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Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger
| Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger |
| Autore | Berger Harris M. <1966-> |
| Pubbl/distr/stampa | Hanover, N.H., : University Press of New England, c1999 |
| Descrizione fisica | 1 online resource (578 p.) |
| Disciplina | 781.65 |
| Collana | Music/culture |
| Soggetto topico |
Musical perception
Music - Philosophy and aesthetics Rock music - Ohio - Cleveland - History and criticism Rock music - Ohio - Akron - History and criticism Jazz - Ohio - Cleveland - History and criticism Jazz - Ohio - Akron - History and criticism Music - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-10991-3
9786613109910 0-8195-7182-2 0-585-38754-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes
6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence 12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index |
| Record Nr. | UNINA-9910455661203321 |
Berger Harris M. <1966->
|
||
| Hanover, N.H., : University Press of New England, c1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger
| Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger |
| Autore | Berger Harris M. <1966-> |
| Pubbl/distr/stampa | Hanover, N.H., : University Press of New England, c1999 |
| Descrizione fisica | 1 online resource (578 p.) |
| Disciplina | 781.65 |
| Collana | Music/culture |
| Soggetto topico |
Musical perception
Music - Philosophy and aesthetics Rock music - Ohio - Cleveland - History and criticism Rock music - Ohio - Akron - History and criticism Jazz - Ohio - Cleveland - History and criticism Jazz - Ohio - Akron - History and criticism Music - Social aspects |
| ISBN |
1-283-10991-3
9786613109910 0-8195-7182-2 0-585-38754-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes
6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence 12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index |
| Record Nr. | UNINA-9910780026003321 |
|
Berger Harris M. <1966->
|
||
| Hanover, N.H., : University Press of New England, c1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger
| Metal, rock, and jazz [[electronic resource] ] : perception and the phenomenology of musical experience / / Harris M. Berger |
| Autore | Berger Harris M. <1966-> |
| Pubbl/distr/stampa | Hanover, N.H., : University Press of New England, c1999 |
| Descrizione fisica | 1 online resource (578 p.) |
| Disciplina | 781.65 |
| Collana | Music/culture |
| Soggetto topico |
Musical perception
Music - Philosophy and aesthetics Rock music - Ohio - Cleveland - History and criticism Rock music - Ohio - Akron - History and criticism Jazz - Ohio - Cleveland - History and criticism Jazz - Ohio - Akron - History and criticism Music - Social aspects |
| ISBN |
1-283-10991-3
9786613109910 0-8195-7182-2 0-585-38754-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes
6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence 12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index |
| Record Nr. | UNINA-9910821302403321 |
|
Berger Harris M. <1966->
|
||
| Hanover, N.H., : University Press of New England, c1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||