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Acting Indie : Industry, Aesthetics, and Performance / / by Cynthia Baron, Yannis Tzioumakis
| Acting Indie : Industry, Aesthetics, and Performance / / by Cynthia Baron, Yannis Tzioumakis |
| Autore | Baron Cynthia |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (xii, 347 pages) : illustrations |
| Disciplina | 791.430280922 |
| Collana | Palgrave Studies in Screen Industries and Performance |
| Soggetto topico |
Motion picture acting
Motion pictures Screen Performance Film/TV Industry |
| ISBN | 1-137-40863-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910483320103321 |
Baron Cynthia
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adaptation and Nation : Theatrical Contexts for Contemporary English and Irish Drama / / by Catherine Rees
| Adaptation and Nation : Theatrical Contexts for Contemporary English and Irish Drama / / by Catherine Rees |
| Autore | Rees Catherine |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (IX, 185 p.) |
| Disciplina | 792 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Theater
Motion picture acting Cultural heritage Communication Ethnology—Europe Theatre and Performance Studies Screen Performance Cultural Heritage Media and Communication British Culture |
| Soggetto genere / forma | Adaptations. |
| ISBN | 1-137-42587-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction -- Chapter 2. Brian Friel -- Chapter 3. Marina Carr -- Chapter 4. Sarah Kane -- Chapter 5. Patrick Marber -- Chapter 6. “An Interlude” -- Chapter 7. Martin McDonagh -- Chapter 8. Conclusion -- Bibliography -- Index. |
| Record Nr. | UNINA-9910255077003321 |
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Rees Catherine
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff
| Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (373 pages) |
| Disciplina |
741.5973
801 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Performing arts
Motion picture acting Technology in literature Literature—Translations Motion picture authorship Theater—Production and direction Performing Arts Screen Performance Literature and Technology/Media Translation Studies Screenwriting Theatre Direction and Production |
| ISBN | 3-030-25161-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Process and Practice -- 2. Collaborating with the Dead, or Adapters as Secret Agents -- 3. 'Playing the Maids': Playing with Adaptive Possibilities - Collaboration and the Actor's Process -- 4. The Not-So-Singular Life of Albert Nobbs -- 5. Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- 6. The Alien World of Objects: Stanley Kubrick's The Killing -- 7. Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- 8. "His world had vanished long before he entered it" Wes Anderson's homage to Stefan Zweig -- 9. Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter / The Rider on the White Horse (1888) -- 10. Adapting Hein's Willenbrock: Andreas Dresen and the legacy of the GDR 'Ensemble' Tradition -- 11. Same Player, Shoot Again: Géla Babluan's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration -- 12. Anselm Kiefer's Signature -- 13. Adaptation as Arguing with the Past: The Case of Sherlock -- 14. The Prestige Noverlisation of the Contemporary TV Series: David Hewson's The Killing -- 15. Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist -- 16. Collaborating with the Dead, Playing the Shakespeare Archive; or How We Can Avoid Being Pushed from Our Stools. |
| Record Nr. | UNINA-9910483880203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Anglo-American Stage and Screen Drama : The Post-Democratic World Order / / by Mike Ingham
| Anglo-American Stage and Screen Drama : The Post-Democratic World Order / / by Mike Ingham |
| Autore | Ingham Mike |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (293 pages) |
| Disciplina | 792.9 |
| Soggetto topico |
Theater - History
Performing arts Theater Motion pictures Television broadcasting Motion picture acting Cultural policy Popular Culture Contemporary Theatre and Performance Theatre and Performance Arts Film and Television Studies Screen Performance Cultural Policy and Politics |
| ISBN | 3-031-45198-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction:Anglophone Drama in a Post-Democratic, Post-Truth World -- Chapter 1. Western Theatre as Sociopolitical Forum—A Short History -- Chapter 2. Progressive Western Cinema -- Chapter 3. Case-study Films and Plays from the First Decade -- Chapter 4. Case-study Films and Plays from the First Decade -- Chapter 5. Case-study Films and Plays from the Second Decade.-Chapter 6. Case-study Films and Plays from the Second Decade -- Conclusion: Progressive Drama and its Potentialities . |
| Record Nr. | UNINA-9910766890103321 |
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Ingham Mike
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Blockbuster Performances : How Actors Contribute to Cinema’s Biggest Hits / / by Daniel Smith-Rowsey
| Blockbuster Performances : How Actors Contribute to Cinema’s Biggest Hits / / by Daniel Smith-Rowsey |
| Autore | Smith-Rowsey Daniel |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (219 pages) |
| Disciplina | 791.43028 |
| Collana | Palgrave Studies in Screen Industries and Performance |
| Soggetto topico |
Motion picture acting
Motion pictures—United States Screen Performance American Cinema and TV |
| ISBN | 1-137-51879-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Why Do Critics and Scholars Dismiss Blockbuster Performances? -- 2. Historical Epic Blockbusters: Are You Not Entertained…By Actors? -- 3. Magic Fantasy Blockbusters: One Whimsy to Rule Them All -- 4. Superhero Blockbusters: Actors Ahead of the Curve -- 5. Crime Action Blockbusters: Performing Shaken, Not Stirred -- 6. Male-Led Science Fiction Blockbusters: Performing “Faster, More Intense” -- 7. Female-Led Science Fiction Blockbusters: Performing “Stop Taking My Hand!” -- 8. Conclusion: Once More Around the Blockbuster. |
| Record Nr. | UNINA-9910299996103321 |
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Smith-Rowsey Daniel
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Dance’s Duet with the Camera : Motion Pictures / / edited by Telory D. Arendell, Ruth Barnes
| Dance’s Duet with the Camera : Motion Pictures / / edited by Telory D. Arendell, Ruth Barnes |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (XVII, 263 p. 1 illus.) |
| Disciplina | 792.8 |
| Soggetto topico |
Dance
Performing arts Motion picture acting Performing Arts Screen Performance |
| ISBN | 1-137-59610-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction; Telory D. Arendell -- Part I. Site/Sight and the Body -- Chapter 2. Location, Location, Location; Melanie Kloetzel -- Chapter 3. The Feminist Body Reimagined in Two Dimensions; Cara Hagan -- Chapter 4. Hollywood Cinematic Excess; Frances Hubbard -- Part II. Movement Beyond the I/Eye -- Chapter 5. Loïe Fuller and the Poetics of Light, Colour, and Rhythm; Izabella Pruska-Oldenhof -- Chapter 6. Naked Came I/Eye; Peter Sparling -- Part III. Querying Praxis -- Chapter 7. Theoretical Duet; Telory D. Arendell and Ruth Barnes -- Chapter 8. Wrestling the Beast… and Not Getting Too Much Blood on Your Skirt; Heather Coker -- Chapter 9. Turning Around the Gaze in the Age of Technological Proliferation; Ruth Barnes -- Part IV. Bodies, Spaces, Camera -- Chapter 10. Videodance; Angela Kassel -- Chapter 11. Maya Deren; Telory D. Arendell -- Chapter 12. Valentine for Dance Historians; Carol-Lynne Moore -- Part V. New Technologies -- Chapter 13. Moving In(To) 3D; Philip Szporer and Marlene Millar -- Chapter 14. Conclusion; Ruth Barnes. |
| Record Nr. | UNINA-9910255226603321 |
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Digital Bodies : Creativity and Technology in the Arts and Humanities / / edited by Susan Broadhurst, Sara Price
| Digital Bodies : Creativity and Technology in the Arts and Humanities / / edited by Susan Broadhurst, Sara Price |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XXII, 270 p. 29 illus.) |
| Disciplina | 790 |
| Collana | Palgrave Studies in Performance and Technology |
| Soggetto topico |
Performing arts
Humanities—Digital libraries Communication Motion picture acting Technology in literature Performing Arts Digital Humanities Media and Communication Screen Performance Literature and Technology/Media |
| ISBN | 1-349-95241-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Illustrations -- Foreword, Steve Benford -- Notes on Editors -- Notes on Contributors -- 1. Introduction, The Performing Body: Creativity and Technology in Performance, Susan Broadhurst & Sara Price -- 2. Digital Performance and Creativity, Susan Broadhurst -- 3. Atmospheres of Wearable Design, Johannes Birringer -- 4. Making and Breaking: Electronic Waste Recycling as Methodology, Dani Ploeger -- 5. Blast Theory’s Strategies of Counter-gamification, Maria Chatzichristodoulou -- 6. Bodies in Light: Embodiment, Technology and Immersion, Michaela French -- 7. The Embodiment of Time, Helga Schmid -- 8. The role of emotion in transcribed modality and embodied out-of-body experience, Caroline Yan Zheng -- 9. The Oxymoron of Touch: The Tactile Perception of Hybrid Reality through Material Feedbacks, Laura Ferrarello -- 10. Post-Industrial Fashion and the Digital Body, Douglas Atkinson -- 11. I:OBJECT – Or the case for Fashion without Products, Kat Thiel -- 12. Critical Interventions in Wearable Tech, Smart Fashion and Etextiles in Art and Performance, Camille Baker -- 13. Giving Body To Digital Fashion Tools, Bruna Petreca -- 14. Embodied music interaction: creative design synergies between music performance and HCI, Anna Xambo -- 15. Digital museum installations: The role of the body in creativity, Sara Price -- 16. Playing at doctors and nurses: technology, play and medical simulation, Caroline Pelletier & Roger Kneebone -- 17. Methodological innovation, creativity and the digital body, Carey Jewitt -- Index. |
| Record Nr. | UNINA-9910255084603321 |
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Experimental and Expanded Animation : New Perspectives and Practices / / edited by Vicky Smith, Nicky Hamlyn
| Experimental and Expanded Animation : New Perspectives and Practices / / edited by Vicky Smith, Nicky Hamlyn |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XV, 286 p. 34 illus., 26 illus. in color.) |
| Disciplina | 791.4334 |
| Collana | Experimental Film and Artists’ Moving Image |
| Soggetto topico |
Animated films
Performing arts Motion picture acting Animation Performing Arts Screen Performance |
| ISBN | 3-319-73873-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1.Introduction, Vicky Smith and Nicky Hamlyn -- 2. Lines and Interruptions in Experimental Animation, Simon Payne -- 3. Performing the Margins of the New, Dirk de Bruyn -- 4. 21st Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner, Barnaby Dicker -- 5. Experimental Time-lapse Animation and the Manifestation of Change and Agency in Objects, Vicky Smith -- 6. Analogon: Of A World Already Animated, Sean Cubitt -- 7. Space and Material: The Virtual Object in Early CGI Art, Alex Jukes -- 8. Just about Film: Bruce McClure, Guy Sherwin and the Resurgence of Celluloid Sound Projections, Nicky Hamlyn.-9 -- Re-Splitting, De-Syncronising, Re-Animating: (E)motion, Neo-spectacle and Innocence in the film-works of John Stezaker, Paul Wells -- 10. Cut to Cute: Fact, Form, and Feeling in Digital Animation, Johanna Gosse -- 11. Into the post feminist doll house: Animation, Installation and Mushi, Suzanne Buchan -- 12. Intermediality in the tableaux vivants in Magic Mirror (75min, 2013) and Confessions To The Mirror (2016), Sarah Pucill -- 13. Siting Animation: the Affect of Place, Birgitta Hosea. |
| Record Nr. | UNINA-9910300026503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Feeling Film : A Spatial Approach / / by Beth Carroll
| Feeling Film : A Spatial Approach / / by Beth Carroll |
| Autore | Carroll Beth |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (XI, 210 p. 7 illus. in color.) |
| Disciplina | 791.4301 |
| Collana | Palgrave Studies in Audio-Visual Culture |
| Soggetto topico |
Motion pictures
Music Motion picture acting Aesthetics Phenomenology Film genres Film Theory Screen Performance Phenomenology Genre |
| Soggetto genere / forma | Criticism, interpretation, etc. |
| ISBN | 1-137-53936-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. A New Methodological Approach -- 2. Theoretical Approaches -- 3. Sound Space -- 4. Visual Space -- 5. Audio-Visual Space -- 6. What Next? . |
| Record Nr. | UNINA-9910154848503321 |
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Carroll Beth
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Film Stardom and the Ancient Past : Idols, Artefacts and Epics / / by Michael Williams
| Film Stardom and the Ancient Past : Idols, Artefacts and Epics / / by Michael Williams |
| Autore | Williams Michael |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XIV, 311 p. 21 illus., 16 illus. in color.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures
Civilization—History Motion pictures—History Arts Sociology Motion picture acting Film Theory Cultural History Film History Gender Studies Screen Performance |
| Soggetto genere / forma | History |
| ISBN | 1-137-39002-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: An Archaeology of Stardom -- 2. Section One: Oracles and Olympians - ‘Above Everything?’: Idols and Idolatry in Mata Hari (1931) -- 3. ‘The American Adonis’: The Hollywood Olympian Body -- 4. Section Two: Down to Earth: Rebuilding the Hollywood Pantheon - ‘A Dream of a Theme’: Down to Earth (1947), Rita Hayworth and Marketing the Post-war Goddess -- 5. Idols, Fragments and Reconstructions -- 6. Section Three: Heroes Will Rise: Patinated Pasts and Digital Futures - Patinating the Past: Stars, Artefacts and Alexander (2004) -- 7. ‘Remember Me’: Memory and Landscape in Troy (Wolfgang Petersen, 2004) -- 8. Titans, Immortals and Broken Idols: Classicism in the Digital Age. . |
| Record Nr. | UNINA-9910255450803321 |
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Williams Michael
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
- Motion picture acting (27)
-
Screen Performance
(27)
- Motion pictures (11)
- Performing arts (10)
- Performing Arts (8)