Nobody's business [[electronic resource] ] : twenty-first century avant-garde poetics / / Brian M. Reed |
Autore | Reed Brian M |
Pubbl/distr/stampa | Ithaca, NY, : Cornell University Press, 2013 |
Descrizione fisica | 1 online resource (248 p.) |
Disciplina | 811/.609 |
Soggetto topico |
American poetry - 21st century - History and criticism
Experimental poetry, American - History and criticism Poetics - History - 21st century |
Soggetto genere / forma | Electronic books. |
ISBN |
0-8014-6957-0
0-8014-6958-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Preface: What Now? -- 1. In Praise of Obsolescence -- 2. New Consensus Poetics and the Avant-Garde -- 3. Mechanical Form and Avant-Garde Aesthetics -- 4. Flarf, Folly, and George W. Bush -- 5. Andrea Brady's Peculiar Dissidence -- 6. Danny Snelson's Disco Operating System -- Acknowledgments -- Notes -- Index |
Record Nr. | UNINA-9910462859003321 |
Reed Brian M
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Ithaca, NY, : Cornell University Press, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Nobody's business [[electronic resource] ] : twenty-first century avant-garde poetics / / Brian M. Reed |
Autore | Reed Brian M |
Pubbl/distr/stampa | Ithaca, NY, : Cornell University Press, 2013 |
Descrizione fisica | 1 online resource (248 p.) |
Disciplina | 811/.609 |
Soggetto topico |
American poetry - 21st century - History and criticism
Experimental poetry, American - History and criticism Poetics - History - 21st century |
ISBN |
0-8014-6957-0
0-8014-6958-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface: What Now? -- 1. In Praise of Obsolescence -- 2. New Consensus Poetics and the Avant-Garde -- 3. Mechanical Form and Avant-Garde Aesthetics -- 4. Flarf, Folly, and George W. Bush -- 5. Andrea Brady's Peculiar Dissidence -- 6. Danny Snelson's Disco Operating System -- Acknowledgments -- Notes -- Index |
Record Nr. | UNINA-9910787678003321 |
Reed Brian M
![]() |
||
Ithaca, NY, : Cornell University Press, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Nobody's business : twenty-first century avant-garde poetics / / Brian M. Reed |
Autore | Reed Brian M |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Ithaca, NY, : Cornell University Press, 2013 |
Descrizione fisica | 1 online resource (248 p.) |
Disciplina | 811/.609 |
Soggetto topico |
American poetry - 21st century - History and criticism
Experimental poetry, American - History and criticism Poetics - History - 21st century |
ISBN |
0-8014-6957-0
0-8014-6958-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface: What Now? -- 1. In Praise of Obsolescence -- 2. New Consensus Poetics and the Avant-Garde -- 3. Mechanical Form and Avant-Garde Aesthetics -- 4. Flarf, Folly, and George W. Bush -- 5. Andrea Brady's Peculiar Dissidence -- 6. Danny Snelson's Disco Operating System -- Acknowledgments -- Notes -- Index |
Record Nr. | UNINA-9910809577203321 |
Reed Brian M
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||
Ithaca, NY, : Cornell University Press, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Poetry and poetics after Wallace Stevens / / edited by Bart Eeckhout, Lisa Goldfarb |
Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2016 |
Descrizione fisica | 1 online resource (289 pages) : illustrations |
Disciplina | 811/.52 |
Soggetto topico |
Modernism (Literature)
Poetics - History - 20th century Poetics - History - 21st century |
ISBN |
1-5013-1351-7
1-5013-1350-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: -- List of Illustrations -- List of Abbreviations 1. Introduction: After Stevens -- Bart Eeckhout (University of Antwerp, Belgium) & Lisa Goldfarb (New York University, USA) -- 2. Frost or Stevens? Servants of Two Masters -- Bonnie Costello (Boston University, USA) -- 3. The Strands of Modernism: Stevens beside the Seaside -- Lee M. Jenkins (University College Cork, Ireland) -- 4. Hearing Stevens in Sylvia Plath -- Bart Eeckhout (University of Antwerp, Belgium) -- 5. Moving the "Moo" from Stevensian Blank Verse: Elizabeth Bishop's Use of Prose -- Angus Cleghorn (Seneca College, Canada) -- 6. Henri Michaux's Elsewhere through the Lens of Stevens' Poetic Theory -- Axel Nesme (University of Lyon, France) -- 7. Stevens across the Iron Curtain -- Justin Quinn (University of West Bohemia, Czech Republic) -- 8. Stevens and Seamus Heaney -- George S. Lensing (University of North Carolina, USA) -- 9. The Not So Noble Rider: Stevens, Oppen, Glück -- Edward Ragg (Tsinghua University, China) -- 10. The Stevens Wars -- Al Filreis (University of Pennsylvania, USA) -- 11. Stevens' Musical Legacy: "The Huge, High Harmony" -- Lisa Goldfarb (Gallatin School, New York University, USA) -- 12. "Ghostlier Demarcations, Keener Sounds": Stevens, Susan Howe, and the Souls of the Labadie Tract -- Joan Richardson (Graduate Center, City University of New York, USA) -- 13. How John Ashbery Modified Stevens' Uses of "As" -- Charles Altieri (University of California, Berkeley, USA) -- 14. Silly to Be Serious: Lateness and the Question of Late Style in Stevens and A. R. Ammons -- Juliette Utard (University of Paris-Sorbonne, France) -- 15. Unanticipated Readers -- Lisa M. Steinman (Reed College, USA) -- 16. "This Song Is for My Foe": Olive Senior and Terrance Hayes Rewrite Stevens -- Rachel Galvin (University of Chicago, USA) -- 17. "The California Fruit of the Ideal": Stevens and Robert Hass -- Rachel Malkin (University of Oxford, UK) Notes on Contributors -- Index. |
Record Nr. | UNINA-9910136615603321 |
New York : , : Bloomsbury Academic, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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