Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Actors and the Art of Performance : Under Exposure / / by Susanne Granzer
| Actors and the Art of Performance : Under Exposure / / by Susanne Granzer |
| Autore | Granzer Susanne |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | 2016 |
| Descrizione fisica | 1 online resource (xi, 120 pages) : illustrations |
| Disciplina | 792.02801 |
| Collana | Performance Philosophy |
| Soggetto topico |
Motion picture authorship
Motion pictures Television broadcasting Performing arts Theater Philosophy Screenwriting Film and Television Studies Theatre and Performance Arts |
| ISBN |
9781137596345
1137596341 |
| Classificazione | PER000000PER004050PER011000PHI000000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I: Hits -- 1. Auditorium X -- Double stalemate -- Turning point, peripeteia -- Turn around -- i, mine -- 2. Speculations -- Actors' fears -- Crying -- Child's play -- Exposed -- With-out me -- 3. Black out -- First time at the theater -- Part II: Experts in being? -- 4. The actor: A creature of fable -- why do you want to be an actor? -- 5. The Causa Corpora -- The kiss of Olympia -- Machine against man -- The actor's trump card -- 6. The gift of acting -- Skipping -- Prejudice -- Subject-based thinking versus stage experience -- Master and servant -- Bodies on stage -- Innocence of becoming -- Language and speaking -- Digesting speech -- Counterwords -- The Other, the others -- Affect versus thought -- Thinking and acting -- Repetition -- 7. The gift of death -- Tu es mort -- Theater as a symbolic death -- Point of no return -- Felicity -- a salto mortale -- Our friend Touchstone -- 8. Finale and punctum -- Why do you want to be an actor? |
| Record Nr. | UNINA-9910134808903321 |
Granzer Susanne
|
||
| 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff
| Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (373 pages) |
| Disciplina |
741.5973
801 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Performing arts
Theater Motion picture acting Literature and technology Mass media and literature Comparative literature Motion picture authorship Theater - Production and direction Theatre and Performance Arts Screen Performance Literature and Technology Comparative Literature Screenwriting Theatre Direction and Production |
| ISBN |
9783030251611
3030251616 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Process and Practice -- 2. Collaborating with the Dead, or Adapters as Secret Agents -- 3. 'Playing the Maids': Playing with Adaptive Possibilities - Collaboration and the Actor's Process -- 4. The Not-So-Singular Life of Albert Nobbs -- 5. Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- 6. The Alien World of Objects: Stanley Kubrick's The Killing -- 7. Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- 8. "His world had vanished long before he entered it" Wes Anderson's homage to Stefan Zweig -- 9. Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter / The Rider on the White Horse (1888) -- 10. Adapting Hein's Willenbrock: Andreas Dresen and the legacy of the GDR 'Ensemble' Tradition -- 11. Same Player, Shoot Again: Géla Babluan's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration -- 12. Anselm Kiefer's Signature -- 13. Adaptation as Arguing with the Past: The Case of Sherlock -- 14. The Prestige Noverlisation of the Contemporary TV Series: David Hewson's The Killing -- 15. Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist -- 16. Collaborating with the Dead, Playing the Shakespeare Archive; or How We Can Avoid Being Pushed from Our Stools. |
| Record Nr. | UNINA-9910483880203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
British Television Drama : Past, Present and Future / / edited by J. Bignell, S. Lacey
| British Television Drama : Past, Present and Future / / edited by J. Bignell, S. Lacey |
| Edizione | [2nd ed. 2014.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2014 |
| Descrizione fisica | XII, 255 s |
| Disciplina | 822.025 |
| Soggetto topico |
Culture
Motion pictures Television broadcasting Motion pictures - Production and direction Motion picture authorship Film genres Motion pictures - History Sociology of Culture Film and Television Studies Directing Screenwriting Genre Studies Film and TV History |
| ISBN |
9781137327574
113732757X 9781137327581 1137327588 |
| Classificazione | PER010010PER010030SOC052000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Contents -- Acknowledgements -- Notes on the Contributors -- Editors' Introduction -- 1. Contexts; Tony Garnett -- PART I: INSTITUTIONS AND TECHNOLOGIES -- Editors' Introduction to Part I -- 2. Sydney Newman and the 'Golden Age'; Shaun Sutton -- 3. Television Drama Series: a Producer's View; Irene Shubik -- 4. TV Drama: Then and Now; John McGrath -- 5. Writing Television Drama - Then and Now; Andrew Davies -- 6 Brookside: The Technology Backstory; Phil Redmond -- 7 Plot Inflation in Greater Weatherfield: Coronation Street in the 1990s; Billy Smart -- 8 Persuaded? The Impact of Changing Production Contexts on Three Adaptations of Persuasion; Sarah Cardwell -- PART II: FORMATS AND GENRES -- Editors' Introduction to Part II -- 9. 'The Age of Innocence'; Alan Plater -- 10. Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama; David Edgar -- 11. 'A Hero Mumsy': Parenting, Power, and Production Changes in The Sarah Jane Adventures; Victoria Byard -- 12. Downton Abbey: Reinventing the British Costume Drama; James Chapman -- 13. What Do Actors Do When They Act? John Caughie -- CODA: Timothy West discusses 'Acting on Stage: Acting on Screen', followed by extracts from the discussion after his and John Caughie's presentations. -- PART III: REPRESENTATIONS -- 14. The 1970s: Regional Variations; Barry Hanson -- 15. 'What Truth is there in this Story?': The Dramatisation of Northern Ireland; Edward Braun -- 16. Moving Waterloo Road from Rochdale to Greenock: Exploring a Sense of Place in Drama Series; Cameron Roach -- 17. Too Secret for Words: Coded Dissent in Female-authored Wednesday Plays; Madeleine Macmurraugh-Kavanagh -- 18. 'Ah! Our very own Juliet Bravo, or is it Jill Gascoine?' Ashes to Ashes and Representations of Gender; Ben Lamb -- 19. Power Plays: Gender, Genre, and Lynda La Plante; Julia Hallam -- Editors' Conclusion -- Select Bibliography -- Index. |
| Record Nr. | UNINA-9910156232603321 |
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Empathetic Space on Screen : Constructing Powerful Place and Setting / / by Amedeo D'Adamo
| Empathetic Space on Screen : Constructing Powerful Place and Setting / / by Amedeo D'Adamo |
| Autore | D'Adamo Amedeo |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XIX, 270 p. 53 illus., 43 illus. in color.) |
| Disciplina | 808.23 |
| Soggetto topico |
Communication
Culture - Study and teaching Motion pictures Motion pictures, American Motion pictures - Production and direction Motion picture authorship Media and Communication Cultural Studies Film Theory American Film and TV Film and Television Production Screenwriting |
| ISBN |
9783319667720
3319667726 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | PART I : THE BUILDING CODES OF NARRATIVE SPACE -- 1. Introduction : Welcome to Dantean Space. Empathy and Space in Singin' in The Rain, Legally Blonde, The Pursuit of Happyness and Aliens -- 2. The Empty Man Of Action VS The Active Heart : DisPassionate & Dramatic Characters from James Bond and Sherlock Holmes to Little Miss Sunshine, Hamlet and The Hobbit -- 3. The Frozen Ones : Dantean Moments, Characters & Space from Aliens to Amelie, Sunset Blvd, Batman and others -- 4. Are We Empathizing with the Situation or With The Character? : A Methodology of Defining Space and Character in films like Little Miss Sunshine, 50 Shades Of Grey, Twilight & Secretary and TV shows like Lego Friends -- PART II : BOUNDARIES VISIBLE AND BROKEN -- 5. The Library of All Stories : Purgatory, Therapy and Character Arcs in Dante and in Great Expectations, One Hour Photo, The Third Man and Sunrise, in Camus' novel The Fall, and in Edgar Allen's Poe's short stories -- 6. Ghosts and Shades and Place : Empathetic Hauntology in Gravity, Lars and The Real Girl & Hiroshima Mon Amour -- 7. On Collapsing Boundaries between Protagonist and Antagonist : Dante's tricks and others in La Vie En Rose and Apocalypse Now and in the documentaries Tarnation, Elena and Waltzing With Bashir -- 8. Alienated Spaces : DeathStarchitecture, Showroom Space and the Dantean Homes of Homeland, Star Wars, Mad Men and The Graduate -- PART III : HOW NOT TO THINK LIKE DANTE ALIGHIERI : THE SOCIAL IMPLICATIONS OF DANTEAN SPACE -- 9. How Not To Think Like Dante Alighieri : Guilt, Punishment & the components of Dantean Space.-10. Escaping Dantean Space : On Creating Zones of Care in the biography of St Teresa, in physical materials and through Cinematography -- 11. How To Create Ecstatic Space : On crafting Zones of Care in Literature, Cinema and VideoGames in the films Amelie & The Secret Garden and in the videogame Wrath Of The White Witch. |
| Record Nr. | UNINA-9910300002803321 |
|
D'Adamo Amedeo
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ethics in Screenwriting : New Perspectives / / edited by Steven Maras
| Ethics in Screenwriting : New Perspectives / / edited by Steven Maras |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (XXV, 263 p. 19 illus.) |
| Disciplina | 791.43 |
| Collana | Palgrave Studies in Screenwriting |
| Soggetto topico |
Motion picture authorship
Ethics Screenwriting Moral Philosophy and Applied Ethics |
| ISBN |
9781137544933
1137544937 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface.Steven Maras -- 1. Ethics Beyond the Code.Steven Maras.Part I Writers and Production Environments -- 2. The Concept of ‘Double Storytelling’ in Danish Public Service TV Drama Production.Eva Novrup Redvall -- 3. Ethics, Style and Story in Indigenous Screenwriting: Warwick Thornton in Interview.Steven Maras -- 4. On Morals, Ethics and Screenwriting: An Interview with Jimmy McGovern.Steven Maras.-Part II Actuality and History -- 5. ANZAC Girls: An Ethical Autoanalysis.Felicity Packard and Ben Stubbs -- 6. The Ethics of Actuality in the Scripting of Enrique Rosas’s The Gray Automobile.María Teresa DePaoli -- 7. Blurring Boundaries, Transmedia Storytelling and the Ethics of C.S. Peirce.Renira Rampazzo Gambarato and Alessandro Nanì.-Part III Character and Narrative -- 8. Doubled Ethics and Narrative Distance in The Wire.Jeff Rush -- 9. Writing From the Mouth of Shadows: Creativity as Ethics in the Screenwriting of Jean-Claude Carrière.Felipe Pruneda Sentíes -- 10. Screenwriting as Dialogic Ethics after Animal Kingdom.Steven Maras.-11. Ethics, Representations and Judgment.Steven Maras. |
| Record Nr. | UNINA-9910154848403321 |
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Finding the Personal Voice in Filmmaking / / by Erik Knudsen
| Finding the Personal Voice in Filmmaking / / by Erik Knudsen |
| Autore | Knudsen Erik |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 |
| Descrizione fisica | 1 online resource (134 pages) |
| Disciplina |
791.430232
791.4301 |
| Collana | Palgrave Pivot |
| Soggetto topico |
Motion picture authorship
Motion pictures - Production and direction Screenwriting Film and Television Production |
| ISBN |
9783030003777
3030003779 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Why Create? -- 3. What is Creativity? -- 4. Why Story? -- 5. Transformations -- 6. Appendix. |
| Record Nr. | UNINA-9910300026303321 |
|
Knudsen Erik
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Gender Inequality in Screenwriting Work / / by Natalie Wreyford
| Gender Inequality in Screenwriting Work / / by Natalie Wreyford |
| Autore | Wreyford Natalie |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (222 pages) |
| Disciplina | 808.23 |
| Soggetto topico |
Motion picture authorship
Sex Motion picture industry Television broadcasting Screenwriting Gender Studies Film and Television Industry |
| ISBN |
9783319957326
3319957325 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: The extent of gender inequality in film screenwriting work -- 2. Gendering the screenwriter -- 3. Gender, capital and getting in -- 4. The gendered dynamics of the recruitment of screenwriters -- 5. The impact of motherhood on screenwriters -- 6. Being outnumbered -- 7. Gendering taste -- 8. Conclusions: Moving beyond numbers to make change happen. |
| Record Nr. | UNINA-9910300035003321 |
|
Wreyford Natalie
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Gothic Cinema : An introduction / / by Katharina Rein
| Gothic Cinema : An introduction / / by Katharina Rein |
| Autore | Rein Katharina |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Wiesbaden : , : Springer Fachmedien Wiesbaden : , : Imprint : Palgrave, , 2023 |
| Descrizione fisica | 1 online resource (204 pages) |
| Disciplina | 306.85 |
| Soggetto topico |
Film genres
Motion pictures Motion pictures - History Motion picture authorship Genre Studies Film Theory Film and TV History Screenwriting |
| ISBN | 3-658-40721-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Definition of terms and delimitation -- Elements, motifs, themes -- Gothic Cinema before 1960 -- Gothic Cinema from 1960 onwards -- Gothic around 2000: old monsters in new guises -- Between old and new -- The Haunting of Hill House (2018) -- Dracula (2020) -- Crimson Peak (2015). |
| Record Nr. | UNINA-9910734842503321 |
|
Rein Katharina
|
||
| Wiesbaden : , : Springer Fachmedien Wiesbaden : , : Imprint : Palgrave, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Make Believe in Film and Fiction : Visual vs. Verbal Storytelling / / by K. Kroeber
| Make Believe in Film and Fiction : Visual vs. Verbal Storytelling / / by K. Kroeber |
| Autore | Kroeber Karl <1926-2009.> |
| Edizione | [1st ed. 2006.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2006 |
| Descrizione fisica | 1 online resource (240 p.) |
| Disciplina | 791.43/6 |
| Soggetto topico |
Motion pictures - History
Literature Motion picture authorship Literature - Philosophy Film and TV History Screenwriting Literary Theory |
| ISBN |
9786611369842
9781281369840 1281369845 9781403983220 1403983224 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Brutal Beginnings: Imagining Murder/ Watching Murder -- Moving Eyes, Moving Sculptures -- Inside and outside Somebody Else's Fantasy -- Make Believe Is Always a Story -- Single-Handed and Collective Make Believe -- Movies and Hyper-Visual Culture -- La Strada and the Conjecturing Imagination -- Madame Bovary: Linguistic Configurings of Imaginative Corruption -- Rashomon and Wuthering Heights -- Form in Visual Storytelling: Buster Keaton's The General -- Genre and Transforming Sources: High Noon Forenoon -- Seeing and Imagining Ethical Crises: High Noon: Afternoon -- Great Expectations: Insights from the Impossibility of Adaptation -- Magnifying Criminality: Fargo, Film Noir, and A Perfect World -- Innovative Lawfulness: Learning to Read. |
| Record Nr. | UNINA-9910973287003321 |
|
Kroeber Karl <1926-2009.>
|
||
| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Modernist Screenplay : Experimental Writing for Silent Film / / by Alexandra Ksenofontova
| The Modernist Screenplay : Experimental Writing for Silent Film / / by Alexandra Ksenofontova |
| Autore | Ksenofontova Alexandra |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (XI, 241 p. 8 illus., 3 illus. in color.) |
| Disciplina |
791.4375
301 |
| Collana | Palgrave Studies in Screenwriting |
| Soggetto topico |
Experimental films
Motion picture authorship Literature, Modern - 19th century Experimental Film Screenwriting Nineteenth-Century Literature |
| ISBN |
9783030505899
3030505898 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introducing the experimental screenplay -- 2. The screenplay between pragmatic and aesthetic functions -- 3. Pre-War screenwriting: Fist publications, first experiments -- 4. Interwar screenwriting in France: Scenario-poems, surrealism, and self-reflexivity -- 5. The screenplay after the Russian Revolution: For and against "facticity" -- 6. "Expressionist" screenwriting and the "ennoblement" of Weimar cinema -- 7. Modernist screenwriting against the crisis of reason -- 8. Representing despite the crisis of representation: The fallacies of modernist screenwriting -- 9. Rhythmic screenplays: Beyond dualisms -- 10. Conclusion. Techniques and functions of experimental screenwriting. |
| Record Nr. | UNINA-9910483195903321 |
|
Ksenofontova Alexandra
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
