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Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen
| Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
| Autore | Brøvig-Hanssen Ragnhild |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : MIT Press, , 2016 |
| Descrizione fisica | 1 online resource (199 p.) |
| Disciplina | 781.640285 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Sound - Recording and reproducing - Digital techniques |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-262-33446-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
| Record Nr. | UNINA-9910465870003321 |
Brøvig-Hanssen Ragnhild
|
||
| Cambridge, Massachusetts : , : MIT Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen
| Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
| Autore | Brøvig-Hanssen Ragnhild |
| Pubbl/distr/stampa | Cambridge, MA : , : The MIT Press, , [2016] |
| Descrizione fisica | 1 online resource (199 p.) |
| Disciplina | 781.640285 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Sound - Recording and reproducing - Digital techniques |
| Soggetto non controllato |
ARTS/Music & Sound Studies
SOCIAL SCIENCES/Media Studies CULTURAL STUDIES/Popular Culture |
| ISBN |
0-262-33445-3
0-262-33446-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
| Record Nr. | UNINA-9910798176103321 |
|
Brøvig-Hanssen Ragnhild
|
||
| Cambridge, MA : , : The MIT Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen
| Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
| Autore | Brøvig-Hanssen Ragnhild |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge, MA : , : The MIT Press, , [2016] |
| Descrizione fisica | 1 online resource (199 p.) |
| Disciplina | 781.640285 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Sound - Recording and reproducing - Digital techniques |
| Soggetto non controllato |
ARTS/Music & Sound Studies
SOCIAL SCIENCES/Media Studies CULTURAL STUDIES/Popular Culture |
| ISBN |
0-262-33445-3
0-262-33446-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
| Record Nr. | UNINA-9910823763603321 |
|
Brøvig-Hanssen Ragnhild
|
||
| Cambridge, MA : , : The MIT Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hardcore, punk, and other junk : aggressive sounds in contemporary music / / edited by Eric James Abbey and Colin Helb
| Hardcore, punk, and other junk : aggressive sounds in contemporary music / / edited by Eric James Abbey and Colin Helb |
| Pubbl/distr/stampa | Lanham, Maryland ; ; Plymouth, England : , : Lexington Books, , 2014 |
| Descrizione fisica | 1 online resource (230 p.) |
| Disciplina | 781.66 |
| Soggetto topico |
Hardcore (Music) - History and criticism
Punk rock music - History and criticism Heavy metal (Music) - History and criticism Noise music - History and criticism Popular music - Philosophy and aesthetics Popular music - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4985-3231-4
0-7391-7606-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
HARDCORE, PUNK, AND OTHER JUNK; Contents; Foreword; Acknowledgments; Introduction; 1 Food For Thought: On Sid Vicious's Cannibalization of ""My Way""; 2 Let the Shillelagh Fly: The Dropkick Murphys and Irish - American Hybridity; 3 Am I Evil? The Meaning of Metal Lyrics to Its Fans; 4 By Demons Be Driven? Scanning ""Monstrous"" Voices; 5 Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery; 6 No Fun: Noise Music, Avant-garde Aggression, and Sonic Punishment; 7 The Last Report: Throbbing Gristle and Audio Extremes
8 Black Metal Soul Music: Stone Vengeance and the Aesthetics of Race in Heavy Metal9 ""The Time is Right to Set Our Sight on Salvation"": The Strange Tale of How the Hare Krishnas Came To Play Hardcore Punk; 10 The Cult of Hellmouth: The Success of Contemporary Hardcore; Afterword; Bibliography; Contributors; Index |
| Record Nr. | UNINA-9910453503903321 |
| Lanham, Maryland ; ; Plymouth, England : , : Lexington Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hardcore, punk, and other junk : aggressive sounds in contemporary music / / edited by Eric James Abbey and Colin Helb
| Hardcore, punk, and other junk : aggressive sounds in contemporary music / / edited by Eric James Abbey and Colin Helb |
| Pubbl/distr/stampa | Lanham, Maryland ; ; Plymouth, England : , : Lexington Books, , 2014 |
| Descrizione fisica | 1 online resource (230 p.) |
| Disciplina | 781.66 |
| Soggetto topico |
Hardcore (Music) - History and criticism
Punk rock music - History and criticism Heavy metal (Music) - History and criticism Noise music - History and criticism Popular music - Philosophy and aesthetics Popular music - Social aspects |
| ISBN |
1-4985-3231-4
0-7391-7606-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
HARDCORE, PUNK, AND OTHER JUNK; Contents; Foreword; Acknowledgments; Introduction; 1 Food For Thought: On Sid Vicious's Cannibalization of ""My Way""; 2 Let the Shillelagh Fly: The Dropkick Murphys and Irish - American Hybridity; 3 Am I Evil? The Meaning of Metal Lyrics to Its Fans; 4 By Demons Be Driven? Scanning ""Monstrous"" Voices; 5 Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery; 6 No Fun: Noise Music, Avant-garde Aggression, and Sonic Punishment; 7 The Last Report: Throbbing Gristle and Audio Extremes
8 Black Metal Soul Music: Stone Vengeance and the Aesthetics of Race in Heavy Metal9 ""The Time is Right to Set Our Sight on Salvation"": The Strange Tale of How the Hare Krishnas Came To Play Hardcore Punk; 10 The Cult of Hellmouth: The Success of Contemporary Hardcore; Afterword; Bibliography; Contributors; Index |
| Record Nr. | UNINA-9910791066403321 |
| Lanham, Maryland ; ; Plymouth, England : , : Lexington Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hardcore, punk, and other junk : aggressive sounds in contemporary music / / edited by Eric James Abbey and Colin Helb
| Hardcore, punk, and other junk : aggressive sounds in contemporary music / / edited by Eric James Abbey and Colin Helb |
| Pubbl/distr/stampa | Lanham, Maryland ; ; Plymouth, England : , : Lexington Books, , 2014 |
| Descrizione fisica | 1 online resource (230 p.) |
| Disciplina | 781.66 |
| Soggetto topico |
Hardcore (Music) - History and criticism
Punk rock music - History and criticism Heavy metal (Music) - History and criticism Noise music - History and criticism Popular music - Philosophy and aesthetics Popular music - Social aspects |
| ISBN |
1-4985-3231-4
0-7391-7606-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
HARDCORE, PUNK, AND OTHER JUNK; Contents; Foreword; Acknowledgments; Introduction; 1 Food For Thought: On Sid Vicious's Cannibalization of ""My Way""; 2 Let the Shillelagh Fly: The Dropkick Murphys and Irish - American Hybridity; 3 Am I Evil? The Meaning of Metal Lyrics to Its Fans; 4 By Demons Be Driven? Scanning ""Monstrous"" Voices; 5 Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery; 6 No Fun: Noise Music, Avant-garde Aggression, and Sonic Punishment; 7 The Last Report: Throbbing Gristle and Audio Extremes
8 Black Metal Soul Music: Stone Vengeance and the Aesthetics of Race in Heavy Metal9 ""The Time is Right to Set Our Sight on Salvation"": The Strange Tale of How the Hare Krishnas Came To Play Hardcore Punk; 10 The Cult of Hellmouth: The Success of Contemporary Hardcore; Afterword; Bibliography; Contributors; Index |
| Record Nr. | UNINA-9910812117603321 |
| Lanham, Maryland ; ; Plymouth, England : , : Lexington Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan
| Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan |
| Autore | Strachan Robert |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Academic, , 2020 |
| Descrizione fisica | 1 online resource (205 pages) |
| Disciplina | 786.7/16411 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Computer music - History and criticism Electronic music - History and criticism Digital audio editors Creation (Literary, artistic, etc.) Music and technology Music recording & reproduction |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-5013-1063-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index. |
| Record Nr. | UNINA-9910149403203321 |
|
Strachan Robert
|
||
| London, England : , : Bloomsbury Academic, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan
| Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan |
| Autore | Strachan Robert |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Academic, , 2020 |
| Descrizione fisica | 1 online resource (205 pages) |
| Disciplina | 786.7/16411 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Computer music - History and criticism Electronic music - History and criticism Digital audio editors Creation (Literary, artistic, etc.) Music and technology Music recording & reproduction |
| ISBN |
1-5013-1065-8
1-5013-1063-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index. |
| Record Nr. | UNINA-9910798945503321 |
|
Strachan Robert
|
||
| London, England : , : Bloomsbury Academic, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan
| Sonic technologies : popular music, digital culture and the creative process / / Robert Strachan |
| Autore | Strachan Robert |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Academic, , 2020 |
| Descrizione fisica | 1 online resource (205 pages) |
| Disciplina | 786.7/16411 |
| Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Computer music - History and criticism Electronic music - History and criticism Digital audio editors Creation (Literary, artistic, etc.) Music and technology Music recording & reproduction |
| ISBN |
1-5013-1065-8
1-5013-1063-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index. |
| Record Nr. | UNINA-9910810270903321 |
|
Strachan Robert
|
||
| London, England : , : Bloomsbury Academic, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The special liveliness of hooks in popular music and beyond / / Steven G. Smith
| The special liveliness of hooks in popular music and beyond / / Steven G. Smith |
| Autore | Smith Steven G. <1978-> |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2023] |
| Descrizione fisica | 1 online resource (192 pages) |
| Disciplina | 895.134 |
| Soggetto topico | Popular music - Philosophy and aesthetics |
| ISBN |
9783031239762
9783031239755 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Some Relevant Aesthetic Principles -- 3. Inauguration Hooks -- 4. Problem Hooks -- 5. Resolution Hooks -- 6. Termination Hooks -- 7. Interlude: Are There Bad Hooks? -- 8. The Problem of Love -- 9. The Problem of the People -- 10. Hooks in the Development of Aesthetic Interpretation -- 11. Epilogues. |
| Record Nr. | UNINA-9910686777603321 |
|
Smith Steven G. <1978->
|
||
| Cham, Switzerland : , : Palgrave Macmillan, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
