"Belle comme Vénus" : le portrait historié entre Grand Siècle et Lumières / / Marlen Schneider
| "Belle comme Vénus" : le portrait historié entre Grand Siècle et Lumières / / Marlen Schneider |
| Autore | Schneider Marlen |
| Pubbl/distr/stampa | Paris, : Éditions de la Maison des sciences de l’homme, 2020 |
| Descrizione fisica | 1 online resource (377 pages) : illustrations |
| Disciplina | 757.094409032 |
| Collana | Passages |
| Soggetto topico | Portrait |
| Soggetto non controllato |
genre
peinture portrait XVIIe siècle |
| ISBN |
2-88928-075-6
2-7351-2730-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910495762603321 |
Schneider Marlen
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| Paris, : Éditions de la Maison des sciences de l’homme, 2020 | ||
| Lo trovi qui: Univ. Federico II | ||
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1000 Portraits / / Klaus H. Carl und Victoria Charles
| 1000 Portraits / / Klaus H. Carl und Victoria Charles |
| Autore | Carl Klaus H. |
| Pubbl/distr/stampa | New York : , : Parkstone Press International, , [2014] |
| Descrizione fisica | 1 online resource (544 p.) |
| Disciplina | 700 |
| Soggetto topico |
Art
Portrait Celebrities |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-84484-805-1
1-78310-465-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Inhalt; Einleitung; Antike; Mittelalter; Renaissance; Barock; Moderne; Gegenwartskunst; Conclusio; Zeitleiste; Glossar; Künstlerverzeichnis |
| Record Nr. | UNINA-9910460777003321 |
Carl Klaus H.
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| New York : , : Parkstone Press International, , [2014] | ||
| Lo trovi qui: Univ. Federico II | ||
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1000 Portraits / / Klaus H. Carl und Victoria Charles
| 1000 Portraits / / Klaus H. Carl und Victoria Charles |
| Autore | Carl Klaus H. |
| Pubbl/distr/stampa | New York : , : Parkstone Press International, , [2014] |
| Descrizione fisica | 1 online resource (544 p.) |
| Disciplina | 700 |
| Soggetto topico |
Art
Portrait Celebrities |
| ISBN |
1-84484-805-1
1-78310-465-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Inhalt; Einleitung; Antike; Mittelalter; Renaissance; Barock; Moderne; Gegenwartskunst; Conclusio; Zeitleiste; Glossar; Künstlerverzeichnis |
| Record Nr. | UNINA-9910787356803321 |
Carl Klaus H.
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| New York : , : Parkstone Press International, , [2014] | ||
| Lo trovi qui: Univ. Federico II | ||
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1000 Portraits / / Klaus H. Carl und Victoria Charles
| 1000 Portraits / / Klaus H. Carl und Victoria Charles |
| Autore | Carl Klaus H. |
| Pubbl/distr/stampa | New York : , : Parkstone Press International, , [2014] |
| Descrizione fisica | 1 online resource (544 p.) |
| Disciplina | 700 |
| Soggetto topico |
Art
Portrait Celebrities |
| ISBN |
1-84484-805-1
1-78310-465-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Inhalt; Einleitung; Antike; Mittelalter; Renaissance; Barock; Moderne; Gegenwartskunst; Conclusio; Zeitleiste; Glossar; Künstlerverzeichnis |
| Record Nr. | UNINA-9910814315303321 |
Carl Klaus H.
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| New York : , : Parkstone Press International, , [2014] | ||
| Lo trovi qui: Univ. Federico II | ||
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Das Bild der Natur in der Romantik : Kunst als Philosophie und Wissenschaft / Julia Diekmann, Karl Clausberg, Johannes Grave, Thomas Lange, Werner Busch, Joseph Clarke, Jutta Müller-Tamm, Arne Zerbst, Nina Amstutz, Anne Bohnenkamp-Renken, Mareike Hennig, Gregor Wedekind
| Das Bild der Natur in der Romantik : Kunst als Philosophie und Wissenschaft / Julia Diekmann, Karl Clausberg, Johannes Grave, Thomas Lange, Werner Busch, Joseph Clarke, Jutta Müller-Tamm, Arne Zerbst, Nina Amstutz, Anne Bohnenkamp-Renken, Mareike Hennig, Gregor Wedekind |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paderborn, : Brill | Fink, 2021 |
| Descrizione fisica | 1 online resource |
| Disciplina | 060 |
| Collana | Schriften der Deutschen Gesellschaft für die Erforschung des 19. Jahrhunderts |
| Soggetto topico |
Naturphilosophie
Naturwissenschaft Kunsttheorie Landschaftsmalerei Farbentheorie Akustik Portrait Romanticism natural history art theory landscapes color theory acoustics portrayal |
| ISBN | 3-8467-6596-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Copyright page -- Einleitung / Authors: Nina Amstutz and Gregor Wedekind -- Schellings Konzept der Kunst als Organon der Philosophie / Author: Arne Zerbst -- Runges Verhältnis zu Naturwissenschaft und Naturphilosophie / Author: Thomas Lange -- Philosophie der Landschaft bei David d’Angers und Caspar David Friedrich / Author: Gregor Wedekind -- „Zweite Natur“ und „Anti-Natur“. Natur- und Kunstbegriff bei Otto August Rühle von Lilienstern / Author: Johannes Grave -- Farbe zwischen Wissenschaft und Kunst: Goethe, Oken, Carus / Author: Jutta Müller-Tamm -- Transparente Bilder: Caspar David Friedrichs Umgang mit Optik und Naturkunde / Author: Nina Amstutz -- „Worin das Angenehme dieses Nachhalles besteht“: Carl Ferdinand Langhans und räumlicher Klang um 1810 / Author: Joseph L. Clarke -- Um 1830. Eine Tour d’horizon zum Verhältnis von Kunst, Wissenschaft und idealistischem Überbau / Author: Werner Busch -- Krankheit im Bild. Carl Julius Mildes Porträtzeichnungen von Psychiatriepatienten / Author: Julia Diekmann -- Zwischen Reimarus und Mach: Selbstschauungen und Doppel(t)gängerei / Author: Karl Clausberg -- Abbildungsnachweise. |
| Record Nr. | UNINA-9910973698403321 |
| Paderborn, : Brill | Fink, 2021 | ||
| Lo trovi qui: Univ. Federico II | ||
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Seventeenth- Century Dutch Painting and Modern Literature
| Seventeenth- Century Dutch Painting and Modern Literature |
| Autore | Fazan Jaroslaw |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Frankfurt a.M. : , : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, , 2024 |
| Descrizione fisica | 1 online resource (330 pages) |
| Disciplina | 891.8509 |
| Altri autori (Persone) | ŚniedziewskaMagdalena |
| Collana | Polish Studies - Transdisciplinary Perspectives Series |
| Soggetto topico |
17th-Century Dutch Painting
Art Correspondence Century Comparative Literature Dutch Ekphrasis Fazan Genre Painting Jaroslaw Landscape Literature Magdalena Modern Modern Literature Painting Portrait Proust Rembrandt Self-Portrait Seventeenth Sniedziewska Still Life Vermeer |
| ISBN |
3-631-91359-1
3-631-91358-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Series Information -- Copyright Information -- Table of Contents -- List of Abbreviations -- Part I: Writer as an Art Historian -- Introduction -- Mediated Reception -- The Status of People Writing about Art -- Chapter One: Landscape -- "Landscapes in Frames:" Pankiewicz, Makowski, Cybis, and Herbert Following Seventeenth-Century Dutch Landscape Artists (and Fromentin) -- First Polish Readers of The Masters of Past Time -- A Polemic with Fromentin -- Petit Pan de Mur Jaune: Czapski, Herling-Grudziński, and Herbert in the Face of Proust's Vision of View of Delft -- Czapski on Bergotte's Premortem Illumination -- Contre Proust: Herling-Grudziński in Search of the "Little Patch of Yellow Wall" -- "That Wall with Warm Light" -- Three Lessons of Rapture -- Chapter Two: Genre Painting -- "Wide-open Door Invites Us:" Writers Peek into Dutch Homes -- Doorsien -- The Rules of Love Letters -- "Silent Witnesses of Eluding Meaning" -- "In Painted Silence and Concentration:" Literary Attempts to Individualize the Female Protagonists of Vermeer's Genre Scenes -- Girl Reading a Letter at an Open Window -- The Milkmaid -- The Lacemaker -- "Cloister Aura" -- Chapter Three: Still Life -- Between Painterly and Literary Perception of Objects: Seventeenth-Century Dutch Still Life in Czapski and Herbert -- "The Joy of Looking at Objects:" Ennoblement of Still Life -- "Killed Nature" -- "Dead" for Czapski: Toward "Purely Painterly Values" -- Herbert's Still Life with a Bridle or a Lesson in Reading Paintings -- Metaphysical Realism: Miłosz and "the Dutch, Who Liked to Paint Still Life" -- "Realistic" Genres -- Realism against Classicism: "Longing for Perfect Mimesis" -- Epiphany of a Watering Can -- Pan Tadeusz, the Szetejnie Manor, and Dutch Still Lifes -- Chapter Four: Portrait.
Trouble with Subjectivity in Poetic Reflections on Seventeenth-century Dutch Portraits -- Painter of the Gaze: Różewicz's Hals -- Rembrandt under Grochowiak's Scalpel -- Status of the Portrayed -- The Painter's Human Face: Rembrandt's Self-Portraits in the Mirror of Literature -- Rembrandt's "Painted Autobiography" by Guze -- Rembrandt in Różewicz's Mirror -- Rembrandt Covering a Mirror: Herling-Grudziński Argues with Alpers -- Conclusion -- Part II Zbigniew Herbert's Little Masters: A Reconstruction -- Introduction -- "An Extremely Subjective History of Art" -- Origins of the Notion Petits Maîtres -- History of Art from an Amateur's Perspective -- Chapter One: Willem Duyster: "The Painter of Great Proustian Melancholy" -- "The Rehabilitation Process" -- Dolce Far Niente -- "A Mature Melancholy" -- Chapter Two: Pieter de Hooch as "A Home Poet" -- A Painter of Bourgeois Interiors -- "Home as the Moral Cosmos" -- Chapter Three: Hendrick Avercamp as "The Painter of the Fourth Season" -- Avercamp-Brueghel and the Flemish Landscape Tradition -- Contribution to Avercamp's Biography -- Winter Landscape with Skaters: Exercises in Ekphrasis -- "A Little Excursion into the Field of Dutch Hibernation Customs" -- Naivety or "Respect for Reality" -- Chapter Four: Hercules Segers as "The Last Mountain Visionary in the Netherlands" -- "The Discovery" of Segers -- History of Influence -- Writer's Sensitivity -- Chapter Five: Pieter Saenredam as "a Portraitist of Architecture" -- Saenredam's "Perspectives" -- Workshop Secrets -- Against Abstraction -- Et Exaltavit Humiles -- Conclusion -- Series Index. |
| Record Nr. | UNINA-9911067910103321 |
Fazan Jaroslaw
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| Frankfurt a.M. : , : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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