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Against Reason : Schopenhauer, Beckett and the Aesthetics of Irreducibility / Anthony Barron, Matthew Feldman
| Against Reason : Schopenhauer, Beckett and the Aesthetics of Irreducibility / Anthony Barron, Matthew Feldman |
| Autore | Barron Anthony |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hannover, : ibidem, 2017 |
| Descrizione fisica | 1 online resource (xxiii, 380 pages) |
| Disciplina | 111.85092 |
| Soggetto topico |
Samuel Beckett
Schopenhauer philosophy |
| ISBN |
9783838270258
3838270258 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910959743103321 |
Barron Anthony
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| Hannover, : ibidem, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Löschen und Imaginieren : Paradigmatische Formen ästhetischer Negativität in der Moderne / Jan Knobloch
| Löschen und Imaginieren : Paradigmatische Formen ästhetischer Negativität in der Moderne / Jan Knobloch |
| Autore | Knobloch Jan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paderborn, : Brill | Fink, 2022 |
| Descrizione fisica | 1 online resource (371 pages) |
| Disciplina | 813.54 |
| Soggetto topico |
Negation
Verneinung Negativismus Roman Rezeptionstheorie Arthur Schopenhauer Gustave Flaubert Samuel Beckett refusal negativism novel reception theory |
| ISBN |
9783846766712
3846766712 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto |
Intro -- Inhalt -- Siglenverzeichnis -- Prolog -- Kapitel I Nein sagen -- 1 Zum Negativitätsbegriff: Systematische und historische Vorbemerkungen -- 2 Die Negativität der Literatur -- 2.1 Forschungsdesiderat und Korpus -- 2.2 Paradigmatische Methode -- 3 Das dreistufige Negativitätsmodell: Welt, Text, ästhetische Erfahrung -- 3.1 Weltverneinung (Negativität I) -- 3.2 Sprachliche Negativität (Negativität II) -- 3.3 Ästhetische Negativität (Negativität III) -- Kapitel II „Je mehr ich die großen Pessimisten lese, um so mehr liebe ich das Leben." Negative Erfahrung und ästhetisches Spiel bei Arthur Schopenhauer -- 1 Rezeptionsästhetische Annäherung -- 2 Das ästhetische Potential philosophischer Negativität -- 2.1 Philosophie als Kunst: Spiel, Wille, Welt-Schema -- 2.2 Negativismus als Spielmarke -- 3 Erheben, Auflösen, Zerspielen (ilinx) -- 3.1 Irrealisierung: Das Erhabene -- 3.2 Die Tragödie als Strukturmodell ästhetischer Wirkung -- Kapitel III Der Roman als negative Enzyklopädie. Ironie, Wiederholung und Paralyse in Gustave Flauberts Bouvard et Pécuchet -- 1 Gegen die Dummheit, gegen die Welt -- 2 Sprachliche Negativität in Bouvard et Pécuchet -- 2.1 Ungewissheit und Logomachie -- 2.2 Destabilisierte Ironie als potentielle Negation -- 2.3 Konjunkturen des Meinens, Wissens und Sagens -- 3 Thanatos und repetitio. Zwischen Produktivität und Paralyse -- Kapitel IV Negationen des Erzählens, Negationen des Diskurses. Samuel Becketts Malone meurt und L'Innommable -- 1 Negationen des Erzählens -- 2 Negativität und Schrift: Potenzierung von Negationsleistungen -- 3 Exkurs: Grundformen sprachlicher Negativität in der negativen Theologie -- 4 Apophase und Reduktion in Becketts L'Innommable -- 5 Antihermeneutik -- Kapitel V „Nach und nach müssen wir alles ablehnen." Hyperbolische Negativität in Thomas Bernhards Auslöschung.
1 Der „Gegenweg": Gegen die Welt, gegen mich selbst (Negativität I) -- 1.1 Gegen die Welt -- 1.2 Gegen mich selbst -- 2 Jenseits der „Literatur des Unworts": Sprache, Reversibilität und Negativität II in Bernhards Auslöschung -- 2.1 Gleichzeitigkeit des Inkompatiblen -- 2.2 Praktischer Negativismus -- 2.3 Übertreibungskunst -- 3 Das Versprechen auf Auslöschung: Negative Potentialität -- 4 Rezeption und komische Positivierung -- Kapitel VI Anleitungen zur Resignation. Michel Houellebecqs Les particules élémentaires -- 1 Metaphysik und Gegenwart -- 2 Negativität II: „Ah oui, le oui-oui c'est super!" -- 2.1 Das Ende der Ironie -- 2.2 Gegen die Tyrannei des positiven Denkens -- 2.3 Zu Gast auf der Erde: Kontemplation und rettende Indifferenz -- 3 Aufgeben, aufhören, lebensunfähig werden -- Schluss -- Bibliographie. |
| Record Nr. | UNINA-9910968160103321 |
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Knobloch Jan
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| Paderborn, : Brill | Fink, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Narrating Experiences of Alzheimer's Through the Arts : Phenomenological and Existentialist Descriptions of the Living Body / Ana Paula Barbosa-Fohrmann
| Narrating Experiences of Alzheimer's Through the Arts : Phenomenological and Existentialist Descriptions of the Living Body / Ana Paula Barbosa-Fohrmann |
| Autore | Barbosa-Fohrmann Ana Paula <p>Ana Paula Barbosa-Fohrmann, Federal University of Rio de Janeiro, Brasilien </p> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2023 |
| Descrizione fisica | 1 online resource (225 pages) |
| Disciplina | 362.196831 |
| Collana | Medical Humanities |
| Soggetto topico |
Alzheimer's
Philosophy Dramaturgy Literature Painting Edmund Husserl Maurice Merleau-Ponty Albert Camus Marcel Proust Samuel Beckett Subjectivity Fiction Nineteenth Century Twentieth Century Phenomenology Existentialism Medicine Art Philosophical Anthropology Philosophy of Body Cultural Studies |
| ISBN |
9783839466803
9783837666809 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Contents -- Foreword -- Acknowledgments -- Introduction -- I. Research Object -- II. Justification -- 1. The Current State of Alzheimer's Research -- 2. Theme Originality and Theoretical Justification -- III. Hypotheses -- IV. Methodology -- V. Goals -- VI. Comment on the Structure of Chapters -- VII. A Brief Note on the Vocabulary -- Part I: Fundamentals -- Chapter 1: Fragments of the Self -- I. Marcos Abreu: Life is a Work of Art -- II. Parts, Fragments and Wholes -- 1. Fragments and Moments -- (a) his relation to animals (monkeys) and the Atlantic Forest: -- (b) his relation to his house in Jardim Botanico neighbourhood: -- (c) his relation to museums and galleries: -- (d) his divorce from Joana: -- (e) his relationship to his children: -- (f) his friendship with Maria: -- (a) his relation to earth and rain: -- (b) his relation to death: -- (c) his relation to the house (farm) where he spent his childhood: -- (d) his marriage to Joana: -- (e) his relationship with C.: -- (f) his relation to museums, galleries, painting: -- (g) his relation to cocaine and alcohol: -- (h) the plagiarism he committed against the art student: -- (i) life in the South of France: -- (j) relationship with his children Marcelo and Emilia: -- (k) connection with the Atlantic Forest: -- (l) revelation of life experiences: -- (m) connection with his house: -- (n) Alzheimer's: -- (o) working relationship and friendship with Maria: -- (p) connection with painting: -- (q) relationship with his daughter: -- (r) habits: -- (s) relationship with his son: -- (t) death: -- (u) relationship with C.: -- 2. Sides, Aspects and Adumbrations -- 3. Presence and Absence -- III. Identity in Manifolds -- IV. Summary -- Chapter 2: The Sensorial Experience of the Self with Alzheimer's -- I. The Psycho‐Organic Body (Leib) -- 1. Three Egos and a Body.
2. The Psycho‐Organic Body and the Experience of Touch -- II. The Living Body as a Self -- 1. Body Schema (schema corporel) and Living Body -- 2. Living Body, Movement and Intentionality -- 3. Vision, Touch and Synesthesia -- III. Summary -- Part II: Some Ways of Signifying Experiences of Alzheimer's -- Chapter 1: The Self‐Experience of Love -- I. A Way of Loving: Enchanting -- 1. Iris Murdoch -- 2. Marcos Abreu -- 3. Henry -- II. A Way of Loving: Carrying a Burden of Guilt -- 1. Thomas DeBaggio -- 2. Bob -- 3. Betty -- III. A Way of Loving: Touching -- 1. Booker -- IV. Summary -- Chapter 2: Body Memory: The Sedimentation of Skills and Abilities -- I. Habit‐Body: Living Body and Body‐Object -- II. The Meaning and Non‐Meaning of Habit -- III. Habit‐Body with Alzheimer's: Meaning and Non‐Meaning of Skills and Abilities -- 1. Marcos Abreu and William Utermohlen: the Habit of Painting -- 2. Iris Murdoch and Thomas DeBaggio: the Habit of Writing -- 3. Henry: the Habit of Listening to Music -- IV. Summary -- -- Chapter 3: The Other's Experience of Love and Habit -- I. Interpersonhood and Intersubjectivity -- 1. Interpersonhood: Pairing, Empathy and Contact -- 2. Intersubjectivity: Communicating through Intentional Gestural Movement -- 2.1 Gestures in Communion -- 2.2 Gestures as Emptyings and Emptinesses -- II. Ways of Loving through Gesture, Language and Habit -- 1. Maria, Emilia and Marcelo -- 2. Brenda -- 3. John Bayley -- 4. Michel Malherbe -- 5. Fernando Aguzzoli -- 6. Sylvia Molloy -- III. Summary -- Final Considerations on the Descriptions and Interpretations of Alzheimer's Experiences -- I. Intentional Motor Consciousness and Identity in Alzheimer's -- II. Fragments in Alzheimer's Narratives of Life -- 1. Form and Content: Reconfigurations and Non‐Reconfigurations ofFeelings and Sensations. 2. Fragments as Reconfigurations of Relationships? -- III. Phenomenological Experiences through the Arts -- 1. Interdisciplinary Dialogue: Phenomenology and the Arts -- 2. Phenomenological Experience: "The Meaning of Showing" inBeckettianDramaturgy -- 3. Living Bodies as Reliable Narrators: Some Final Remarks on the Linker "as if…" -- References -- Movie References -- Play References -- Illustration References -- Websites Visited. |
| Altri titoli varianti | Barbosa-Fohrmann, Narrating Experiences Phenomenological and Existentialist Descriptions of the Living Body |
| Record Nr. | UNINA-9911026037503321 |
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Barbosa-Fohrmann Ana Paula <p>Ana Paula Barbosa-Fohrmann, Federal University of Rio de Janeiro, Brasilien </p>
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| Bielefeld, : transcript Verlag, 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Still: Samuel Beckett’s Quietism / / Andy Wimbush, Paul Stewart
| Still: Samuel Beckett’s Quietism / / Andy Wimbush, Paul Stewart |
| Autore | Wimbush Andy, Dr. |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hannover, : ibidem, 2020 |
| Descrizione fisica | 1 online resource (291 pages) : illustrations |
| Disciplina | 848.91409 |
| Collana | Samuel Beckett in Company |
| Soggetto topico |
Samuel Beckett
Quietism Quietismus Philosophy Philosophie |
| ISBN | 3-8382-7369-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgements -- Abbreviations and conventions -- Published works by Samuel Beckett -- Unpublished works by Samuel Beckett -- Other works -- Reference books -- Beckett's correspondents -- Introduction La vie très quiétiste -- Chapter 1 Dereliction into Literature: Quietism and Beckett's 1930s -- Quietism in Seventeenth-Century Catholicism -- Arthur Schopenhauer's Quietism -- Beckett and Schopenhauer -- Áskesis, Mysticism, and Belief -- André Gide and Dostoevskian Quietism -- Christian Mysticism -- Quietism and Hellenistic Philosophy -- A Basis for Quietism -- Humanistic Quietism -- Abject Self-Referring Quietism -- Geulincx and Quietism? -- Quietism continues -- Conclusion -- Chapter 2 A Sufferer of My Pains: Murphy and the Little World -- Tat tvam asi -- The Alyosha Mistake -- Luciferian Concentration -- The Need for Brotherhood -- Into the Big World -- Conclusion -- Chapter 3 Remnants of a Pensum: Decay and quietist aesthetics from Dream of Fair to Middling Women to Molloy -- Moran's Prayer -- Molloy and the Contemplative Life -- The Thing in Ruins -- The Fundamental Unheroic -- The Tranquillity of Decomposition -- Moran Checks the Rot -- Moran's Putrefaction -- Quietism, Violence, and Contradiction -- Conclusion -- Chapter 4 The Sage Under the Bo: How It Is, Ernst Haeckel and Beckett's (German) Buddhism -- Beckett and Buddhism: A Biographical and Critical History -- The Western Religious Epic in How It Is -- Darwin and the Natural Order -- The Eastern Sage -- Victims and Tormentors -- The End of Suffering? -- Conclusion -- Chapter 5 so much short of blessed nothing: Salvation, rebirth and the late prose -- Beckett's novel 'series' -- Proustian Rebirth -- Rebirth in the Trilogy -- The Mystic Paradox -- True refuge: from Ping to Lessness -- Unhappily no: Company -- The One True End to Time and Grief: Stirrings Still -- Conclusion.
Afterword -- Bibliography -- Published works by Samuel Beckett -- Unpublished work by Samuel Beckett -- Secondary material on Beckett -- General works -- Index. |
| Record Nr. | UNINA-9910973866903321 |
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Wimbush Andy, Dr.
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| Hannover, : ibidem, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Transdisciplinary Beckett : Visual Arts, Music, and the Creative Process / / Lucy Jeffery, Paul Stewart
| Transdisciplinary Beckett : Visual Arts, Music, and the Creative Process / / Lucy Jeffery, Paul Stewart |
| Autore | Jeffery Lucy |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hannover, : ibidem, 2021 |
| Descrizione fisica | 1 online resource (341 pages) |
| Disciplina | 848.91409 |
| Collana | Samuel Beckett in Company |
| Soggetto topico |
Literatur
Literature Samuel Beckett Transdisiplinary Transdisziplinarität |
| ISBN | 3-8382-7584-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Table of Contents -- List of Illustrations -- List of Abbreviations and Nota -- Acknowledgements -- Introduction -- Watt's 'wild and unintelligible' painting -- Radio waves of 'encircling gloo-oom' -- Watching Beethoven and Schubert -- Paint it blue: 'The vision at last' -- Conclusion -- Bibliography -- Index. |
| Record Nr. | UNINA-9910967633403321 |
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Jeffery Lucy
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| Hannover, : ibidem, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
-
Samuel Beckett
(5)
- Literature (2)
- Philosophy (2)
- Albert Camus (1)
- Alzheimer's (1)