xi, 120 pages) : illustrations |
| Disciplina | 792.02801 |
| Collana | Performance Philosophy |
| Soggetto topico |
Motion picture authorship
Motion pictures and television Theater Philosophy Performing arts Screenwriting Screen Studies Theatre and Performance Studies Philosophy, general Performing Arts |
| ISBN | 1-137-59634-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I: Hits -- 1. Auditorium X -- Double stalemate -- Turning point, peripeteia -- Turn around -- i, mine -- 2. Speculations -- Actors' fears -- Crying -- Child's play -- Exposed -- With-out me -- 3. Black out -- First time at the theater -- Part II: Experts in being? -- 4. The actor: A creature of fable -- why do you want to be an actor? -- 5. The Causa Corpora -- The kiss of Olympia -- Machine against man -- The actor's trump card -- 6. The gift of acting -- Skipping -- Prejudice -- Subject-based thinking versus stage experience -- Master and servant -- Bodies on stage -- Innocence of becoming -- Language and speaking -- Digesting speech -- Counterwords -- The Other, the others -- Affect versus thought -- Thinking and acting -- Repetition -- 7. The gift of death -- Tu es mort -- Theater as a symbolic death -- Point of no return -- Felicity -- a salto mortale -- Our friend Touchstone -- 8. Finale and punctum -- Why do you want to be an actor? |
| Record Nr. | UNINA-9910134808903321 |
Granzer Susanne
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff
| Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (373 pages) |
| Disciplina |
741.5973
801 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Performing arts
Motion picture acting Technology in literature Literature—Translations Motion picture authorship Theater—Production and direction Performing Arts Screen Performance Literature and Technology/Media Translation Studies Screenwriting Theatre Direction and Production |
| ISBN | 3-030-25161-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Process and Practice -- 2. Collaborating with the Dead, or Adapters as Secret Agents -- 3. 'Playing the Maids': Playing with Adaptive Possibilities - Collaboration and the Actor's Process -- 4. The Not-So-Singular Life of Albert Nobbs -- 5. Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- 6. The Alien World of Objects: Stanley Kubrick's The Killing -- 7. Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- 8. "His world had vanished long before he entered it" Wes Anderson's homage to Stefan Zweig -- 9. Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter / The Rider on the White Horse (1888) -- 10. Adapting Hein's Willenbrock: Andreas Dresen and the legacy of the GDR 'Ensemble' Tradition -- 11. Same Player, Shoot Again: Géla Babluan's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration -- 12. Anselm Kiefer's Signature -- 13. Adaptation as Arguing with the Past: The Case of Sherlock -- 14. The Prestige Noverlisation of the Contemporary TV Series: David Hewson's The Killing -- 15. Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist -- 16. Collaborating with the Dead, Playing the Shakespeare Archive; or How We Can Avoid Being Pushed from Our Stools. |
| Record Nr. | UNINA-9910483880203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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British Television Drama : Past, Present and Future / / edited by J. Bignell, S. Lacey
| British Television Drama : Past, Present and Future / / edited by J. Bignell, S. Lacey |
| Edizione | [2nd ed. 2014.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2014 |
| Descrizione fisica | XII, 255 s |
| Disciplina | 822.025 |
| Soggetto topico |
Culture
Motion pictures and television Motion pictures—Production and direction Motion picture authorship Film genres Motion pictures—History Sociology of Culture Screen Studies Directing Screenwriting Genre Film History |
| ISBN |
1-137-32757-X
1-137-32758-8 |
| Classificazione | PER010010PER010030SOC052000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Contents -- Acknowledgements -- Notes on the Contributors -- Editors' Introduction -- 1. Contexts; Tony Garnett -- PART I: INSTITUTIONS AND TECHNOLOGIES -- Editors' Introduction to Part I -- 2. Sydney Newman and the 'Golden Age'; Shaun Sutton -- 3. Television Drama Series: a Producer's View; Irene Shubik -- 4. TV Drama: Then and Now; John McGrath -- 5. Writing Television Drama - Then and Now; Andrew Davies -- 6 Brookside: The Technology Backstory; Phil Redmond -- 7 Plot Inflation in Greater Weatherfield: Coronation Street in the 1990s; Billy Smart -- 8 Persuaded? The Impact of Changing Production Contexts on Three Adaptations of Persuasion; Sarah Cardwell -- PART II: FORMATS AND GENRES -- Editors' Introduction to Part II -- 9. 'The Age of Innocence'; Alan Plater -- 10. Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama; David Edgar -- 11. 'A Hero Mumsy': Parenting, Power, and Production Changes in The Sarah Jane Adventures; Victoria Byard -- 12. Downton Abbey: Reinventing the British Costume Drama; James Chapman -- 13. What Do Actors Do When They Act? John Caughie -- CODA: Timothy West discusses 'Acting on Stage: Acting on Screen', followed by extracts from the discussion after his and John Caughie's presentations. -- PART III: REPRESENTATIONS -- 14. The 1970s: Regional Variations; Barry Hanson -- 15. 'What Truth is there in this Story?': The Dramatisation of Northern Ireland; Edward Braun -- 16. Moving Waterloo Road from Rochdale to Greenock: Exploring a Sense of Place in Drama Series; Cameron Roach -- 17. Too Secret for Words: Coded Dissent in Female-authored Wednesday Plays; Madeleine Macmurraugh-Kavanagh -- 18. 'Ah! Our very own Juliet Bravo, or is it Jill Gascoine?' Ashes to Ashes and Representations of Gender; Ben Lamb -- 19. Power Plays: Gender, Genre, and Lynda La Plante; Julia Hallam -- Editors' Conclusion -- Select Bibliography -- Index. |
| Record Nr. | UNINA-9910156232603321 |
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Empathetic Space on Screen : Constructing Powerful Place and Setting / / by Amedeo D'Adamo
| Empathetic Space on Screen : Constructing Powerful Place and Setting / / by Amedeo D'Adamo |
| Autore | D'Adamo Amedeo |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XIX, 270 p. 53 illus., 43 illus. in color.) |
| Disciplina | 808.23 |
| Soggetto topico |
Culture—Study and teaching
Motion pictures Motion pictures—United States Motion pictures - Production and direction Motion picture authorship Popular Science in Cultural and Media Studies Film Theory American Cinema and TV Film and TV Production Screenwriting |
| ISBN | 3-319-66772-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | PART I : THE BUILDING CODES OF NARRATIVE SPACE -- 1. Introduction : Welcome to Dantean Space. Empathy and Space in Singin' in The Rain, Legally Blonde, The Pursuit of Happyness and Aliens -- 2. The Empty Man Of Action VS The Active Heart : DisPassionate & Dramatic Characters from James Bond and Sherlock Holmes to Little Miss Sunshine, Hamlet and The Hobbit -- 3. The Frozen Ones : Dantean Moments, Characters & Space from Aliens to Amelie, Sunset Blvd, Batman and others -- 4. Are We Empathizing with the Situation or With The Character? : A Methodology of Defining Space and Character in films like Little Miss Sunshine, 50 Shades Of Grey, Twilight & Secretary and TV shows like Lego Friends -- PART II : BOUNDARIES VISIBLE AND BROKEN -- 5. The Library of All Stories : Purgatory, Therapy and Character Arcs in Dante and in Great Expectations, One Hour Photo, The Third Man and Sunrise, in Camus' novel The Fall, and in Edgar Allen's Poe's short stories -- 6. Ghosts and Shades and Place : Empathetic Hauntology in Gravity, Lars and The Real Girl & Hiroshima Mon Amour -- 7. On Collapsing Boundaries between Protagonist and Antagonist : Dante's tricks and others in La Vie En Rose and Apocalypse Now and in the documentaries Tarnation, Elena and Waltzing With Bashir -- 8. Alienated Spaces : DeathStarchitecture, Showroom Space and the Dantean Homes of Homeland, Star Wars, Mad Men and The Graduate -- PART III : HOW NOT TO THINK LIKE DANTE ALIGHIERI : THE SOCIAL IMPLICATIONS OF DANTEAN SPACE -- 9. How Not To Think Like Dante Alighieri : Guilt, Punishment & the components of Dantean Space.-10. Escaping Dantean Space : On Creating Zones of Care in the biography of St Teresa, in physical materials and through Cinematography -- 11. How To Create Ecstatic Space : On crafting Zones of Care in Literature, Cinema and VideoGames in the films Amelie & The Secret Garden and in the videogame Wrath Of The White Witch. |
| Record Nr. | UNINA-9910300002803321 |
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D'Adamo Amedeo
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Ethics in Screenwriting : New Perspectives / / edited by Steven Maras
| Ethics in Screenwriting : New Perspectives / / edited by Steven Maras |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (XXV, 263 p. 19 illus.) |
| Disciplina | 791.43 |
| Collana | Palgrave Studies in Screenwriting |
| Soggetto topico |
Motion picture authorship
Ethics Screenwriting |
| ISBN | 1-137-54493-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface.Steven Maras -- 1. Ethics Beyond the Code.Steven Maras.Part I Writers and Production Environments -- 2. The Concept of ‘Double Storytelling’ in Danish Public Service TV Drama Production.Eva Novrup Redvall -- 3. Ethics, Style and Story in Indigenous Screenwriting: Warwick Thornton in Interview.Steven Maras -- 4. On Morals, Ethics and Screenwriting: An Interview with Jimmy McGovern.Steven Maras.-Part II Actuality and History -- 5. ANZAC Girls: An Ethical Autoanalysis.Felicity Packard and Ben Stubbs -- 6. The Ethics of Actuality in the Scripting of Enrique Rosas’s The Gray Automobile.María Teresa DePaoli -- 7. Blurring Boundaries, Transmedia Storytelling and the Ethics of C.S. Peirce.Renira Rampazzo Gambarato and Alessandro Nanì.-Part III Character and Narrative -- 8. Doubled Ethics and Narrative Distance in The Wire.Jeff Rush -- 9. Writing From the Mouth of Shadows: Creativity as Ethics in the Screenwriting of Jean-Claude Carrière.Felipe Pruneda Sentíes -- 10. Screenwriting as Dialogic Ethics after Animal Kingdom.Steven Maras.-11. Ethics, Representations and Judgment.Steven Maras. |
| Record Nr. | UNINA-9910154848403321 |
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Finding the Personal Voice in Filmmaking / / by Erik Knudsen
| Finding the Personal Voice in Filmmaking / / by Erik Knudsen |
| Autore | Knudsen Erik |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 |
| Descrizione fisica | 1 online resource (134 pages) |
| Disciplina |
791.430232
791.4301 |
| Collana | Palgrave Pivot |
| Soggetto topico |
Motion picture authorship
Motion pictures - Production and direction Screenwriting Film and TV Production |
| ISBN | 3-030-00377-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Why Create? -- 3. What is Creativity? -- 4. Why Story? -- 5. Transformations -- 6. Appendix. |
| Record Nr. | UNINA-9910300026303321 |
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Knudsen Erik
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gender Inequality in Screenwriting Work / / by Natalie Wreyford
| Gender Inequality in Screenwriting Work / / by Natalie Wreyford |
| Autore | Wreyford Natalie |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (222 pages) |
| Disciplina | 808.23 |
| Soggetto topico |
Motion picture authorship
Culture Gender Motion pictures Screenwriting Culture and Gender Film/TV Industry |
| ISBN | 3-319-95732-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: The extent of gender inequality in film screenwriting work -- 2. Gendering the screenwriter -- 3. Gender, capital and getting in -- 4. The gendered dynamics of the recruitment of screenwriters -- 5. The impact of motherhood on screenwriters -- 6. Being outnumbered -- 7. Gendering taste -- 8. Conclusions: Moving beyond numbers to make change happen. |
| Record Nr. | UNINA-9910300035003321 |
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Wreyford Natalie
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gothic Cinema : An introduction / / by Katharina Rein
| Gothic Cinema : An introduction / / by Katharina Rein |
| Autore | Rein Katharina |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Wiesbaden : , : Springer Fachmedien Wiesbaden : , : Imprint : Palgrave, , 2023 |
| Descrizione fisica | 1 online resource (204 pages) |
| Disciplina | 306.85 |
| Soggetto topico |
Film genres
Motion pictures Motion pictures—History Motion picture authorship Genre Studies Film Theory Film and TV History Screenwriting |
| ISBN | 3-658-40721-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Definition of terms and delimitation -- Elements, motifs, themes -- Gothic Cinema before 1960 -- Gothic Cinema from 1960 onwards -- Gothic around 2000: old monsters in new guises -- Between old and new -- The Haunting of Hill House (2018) -- Dracula (2020) -- Crimson Peak (2015). |
| Record Nr. | UNINA-9910734842503321 |
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Rein Katharina
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| Wiesbaden : , : Springer Fachmedien Wiesbaden : , : Imprint : Palgrave, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of Screen Production / / edited by Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan
| The Palgrave Handbook of Screen Production / / edited by Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (500 pages) |
| Disciplina | 791.430232 |
| Soggetto topico |
Motion pictures - Production and direction
Motion picture authorship Motion pictures Film and TV Production Screenwriting Film/TV Industry |
| ISBN | 3-030-21744-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1: Conceptualising the screen work: ideas, intentions, contexts -- Chapter 1 Creative filmmaking processes, procedures and practices: Embodied and internalised filmmaking agency -- Chapter 2 Commission, position and production: Intent and intervention in minority language programmes -- Chapter 3 Having something to say and saying it well -- Chapter 4 Understanding the underlying principles of the short film -- Chapter 5 Two screenplays, one writer, national voice -- Chapter 6 Off screen: Re-imagining animation -- Chapter 7 The Dr Egg Adventures: Incorporating user-generated content and user-testing strategies in pre-production conceptualization and development of a multi-platform storyworld -- Chapter 8 Taking place, screening place: Studying locations in television drama production -- Chapter 9 Wayfaring, co-presence and mobility: Conceptualising and re-conceptualising with smartphones -- Part 2: Developing the screen work: collaboration, imagination, distillation -- Chapter 10 Writing bodies: developing and scripting an embodied feature film screenplay -- Chapter 11 Putting theory into practice: Structuring the personal essay documentary, The Silences -- Chapter 12 Work-in-progress: The Writing of Shortchanged -- Chapter 13 Developing Baxter and Me: Maintaining authorial voice against industry pressures -- Chapter 14 Writers, producers and creative entrepreneurship in web series development -- Chapter 15 Local content producers: Co-creating communal stories and community in the Big Stories, Small Towns participatory documentary project -- Part 3: Realising the screen work: practice, process, pragmatism -- Chapter 16 Creative Practice: A Love Story -- Chapter 17 Creating and designing the contemporary soundtrack: A case study -- Chapter 18 The (braided) documentary voice: theorising the complexities of documentary making -- Chapter 19 Editing the observed: Evaluation and value creation processes in the editing of a feature documentary film -- Chapter 20 The beginning of a beautiful relationship: A case study exploration of collaborative creative practice -- Chapter 21 “Make it in post”: Digital visual effects and the temporality of creative value in post-production -- Chapter 22 Trapped: A case study of international co-production -- Chapter 23 Production practices in the filming of German scripted reality shows -- Chapter 24 Embracing the TV commercial: Charms and challenges of selling on screen -- Part 4: Exhibiting the screen work: places, spaces, ecologies -- Chapter 25 Producing the other in international film festivals: Festival fund, address and the making of authenticity in Gabriel Mascaro’s Neon Bull -- Chapter 26 The Live Cinema paradox: Continuity and innovation in live film broadcast, exhibition, and production -- Chapter 27 Digital disruption and innovation in distribution: Opportunities for research-based filmmaking in the new global screen ecology -- Chapter 28 Dispositifs at play: Artists’ moving image in the gallery -- Chapter 29 Mobile reception: Materiality and locality with small screens -- Chapter 30 Appeasing the trolls: Contextualising new screen practices with smartphones -- Part 5: Teaching the screen work: pedagogies, practices, approaches -- Chapter 31 There is no ‘e’ in ‘constraints’: Teaching creativity in Higher Education screen production -- Chapter 32 “Is this degree practical or theoretical?” Screen and media education, studio-based teaching and signature pedagogies -- Chapter 33 Teaching screen arts in Australia: Challenges, opportunities and current trends -- Chapter 34 VR and screen education: An approach to assist student understanding of narrative emphasis, spatiality and structural elements within narrative VR -- Chapter 35 Teaching screenwriting through script development: Looking beyond the screenplay. |
| Record Nr. | UNINA-9910484669503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Protagonist's Journey : An Introduction to Character-Driven Screenwriting and Storytelling / / by Scott Myers
| The Protagonist's Journey : An Introduction to Character-Driven Screenwriting and Storytelling / / by Scott Myers |
| Autore | Myers Scott <1953-> |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (359 pages) |
| Disciplina | 808.23 |
| Soggetto topico |
Motion picture authorship
Motion pictures - Production and direction Screenwriting Film and Television Production |
| ISBN |
9783030796822
9783030796815 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I: The Protagonist’s Journey as Narrative Imperative -- Chapter One: The Protagonist’s Journey – Due to their central role, engaging the Protagonist is the most important aspect of the story-crafting process -- Chapter Two: Character Arc – In movies, there exists a recurring variety of character arcs including the most popular: positive transformation -- Chapter Three: Disunity – The Protagonist needs to change as reflected in their initial state of disunity -- Chapter Four: Deconstruction – Entering the New World, a series of challenges and trials deconstructs the Protagonist’s old ways of being -- Chapter Five: Reconstruction – Freed from their old ways of being, the Protagonist is reconstructed by embracing heretofore untapped inner potential.-Chapter Six: Unity – The Protagonist brings together all they have learned in the story’s final struggle and in doing so achieves unity -- Chapter Seven: The Protagonist’s Place Within the Screenplay Universe – The Protagonist’s journey interweaves between the External World and the Internal World -- Part II: The Protagonist’s Journey as Family of Characters -- Chapter Eight: Primary Character Archetypes – Five narrative dynamics common to movies represented by these archetypes: Protagonist, Nemesis, Attractor, Mentor, Trickster -- Chapter Nine: Nemesis – By providing opposition to the Protagonist, the Nemesis generates sustained conflict which creates the central drama of the story -- Chapter Ten: Attractor – During their journey, the Protagonist intersects with Attractor characters who connect with the Protagonist’s emotional development -- Chapter Eleven: Mentor – The Protagonist meets another type of ally, the Mentor who provides wisdom and contributes to the Protagonist’s intellectual growth -- Chapter Twelve: Trickster – A shapeshifter tests the will of the Protagonist by switching from ally to enemy, enemy to ally, and generating complications -- Chapter Thirteen: Subplots – Each Protagonist relationship with key characters is a mini-story with its own arc, theme, and contribution to the overall narrative -- Chapter Fourteen: Character Map – There is a structure to the Protagonist’s relationships with the story’s major characters -- Part III: The Protagonist’s Journey as Screenplay -- Chapter Fifteen: Breaking the Story I – Begin the story-crafting process by engaging the story’s central character with a Protagonist Character Treatment -- Chapter Sixteen: Breaking the Story II – Use a series of brainstorming exercises to explore the story universe and develop its characters -- Chapter Seventeen: Breaking the Story III – A first pass at wrangling the plot by working with Four Primary Plotline Points -- Chapter Eighteen: Breaking the Story IV – Track the Protagonist’s transformation arc through Four Themeline Movements -- Chapter Nineteen: Breaking the Story V – Expand the framework of the plot by identifying Ten Major Plotline Points -- Chapter Twenty: Breaking the Story VI – Construct the final story structure, both Plotline and Themeline into a Narrative Throughline -- Chapter Twenty-One: Writing the First Draft – Break down the writing process into sets of scenes from one Plotline Point to another all the way through the Denouement. . |
| Record Nr. | UNINA-9910556877803321 |
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Myers Scott <1953->
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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