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Prints and visual communication / / by William M. Ivins, Jr
Prints and visual communication / / by William M. Ivins, Jr
Autore Ivins William Mills <1881-1961.>
Pubbl/distr/stampa Cambridge, Mass., : M.I.T. Press, 1969
Descrizione fisica 1 online resource (xxv, 190 p. ) : ill. ;
Disciplina 769/.9
Collana Da Capo Press series in graphic art
Soggetto topico Prints - History
Photomechanical processes
Visual Arts
Art, Architecture & Applied Arts
Print Media
ISBN 0-262-59002-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Record Nr. UNISA-996248093303316
Ivins William Mills <1881-1961.>  
Cambridge, Mass., : M.I.T. Press, 1969
Materiale a stampa
Lo trovi qui: Univ. di Salerno
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Prints as agents of global exchange, 1500-1800 / / editor, Heather Madar
Prints as agents of global exchange, 1500-1800 / / editor, Heather Madar
Pubbl/distr/stampa Amsterdam : , : Amsterdam University Press, , [2021]
Descrizione fisica 1 online resource (322 pages) : illustrations; digital, PDF file(s)
Disciplina 769.9
Collana Visual and material culture, 1300-1700
Soggetto topico Prints - History
Prints - Technique - History
ISBN 90-485-4001-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Figure 4 The Martyrdom of Saint Cecilia, a close copy of an engraving by Jerome [Hieronymus] Wierix (Netherlandish, c. 1553-1619). Artist: Nini. South Asia, Mughal, first half of the 17th century. Opaque watercolor and gold on paper. Victoria and Albert -- Figure 5 The Annunciation, from a Mirror of Holiness (Mir'at al-quds) of Father Jerome Xavier, made for Prince Salim (later the emperor Jahangir). South Asia, Mughal, 1602-1604. Opaque watercolor and gold on paper -- page: 26.2 × 15.4 cm (10 5/16 × 6 1/16 i
Figure 2 Pietas Regia, the second title page from the first volume of Plantiin Biblia Sacra (also known as the Polyglot Bible). Printed by Christopher Plantiin in Antwerp between 1568-72. Newberry Digital Collections (Newberry Library) -- Figure 3 A female figure standing in a landscape holding a four-stringed "khuuchir" and a lotus, South Asia, Mughal, late 16th century (c. 1590). Opaque watercolor with gold on paper, mounted with borders of gold-decorated cream and blue paper -- page: 31.6
List of illustrations -- 1 Concealing and Revealing the Female Body in EuropeanPrints and Mughal Paintings -- Figure 1 A Celestial Woman Attendant with a Vina (Stringed Instrument). Artist/maker unknown. 956-973, Sandstone, 25 1/8 × 10 1/2 × 7 1/4 inches (63.8 × 26.7 × 18.4 cm). Philadelphia Museum of Art, Purchased from the Stella Kramrisch Collection with funds
5. The Catholic Reformation and Japanese Hidden Christians: Books as Historical Ties -- Yoshimi Orii -- 6 .(Re)framing the Virgin of Guadalupe: The Concurrence of Early Modern Prints and Colonial Devotions in Creating the Virgin -- Raphaele Preisinger -- 7. Hidden Resemblances: Re-contextualized and Re-framed: Diego de Valades' Cross Cultural Exchange -- Linda Báez and Emilie Carreón -- 8. The Practice of Art: Auxiliary Plastic Models and Prints in Italy, Spain, and Peru -- Alexandre Ragazzi -- 9. Ink and Feathers: Prints, Printed Books, and Mexican Featherwork -- Corinna T. Gallori -- Index
Cover -- Table of Contents -- Introduction -- Heather Madar -- 1. Concealing and Revealing the Female Body in European Prints and Mughal Paintings -- Saleema Waraich -- 2. The Sultan's Face Looks East and West: European Prints and Ottoman Sultan Portraiture -- Heather Madar -- .3 From Europe to Persia and Back Again: Border-Crossing Prints and the Asymmetries of Early Modern Cultural Encounter -- Kristel Smentek -- 4. The Dissemination of Western European Prints Eastward: The Armenian Case -- Sylvie L. Merian
Record Nr. UNINA-9910554204203321
Amsterdam : , : Amsterdam University Press, , [2021]
Materiale a stampa
Lo trovi qui: Univ. Federico II
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