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Beethoven and the piano : philology, context and performance practice / / edited by Leonardo Miucci, Claudio Bacciagaluppi, Daniel Allenbach and Martin Skamletz
| Beethoven and the piano : philology, context and performance practice / / edited by Leonardo Miucci, Claudio Bacciagaluppi, Daniel Allenbach and Martin Skamletz |
| Pubbl/distr/stampa | Edition Argus |
| Soggetto topico | Piano music - Analysis, appreciation |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Czerny the progressive / Clive Brown -- Beethoven's pedal marks revisited / Barry Cooper -- The case for un-notated arpeggiation in Beethoven's compositions for or involving the piano / Neal Peres Da Costa -- Beethoven's tied-note notation: an ongoing debate / Siân Derry -- Beethoven's indicators of expression in his piano works / Marten Noorduin -- A historically informed perspective of Beethoven's idiosyncratic dynamics and accents in his piano works / Yew Choong Cheong -- Beethoven's Piano quartets WoO 36: conservatism and evolution / Leonardo Miucci -- Publishers' practices and other happenings in the life of Beethoven's Quintet for piano and woodwinds, op. 16 / Sandra P. Rosenblum -- Beethoven's "concept": working manuscripts between sketch and fair copy / Susanne Cox -- Text, context, and creative process in Diabelli's Vaterländischer Künstlerverein / Mario Aschauer -- Beethoven's sketches for the last movement of the Sonata op. 106: thoughts on the creative process / Roberto Scoccimarro -- Hans Georg Nägeli as publisher and bookseller of piano music / Claudio Bacciagaluppi -- Beethoven's early approach to different types of keyboard instruments in Bonn and its lifelong aftermath / Michael Ladenburger -- Beethoven and the split damper pedal / Tilman Skowroneck -- Beethoven's Érard piano: a gift after all / Robert Adelson -- A gesture of expansion: the limited enlargement of the tessitura in Beethoven's Piano sonata op. 53 as a further development of procedures essayed in his early chamber music / Martin Skamletz. |
| Record Nr. | UNINA-9910872372003321 |
| Edition Argus | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Interpreting Chopin : analysis and performance / / Alison Hood
| Interpreting Chopin : analysis and performance / / Alison Hood |
| Autore | Hood Alison (Musician) |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (257 p.) |
| Disciplina | 786.2092 |
| Soggetto topico | Piano music - Analysis, appreciation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-11359-4
1-315-58958-3 1-4094-5210-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Tables; List of Music Examples; Foreword by Robert S. Hatten; Preface; Acknowledgements; Introduction; Part I Revealing the hidden dimensions; Part I Introduction; 1 Rhythm; 2 Foreground Emphasis; 3 Strict Use; 4 Strategy/Premise; 5 Dialogue with Performance; Part I Conclusion; Part II Preludes op. 28; Part II Introduction; 6 A Comparative Review of Analytical Approaches: Prelude No. 5; 7 Phrase Structure and Metric Ambiguity: Prelude No. 12; 8 Tonal and Rhythmic Hidden Repetition in Prelude No. 14; 9 Contour and Flux: Prelude No. 16; 10 Figuration in Prelude No. 21
11 Ambiguity of Tonal Meaning: Prelude No. 22 Part II Conclusion; Part III Nocturnes; Part III Introduction; 12 Shared Compositional Strategies in Chopin's Nocturnes Op. 48; 13 Intra-opus Connections in Chopin's Nocturnes Op. 27; Part III Conclusion; Part IV The Barcarolle; 14 Structural Coupling in the Coda of Chopin's Barcarolle; Conclusion; Select Bibliography; Index |
| Record Nr. | UNINA-9910464031403321 |
Hood Alison (Musician)
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| London ; ; New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Interpreting Chopin : analysis and performance / / Alison Hood
| Interpreting Chopin : analysis and performance / / Alison Hood |
| Autore | Hood Alison (Musician) |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (257 p.) |
| Disciplina | 786.2092 |
| Soggetto topico | Piano music - Analysis, appreciation |
| ISBN |
1-317-11358-6
1-317-11359-4 1-315-58958-3 1-4094-5210-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; List of Tables; List of Music Examples; Foreword by Robert S. Hatten; Preface; Acknowledgements; Introduction; Part I Revealing the hidden dimensions; Part I Introduction; 1 Rhythm; 2 Foreground Emphasis; 3 Strict Use; 4 Strategy/Premise; 5 Dialogue with Performance; Part I Conclusion; Part II Preludes op. 28; Part II Introduction; 6 A Comparative Review of Analytical Approaches: Prelude No. 5; 7 Phrase Structure and Metric Ambiguity: Prelude No. 12; 8 Tonal and Rhythmic Hidden Repetition in Prelude No. 14; 9 Contour and Flux: Prelude No. 16; 10 Figuration in Prelude No. 21
11 Ambiguity of Tonal Meaning: Prelude No. 22 Part II Conclusion; Part III Nocturnes; Part III Introduction; 12 Shared Compositional Strategies in Chopin's Nocturnes Op. 48; 13 Intra-opus Connections in Chopin's Nocturnes Op. 27; Part III Conclusion; Part IV The Barcarolle; 14 Structural Coupling in the Coda of Chopin's Barcarolle; Conclusion; Select Bibliography; Index |
| Record Nr. | UNINA-9910787883903321 |
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Hood Alison (Musician)
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| London ; ; New York : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Musikalische Geometrie : Die Bildlichen Modelle und Arbeitsmittel Im Klavierwerk Hermann Meiers / / Michelle Ziegler
| Musikalische Geometrie : Die Bildlichen Modelle und Arbeitsmittel Im Klavierwerk Hermann Meiers / / Michelle Ziegler |
| Autore | Ziegler Michelle |
| Pubbl/distr/stampa | Bern ; [Lausanne] : , : Peter Lang AG International Academic Publishers, , 2022 |
| Descrizione fisica | 1 online resource (340 pages) |
| Disciplina | 780.1 |
| Collana | Publikationen der Schweizerischen Musikforschenden Gesellschaft. Serie II / Publications de la Société Suisse de Musicologie. Série II |
| Soggetto topico |
Piano music - Analysis, appreciation
Serialism (Music) Art and music Geometry in art |
| Soggetto genere / forma | Criticism, interpretation, etc. |
| ISBN |
3-0343-4454-6
3-0343-4453-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto |
Cover -- Series Infromation -- Copyrigth Information -- Inhaltsverzeichnis -- Vorwort -- Einleitung -- I Schaffensstationen und Orientierungen -- 1. Später Einstieg: frühes Schaffen bis 1945 -- 1.1. Von Solothurn nach Zullwil: Berufsleben und Familie -- 1.2. Musikalische Tätigkeiten ab 1926 -- 1.3. «Aus innerm Müssen»: Annäherung an die Zwölftontechnik -- 1.4. Selbststudium: Radio und Lektüre (ab 1938) -- 2. Vernetzung und frühe Aufführungen von 1945 bis 1950 -- 2.1. «Die totale Isolierung ist weg»: Wladimir Vogels Einführung in die Zwölftontechnik -- 2.2. Frühe Aufführungen -- 2.3. Vorbereitungstreffen zum Ersten Internationalen Zwölftonkongress (1948) -- 2.4. Ein Umweg über Paris: Vom Unterricht bei René Leibowitz zum «Weg Weberns» (1950) -- 3. Auf Distanz: individueller Weg der fünfziger und sechziger Jahre -- 3.1. «Mutterseelenallein auf der Gerichtsbank»: Absagen und Rückzug in den frühen fünfziger Jahren -- 3.2. Das Jahr 1955 als Wendepunkt -- 3.3. Nähe zu den bildenden Künsten: Lektüre, Ausstellungsbesuche und persönliche Kontakte -- 3.4. Fern von Bühnen: die sechziger Jahre -- 4. Ein «elektronischer Stil»: umfangreiches Spätwerk ab 1973 -- 4.1. Studiobesuch und Realisation der Klangschichten (1976) -- 4.2. Elektronisches Schaffen in Yvonand und Yverdon -- 4.3. Späte Rezeption: Aufführungen durch Urs Peter Schneider ab 1984 -- II Die Schreibfläche als Ordnungsmatrix: die Verlaufsdiagramme -- 1. Bildliche Skizzen und graphische Notationen in der Musik des 20. Jahrhunderts: Voraussetzungen und Diskurse -- 2. «Simple Rechtecksgeometrie»: Überblick über Meiers Verlaufsdiagramme -- 3. Die Operativität der Verlaufsdiagramme -- 4. Nur «Rechtecksgeometrie»? - Potenziale und Widerstände -- III Wege zu einer «abstrakten Musik»: vier Analysen -- 1. Serielle Verfahren in den Gattiker-Variationen HMV 27 (1951-52).
1.1. Im Vorfeld: von der Zwölftontechnik zur «abstrakten Musik» -- 1.2. Die «neue Theorie» (1949-50) -- 1.3. «Blockbildung» als Prinzip im Schaffensprozess -- 1.4. Serielle Komposition: historischer Kontext -- 2. «Punkte», «Striche» und «Flächen» im Stück für zwei Klaviere HMV 44 (1958) -- 2.1. «Analogien zu Mondrian»: bildliche Modelle ab 1953 -- 2.2. Komponieren mit «Punkten», «Strichen» und «Flächen» -- 2.3. Proportionen und ihr Abbild auf Verlaufsdiagrammen -- 2.4. Montage als Kompositionsverfahren -- 3. «Die Architektur einer komplexen Flächenlandschaft»: das Stück für zwei Klaviere HMV 64 (1965) -- 3.1. Auf dem Weg zur Klangfläche: die Jahre 1959 bis 1965 -- 3.2. Konstellationen von Klangflächen -- 3.3. Graphische Notation der Klangflächenmusik -- 4. «Aus dem Geist der Elektronik»: Klangflächengefüge oder Wandmusik HMV 75 (1970-71) -- 4.1. Frühe Annäherungen an die Elektronik -- 4.2. Komposition und Analyse mit Diagrammen -- 4.3. Von den Tasteninstrumenten zur ersten elektronischen Komposition -- 4.4. Zeitlose «Grundrisse» -- IV Schreiben als Gedankenschmiede: Schlussbetrachtungen -- Anhang -- Systematisch-chronologisches Werkverzeichnis -- Abkürzungen -- Abbildungsnachweise -- Quellenverzeichnis -- Personenregister -- Reihenübersicht. |
| Record Nr. | UNINA-9910832910803321 |
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Ziegler Michelle
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| Bern ; [Lausanne] : , : Peter Lang AG International Academic Publishers, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Pierre Boulez and the piano : a study in style and technique / / Peter O'Hagan
| Pierre Boulez and the piano : a study in style and technique / / Peter O'Hagan |
| Autore | O'Hagan Peter |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (365 pages) : illustrations |
| Disciplina | 786.2092 |
| Soggetto topico | Piano music - Analysis, appreciation |
| ISBN |
1-315-51783-3
1-315-51785-X 1-315-51784-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. A Parisian apprenticeship -- 2. Towards twelve-note technique -- 3. First Sonata. a Rene Leibowitz. -- 4. Second Sonata -- 5. Chance and inspiration in Structures premier livre -- 6. The expansion of serialism -- 7. Alea -- 8. At the limits of serialism -- 9. Sonate, "que me veux-tu" -- 10. A competition piece and its consequences -- 11. A codetta. |
| Record Nr. | UNINA-9910162709603321 |
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O'Hagan Peter
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| London ; ; New York : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Returning cycles [[electronic resource] ] : contexts for the interpretation of Schubert's impromptus and last sonatas / / Charles Fisk
| Returning cycles [[electronic resource] ] : contexts for the interpretation of Schubert's impromptus and last sonatas / / Charles Fisk |
| Autore | Fisk Charles |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2001 |
| Descrizione fisica | 1 online resource (324 p.) |
| Disciplina | 786.2/1894/092 |
| Collana | California studies in 19th century music |
| Soggetto topico |
Piano music - Analysis, appreciation
Sonatas (Piano) - Analysis, appreciation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-520-92578-5
1-59734-867-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminaries; Contents; Acknowledgments; Prologue: Schubert after Winterreise; 1. Resonant Beginnings; 2. Fields of Resonance; 3. The Wanderer's Tracks; 4. Retelling the "Unfinished"; 5. Expanding the Scope of Schubertian Tonality; 6. Displacing the Sonata: The Opus 142 Impromptus; 7. Beethoven in the Image of Schubert; 8. Recovering a Song of Origin; 9. Schubert's Last "Wanderer"; Afterword; Notes; Index |
| Record Nr. | UNINA-9910455040003321 |
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Fisk Charles
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| Berkeley, : University of California Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Returning cycles [[electronic resource] ] : contexts for the interpretation of Schubert's impromptus and last sonatas / / Charles Fisk
| Returning cycles [[electronic resource] ] : contexts for the interpretation of Schubert's impromptus and last sonatas / / Charles Fisk |
| Autore | Fisk Charles |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2001 |
| Descrizione fisica | 1 online resource (324 p.) |
| Disciplina | 786.2/1894/092 |
| Collana | California studies in 19th century music |
| Soggetto topico |
Piano music - Analysis, appreciation
Sonatas (Piano) - Analysis, appreciation |
| ISBN |
0-520-92578-5
1-59734-867-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminaries; Contents; Acknowledgments; Prologue: Schubert after Winterreise; 1. Resonant Beginnings; 2. Fields of Resonance; 3. The Wanderer's Tracks; 4. Retelling the "Unfinished"; 5. Expanding the Scope of Schubertian Tonality; 6. Displacing the Sonata: The Opus 142 Impromptus; 7. Beethoven in the Image of Schubert; 8. Recovering a Song of Origin; 9. Schubert's Last "Wanderer"; Afterword; Notes; Index |
| Record Nr. | UNINA-9910780077103321 |
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Fisk Charles
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| Berkeley, : University of California Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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