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Songs and politics in Eastern Africa [[electronic resource] /] / edited by Kimani Njogu, Hervé Maupeu
| Songs and politics in Eastern Africa [[electronic resource] /] / edited by Kimani Njogu, Hervé Maupeu |
| Pubbl/distr/stampa | Dar es Salaam, Tanzania, : Mkuki na Nyota Publishers |
| Descrizione fisica | 1 online resource (421 p.) |
| Disciplina | 782.4209676 |
| Soggetto topico |
Political ballads and songs - Africa, East
Folk music - Political aspects - Africa, East |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-00501-8
9786613005014 9987-08-108-8 9987-08-124-X 9987-08-112-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title page; Copyright page; Contents; Foreword; 1. Religious Versification: from Depoliticisation to Repoliticisation; 2. L'intellectuel populaire et l'imaginaire politique : Le cas de Joseph Kamaru; Kamaru, un prophète kikuyu chrétien; La religion prophétique comme cadre de compréhensiondu politique; Une pédagogie du changement; Une théorie de la causalité; Kamaru et le renouveau du nationalisme kikuyu; Un leader et pas un despote; Les élections comme mode populaire d'action politique; Les femmes et le nationalisme kikuyu contemporain
Conclusion : Kamaru et les autres mises en scène kikuyu de la nation3. Artistic Discourse and Gender Politics in the Gĩkũyũ Popular Song; Approach and method; Roots in patriarchy of popular song expression; Patriarchal narrations; Entry of the Queen: the woman talks back; Conclusion; 4. The Poetics of Gikũyũ mwomboko: Narrative as a Technique in HIV-AIDS Awareness Campaign in Rural Kenya; Introduction; Socio-historical origins of Mwomboko poetry; Performance of Mwomboko poetry; Arrangement and dance movements in Mwomboko; Music and entertainment in response to HIV-Aids awareness The language of Mwomboko singers Conclusion; 5. Hip-hop in Nairobi: recognition of an international movement and the main means of expression for the urban youth in poor residential areas; From street "free style", to the studio, to the stage: the caseof Kalamashaka and MauMau camp; The beginning of hip-hop in Nairobi; Different influences; The beginning of success; Problems encountered; The rappers' hopes; Lyrics: the division between militant and non-militantrap; Language of choice; Major themes covered; Conclusion 6. Folk poetry as a weapon of struggle: an analysis of the Chaka Mchaka resistance songs of the national resistance movement/army of Uganda Introduction; Resistance process and mobilisation; 7. Ethnic Identity and Stereotypes in Popular Music: Mũgiithi79 Performance in Kenya; Introduction; Music and Identity; Stereotypes and Ethnic Identity; Cultural Nights; Mau Mau Lyrics; Conclusion; 8. Song and Politics : the case of D. Owino Misiani; Introduction; Luo music and the Kenyan political scene; Owino Misiani; Beyond Kenya: Misiani on governance in Africa Analysing the Kenyan political scene through music Change of tactic: from controversy to support for the Government; Return to controversy; Conclusion; 9. Orature of Combat: Cultural Aesthetics of Song as Political Action in the Performance of the Mau Mau Songs; The Aesthetics of Gikuyu Orature in the MauMau Songs; Song as Political Action; Song as Orature of Combat; 10. Resistance and Performance Dynamics: the case of busungusungu vigilantes' dance of the Sukuma of Tanzania; Introduction; The Sukuma and Sungusungu; Dance and song as a means of communication; Conclusion 11. Music and Politics in Tanzania: a case study of Nyota-wa-Cigogo |
| Record Nr. | UNINA-9910459846403321 |
| Dar es Salaam, Tanzania, : Mkuki na Nyota Publishers | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Songs and politics in Eastern Africa [[electronic resource] /] / edited by Kimani Njogu, Hervé Maupeu
| Songs and politics in Eastern Africa [[electronic resource] /] / edited by Kimani Njogu, Hervé Maupeu |
| Pubbl/distr/stampa | Dar es Salaam, Tanzania, : Mkuki na Nyota Publishers |
| Descrizione fisica | 1 online resource (421 p.) |
| Disciplina | 782.4209676 |
| Soggetto topico |
Political ballads and songs - Africa, East
Folk music - Political aspects - Africa, East |
| ISBN |
1-283-00501-8
9786613005014 9987-08-108-8 9987-08-124-X 9987-08-112-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title page; Copyright page; Contents; Foreword; 1. Religious Versification: from Depoliticisation to Repoliticisation; 2. L'intellectuel populaire et l'imaginaire politique : Le cas de Joseph Kamaru; Kamaru, un prophète kikuyu chrétien; La religion prophétique comme cadre de compréhensiondu politique; Une pédagogie du changement; Une théorie de la causalité; Kamaru et le renouveau du nationalisme kikuyu; Un leader et pas un despote; Les élections comme mode populaire d'action politique; Les femmes et le nationalisme kikuyu contemporain
Conclusion : Kamaru et les autres mises en scène kikuyu de la nation3. Artistic Discourse and Gender Politics in the Gĩkũyũ Popular Song; Approach and method; Roots in patriarchy of popular song expression; Patriarchal narrations; Entry of the Queen: the woman talks back; Conclusion; 4. The Poetics of Gikũyũ mwomboko: Narrative as a Technique in HIV-AIDS Awareness Campaign in Rural Kenya; Introduction; Socio-historical origins of Mwomboko poetry; Performance of Mwomboko poetry; Arrangement and dance movements in Mwomboko; Music and entertainment in response to HIV-Aids awareness The language of Mwomboko singers Conclusion; 5. Hip-hop in Nairobi: recognition of an international movement and the main means of expression for the urban youth in poor residential areas; From street "free style", to the studio, to the stage: the caseof Kalamashaka and MauMau camp; The beginning of hip-hop in Nairobi; Different influences; The beginning of success; Problems encountered; The rappers' hopes; Lyrics: the division between militant and non-militantrap; Language of choice; Major themes covered; Conclusion 6. Folk poetry as a weapon of struggle: an analysis of the Chaka Mchaka resistance songs of the national resistance movement/army of Uganda Introduction; Resistance process and mobilisation; 7. Ethnic Identity and Stereotypes in Popular Music: Mũgiithi79 Performance in Kenya; Introduction; Music and Identity; Stereotypes and Ethnic Identity; Cultural Nights; Mau Mau Lyrics; Conclusion; 8. Song and Politics : the case of D. Owino Misiani; Introduction; Luo music and the Kenyan political scene; Owino Misiani; Beyond Kenya: Misiani on governance in Africa Analysing the Kenyan political scene through music Change of tactic: from controversy to support for the Government; Return to controversy; Conclusion; 9. Orature of Combat: Cultural Aesthetics of Song as Political Action in the Performance of the Mau Mau Songs; The Aesthetics of Gikuyu Orature in the MauMau Songs; Song as Political Action; Song as Orature of Combat; 10. Resistance and Performance Dynamics: the case of busungusungu vigilantes' dance of the Sukuma of Tanzania; Introduction; The Sukuma and Sungusungu; Dance and song as a means of communication; Conclusion 11. Music and Politics in Tanzania: a case study of Nyota-wa-Cigogo |
| Record Nr. | UNINA-9910789813503321 |
| Dar es Salaam, Tanzania, : Mkuki na Nyota Publishers | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Songs and politics in Eastern Africa / / edited by Kimani Njogu, Herve Maupeu
| Songs and politics in Eastern Africa / / edited by Kimani Njogu, Herve Maupeu |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Dar es Salaam, Tanzania, : Mkuki na Nyota Publishers |
| Descrizione fisica | 1 online resource (421 p.) |
| Disciplina | 782.4209676 |
| Soggetto topico |
Political ballads and songs - Africa, East
Folk music - Political aspects - Africa, East |
| ISBN |
1-283-00501-8
9786613005014 9987-08-108-8 9987-08-124-X 9987-08-112-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title page; Copyright page; Contents; Foreword; 1. Religious Versification: from Depoliticisation to Repoliticisation; 2. L'intellectuel populaire et l'imaginaire politique : Le cas de Joseph Kamaru; Kamaru, un prophète kikuyu chrétien; La religion prophétique comme cadre de compréhensiondu politique; Une pédagogie du changement; Une théorie de la causalité; Kamaru et le renouveau du nationalisme kikuyu; Un leader et pas un despote; Les élections comme mode populaire d'action politique; Les femmes et le nationalisme kikuyu contemporain
Conclusion : Kamaru et les autres mises en scène kikuyu de la nation3. Artistic Discourse and Gender Politics in the Gĩkũyũ Popular Song; Approach and method; Roots in patriarchy of popular song expression; Patriarchal narrations; Entry of the Queen: the woman talks back; Conclusion; 4. The Poetics of Gikũyũ mwomboko: Narrative as a Technique in HIV-AIDS Awareness Campaign in Rural Kenya; Introduction; Socio-historical origins of Mwomboko poetry; Performance of Mwomboko poetry; Arrangement and dance movements in Mwomboko; Music and entertainment in response to HIV-Aids awareness The language of Mwomboko singers Conclusion; 5. Hip-hop in Nairobi: recognition of an international movement and the main means of expression for the urban youth in poor residential areas; From street "free style", to the studio, to the stage: the caseof Kalamashaka and MauMau camp; The beginning of hip-hop in Nairobi; Different influences; The beginning of success; Problems encountered; The rappers' hopes; Lyrics: the division between militant and non-militantrap; Language of choice; Major themes covered; Conclusion 6. Folk poetry as a weapon of struggle: an analysis of the Chaka Mchaka resistance songs of the national resistance movement/army of Uganda Introduction; Resistance process and mobilisation; 7. Ethnic Identity and Stereotypes in Popular Music: Mũgiithi79 Performance in Kenya; Introduction; Music and Identity; Stereotypes and Ethnic Identity; Cultural Nights; Mau Mau Lyrics; Conclusion; 8. Song and Politics : the case of D. Owino Misiani; Introduction; Luo music and the Kenyan political scene; Owino Misiani; Beyond Kenya: Misiani on governance in Africa Analysing the Kenyan political scene through music Change of tactic: from controversy to support for the Government; Return to controversy; Conclusion; 9. Orature of Combat: Cultural Aesthetics of Song as Political Action in the Performance of the Mau Mau Songs; The Aesthetics of Gikuyu Orature in the MauMau Songs; Song as Political Action; Song as Orature of Combat; 10. Resistance and Performance Dynamics: the case of busungusungu vigilantes' dance of the Sukuma of Tanzania; Introduction; The Sukuma and Sungusungu; Dance and song as a means of communication; Conclusion 11. Music and Politics in Tanzania: a case study of Nyota-wa-Cigogo |
| Record Nr. | UNINA-9910810236503321 |
| Dar es Salaam, Tanzania, : Mkuki na Nyota Publishers | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
