Bahia já deu régua e compasso : medicina legal, raça e criminalidade na Bahia (1890-1940) / / Iraneidson Santos Costa |
Autore | Costa Iraneidson Santos |
Pubbl/distr/stampa | Salvador : , : EDUFBA, , 2023 |
Descrizione fisica | 1 online resource (357 pages) : illustrations |
Disciplina | 305.8 |
Soggetto topico | Racism against Black people |
ISBN | 9786556305011 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | por |
Altri titoli varianti | Bahia já deu régua e compasso |
Record Nr. | UNINA-9910741383203321 |
Costa Iraneidson Santos | ||
Salvador : , : EDUFBA, , 2023 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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The creolization of American culture : William Sidney Mount and the roots of blackface minstrelsy / / Christopher J. Smith |
Autore | Smith Christopher J (Christopher John), <1959-> |
Pubbl/distr/stampa | Urbana : , : University of Illinois Press, , [2013] |
Descrizione fisica | 1 online resource (353 p.) |
Disciplina | 781.640973/09034 |
Collana | Music in American life |
Soggetto topico |
Minstrel music - United States - History and criticism
Minstrel shows - United States - History Blackface entertainers - United States Blackface Racism against Black people |
ISBN |
0-252-08052-1
0-252-09504-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Recovering the creole synthesis : the roots of blackface minstrelsy -- The creole synthesis in the new world : cultures in contact -- Long Island and the Lower East Side : Mount's background, youth, and apprenticeships -- Minstrelsy's material culture : the evidence of Mount's portraiture -- Melody's polyrhythmic polysemic possibilities : the bodily evidence of Mount's music -- Akimbo culture : dance and the participatory pleasures of the body. |
Record Nr. | UNINA-9910789469503321 |
Smith Christopher J (Christopher John), <1959-> | ||
Urbana : , : University of Illinois Press, , [2013] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The creolization of American culture : William Sidney Mount and the roots of blackface minstrelsy / / Christopher J. Smith |
Autore | Smith Christopher J (Christopher John), <1959-> |
Pubbl/distr/stampa | Urbana : , : University of Illinois Press, , [2013] |
Descrizione fisica | 1 online resource (353 p.) |
Disciplina | 781.640973/09034 |
Collana | Music in American life |
Soggetto topico |
Minstrel music - United States - History and criticism
Minstrel shows - United States - History Blackface entertainers - United States Blackface Racism against Black people |
ISBN |
0-252-08052-1
0-252-09504-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Recovering the creole synthesis : the roots of blackface minstrelsy -- The creole synthesis in the new world : cultures in contact -- Long Island and the Lower East Side : Mount's background, youth, and apprenticeships -- Minstrelsy's material culture : the evidence of Mount's portraiture -- Melody's polyrhythmic polysemic possibilities : the bodily evidence of Mount's music -- Akimbo culture : dance and the participatory pleasures of the body. |
Record Nr. | UNINA-9910818410203321 |
Smith Christopher J (Christopher John), <1959-> | ||
Urbana : , : University of Illinois Press, , [2013] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Exploring American folk music [[electronic resource] ] : ethnic, grassroots, and regional traditions in the United States / / Kip Lornell |
Autore | Lornell Kip <1953-> |
Edizione | [Third edition.] |
Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , 2012 |
Descrizione fisica | 1 online resource (xxii, 386 pages) : illustrations, maps |
Disciplina | 781.62/13 |
Altri autori (Persone) | LornellKip <1953-> |
Collana | American made music series |
Soggetto topico |
Folk music - United States - History and criticism
Popular music - United States - History and criticism Blackface Racism against Black people |
ISBN |
1-280-69163-8
9786613668578 1-61703-266-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Start here! -- Introduction -- The roots of twenty-first-century folk music -- Music in our daily lives and in the academy -- Defining American folk music -- Cultural geography and traditions -- Folk culture in the United States -- Bred in the bone -- Listening to American folk music -- Instruments -- Accordion -- Banjo -- Dulcimer -- Fiddle -- Fife -- Guitar -- Harmonica -- Mandolin -- Mouth bow -- One-string -- Quills -- Washboard -- Final thoughts -- 2. Mass media -- Introduction -- Minstrel and medicine shows -- Recording the blues -- Record companies and folk music -- Country music over the airwaves -- Border radio -- The ancestors of MTV and VH-1 -- Uncle Dave Macon and the electronic media -- Final thoughts -- 3. Fieldwork in twenty-first-century America -- Musical communities and fieldwork -- Accomplishing fieldwork -- Topic -- Focus -- Preparation -- Questions -- Communication -- Interview -- Ethics -- Some nuts and bolts of fieldwork -- Final thoughts -- 4. Anglo-American secular folk music -- British ballads -- Broadsides -- Native American ballads -- Singing cowboys -- Tin Pan Alley and country music texts -- Ernest Stoneman's repertoire -- The father of bluegrass -- Honky-tonk -- Western swing -- Final thoughts -- 5. Anglo-American sacred music -- Psalmody -- Shape notes -- Camp meetings -- Shakers -- Later hymnody and gospel songs -- Sanctified styles -- Southern gospel boogie -- Final thoughts -- 6. African American religious folk music -- The great awakening and camp meetings -- Spirituals -- Ring shouts -- Gospel -- Pentecostal singing and guitar evangelists -- Preachers on record -- Gospel quartets -- Final thoughts -- 7. African American secular folk music -- Work songs -- String bands -- Fife and drum bands -- Ragtime and coon songs -- Ballads -- Songsters and rural music -- Down-home blues -- Modern blues -- Final thoughts -- 8. Ethnic and Native American traditions -- Jewish American: klezmer -- Native American -- Music and ceremony today -- Musical characteristics -- Instruments -- Powwows -- Hawaiian American -- Franco-American -- Cajun country -- Zydeco -- Northeastern states -- Scandinavian American -- Ballads -- Instrumental music -- Polka and more polka! -- Norwegian American folk music -- Final thoughts -- 9. The Hispanic American diaspora -- The Southwest -- Tex-Mex music -- Corridos -- Mariachi -- Native American influences -- Florida -- New York City -- Final thoughts -- 10. The folk revivals -- Red roots -- The mass media and popular culture -- Field research -- The 1960s folk revival -- A British invasion -- The blues boom -- Back to the mountains -- New entrepreneurs and frontiers -- Final thoughts -- 11. The folk roots of contemporary popular music -- Black codes from the underground -- Improvisation in Black musical culture -- Rhythm and blues -- Rockabilly -- Early rock 'n' roll and rock -- Motown and soul -- Hip-hop and rap -- Country music today -- Final thoughts -- 12. Urban folk music -- Introduction -- Blues and gospel in Chicago -- San Antonio's country and conjunto traditions -- Washington D.C. -- Country music -- Bluegrass -- Final thoughts. |
Record Nr. | UNINA-9910791732703321 |
Lornell Kip <1953-> | ||
Jackson : , : University Press of Mississippi, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Love and theft [[electronic resource] ] : blackface minstrelsy and the American working class / / Eric Lott |
Autore | Lott Eric |
Edizione | [20th-anniversary ed.] |
Pubbl/distr/stampa | New York, : Oxford University Press, 2013 |
Descrizione fisica | 1 online resource (342 p.) |
Disciplina | 791/.12097309034 |
Collana | Race and American culture |
Soggetto topico |
Minstrel shows - United States - History
Working class - United States Racism against Black people Blackface |
ISBN |
0-19-936163-0
0-19-971768-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Blackface and blackness : the minstrel show in American culture -- Love and theft : "racial" production and the social unconscious of blackface -- White kids and no kids at all : working-class culture and languages of race -- The blackening of America : popular culture and national cultures -- "The seeming counterfeit" : early blackface acts, the body, and social contradiction -- "Genuine negro fun" : racial pleasure and class formation in the 1840s -- California gold and European revolution : Stephen Foster and the American 1848 -- Uncle Tomitudes : racial melodrama and modes of production. |
Record Nr. | UNINA-9910787580003321 |
Lott Eric | ||
New York, : Oxford University Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Love and theft : blackface minstrelsy and the American working class / / Eric Lott |
Autore | Lott Eric |
Edizione | [20th-anniversary ed.] |
Pubbl/distr/stampa | New York, : Oxford University Press, 2013 |
Descrizione fisica | 1 online resource (342 p.) |
Disciplina | 791/.12097309034 |
Collana | Race and American culture |
Soggetto topico |
Minstrel shows - United States - History
Working class - United States Racism against Black people Blackface |
ISBN |
0-19-936163-0
0-19-971768-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Blackface and blackness : the minstrel show in American culture -- Love and theft : "racial" production and the social unconscious of blackface -- White kids and no kids at all : working-class culture and languages of race -- The blackening of America : popular culture and national cultures -- "The seeming counterfeit" : early blackface acts, the body, and social contradiction -- "Genuine negro fun" : racial pleasure and class formation in the 1840s -- California gold and European revolution : Stephen Foster and the American 1848 -- Uncle Tomitudes : racial melodrama and modes of production. |
Record Nr. | UNINA-9910825858303321 |
Lott Eric | ||
New York, : Oxford University Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Ragged but right [[electronic resource] ] : black traveling shows, "coon songs," and the dark pathway to blues and jazz / / Lynn Abbott and Doug Seroff |
Autore | Abbott Lynn <1946-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Jackson, : University Press of Mississippi, 2007 |
Descrizione fisica | 1 online resource (470 p.) |
Disciplina | 781.64089/96073 |
Altri autori (Persone) | SeroffDoug |
Collana | American made music series |
Soggetto topico |
African Americans - Music - History and criticism
Minstrel shows - United States - History Tent shows - United States - History Sideshows - United States - History Blackface Racism against Black people |
ISBN |
1-62103-653-7
1-282-48531-8 9786612485312 1-60473-148-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Coon songs, big shows, and black stage stars of the Ragtime era -- The spirit of the smart set -- Blues for the sideshow tent -- "Under canvas" : African American tented minstrelsy and the untold story of Allen's New Orleans Minstrels, the Rabbit's Foot Company, the Florida Blossoms, and Silas Green from New Orleans. |
Record Nr. | UNINA-9910781833103321 |
Abbott Lynn <1946-> | ||
Jackson, : University Press of Mississippi, 2007 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Ring shout, wheel about : the racial politics of music and dance in North American slavery / / Katrina Dyonne Thompson |
Autore | Thompson Katrina Dyonne |
Pubbl/distr/stampa | Urbana, [Illinois] : , : University of Illinois Press, , 2014 |
Descrizione fisica | 1 online resource (257 p.) |
Disciplina | 390/.250973 |
Collana | New Black Studies Series |
Soggetto topico |
Enslaved persons - Southern States
Enslaved persons - United States - Social life and customs Race in the theater - United States - History Theater and society - United States - History African American dance - History Slavery - United States - Justification Plantation life - United States Racism in popular culture - United States - History Racism against Black people Blackface |
ISBN | 0-252-09611-8 |
Classificazione | SOC001000PER003000HIS036040 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The script : "Africa was but a blank canvas for Europe's imagination" -- Casting : "They sang their home-songs, and danced, each with his free foot slapping the deck" -- Onstage : "Dance you damned niggers, dance" -- Backstage : "White folks do as they please, and the darkies do as they can" -- Advertisement : "Dancing through the Streets and act lively" -- Same script, different actors : "Eb'ry time I weel about, I jump Jim Crow" -- Epilogue : the show must go on-- |
Record Nr. | UNINA-9910786793803321 |
Thompson Katrina Dyonne | ||
Urbana, [Illinois] : , : University of Illinois Press, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Ring shout, wheel about : the racial politics of music and dance in North American slavery / / Katrina Dyonne Thompson |
Autore | Thompson Katrina Dyonne |
Pubbl/distr/stampa | Urbana, [Illinois] : , : University of Illinois Press, , 2014 |
Descrizione fisica | 1 online resource (257 p.) |
Disciplina | 390/.250973 |
Collana | New Black Studies Series |
Soggetto topico |
Enslaved persons - Southern States
Enslaved persons - United States - Social life and customs Race in the theater - United States - History Theater and society - United States - History African American dance - History Slavery - United States - Justification Plantation life - United States Racism in popular culture - United States - History Racism against Black people Blackface |
ISBN | 0-252-09611-8 |
Classificazione | SOC001000PER003000HIS036040 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The script : "Africa was but a blank canvas for Europe's imagination" -- Casting : "They sang their home-songs, and danced, each with his free foot slapping the deck" -- Onstage : "Dance you damned niggers, dance" -- Backstage : "White folks do as they please, and the darkies do as they can" -- Advertisement : "Dancing through the Streets and act lively" -- Same script, different actors : "Eb'ry time I weel about, I jump Jim Crow" -- Epilogue : the show must go on-- |
Record Nr. | UNINA-9910812509503321 |
Thompson Katrina Dyonne | ||
Urbana, [Illinois] : , : University of Illinois Press, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Spirituals and the birth of a black entertainment industry / / Sandra Jean Graham |
Autore | Graham Sandra J (Sandra Jean) |
Pubbl/distr/stampa | Urbana, Illinois : , : University of Illinois Press, , 2018 |
Descrizione fisica | 1 online resource |
Disciplina | 782.2530973 |
Collana | Music in American life |
Soggetto topico |
African Americans - Music - History and criticism
Jubilee singers Spirituals (Songs) - United States - 19th century - History and criticism Minstrel shows - United States - History - 19th century Blackface Racism against Black people |
ISBN | 0-252-05030-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910795058403321 |
Graham Sandra J (Sandra Jean) | ||
Urbana, Illinois : , : University of Illinois Press, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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