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100 classiques rock et leur sens caché / / Axel Du Bus
100 classiques rock et leur sens caché / / Axel Du Bus
Autore Du Bus Axel
Pubbl/distr/stampa Paris : , : Editions La boîte à Pandore, , [2014]
Descrizione fisica 1 online resource (354 p.)
Disciplina 781.6609
Soggetto topico Rock music - History and criticism
Soggetto genere / forma Electronic books.
ISBN 2-39009-014-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione fre
Nota di contenuto Couverture; Page de titre; Note de l'auteur; Louie Louie, The Kingsmen; You've Got To Hide Your Love Away, The Beatles; Turn! Turn! Turn!, The Byrds; Sunny Afternoon, The Kinks; For What It's Worth, Buffalo Springfield; Mellow Yellow, Donovan; Purple Haze, Jimi Hendrix; Pictures of Lily, The Who; A Whiter Shade of Pale, Procol Harum; White Rabbit, Jefferson Airplane; Ode to Billie Joe, Bobbie Gentry; Nights In White Satin, The Moody Blues; Suzanne, Leonard Cohen; Street Fighting Man, The Rolling Stones; Israelites, Desmond Dekker and the Aces; The Pusher, Steppenwolf
Space Oddity, David BowieFortunate Son, Creedence Clearwater Revival; Come Together, The Beatles; American Woman, The Guess Who; Bridge Over Troubled Water, Simon & Garfunkel; Lady D'Arbanville, Cat Stevens; Lola, The Kinks; Immigrant Song, Led Zeppelin; Layla, Derek and the Dominos; Me and Bobby McGee, Janis Joplin; What's Going On, Marvin Gaye; Riders on the Storm, The Doors; American Pie, Don McLean; Baba O'Riley, The Who; Stairway To Heaven, Led Zeppelin; Maggie May, Rod Stewart; A Horse With No Name, America; All The Young Dudes, Mott The Hoople; Mama Weer All Crazee Now, Slade
Walk On The Wild Side, Lou ReedYou're So Vain, Carly Simon; Across 110th Street, Bobby Womack; Me and Mrs. Jones, Billy Paul; Goodbye Yellow Brick Road, Elton John; Jolene, Dolly Parton; 48 Crash, Suzi Quatro; La Grange, ZZ Top; Sweet Home Alabama, Lynyrd Skynyrd; Killer Queen, Queen; Rikki Don't Lose That Number, Steely Dan; Tangled Up In Blue, Bob Dylan; Only Women Bleed, Alice Cooper; Hurricane, Bob Dylan; Love is the Drug, Roxy Music; Have A Cigar, Pink Floyd; Say It Ain't So Joe, Murray Head; Blitzkrieg Bop, The Ramones; Year Of The Cat, Al Stewart; Hotel California, The Eagles
Easy, The CommodoresBlack Betty, Ram Jam; The Passenger, Iggy Pop; Solsbury Hill, Peter Gabriel; Denis, Blondie; Roxanne, The Police; Dreadlock Holiday, 10 CC; Killing An Arab, The Cure; My Sharona, The Knack; I Don't Like Mondays, The Boomtown Rats; Cars, Gary Numan; Making Plans for Nigel, XTC; Too Much Too Young, The Specials; Brass in Pocket, The Pretenders; London Calling, The Clash; Sara, Fleetwood Mac; The Ballad of Lucy Jordan, Marianne Faithfull; Pulling Mussels (From The Shell), Squeeze; Master Blaster (Jammin'), Stevie Wonder; Dancing With Myself, Billy Idol
Once in a Lifetime, Talking HeadsThat's Entertainment, The Jam; Back in Black, AC/DC; Pretty In Pink, The Psychedelic Furs; Golden Brown, The Stranglers; Shipbuilding, Elvis Costello; Buffalo Soldiers, Bob Marley; Born in the USA, Bruce Springsteen; Sign O' The Times, Prince; Beds Are Burning, Midnight Oil; Luka, Suzanne Vega; Cars & Girls, Prefab Sprout; Losing My Religion, R.E.M.; One, U2; Under the Bridge, Red Hot Chili Peppers; Killing In The Name, Rage Against The Machine; Mr. Jones, Counting Crows; Black Hole Sun, Soundgarden; Where the Wild Roses Grow, Nick Cave & Kylie Minogue
Wonderwall, Oasis
Record Nr. UNINA-9910467029603321
Du Bus Axel  
Paris : , : Editions La boîte à Pandore, , [2014]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
100 classiques rock et leur sens caché / / Axel Du Bus
100 classiques rock et leur sens caché / / Axel Du Bus
Autore Du Bus Axel
Pubbl/distr/stampa Paris : , : Editions La boîte à Pandore, , [2014]
Descrizione fisica 1 online resource (354 p.)
Disciplina 781.6609
Soggetto topico Rock music - History and criticism
ISBN 2-39009-014-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione fre
Nota di contenuto Couverture; Page de titre; Note de l'auteur; Louie Louie, The Kingsmen; You've Got To Hide Your Love Away, The Beatles; Turn! Turn! Turn!, The Byrds; Sunny Afternoon, The Kinks; For What It's Worth, Buffalo Springfield; Mellow Yellow, Donovan; Purple Haze, Jimi Hendrix; Pictures of Lily, The Who; A Whiter Shade of Pale, Procol Harum; White Rabbit, Jefferson Airplane; Ode to Billie Joe, Bobbie Gentry; Nights In White Satin, The Moody Blues; Suzanne, Leonard Cohen; Street Fighting Man, The Rolling Stones; Israelites, Desmond Dekker and the Aces; The Pusher, Steppenwolf
Space Oddity, David BowieFortunate Son, Creedence Clearwater Revival; Come Together, The Beatles; American Woman, The Guess Who; Bridge Over Troubled Water, Simon & Garfunkel; Lady D'Arbanville, Cat Stevens; Lola, The Kinks; Immigrant Song, Led Zeppelin; Layla, Derek and the Dominos; Me and Bobby McGee, Janis Joplin; What's Going On, Marvin Gaye; Riders on the Storm, The Doors; American Pie, Don McLean; Baba O'Riley, The Who; Stairway To Heaven, Led Zeppelin; Maggie May, Rod Stewart; A Horse With No Name, America; All The Young Dudes, Mott The Hoople; Mama Weer All Crazee Now, Slade
Walk On The Wild Side, Lou ReedYou're So Vain, Carly Simon; Across 110th Street, Bobby Womack; Me and Mrs. Jones, Billy Paul; Goodbye Yellow Brick Road, Elton John; Jolene, Dolly Parton; 48 Crash, Suzi Quatro; La Grange, ZZ Top; Sweet Home Alabama, Lynyrd Skynyrd; Killer Queen, Queen; Rikki Don't Lose That Number, Steely Dan; Tangled Up In Blue, Bob Dylan; Only Women Bleed, Alice Cooper; Hurricane, Bob Dylan; Love is the Drug, Roxy Music; Have A Cigar, Pink Floyd; Say It Ain't So Joe, Murray Head; Blitzkrieg Bop, The Ramones; Year Of The Cat, Al Stewart; Hotel California, The Eagles
Easy, The CommodoresBlack Betty, Ram Jam; The Passenger, Iggy Pop; Solsbury Hill, Peter Gabriel; Denis, Blondie; Roxanne, The Police; Dreadlock Holiday, 10 CC; Killing An Arab, The Cure; My Sharona, The Knack; I Don't Like Mondays, The Boomtown Rats; Cars, Gary Numan; Making Plans for Nigel, XTC; Too Much Too Young, The Specials; Brass in Pocket, The Pretenders; London Calling, The Clash; Sara, Fleetwood Mac; The Ballad of Lucy Jordan, Marianne Faithfull; Pulling Mussels (From The Shell), Squeeze; Master Blaster (Jammin'), Stevie Wonder; Dancing With Myself, Billy Idol
Once in a Lifetime, Talking HeadsThat's Entertainment, The Jam; Back in Black, AC/DC; Pretty In Pink, The Psychedelic Furs; Golden Brown, The Stranglers; Shipbuilding, Elvis Costello; Buffalo Soldiers, Bob Marley; Born in the USA, Bruce Springsteen; Sign O' The Times, Prince; Beds Are Burning, Midnight Oil; Luka, Suzanne Vega; Cars & Girls, Prefab Sprout; Losing My Religion, R.E.M.; One, U2; Under the Bridge, Red Hot Chili Peppers; Killing In The Name, Rage Against The Machine; Mr. Jones, Counting Crows; Black Hole Sun, Soundgarden; Where the Wild Roses Grow, Nick Cave & Kylie Minogue
Wonderwall, Oasis
Record Nr. UNINA-9910796273403321
Du Bus Axel  
Paris : , : Editions La boîte à Pandore, , [2014]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
100 classiques rock et leur sens caché / / Axel Du Bus
100 classiques rock et leur sens caché / / Axel Du Bus
Autore Du Bus Axel
Pubbl/distr/stampa Paris : , : Editions La boîte à Pandore, , [2014]
Descrizione fisica 1 online resource (354 p.)
Disciplina 781.6609
Soggetto topico Rock music - History and criticism
ISBN 2-39009-014-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione fre
Nota di contenuto Couverture; Page de titre; Note de l'auteur; Louie Louie, The Kingsmen; You've Got To Hide Your Love Away, The Beatles; Turn! Turn! Turn!, The Byrds; Sunny Afternoon, The Kinks; For What It's Worth, Buffalo Springfield; Mellow Yellow, Donovan; Purple Haze, Jimi Hendrix; Pictures of Lily, The Who; A Whiter Shade of Pale, Procol Harum; White Rabbit, Jefferson Airplane; Ode to Billie Joe, Bobbie Gentry; Nights In White Satin, The Moody Blues; Suzanne, Leonard Cohen; Street Fighting Man, The Rolling Stones; Israelites, Desmond Dekker and the Aces; The Pusher, Steppenwolf
Space Oddity, David BowieFortunate Son, Creedence Clearwater Revival; Come Together, The Beatles; American Woman, The Guess Who; Bridge Over Troubled Water, Simon & Garfunkel; Lady D'Arbanville, Cat Stevens; Lola, The Kinks; Immigrant Song, Led Zeppelin; Layla, Derek and the Dominos; Me and Bobby McGee, Janis Joplin; What's Going On, Marvin Gaye; Riders on the Storm, The Doors; American Pie, Don McLean; Baba O'Riley, The Who; Stairway To Heaven, Led Zeppelin; Maggie May, Rod Stewart; A Horse With No Name, America; All The Young Dudes, Mott The Hoople; Mama Weer All Crazee Now, Slade
Walk On The Wild Side, Lou ReedYou're So Vain, Carly Simon; Across 110th Street, Bobby Womack; Me and Mrs. Jones, Billy Paul; Goodbye Yellow Brick Road, Elton John; Jolene, Dolly Parton; 48 Crash, Suzi Quatro; La Grange, ZZ Top; Sweet Home Alabama, Lynyrd Skynyrd; Killer Queen, Queen; Rikki Don't Lose That Number, Steely Dan; Tangled Up In Blue, Bob Dylan; Only Women Bleed, Alice Cooper; Hurricane, Bob Dylan; Love is the Drug, Roxy Music; Have A Cigar, Pink Floyd; Say It Ain't So Joe, Murray Head; Blitzkrieg Bop, The Ramones; Year Of The Cat, Al Stewart; Hotel California, The Eagles
Easy, The CommodoresBlack Betty, Ram Jam; The Passenger, Iggy Pop; Solsbury Hill, Peter Gabriel; Denis, Blondie; Roxanne, The Police; Dreadlock Holiday, 10 CC; Killing An Arab, The Cure; My Sharona, The Knack; I Don't Like Mondays, The Boomtown Rats; Cars, Gary Numan; Making Plans for Nigel, XTC; Too Much Too Young, The Specials; Brass in Pocket, The Pretenders; London Calling, The Clash; Sara, Fleetwood Mac; The Ballad of Lucy Jordan, Marianne Faithfull; Pulling Mussels (From The Shell), Squeeze; Master Blaster (Jammin'), Stevie Wonder; Dancing With Myself, Billy Idol
Once in a Lifetime, Talking HeadsThat's Entertainment, The Jam; Back in Black, AC/DC; Pretty In Pink, The Psychedelic Furs; Golden Brown, The Stranglers; Shipbuilding, Elvis Costello; Buffalo Soldiers, Bob Marley; Born in the USA, Bruce Springsteen; Sign O' The Times, Prince; Beds Are Burning, Midnight Oil; Luka, Suzanne Vega; Cars & Girls, Prefab Sprout; Losing My Religion, R.E.M.; One, U2; Under the Bridge, Red Hot Chili Peppers; Killing In The Name, Rage Against The Machine; Mr. Jones, Counting Crows; Black Hole Sun, Soundgarden; Where the Wild Roses Grow, Nick Cave & Kylie Minogue
Wonderwall, Oasis
Record Nr. UNINA-9910815859203321
Du Bus Axel  
Paris : , : Editions La boîte à Pandore, , [2014]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
All by myself : essays on the single-artist rock album / / edited by Steve Hamelman
All by myself : essays on the single-artist rock album / / edited by Steve Hamelman
Pubbl/distr/stampa Lanham, Maryland : , : Rowman & Littlefield, , 2016
Descrizione fisica 1 online resource (227 p.)
Disciplina 781.66092/2
Soggetto topico Solo albums (Sound recordings) - History and criticism
Rock music - History and criticism
ISBN 1-4422-4724-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto I think I'm pretty good : Paul McCartney and the art of AlphaSoloism / by Steve Hamelman -- A perspective on the single-artist album and John Fogerty's Blue Ridge Rangers (1973) / by Thomas Kitts -- Songs in the key of strife : Stevie Wonder's solitary songs of social significance on Innervisions (1973) / by Ian Peddie -- His life with you he shares : Prince's For you (1979) / by Sarah Niblock -- Breaking free of Queen : Roger Taylor's Fun in space (1981) / by Nick Braae -- Martin Newell's the Greatest living Englishman (1993) / by James Martens -- Resignation with flair : Elliott Smith's Roman candle (1994) / by Kristin Lieb -- Thrown into a cruel world : Neil Young's Dead man (1995) / by Ulrich Adelt -- Narrative themes about post-band solo work in media coverage of Ben Folds's Rockin' the suburbs (2001) / by Jordan M. McClain and Amanda S. McClain -- What's for tea, daughter? : technology and selling out in Petra Haden sings the Who sell out (2005) / by Colin Helb -- So young, so country, so self-contained : Hunter Hayes (2011) / by Lawrence Pitilli.
Record Nr. UNINA-9910798366103321
Lanham, Maryland : , : Rowman & Littlefield, , 2016
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
All by myself : essays on the single-artist rock album / / edited by Steve Hamelman
All by myself : essays on the single-artist rock album / / edited by Steve Hamelman
Pubbl/distr/stampa Lanham, Maryland : , : Rowman & Littlefield, , 2016
Descrizione fisica 1 online resource (227 p.)
Disciplina 781.66092/2
Soggetto topico Solo albums (Sound recordings) - History and criticism
Rock music - History and criticism
ISBN 1-4422-4724-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto I think I'm pretty good : Paul McCartney and the art of AlphaSoloism / by Steve Hamelman -- A perspective on the single-artist album and John Fogerty's Blue Ridge Rangers (1973) / by Thomas Kitts -- Songs in the key of strife : Stevie Wonder's solitary songs of social significance on Innervisions (1973) / by Ian Peddie -- His life with you he shares : Prince's For you (1979) / by Sarah Niblock -- Breaking free of Queen : Roger Taylor's Fun in space (1981) / by Nick Braae -- Martin Newell's the Greatest living Englishman (1993) / by James Martens -- Resignation with flair : Elliott Smith's Roman candle (1994) / by Kristin Lieb -- Thrown into a cruel world : Neil Young's Dead man (1995) / by Ulrich Adelt -- Narrative themes about post-band solo work in media coverage of Ben Folds's Rockin' the suburbs (2001) / by Jordan M. McClain and Amanda S. McClain -- What's for tea, daughter? : technology and selling out in Petra Haden sings the Who sell out (2005) / by Colin Helb -- So young, so country, so self-contained : Hunter Hayes (2011) / by Lawrence Pitilli.
Record Nr. UNINA-9910819015903321
Lanham, Maryland : , : Rowman & Littlefield, , 2016
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Black Sabbath & philosophy [[electronic resource] ] : mastering reality / / edited by William Irwin
Black Sabbath & philosophy [[electronic resource] ] : mastering reality / / edited by William Irwin
Pubbl/distr/stampa Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2012, c2013
Descrizione fisica 1 online resource (219 p.)
Disciplina 782.42166092/2
Altri autori (Persone) IrwinWilliam <1970->
Collana The Blackwell philosophy and pop culture series
Soggetto topico Music and philosophy
Rock music - History and criticism
ISBN 1-118-52308-3
1-283-64600-5
1-118-39761-4
1-118-49380-X
Classificazione PHI000000
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Black Sabbath & Philosophy: Mastering Reality; Copyright; Contents; Introduction: "What Is This That Stands Before Me?"; Acknowledgments: They Sold Their Souls for Rock 'n' Roll; Part I Necessary Evil; 1 Beyond Good and Evil: Facing Your Demons With Black Sabbath and Existentialism; "Life Has No Meaning, and Death's His Only Friend"; "I've Seen the Future and I've Left It Behind"; "I Just Believe in Myself, 'Cause No One Else Is True"; Unfinished Symphonies; Notes; 2 Masters of a Better Possible Reality: Conquering Evil With Love; Evil Is a Problem; Pictures of Evil
Imagining a Better RealityEvil on Stage; Notes; 3 "Is It the End, My Friend?" Black Sabbath's Apocalypse of Horror; Birmingham Apocalypse; Last Things; Satan Smiling: War and Judgment; Sabbath Bloody Sabbath: Death and Deliverance; Planet Caravan: Journeys of Time and Space; The End Is Near; Notes; Part II Playing Devil's Advocate; 4 Black Sabbath and the Sound of Evil; Sinister Sounds; Ask Sabbath; (Fretting) Hand of Doom; "Going Through (Key) Changes . . ."; Sabbath Matters; Notes; 5 The Worst of All Possible Worlds: Schopenhauer Meets Sabbath; One Shot at Glory; But Against All Odds ...
For Those Who Sow in Flames, an ExplanationThe Original Diabolus in Musica; Some Final Seeds of Hate; Notes; 6 Tony Iommi's Hand of Doom: From Plastic Fingertips to Creative Freedom; The Phenomenology of Minds, Bodies, and Little Bits of Plastic; Tony Iommi's Creative Freedom and the Birth of Heavy Metal; Notes; Part III The Dark Art of Metal; 7 The Art of Black Sabbath: Aristotle Joins the Band; Bringing Aristotle up to Date; Aristotle Joins Black Sabbath; The Need for Dark Art; The Need to Shake up Your Mind; Sweet Leaf?; Notes; 8 Black Sabbath and the Problem of Defining Metal
Why Do We Need Categories?Metal Conditions?; All in the Sabbath Family; Black Sabbath as a Prototype for Heavy Metal; Go Forth and Find New Prototypes; Notes; 9 Saint Vitus Dance: The Art of Doom; The Devil's Dictionary; What About Paint Vomited onto a Canvas?; Coughing Art; Was Doom in the Air?; Standards of Doom; Sons of Sabbath; Notes; 10 Gods, Drugs, and Ghosts: Finding Dionysus and Apollo in Black Sabbath and the Birth of Heavy Metal; In Praise of Sweet Leaf and COKE-Cola; The Birth of Tragedy and the Birth of Heavy Metal; Goat Songs and Clowns; A Satanic Interlude
If Nietzsche Had Been a Black Sabbath FanWhat Is This That Stands Before Me?; Warning: Not for Mere Mortals; Notes; Part IV Is It Still Sabbath Without Ozzy?; 11 It's Not Sabbath Unless Ozzy's the Singer (But It's Fine If You Disagree); Mastering Metaphysical Reality: Why Geezer Butler Isn't a Plank of Wood; Behind the Wall of Thought Experiments; Avoiding the Fictional Seduction of Bad Metaphysics; Notes; 12 Fightin' Words: Sabbath Doesn't Need the Ozzman; Bands vs Line-Ups; A Sabbath By Any Other Name Would Be as Black; Going Through Changes; Criteria, Bloody Criteria
How Essential Is the Ozzman?
Record Nr. UNINA-9910141386703321
Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2012, c2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Black Sabbath & philosophy [[electronic resource] ] : mastering reality / / edited by William Irwin
Black Sabbath & philosophy [[electronic resource] ] : mastering reality / / edited by William Irwin
Edizione [1st ed.]
Pubbl/distr/stampa Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2012, c2013
Descrizione fisica 1 online resource (219 p.)
Disciplina 782.42166092/2
Altri autori (Persone) IrwinWilliam <1970->
Collana The Blackwell philosophy and pop culture series
Soggetto topico Music and philosophy
Rock music - History and criticism
ISBN 1-118-52308-3
1-283-64600-5
1-118-39761-4
1-118-49380-X
Classificazione PHI000000
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Black Sabbath & Philosophy: Mastering Reality; Copyright; Contents; Introduction: "What Is This That Stands Before Me?"; Acknowledgments: They Sold Their Souls for Rock 'n' Roll; Part I Necessary Evil; 1 Beyond Good and Evil: Facing Your Demons With Black Sabbath and Existentialism; "Life Has No Meaning, and Death's His Only Friend"; "I've Seen the Future and I've Left It Behind"; "I Just Believe in Myself, 'Cause No One Else Is True"; Unfinished Symphonies; Notes; 2 Masters of a Better Possible Reality: Conquering Evil With Love; Evil Is a Problem; Pictures of Evil
Imagining a Better RealityEvil on Stage; Notes; 3 "Is It the End, My Friend?" Black Sabbath's Apocalypse of Horror; Birmingham Apocalypse; Last Things; Satan Smiling: War and Judgment; Sabbath Bloody Sabbath: Death and Deliverance; Planet Caravan: Journeys of Time and Space; The End Is Near; Notes; Part II Playing Devil's Advocate; 4 Black Sabbath and the Sound of Evil; Sinister Sounds; Ask Sabbath; (Fretting) Hand of Doom; "Going Through (Key) Changes . . ."; Sabbath Matters; Notes; 5 The Worst of All Possible Worlds: Schopenhauer Meets Sabbath; One Shot at Glory; But Against All Odds ...
For Those Who Sow in Flames, an ExplanationThe Original Diabolus in Musica; Some Final Seeds of Hate; Notes; 6 Tony Iommi's Hand of Doom: From Plastic Fingertips to Creative Freedom; The Phenomenology of Minds, Bodies, and Little Bits of Plastic; Tony Iommi's Creative Freedom and the Birth of Heavy Metal; Notes; Part III The Dark Art of Metal; 7 The Art of Black Sabbath: Aristotle Joins the Band; Bringing Aristotle up to Date; Aristotle Joins Black Sabbath; The Need for Dark Art; The Need to Shake up Your Mind; Sweet Leaf?; Notes; 8 Black Sabbath and the Problem of Defining Metal
Why Do We Need Categories?Metal Conditions?; All in the Sabbath Family; Black Sabbath as a Prototype for Heavy Metal; Go Forth and Find New Prototypes; Notes; 9 Saint Vitus Dance: The Art of Doom; The Devil's Dictionary; What About Paint Vomited onto a Canvas?; Coughing Art; Was Doom in the Air?; Standards of Doom; Sons of Sabbath; Notes; 10 Gods, Drugs, and Ghosts: Finding Dionysus and Apollo in Black Sabbath and the Birth of Heavy Metal; In Praise of Sweet Leaf and COKE-Cola; The Birth of Tragedy and the Birth of Heavy Metal; Goat Songs and Clowns; A Satanic Interlude
If Nietzsche Had Been a Black Sabbath FanWhat Is This That Stands Before Me?; Warning: Not for Mere Mortals; Notes; Part IV Is It Still Sabbath Without Ozzy?; 11 It's Not Sabbath Unless Ozzy's the Singer (But It's Fine If You Disagree); Mastering Metaphysical Reality: Why Geezer Butler Isn't a Plank of Wood; Behind the Wall of Thought Experiments; Avoiding the Fictional Seduction of Bad Metaphysics; Notes; 12 Fightin' Words: Sabbath Doesn't Need the Ozzman; Bands vs Line-Ups; A Sabbath By Any Other Name Would Be as Black; Going Through Changes; Criteria, Bloody Criteria
How Essential Is the Ozzman?
Record Nr. UNINA-9910813216003321
Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2012, c2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The Cambridge companion to pop and rock / / edited by Simon Frith, Will Straw, and John Street [[electronic resource]]
The Cambridge companion to pop and rock / / edited by Simon Frith, Will Straw, and John Street [[electronic resource]]
Pubbl/distr/stampa Cambridge : , : Cambridge University Press, , 2001
Descrizione fisica 1 online resource (xvii, 303 pages) : digital, PDF file(s)
Disciplina 781.64
Collana Cambridge companions to music
Soggetto topico Popular music - History and criticism
Rock music - History and criticism
ISBN 9781139002240
1-107-48057-4
1-107-48492-8
1-139-00224-4
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto I. Context. 'Plugged in': technology and popular music / Paul Theberge -- The popular music industry / Simon Frith -- Consumption / Will Straw -- Star profiles I: Elvis Presley, The Beatles, Bob Dylan, Jimi Hendrix, The Rolling Stones, James Brown, Marvin Gaye -- II. Texts, genres, styles. Pop music / Frith -- Reconsidering rock / Keir Keightley -- Soul into hip-hop / Russell A. Potter -- Dance music / Straw -- World music / Jocelyne Guilbault -- Star profiles II. Bob Marley, David Bowie, Abba, Madonna, Nirvana, Public Enemy, Derrick May, The Spice Girls -- III. Debates. Pop, rock and interpretation / Richard Middleton -- Popular music, gender and sexuality / Sara Cohen -- Roc, pop and politics / John Street -- From Rice to Ice: the face of race in rock and pop / Barry Shank -- The 'local' and 'global' in popular music / Jan Fairley.
Altri titoli varianti The Cambridge Companion to Pop & Rock
Record Nr. UNISA-996210326303316
Cambridge : , : Cambridge University Press, , 2001
Materiale a stampa
Lo trovi qui: Univ. di Salerno
Opac: Controlla la disponibilità qui
The Cambridge companion to the Beatles / / edited by Kenneth Womack [[electronic resource]]
The Cambridge companion to the Beatles / / edited by Kenneth Womack [[electronic resource]]
Pubbl/distr/stampa Cambridge : , : Cambridge University Press, , 2009
Descrizione fisica 1 online resource (xxiii, 316 pages) : digital, PDF file(s)
Disciplina 782.42166092/2
Collana Cambridge companions to music
Soggetto topico Rock musicians - England
Rock music - History and criticism
ISBN 1-139-80149-X
1-139-00274-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introducing the Beatles / Kenneth Womack -- Background. Six boys, six Beatles : the formative years, 1950-1962 / Dave Laing ; The Beatles as recording artists / Jerry Zolten -- Works. Rock and roll music / Howard Kramer ; "Try thinking more" : Rubber soul and the Beatles' transformation of pop / James M. Decker ; Magical mystery tours, and other trips : yellow submarines, newspaper taxis, and the Beatles' psychedelic years / Russell Reising and Jim LeBlanc ; Revolution / Ian Inglis ; On their way home : the Beatles in 1969 and 1970 / Steve Hamelman ; Apple Records / Bruce Spizer ; The solo years / Michael Frontani ; Any time at all : the Beatles' free phrase rhythms / Walter Everett -- History and infleunce. The Beatles as Zeitgeist / Sheila Whiteley ; Beatles news : product line extensions and the rock canon / Gary Burns ; "An abstraction, like Christmas" : the Beatles for sale and for keeps / John Kimsey.
Record Nr. UNISA-996210314703316
Cambridge : , : Cambridge University Press, , 2009
Materiale a stampa
Lo trovi qui: Univ. di Salerno
Opac: Controlla la disponibilità qui
A change is gonna come : Dylan, die Beatles, die Rolling Stones und andere im Jahr 1966 / / Carsten Dürkob
A change is gonna come : Dylan, die Beatles, die Rolling Stones und andere im Jahr 1966 / / Carsten Dürkob
Autore Dürkob Carsten
Edizione [1. Auflage.]
Pubbl/distr/stampa Hamburg, [Germany] : , : Igel Verlag, , 2016
Descrizione fisica 1 online resource (307 pages) : illustrations, tables
Disciplina 782.421660922
Collana The Sixties
Soggetto topico Rock music - History and criticism
ISBN 3-86815-678-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ger
Record Nr. UNINA-9910150423403321
Dürkob Carsten  
Hamburg, [Germany] : , : Igel Verlag, , 2016
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui