Citizens of photography : the camera and the political imagination / / edited by Christopher Pinney ; with the PhotoDemos Collective (Naluwembe Binaisa, Vindhya Buthpitiya, Konstantinos Kalantzis, Christopher Pinney, Ileana L. Selejan, and Sokphea Young) |
Pubbl/distr/stampa | Duke University Press |
Disciplina | 770 |
Soggetto topico |
Photography - Political aspects
Photography - Social aspects Documentary photography Photography in ethnology PHOTOGRAPHY / History SOCIAL SCIENCE / Anthropology / Cultural & Social |
ISBN | 1-4780-2459-3 |
Classificazione | PHO010000SOC002010 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction. Photographing : or, the future of the image / Christopher Pinney -- "The truth is in the soil" : the political work of photography in northern Sri Lanka / Vindhya Buthpitiya -- Visual citizenship in Cambodia : from apocalypse to visual "political emancipation" / Sokphea Young -- Photography, citizenship, and accusatory memory in the Greek crisis / Konstantinos Kalantzis --Insurgent archive : the photographic making and un-making of the Nicaraguan revolutionary state / Ileana Selejan -- "We are moving with technology" : photographing voice and belonging in Nigeria / Nuluwembe Binaisa -- Citizenship, contingency, and futurity : photographic ethnographies from Nepal, India, and Bangladesh / Christopher Pinney. |
Altri titoli varianti | Citizens of Photography |
Record Nr. | UNINA-9910745582803321 |
Duke University Press | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Contact Zones : Photography, Migration, and Cultural Encounters in the United States / / edited by Justin Carville, Sigrid Lien |
Pubbl/distr/stampa | Leuven : , : Leuven University Press, , 2021 |
Descrizione fisica | 1 online resource (1 volume) |
Soggetto topico |
Photography - Social aspects
Photography - Political aspects Immigrants - Social conditions Emigration and immigration Assimilation (Sociology) Assimilation (Sociology) - United States - History Immigrants - United States - Social conditions |
Soggetto genere / forma |
History
Electronic books. |
ISBN | 94-6166-357-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910485653303321 |
Leuven : , : Leuven University Press, , 2021 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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The culture of photography in public space / / edited by Anne Marsh, Melissa Miles and Daniel Palmer |
Pubbl/distr/stampa | Bristol : , : Intellect, , 2015 |
Descrizione fisica | 1 online resource (196 p.) |
Disciplina | 770 |
Collana | Intellect books - critical photography |
Soggetto topico |
Photography - Political aspects
Photography - Social aspects |
Soggetto genere / forma | Electronic books. |
ISBN | 1-78320-460-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title; Copyright; Title; Contents; Foreword; Acknowledgements; Introduction; REFERENCES; NOTES; Chapter 1: Standing on Shifting Ground: Privacy and Photography in Public; INTRODUCTION; THE "RIGHT" TO PRIVACY AND PHOTOGRAPHY; DEFINING PRIVACY; PRIVACY, THE INDIVIDUAL AND PHOTOGRAPHY; THE CAMERA, THE SELF AND PRIVACY; PHOTOGRAPHY AND ITS PUBLICS; CONCLUSION; REFERENCES; NOTES; Chapter 2: Tilt; Chapter 3: "No Credible Photographic Interest": Photography Restrictions and Surveillance in a Time of Terror; PHOTOGRAPHY AND ANXIETY: SURVEILLANCE AND CONTROL
NO CREDIBLE PHOTOGRAPHIC INTEREST: IF YOU SEE SOMETHING, SAY SOMETHINGPHOTOGRAPHY RESTRICTIONS AND THE STATUS OF THE CONTEMPORARY EXCEPTION; ARTISTIC AND POLITICAL RESPONSES; CONCLUSION; REFERENCES; NOTES; Chapter 4: Street View/Interface; Chapter 5: Bill Henson and the Polemics of the Nude Child in Photography; ART CONTROVERSIES ABOUT CHILDREN AND SEXUALITY; THE BILL HENSON CONTROVERSY; THE CASE AGAINST; THE CASE FOR; CHILDREN'S RIGHTS: PARTICIPATION VS. PROTECTION; PUBLIC SPACE: THE INVITATION AND THE INTERNET; GENDER, AUTHORSHIP AND PORNOGRAPHY BEYOND BINARIES: GENDER AND ART BEYOND HENSONREFERENCES; NOTES; Chapter 6: The Sleepers and Trafalgar Square; Chapter 7: Criminalizing "Camera Fiends": Photography Restrictions in the Age of Digital Reproduction; "CAMERA FIENDS": PHOTOGRAPHY AND ANXIETY IN THE 1800s; ON "THINGS THAT NEED TO BE HIDDEN": THE PUBLIC AND THE PRIVATE; PHOTOGRAPHIC INJURIES; REFERENCES; NOTES; Chapter 8: In the Event of Amnesia the City will Recall; Chapter 9: The Face in Digital Space; FACIAL HISTORY; FACIAL VELOCITY; FACIAL VECTORIZATION; FACIAL PRIVATIZATION; REFERENCES; NOTES Chapter 10: From Sixteen Google Street ViewsChapter 11: Google Street View and Photography in Public Space; GOOGLE STREET VIEW; PHOTOGRAPHIC RESPONSES TO STREET VIEW; JON RAFMAN: WITNESSING ON STREET VIEW; CONCLUSIONS; REFERENCES; NOTES; Further Reading; Contributors; BackCover |
Record Nr. | UNINA-9910460486203321 |
Bristol : , : Intellect, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The culture of photography in public space / / edited by Anne Marsh, Melissa Miles and Daniel Palmer |
Pubbl/distr/stampa | Bristol : , : Intellect, , 2015 |
Descrizione fisica | 1 online resource (196 p.) |
Disciplina | 770 |
Collana | Intellect books - critical photography |
Soggetto topico |
Photography - Political aspects
Photography - Social aspects |
ISBN | 1-78320-460-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title; Copyright; Title; Contents; Foreword; Acknowledgements; Introduction; REFERENCES; NOTES; Chapter 1: Standing on Shifting Ground: Privacy and Photography in Public; INTRODUCTION; THE "RIGHT" TO PRIVACY AND PHOTOGRAPHY; DEFINING PRIVACY; PRIVACY, THE INDIVIDUAL AND PHOTOGRAPHY; THE CAMERA, THE SELF AND PRIVACY; PHOTOGRAPHY AND ITS PUBLICS; CONCLUSION; REFERENCES; NOTES; Chapter 2: Tilt; Chapter 3: "No Credible Photographic Interest": Photography Restrictions and Surveillance in a Time of Terror; PHOTOGRAPHY AND ANXIETY: SURVEILLANCE AND CONTROL
NO CREDIBLE PHOTOGRAPHIC INTEREST: IF YOU SEE SOMETHING, SAY SOMETHINGPHOTOGRAPHY RESTRICTIONS AND THE STATUS OF THE CONTEMPORARY EXCEPTION; ARTISTIC AND POLITICAL RESPONSES; CONCLUSION; REFERENCES; NOTES; Chapter 4: Street View/Interface; Chapter 5: Bill Henson and the Polemics of the Nude Child in Photography; ART CONTROVERSIES ABOUT CHILDREN AND SEXUALITY; THE BILL HENSON CONTROVERSY; THE CASE AGAINST; THE CASE FOR; CHILDREN'S RIGHTS: PARTICIPATION VS. PROTECTION; PUBLIC SPACE: THE INVITATION AND THE INTERNET; GENDER, AUTHORSHIP AND PORNOGRAPHY BEYOND BINARIES: GENDER AND ART BEYOND HENSONREFERENCES; NOTES; Chapter 6: The Sleepers and Trafalgar Square; Chapter 7: Criminalizing "Camera Fiends": Photography Restrictions in the Age of Digital Reproduction; "CAMERA FIENDS": PHOTOGRAPHY AND ANXIETY IN THE 1800s; ON "THINGS THAT NEED TO BE HIDDEN": THE PUBLIC AND THE PRIVATE; PHOTOGRAPHIC INJURIES; REFERENCES; NOTES; Chapter 8: In the Event of Amnesia the City will Recall; Chapter 9: The Face in Digital Space; FACIAL HISTORY; FACIAL VELOCITY; FACIAL VECTORIZATION; FACIAL PRIVATIZATION; REFERENCES; NOTES Chapter 10: From Sixteen Google Street ViewsChapter 11: Google Street View and Photography in Public Space; GOOGLE STREET VIEW; PHOTOGRAPHIC RESPONSES TO STREET VIEW; JON RAFMAN: WITNESSING ON STREET VIEW; CONCLUSIONS; REFERENCES; NOTES; Further Reading; Contributors; BackCover |
Record Nr. | UNINA-9910797966803321 |
Bristol : , : Intellect, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The culture of photography in public space / / edited by Anne Marsh, Melissa Miles and Daniel Palmer |
Pubbl/distr/stampa | Bristol : , : Intellect, , 2015 |
Descrizione fisica | 1 online resource (196 p.) |
Disciplina | 770 |
Collana | Intellect books - critical photography |
Soggetto topico |
Photography - Political aspects
Photography - Social aspects |
ISBN | 1-78320-460-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title; Copyright; Title; Contents; Foreword; Acknowledgements; Introduction; REFERENCES; NOTES; Chapter 1: Standing on Shifting Ground: Privacy and Photography in Public; INTRODUCTION; THE "RIGHT" TO PRIVACY AND PHOTOGRAPHY; DEFINING PRIVACY; PRIVACY, THE INDIVIDUAL AND PHOTOGRAPHY; THE CAMERA, THE SELF AND PRIVACY; PHOTOGRAPHY AND ITS PUBLICS; CONCLUSION; REFERENCES; NOTES; Chapter 2: Tilt; Chapter 3: "No Credible Photographic Interest": Photography Restrictions and Surveillance in a Time of Terror; PHOTOGRAPHY AND ANXIETY: SURVEILLANCE AND CONTROL
NO CREDIBLE PHOTOGRAPHIC INTEREST: IF YOU SEE SOMETHING, SAY SOMETHINGPHOTOGRAPHY RESTRICTIONS AND THE STATUS OF THE CONTEMPORARY EXCEPTION; ARTISTIC AND POLITICAL RESPONSES; CONCLUSION; REFERENCES; NOTES; Chapter 4: Street View/Interface; Chapter 5: Bill Henson and the Polemics of the Nude Child in Photography; ART CONTROVERSIES ABOUT CHILDREN AND SEXUALITY; THE BILL HENSON CONTROVERSY; THE CASE AGAINST; THE CASE FOR; CHILDREN'S RIGHTS: PARTICIPATION VS. PROTECTION; PUBLIC SPACE: THE INVITATION AND THE INTERNET; GENDER, AUTHORSHIP AND PORNOGRAPHY BEYOND BINARIES: GENDER AND ART BEYOND HENSONREFERENCES; NOTES; Chapter 6: The Sleepers and Trafalgar Square; Chapter 7: Criminalizing "Camera Fiends": Photography Restrictions in the Age of Digital Reproduction; "CAMERA FIENDS": PHOTOGRAPHY AND ANXIETY IN THE 1800s; ON "THINGS THAT NEED TO BE HIDDEN": THE PUBLIC AND THE PRIVATE; PHOTOGRAPHIC INJURIES; REFERENCES; NOTES; Chapter 8: In the Event of Amnesia the City will Recall; Chapter 9: The Face in Digital Space; FACIAL HISTORY; FACIAL VELOCITY; FACIAL VECTORIZATION; FACIAL PRIVATIZATION; REFERENCES; NOTES Chapter 10: From Sixteen Google Street ViewsChapter 11: Google Street View and Photography in Public Space; GOOGLE STREET VIEW; PHOTOGRAPHIC RESPONSES TO STREET VIEW; JON RAFMAN: WITNESSING ON STREET VIEW; CONCLUSIONS; REFERENCES; NOTES; Further Reading; Contributors; BackCover |
Record Nr. | UNINA-9910820945803321 |
Bristol : , : Intellect, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Ground sea Photography and the right to be reborn . Volume I. / / Hilde Van Gelder |
Autore | Gelder Hilde van |
Pubbl/distr/stampa | Leuven, Belgium : , : Leuven University Press, , [2021] |
Descrizione fisica | 1 online resource (738 pages) |
Disciplina | 341.481 |
Collana | Lieven Gevaert Series |
Soggetto topico |
Human rights - Europe
Photography - Social aspects Photography - Political aspects |
ISBN | 94-6270-265-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | volume I. Preface : water-bound -- Embarkation : bone point -- Introduction : sea-stricken -- part I : blade -- 1. Running on water -- 2. Ground sea -- 3. Ossuary -- 4. Kairology -- 5. Reliquiae -- Deep six/Passer au bleu (1996/1998) / by Allan Sekula -- volume II. part II : shuttle -- 6. The right to reappear -- 7. Naming the person without a name -- 8. Fools & rights : leaves for an illustrated reader -- 9. This precious jewel -- 10. Plotting -- At anchor : pearl diving. |
Record Nr. | UNINA-9910795895503321 |
Gelder Hilde van | ||
Leuven, Belgium : , : Leuven University Press, , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Ground sea Photography and the right to be reborn . Volume I. / / Hilde Van Gelder |
Autore | Gelder Hilde van |
Pubbl/distr/stampa | Leuven, Belgium : , : Leuven University Press, , [2021] |
Descrizione fisica | 1 online resource (738 pages) |
Disciplina | 341.481 |
Collana | Lieven Gevaert Series |
Soggetto topico |
Human rights - Europe
Photography - Social aspects Photography - Political aspects |
ISBN | 94-6270-265-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | volume I. Preface : water-bound -- Embarkation : bone point -- Introduction : sea-stricken -- part I : blade -- 1. Running on water -- 2. Ground sea -- 3. Ossuary -- 4. Kairology -- 5. Reliquiae -- Deep six/Passer au bleu (1996/1998) / by Allan Sekula -- volume II. part II : shuttle -- 6. The right to reappear -- 7. Naming the person without a name -- 8. Fools & rights : leaves for an illustrated reader -- 9. This precious jewel -- 10. Plotting -- At anchor : pearl diving. |
Record Nr. | UNINA-9910828022203321 |
Gelder Hilde van | ||
Leuven, Belgium : , : Leuven University Press, , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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L'homme Disparu: Photographie & Corps Politiques, 9 |
Pubbl/distr/stampa | Editions L'Harmattan |
Descrizione fisica | 1 online resource (230 p.) |
Altri autori (Persone) |
Soulages
Solas |
Soggetto topico |
Photography - Political aspects
Photography of the human body - Political aspects Human body - Political aspects Disappeared persons - Pictorial works |
ISBN | 2-14-001205-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | fre |
Record Nr. | UNINA-9910148679503321 |
Editions L'Harmattan | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Photography as activism : images for social change / / Michelle Bogre |
Autore | Bogre Michelle |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam ; ; Boston : , : Focal Press, , 2012 |
Descrizione fisica | 1 online resource (184 p. ) : col. ill |
Disciplina | 770.1 |
Soggetto topico |
Documentary photography
Photography - Social aspects Photography - Political aspects |
Soggetto genere / forma | Electronic books. |
ISBN |
1-136-09709-0
1-136-09710-4 1-283-22484-4 9786613224842 0-240-81276-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: Table of Contents Introduction Includes Philosophy of Activism Explanation of book Chapter One: Activism: Practice and Process Philosophy and Psychology History: Early Activism History: Early Conflict and War Photography Social Reform and the Progressive Era Farm Security Administration Chapter Two: Moments in Time Modern History W. Eugene Smith Mary Ellen Mark Susan Meiselas Donna Ferrato British Activism: Chris Killip and Paul Graham Stephen Shames Sebastiô Salgado Chapter Three: Constructing a Better World Photographer Profiles Eugene Richards Marcus Bleasdale Tom Stoddart Jonathan Torgovnik Edward Kashi Brent Stirton Stephen Dupont Walter Astrada Appendix: Resources Websites, Magazines & Galleries Festivals & Events Non-Profits & NGOs Miscellaneous Projects Foundations & Grants Photographers & Artists. |
Record Nr. | UNINA-9910461270203321 |
Bogre Michelle | ||
Amsterdam ; ; Boston : , : Focal Press, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Photography as activism : images for social change / / Michelle Bogre |
Autore | Bogre Michelle |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam ; ; Boston : , : Focal Press, , 2012 |
Descrizione fisica | 1 online resource (184 p. ) : col. ill |
Disciplina | 770.1 |
Soggetto topico |
Documentary photography
Photography - Social aspects Photography - Political aspects |
ISBN |
1-136-09709-0
1-136-09710-4 1-283-22484-4 9786613224842 0-240-81276-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: Table of Contents Introduction Includes Philosophy of Activism Explanation of book Chapter One: Activism: Practice and Process Philosophy and Psychology History: Early Activism History: Early Conflict and War Photography Social Reform and the Progressive Era Farm Security Administration Chapter Two: Moments in Time Modern History W. Eugene Smith Mary Ellen Mark Susan Meiselas Donna Ferrato British Activism: Chris Killip and Paul Graham Stephen Shames Sebastiô Salgado Chapter Three: Constructing a Better World Photographer Profiles Eugene Richards Marcus Bleasdale Tom Stoddart Jonathan Torgovnik Edward Kashi Brent Stirton Stephen Dupont Walter Astrada Appendix: Resources Websites, Magazines & Galleries Festivals & Events Non-Profits & NGOs Miscellaneous Projects Foundations & Grants Photographers & Artists. |
Record Nr. | UNINA-9910789695403321 |
Bogre Michelle | ||
Amsterdam ; ; Boston : , : Focal Press, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|