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Audio production tips : getting the sound right at the source / / Peter Dowsett
| Audio production tips : getting the sound right at the source / / Peter Dowsett |
| Autore | Dowsett Peter |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | New York, NY : , : Focal Press, , 2016 |
| Descrizione fisica | 1 online resource (538 p.) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction Sound - Recording and reproducing |
| ISBN |
1-317-61420-8
1-315-75112-7 1-317-61421-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Production philosophies, your ears and critical listening -- Project management and pre-production -- Basic music theory -- Song structure, lyrics and melody -- Advanced music theory -- Arrangement and orchestration -- Demystifying recording levels -- Microphone, pre-amp and live room choice -- The critical listening environment -- Decision-making and general recording techniques -- Tracking drums -- Tracking electric and bass guitar -- Tracking other instrumentation -- Tracking vocals. |
| Record Nr. | UNINA-9910797823403321 |
Dowsett Peter
|
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| New York, NY : , : Focal Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audio production tips : getting the sound right at the source / / Peter Dowsett
| Audio production tips : getting the sound right at the source / / Peter Dowsett |
| Autore | Dowsett Peter |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | New York, NY : , : Focal Press, , 2016 |
| Descrizione fisica | 1 online resource (538 p.) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction Sound - Recording and reproducing |
| ISBN |
1-317-61420-8
1-315-75112-7 1-317-61421-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Production philosophies, your ears and critical listening -- Project management and pre-production -- Basic music theory -- Song structure, lyrics and melody -- Advanced music theory -- Arrangement and orchestration -- Demystifying recording levels -- Microphone, pre-amp and live room choice -- The critical listening environment -- Decision-making and general recording techniques -- Tracking drums -- Tracking electric and bass guitar -- Tracking other instrumentation -- Tracking vocals. |
| Record Nr. | UNINA-9910827924903321 |
|
Dowsett Peter
|
||
| New York, NY : , : Focal Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bytes and backbeats : repurposing music in the digital age / / Steve Savage
| Bytes and backbeats : repurposing music in the digital age / / Steve Savage |
| Autore | Savage Steve <1948-> |
| Pubbl/distr/stampa | Ann Arbor, Mich. : , : University of Michigan Press, , c2011 |
| Descrizione fisica | 1 online resource (x, 251 p. ) |
| Disciplina | 781.6409/051 |
| Collana | Tracking pop |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| ISBN |
0-472-90118-4
1-283-33436-4 9786613334367 0-472-02773-5 |
| Classificazione |
9,2
LR 57790 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Repurposing presentation. Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy breathing ; Art or artifice? -- Repurposing performance. Application study : jazz piano trio ; Studio study : capturing the unintentional performance ; Artist or artisan? -- Repurposing participation. Application study : African folklore and music communities ; Studio study : from iPod to GarageBand ; Integration or (dis)integration? |
| Record Nr. | UNINA-9910309960403321 |
|
Savage Steve <1948->
|
||
| Ann Arbor, Mich. : , : University of Michigan Press, , c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates
| Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
| Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-5013-3207-4
1-5013-3206-6 1-5013-3208-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
| Record Nr. | UNINA-9910511664103321 |
| New York NY : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates
| Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
| Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| ISBN |
1-5013-3207-4
1-5013-3206-6 1-5013-3208-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
| Record Nr. | UNINA-9910796355703321 |
| New York NY : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates
| Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
| Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| ISBN |
1-5013-3207-4
1-5013-3206-6 1-5013-3208-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
| Record Nr. | UNINA-9910822122303321 |
| New York NY : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen
| Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
| Autore | Brøvig-Hanssen Ragnhild |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : MIT Press, , 2016 |
| Descrizione fisica | 1 online resource (199 p.) |
| Disciplina | 781.640285 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Sound - Recording and reproducing - Digital techniques |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-262-33446-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
| Record Nr. | UNINA-9910465870003321 |
|
Brøvig-Hanssen Ragnhild
|
||
| Cambridge, Massachusetts : , : MIT Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen
| Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
| Autore | Brøvig-Hanssen Ragnhild |
| Pubbl/distr/stampa | Cambridge, MA : , : The MIT Press, , [2016] |
| Descrizione fisica | 1 online resource (199 p.) |
| Disciplina | 781.640285 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Sound - Recording and reproducing - Digital techniques |
| Soggetto non controllato |
ARTS/Music & Sound Studies
SOCIAL SCIENCES/Media Studies CULTURAL STUDIES/Popular Culture |
| ISBN |
0-262-33445-3
0-262-33446-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
| Record Nr. | UNINA-9910798176103321 |
|
Brøvig-Hanssen Ragnhild
|
||
| Cambridge, MA : , : The MIT Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen
| Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
| Autore | Brøvig-Hanssen Ragnhild |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge, MA : , : The MIT Press, , [2016] |
| Descrizione fisica | 1 online resource (199 p.) |
| Disciplina | 781.640285 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Sound - Recording and reproducing - Digital techniques |
| Soggetto non controllato |
ARTS/Music & Sound Studies
SOCIAL SCIENCES/Media Studies CULTURAL STUDIES/Popular Culture |
| ISBN |
0-262-33445-3
0-262-33446-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
| Record Nr. | UNINA-9910823763603321 |
|
Brøvig-Hanssen Ragnhild
|
||
| Cambridge, MA : , : The MIT Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mixing music / / edited by Russ Hepworth-Sawyer and Jay Hodgson
| Mixing music / / edited by Russ Hepworth-Sawyer and Jay Hodgson |
| Pubbl/distr/stampa | New York : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (307 pages) |
| Disciplina | 781.49 |
| Altri autori (Persone) |
Hepworth-SawyerRuss
HodgsonJay |
| Collana | Perspectives on Music Production |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| ISBN |
1-317-29550-1
1-315-64660-9 1-317-29551-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Exploring potential of the mix : historical milestones and expanded perspectives / Martyn Phillips -- 2. How to listen, what to hear / William Moylan -- 3. Proxemic interaction in popular music recordings / Ruth Dockwray -- 4. Top-down mixing : a 12-step mixing program / Phil Harding -- 5. Mixing in the box / Justin Paterson -- 6. Audio editing in/and mixing / Alastair Sims with Jay Hodgson -- 7. Pre-production in mixing : mixing in pre-production / Dylan Lauzon -- 8. Between the speakers : discussions on mixing / Dean Nelson -- 9. Mixing for markets / Alex Krotz with Jay Hodgson -- 10. Mixing in/and modern electronic music production / Andy Devine and Jay Hodgson -- 11. Groove and the grid : mixing contemporary hip hop / Matt Shelvock -- 12. The mix is. The mix is not. / Robert Wilsmore and Christopher Johnson -- 13. Mixing metaphors : aesthetics, mediation and the rhetoric of sound mixing / Mark Marrington -- 14. Mix as auditory response / Jay Hodgson -- 15. An intelligent systems approach to mixing multitrack audio / Joshua D. Reiss -- 16. How can academic practice inform mix-craft? / Gary Bromham -- 17. The dreaded mix sign-off : handing over to mastering / Rob Toulson -- 18. Conclusion : mixing as part-history, part-present and part-future / Russ Hepworth-Sawyer. |
| Record Nr. | UNINA-9910794732303321 |
| New York : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
