Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
The cave painter and the woodcutter / / by Don Hannah
| The cave painter and the woodcutter / / by Don Hannah |
| Autore | Hannah Don <1951-> |
| Pubbl/distr/stampa | Toronto, Ontario : , : Playwrights Canada Press, , [2013] |
| Descrizione fisica | 1 online resource (xi, 40 pages, xi, 44 pages) : illustrations |
| Disciplina | 769 |
| Soggetto topico | Printmakers |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-77091-131-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910467175303321 |
Hannah Don <1951->
|
||
| Toronto, Ontario : , : Playwrights Canada Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Perspectives on contemporary printmaking : Critical writing since 1986 / / edited by Ruth Pelzer-Montada
| Perspectives on contemporary printmaking : Critical writing since 1986 / / edited by Ruth Pelzer-Montada |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , [2020] |
| Descrizione fisica | 1 online resource (369 pages) |
| Disciplina | 760 |
| Altri autori (Persone) | Pelzer-MontadaRuth |
| Soggetto topico |
Prints
Printmakers Prints - Technique ART / Techniques / Printmaking DESIGN - Graphic Arts - General CRAFTS & HOBBIES - Printmaking ART - Techniques - Printmaking |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-5261-2576-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.
Part III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual) Part II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour Part I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson Part I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field. |
| Record Nr. | UNINA-9910480549303321 |
| Manchester, England : , : Manchester University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada
| Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , [2020] |
| Descrizione fisica | 1 online resource (xx, 347 pages) : illustrations |
| Disciplina | 760 |
| Altri autori (Persone) | Pelzer-MontadaRuth |
| Soggetto topico |
Prints
Printmakers Prints - Technique |
| ISBN | 1-5261-2576-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.
Part III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual) Part II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour Part I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson Part I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field. |
| Record Nr. | UNINA-9910793187403321 |
| Manchester : , : Manchester University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada
| Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , [2020] |
| Descrizione fisica | 1 online resource (xx, 347 pages) : illustrations |
| Disciplina | 760 |
| Altri autori (Persone) | Pelzer-MontadaRuth |
| Soggetto topico |
Prints
Printmakers Prints - Technique |
| ISBN |
9781526125767
1526125765 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.
Part III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual) Part II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour Part I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson Part I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field. |
| Record Nr. | UNINA-9910961579903321 |
| Manchester : , : Manchester University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
