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Affective performance and cognitive science : body, brain, and being / / edited by Nicola Shaughnessy
| Affective performance and cognitive science : body, brain, and being / / edited by Nicola Shaughnessy |
| Pubbl/distr/stampa | London : , : Bloomsbury, , 2013 |
| Descrizione fisica | 1 online resource (315 p.) |
| Disciplina | 701.15 |
| Soggetto topico |
Psychology and art
Art and science Arts - Psychological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4081-8369-2
1-4081-9315-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FC ; Half title ; Quote ; Title ; Copyright ; Dedication ; Contents ; List of Illustrations ; List of Contributors ; Acknowledgements ; General Introduction: Operating in Science Theatres ; Nicola Shaughnessy ; Part 1 Dances with Science ; Introduction: Interdisciplinarity and Cognitive Approaches to Performance
Anna Furse 3 Uncertain Knowledge: Representing Physical Pain through Performance ; Erin Hood ; Part 2 Touching Texts and Embodied Performance ; Introduction: Texts and Embodied Performance ; Amy Cook ; 4 An Exercise in Shame: The Blush in A Woman Killed With Kindness Natalie Bainter 5 Wayfaring in Everyday Life: The Unravelling of Intricacy ; John Lutterbie ; 6 Between Faulty Intellects and Failing Bodies: An Economy of Reciprocity in Wit and 33 Variations ; Naomi Rokotnitz ; Part 3 The Multimodal Actor ; Introduction: The Multimodal Practitioner Rhonda Blair 7 Embodied Memory and Extra-Daily Gesture ; Neal Utterback ; 8 Footage: Surface Feelings ; Martin Welton ; 9 The Effect of Theatre Training on Cognitive Functions ; Gabriele Sofia ; Part 4 Affecting Audiences ; Introduction: Spectating as Sandbox Play Bruce McConachie |
| Record Nr. | UNINA-9910153105103321 |
| London : , : Bloomsbury, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cognitive iconology : when and how psychology explains images / / Ian Verstegen
| Cognitive iconology : when and how psychology explains images / / Ian Verstegen |
| Autore | Verstegen Ian |
| Pubbl/distr/stampa | Amsterdam, Netherlands ; ; New York, New York : , : Editions Rodopi, , 2014 |
| Descrizione fisica | 1 online resource (188 p.) |
| Disciplina | 700.19 |
| Collana | Consciousness Literature & the Arts |
| Soggetto topico |
Arts - Psychological aspects
Psychology and art |
| Soggetto genere / forma | Electronic books. |
| ISBN | 94-012-1070-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- Preface -- Toward a Cognitive Iconology -- Cognitive Iconology: Understanding versus Explanation -- Fiction and Transcription: Two Ecologies of Perception -- A Classification of Perspective “Corrections” in Images -- Presence over Perspective: Portraits-in-Pictures -- Oblique Images from the Side and Below -- Acting Irrational around Art -- Cognitive Proclivities for the Study of Art -- Bibliography -- Index. |
| Record Nr. | UNINA-9910464284403321 |
Verstegen Ian
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| Amsterdam, Netherlands ; ; New York, New York : , : Editions Rodopi, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cognitive iconology : when and how psychology explains images / / Ian Verstegen
| Cognitive iconology : when and how psychology explains images / / Ian Verstegen |
| Autore | Verstegen Ian |
| Pubbl/distr/stampa | Amsterdam, Netherlands ; ; New York, New York : , : Editions Rodopi, , 2014 |
| Descrizione fisica | 1 online resource (188 p.) |
| Disciplina | 700.19 |
| Collana | Consciousness Literature & the Arts |
| Soggetto topico |
Arts - Psychological aspects
Psychology and art |
| ISBN | 94-012-1070-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- Preface -- Toward a Cognitive Iconology -- Cognitive Iconology: Understanding versus Explanation -- Fiction and Transcription: Two Ecologies of Perception -- A Classification of Perspective “Corrections” in Images -- Presence over Perspective: Portraits-in-Pictures -- Oblique Images from the Side and Below -- Acting Irrational around Art -- Cognitive Proclivities for the Study of Art -- Bibliography -- Index. |
| Record Nr. | UNINA-9910786525903321 |
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Verstegen Ian
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| Amsterdam, Netherlands ; ; New York, New York : , : Editions Rodopi, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cognitive iconology : when and how psychology explains images / / Ian Verstegen
| Cognitive iconology : when and how psychology explains images / / Ian Verstegen |
| Autore | Verstegen Ian |
| Pubbl/distr/stampa | Amsterdam, Netherlands ; ; New York, New York : , : Editions Rodopi, , 2014 |
| Descrizione fisica | 1 online resource (188 p.) |
| Disciplina | 700.19 |
| Collana | Consciousness Literature & the Arts |
| Soggetto topico |
Arts - Psychological aspects
Psychology and art |
| ISBN | 94-012-1070-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- Preface -- Toward a Cognitive Iconology -- Cognitive Iconology: Understanding versus Explanation -- Fiction and Transcription: Two Ecologies of Perception -- A Classification of Perspective “Corrections” in Images -- Presence over Perspective: Portraits-in-Pictures -- Oblique Images from the Side and Below -- Acting Irrational around Art -- Cognitive Proclivities for the Study of Art -- Bibliography -- Index. |
| Record Nr. | UNINA-9910811715203321 |
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Verstegen Ian
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| Amsterdam, Netherlands ; ; New York, New York : , : Editions Rodopi, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Fisiognomica, arte e psicologia tra Ottocento e Novecento / / Maurizio Giuffredi ; in appendice, saggio di fisiognomica di Töpffer [[electronic resource]]
| Fisiognomica, arte e psicologia tra Ottocento e Novecento / / Maurizio Giuffredi ; in appendice, saggio di fisiognomica di Töpffer [[electronic resource]] |
| Autore | Giuffredi Maurizio |
| Pubbl/distr/stampa | Bologna, : CLUEB, c2001 |
| Descrizione fisica | 1 online resource (261 p. ) : ill. ; |
| Disciplina | 138 |
| Altri autori (Persone) | TöpfferRodolphe <1799-1846.> |
| Collana | Lexis. |
| Soggetto topico |
Face in art
Physiognomy in art Physiognomy - History - 19th century Physiognomy - History - 20th century Psychology and art Physiognomy Facial Expression Medical Illustration - History Investigative Techniques Physical Examination Health Occupations Art Audiovisual Aids Nonverbal Communication Educational Technology Teaching Materials Diagnostic Techniques and Procedures Communication Disciplines and Occupations Humanities Analytical, Diagnostic and Therapeutic Techniques and Equipment Diagnosis Behavior Communications Media Technology Information Science Behavior and Behavior Mechanisms Technology, Industry, and Agriculture Psychiatry and Psychology Technology, Industry, Agriculture Medical Illustration |
| Soggetto genere / forma | History |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-9910145906903321 |
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Giuffredi Maurizio
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| Bologna, : CLUEB, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Im Dienste des Ich : Ernst Kris heute / / Steffen Krüger, Thomas Röske (herausgeber)
| Im Dienste des Ich : Ernst Kris heute / / Steffen Krüger, Thomas Röske (herausgeber) |
| Pubbl/distr/stampa | Vienna, Austria ; ; Cologne, Germany ; ; Weimar, Germany : , : Böhlau Verlag, , 2013 |
| Descrizione fisica | 1 online resource (213 pages) : illustrations |
| Soggetto topico |
Art historians - Austria
Psychology and art |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Record Nr. | UNISA-996209969003316 |
| Vienna, Austria ; ; Cologne, Germany ; ; Weimar, Germany : , : Böhlau Verlag, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Im Dienste des Ich : Ernst Kris heute / / Steffen Krüger, Thomas Röske (herausgeber)
| Im Dienste des Ich : Ernst Kris heute / / Steffen Krüger, Thomas Röske (herausgeber) |
| Pubbl/distr/stampa | Vienna, Austria ; ; Cologne, Germany ; ; Weimar, Germany : , : Böhlau Verlag, , 2013 |
| Descrizione fisica | 1 online resource (213 pages) : illustrations |
| Soggetto topico |
Art historians - Austria
Psychology and art |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Record Nr. | UNINA-9910765992503321 |
| Vienna, Austria ; ; Cologne, Germany ; ; Weimar, Germany : , : Böhlau Verlag, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Jung on art : the autonomy of the creative drive / / Tjeu van den Berk
| Jung on art : the autonomy of the creative drive / / Tjeu van den Berk |
| Autore | Van den Berk Tjeu |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hove, East Sussex : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (177 p.) |
| Disciplina | 701/.15 |
| Soggetto topico |
Creative ability
Psychology and art |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-203-72124-1
1-283-87202-1 1-135-72728-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Jung on Art: The Autonomy of the Creative Drive; Copyright; Contents; Plates; Preface; A psychology of art; Outline of this book; Some demarcations of the theme; Autonomy of art; Final remarks and acknowledgements; Chapter 1 Art originates from 'hidden memories'; Jung's discovery of the unconscious via cryptomnesia; Implications of cryptomnesia for art; Is the 'insane' mind a source of creativity?; The collective unconscious and cryptomnesia; Chapter 2 Art, a product of an 'autonomous complex'; A difficult start to a career; A major discovery: The complex; Comparing Jung and Freud
Spielrein and JungThe 'art complex' has animal roots; Not repression but transformation of the drive; Art, an autonomous drive; Chapter 3 Art is rooted in participation mystique; Empathy and abstraction; Worringer's theory of art; Participation mystique; The five phases of the individuation process; Art and participation mystique; Chapter 4 Art reveals itself in symbols; Fantasy thinking; Symbols and signs; Differences between Freud and Jung; The collective unconscious and its archetypal trajectories; Nature and culture; The symbol forms the transition between nature and culture But what art is still remains the questionChapter 5 Art and aesthetics arenot identical; The quality of sensory sensation; "Beauty does not indeed lie in things"; Jung's perspective on 'aesthetics'; Moltzer and the birth of intuition; The aesthetic view, extremely formulated; Nietzsche's aesthetic view of life; Jung and Nietzsche; Chapter 6 Jung's ideas about himself as an artist; Preface; The Red Book; "No, it is not art! On the contrary, it is nature"; The stone; The Stone Speaks; The stone is an artistic, symbolic reality; Chapter 7 A psychology of art; Extraversion and introversion 'A high, standing clock made of black varnished wood'The artist does not have a personal message; The artist is the mouthpiece of his epoch; Materia and forma; Both form and content originate from unconscious drives; The primacy of the work of art; Chapter 8 Jung's perspective on "modern art"; Preface; Jung's dislike of "modern art"; "Modern art" is not schizophrenic but schizoid; Product of the unconscious Zeitgeist; Dissolution of objective reality; A journey through Hades, the Nekyia; Where Jung's questions begin; Jung remains headstrong; Chapter 9 Jung analyses a Surrealist painting A remarkable acquisition"Something is seen, but one doesn't know what"; A Rorschach test; Yves Tanguy; Amplification; The "subjective factor": Forms and numbers; Symbols of unity in Tanguy's painting; Epilogue; Synchronicity; Art as a synchronistic phenomenon; References; Index |
| Record Nr. | UNINA-9910453055903321 |
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Van den Berk Tjeu
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||
| Hove, East Sussex : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jung on art : the autonomy of the creative drive / / Tjeu van den Berk
| Jung on art : the autonomy of the creative drive / / Tjeu van den Berk |
| Autore | Van den Berk Tjeu |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hove, East Sussex : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (177 p.) |
| Disciplina | 701/.15 |
| Soggetto topico |
Creative ability
Psychology and art |
| ISBN |
1-135-72735-X
0-203-72124-1 1-283-87202-1 1-135-72728-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Jung on Art: The Autonomy of the Creative Drive; Copyright; Contents; Plates; Preface; A psychology of art; Outline of this book; Some demarcations of the theme; Autonomy of art; Final remarks and acknowledgements; Chapter 1 Art originates from 'hidden memories'; Jung's discovery of the unconscious via cryptomnesia; Implications of cryptomnesia for art; Is the 'insane' mind a source of creativity?; The collective unconscious and cryptomnesia; Chapter 2 Art, a product of an 'autonomous complex'; A difficult start to a career; A major discovery: The complex; Comparing Jung and Freud
Spielrein and JungThe 'art complex' has animal roots; Not repression but transformation of the drive; Art, an autonomous drive; Chapter 3 Art is rooted in participation mystique; Empathy and abstraction; Worringer's theory of art; Participation mystique; The five phases of the individuation process; Art and participation mystique; Chapter 4 Art reveals itself in symbols; Fantasy thinking; Symbols and signs; Differences between Freud and Jung; The collective unconscious and its archetypal trajectories; Nature and culture; The symbol forms the transition between nature and culture But what art is still remains the questionChapter 5 Art and aesthetics arenot identical; The quality of sensory sensation; "Beauty does not indeed lie in things"; Jung's perspective on 'aesthetics'; Moltzer and the birth of intuition; The aesthetic view, extremely formulated; Nietzsche's aesthetic view of life; Jung and Nietzsche; Chapter 6 Jung's ideas about himself as an artist; Preface; The Red Book; "No, it is not art! On the contrary, it is nature"; The stone; The Stone Speaks; The stone is an artistic, symbolic reality; Chapter 7 A psychology of art; Extraversion and introversion 'A high, standing clock made of black varnished wood'The artist does not have a personal message; The artist is the mouthpiece of his epoch; Materia and forma; Both form and content originate from unconscious drives; The primacy of the work of art; Chapter 8 Jung's perspective on "modern art"; Preface; Jung's dislike of "modern art"; "Modern art" is not schizophrenic but schizoid; Product of the unconscious Zeitgeist; Dissolution of objective reality; A journey through Hades, the Nekyia; Where Jung's questions begin; Jung remains headstrong; Chapter 9 Jung analyses a Surrealist painting A remarkable acquisition"Something is seen, but one doesn't know what"; A Rorschach test; Yves Tanguy; Amplification; The "subjective factor": Forms and numbers; Symbols of unity in Tanguy's painting; Epilogue; Synchronicity; Art as a synchronistic phenomenon; References; Index |
| Record Nr. | UNINA-9910779454803321 |
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Van den Berk Tjeu
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||
| Hove, East Sussex : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jung on art : the autonomy of the creative drive / / Tjeu van den Berk
| Jung on art : the autonomy of the creative drive / / Tjeu van den Berk |
| Autore | Van den Berk Tjeu |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hove, East Sussex : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (177 p.) |
| Disciplina | 701/.15 |
| Altri autori (Persone) | GalamaPetra |
| Soggetto topico |
Creative ability
Psychology and art |
| ISBN |
1-135-72735-X
0-203-72124-1 1-283-87202-1 1-135-72728-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Jung on Art: The Autonomy of the Creative Drive; Copyright; Contents; Plates; Preface; A psychology of art; Outline of this book; Some demarcations of the theme; Autonomy of art; Final remarks and acknowledgements; Chapter 1 Art originates from 'hidden memories'; Jung's discovery of the unconscious via cryptomnesia; Implications of cryptomnesia for art; Is the 'insane' mind a source of creativity?; The collective unconscious and cryptomnesia; Chapter 2 Art, a product of an 'autonomous complex'; A difficult start to a career; A major discovery: The complex; Comparing Jung and Freud
Spielrein and JungThe 'art complex' has animal roots; Not repression but transformation of the drive; Art, an autonomous drive; Chapter 3 Art is rooted in participation mystique; Empathy and abstraction; Worringer's theory of art; Participation mystique; The five phases of the individuation process; Art and participation mystique; Chapter 4 Art reveals itself in symbols; Fantasy thinking; Symbols and signs; Differences between Freud and Jung; The collective unconscious and its archetypal trajectories; Nature and culture; The symbol forms the transition between nature and culture But what art is still remains the questionChapter 5 Art and aesthetics arenot identical; The quality of sensory sensation; "Beauty does not indeed lie in things"; Jung's perspective on 'aesthetics'; Moltzer and the birth of intuition; The aesthetic view, extremely formulated; Nietzsche's aesthetic view of life; Jung and Nietzsche; Chapter 6 Jung's ideas about himself as an artist; Preface; The Red Book; "No, it is not art! On the contrary, it is nature"; The stone; The Stone Speaks; The stone is an artistic, symbolic reality; Chapter 7 A psychology of art; Extraversion and introversion 'A high, standing clock made of black varnished wood'The artist does not have a personal message; The artist is the mouthpiece of his epoch; Materia and forma; Both form and content originate from unconscious drives; The primacy of the work of art; Chapter 8 Jung's perspective on "modern art"; Preface; Jung's dislike of "modern art"; "Modern art" is not schizophrenic but schizoid; Product of the unconscious Zeitgeist; Dissolution of objective reality; A journey through Hades, the Nekyia; Where Jung's questions begin; Jung remains headstrong; Chapter 9 Jung analyses a Surrealist painting A remarkable acquisition"Something is seen, but one doesn't know what"; A Rorschach test; Yves Tanguy; Amplification; The "subjective factor": Forms and numbers; Symbols of unity in Tanguy's painting; Epilogue; Synchronicity; Art as a synchronistic phenomenon; References; Index |
| Record Nr. | UNINA-9910812681203321 |
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Van den Berk Tjeu
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||
| Hove, East Sussex : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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