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Acta graphica
| Acta graphica |
| Pubbl/distr/stampa | Zagreb, : Viša grafička škola, 1989- |
| Disciplina | 760 |
| Soggetto topico |
Graphic arts
Graphic arts - Croatia Printing industry - Croatia Prints - Technique Graphic design (Typography) Computer graphics Electrophotography Printing industry |
| Soggetto genere / forma |
Periodicals.
Electronic journals. |
| ISSN | 1848-3828 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti |
Journal for printing science and graphic communications
Znanstveni časopis za tiskarstvo i grafičke komunikacije |
| Record Nr. | UNINA-9910139432003321 |
| Zagreb, : Viša grafička škola, 1989- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Engraving the savage [[electronic resource] ] : the New World and techniques of civilization / / Michael Gaudio
| Engraving the savage [[electronic resource] ] : the New World and techniques of civilization / / Michael Gaudio |
| Autore | Gaudio Michael |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2008 |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 704.9/42 |
| Soggetto topico |
Indians in art
Difference (Philosophy) in art Art - Reproduction Prints - Technique |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-5653-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: White pebbles in the dark forest -- Savage marks: The scriptive techniques of early modern ethnography -- Making sense of smoke: Engraving and ornament in de Bry's America -- Flatness and protuberance: Reforming the image in Protestant print culture -- The art of scratch: Wood engraving and picture-writing in the 1880s. |
| Record Nr. | UNINA-9910454452303321 |
Gaudio Michael
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| Minneapolis, : University of Minnesota Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Engraving the savage [[electronic resource] ] : the New World and techniques of civilization / / Michael Gaudio
| Engraving the savage [[electronic resource] ] : the New World and techniques of civilization / / Michael Gaudio |
| Autore | Gaudio Michael |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2008 |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 704.9/42 |
| Soggetto topico |
Indians in art
Difference (Philosophy) in art Art - Reproduction Prints - Technique |
| ISBN | 0-8166-5653-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: White pebbles in the dark forest -- Savage marks: The scriptive techniques of early modern ethnography -- Making sense of smoke: Engraving and ornament in de Bry's America -- Flatness and protuberance: Reforming the image in Protestant print culture -- The art of scratch: Wood engraving and picture-writing in the 1880s. |
| Record Nr. | UNINA-9910782159203321 |
|
Gaudio Michael
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| Minneapolis, : University of Minnesota Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Engraving the savage [[electronic resource] ] : the New World and techniques of civilization / / Michael Gaudio
| Engraving the savage [[electronic resource] ] : the New World and techniques of civilization / / Michael Gaudio |
| Autore | Gaudio Michael |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2008 |
| Descrizione fisica | 1 online resource (234 p.) |
| Disciplina | 704.9/42 |
| Soggetto topico |
Indians in art
Difference (Philosophy) in art Art - Reproduction Prints - Technique |
| ISBN | 0-8166-5653-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: White pebbles in the dark forest -- Savage marks: The scriptive techniques of early modern ethnography -- Making sense of smoke: Engraving and ornament in de Bry's America -- Flatness and protuberance: Reforming the image in Protestant print culture -- The art of scratch: Wood engraving and picture-writing in the 1880s. |
| Record Nr. | UNINA-9910818424703321 |
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Gaudio Michael
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| Minneapolis, : University of Minnesota Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Low-tech print : contemporary hand-made printing / / Caspar Williamson
| Low-tech print : contemporary hand-made printing / / Caspar Williamson |
| Autore | Williamson Caspar |
| Pubbl/distr/stampa | London, England : , : Laurence King Publishing, , 2013 |
| Descrizione fisica | 1 online resource (224 p.) |
| Disciplina | 745.7 |
| Soggetto topico | Prints - Technique |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-78067-631-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword; Introduction; Chapter 1: Screenprinting ; A History of Screenprinting; The Process in Brief; Portfolios; Screenprinting in Focus - Chica Posters (Peru); Chapter 2: Letterpress; A History of Letterpress; The Process in Brief; Portfolios; Letterpress in Focus - Lambe-Lambe (Brazil); Chapter 3: Relief Printing; A History of Relief Printing; The Process in Brief; Portfolios; Chapter 4: Other Printing Methods; Portfolios; Other Printing Methods in Focus - Print Gocco & Risography (Japan/Worldwide; Glossary; Resources; Contacts; Index; Credits and Acknowledgements |
| Record Nr. | UNINA-9910460339603321 |
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Williamson Caspar
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| London, England : , : Laurence King Publishing, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Low-tech print : contemporary hand-made printing / / Caspar Williamson
| Low-tech print : contemporary hand-made printing / / Caspar Williamson |
| Autore | Williamson Caspar |
| Pubbl/distr/stampa | London, England : , : Laurence King Publishing, , 2013 |
| Descrizione fisica | 1 online resource (224 p.) |
| Disciplina | 745.7 |
| Soggetto topico | Prints - Technique |
| ISBN | 1-78067-631-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword; Introduction; Chapter 1: Screenprinting ; A History of Screenprinting; The Process in Brief; Portfolios; Screenprinting in Focus - Chica Posters (Peru); Chapter 2: Letterpress; A History of Letterpress; The Process in Brief; Portfolios; Letterpress in Focus - Lambe-Lambe (Brazil); Chapter 3: Relief Printing; A History of Relief Printing; The Process in Brief; Portfolios; Chapter 4: Other Printing Methods; Portfolios; Other Printing Methods in Focus - Print Gocco & Risography (Japan/Worldwide; Glossary; Resources; Contacts; Index; Credits and Acknowledgements |
| Record Nr. | UNINA-9910787285003321 |
|
Williamson Caspar
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||
| London, England : , : Laurence King Publishing, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Low-tech print : contemporary hand-made printing / / Caspar Williamson
| Low-tech print : contemporary hand-made printing / / Caspar Williamson |
| Autore | Williamson Caspar |
| Pubbl/distr/stampa | London, England : , : Laurence King Publishing, , 2013 |
| Descrizione fisica | 1 online resource (224 p.) |
| Disciplina | 745.7 |
| Soggetto topico | Prints - Technique |
| ISBN | 1-78067-631-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword; Introduction; Chapter 1: Screenprinting ; A History of Screenprinting; The Process in Brief; Portfolios; Screenprinting in Focus - Chica Posters (Peru); Chapter 2: Letterpress; A History of Letterpress; The Process in Brief; Portfolios; Letterpress in Focus - Lambe-Lambe (Brazil); Chapter 3: Relief Printing; A History of Relief Printing; The Process in Brief; Portfolios; Chapter 4: Other Printing Methods; Portfolios; Other Printing Methods in Focus - Print Gocco & Risography (Japan/Worldwide; Glossary; Resources; Contacts; Index; Credits and Acknowledgements |
| Record Nr. | UNINA-9910812711203321 |
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Williamson Caspar
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| London, England : , : Laurence King Publishing, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Perspectives on contemporary printmaking : Critical writing since 1986 / / edited by Ruth Pelzer-Montada
| Perspectives on contemporary printmaking : Critical writing since 1986 / / edited by Ruth Pelzer-Montada |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , [2020] |
| Descrizione fisica | 1 online resource (369 pages) |
| Disciplina | 760 |
| Altri autori (Persone) | Pelzer-MontadaRuth |
| Soggetto topico |
Prints
Printmakers Prints - Technique ART / Techniques / Printmaking DESIGN - Graphic Arts - General CRAFTS & HOBBIES - Printmaking ART - Techniques - Printmaking |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-5261-2576-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.
Part III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual) Part II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour Part I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson Part I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field. |
| Record Nr. | UNINA-9910480549303321 |
| Manchester, England : , : Manchester University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada
| Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , [2020] |
| Descrizione fisica | 1 online resource (xx, 347 pages) : illustrations |
| Disciplina | 760 |
| Altri autori (Persone) | Pelzer-MontadaRuth |
| Soggetto topico |
Prints
Printmakers Prints - Technique |
| ISBN | 1-5261-2576-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.
Part III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual) Part II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour Part I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson Part I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field. |
| Record Nr. | UNINA-9910793187403321 |
| Manchester : , : Manchester University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada
| Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , [2020] |
| Descrizione fisica | 1 online resource (xx, 347 pages) : illustrations |
| Disciplina | 760 |
| Altri autori (Persone) | Pelzer-MontadaRuth |
| Soggetto topico |
Prints
Printmakers Prints - Technique |
| Soggetto non controllato |
art history
contemporary print criticism and theory print media printmaking |
| ISBN | 1-5261-2576-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.
Part III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual) Part II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour Part I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson Part I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field. |
| Record Nr. | UNINA-9910828325503321 |
| Manchester : , : Manchester University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
