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Adobe Camera Raw for digital photographers only [[electronic resource] /] / Rob Sheppard
| Adobe Camera Raw for digital photographers only [[electronic resource] /] / Rob Sheppard |
| Autore | Sheppard Rob |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Indianapolis, Ind., : Wiley, c2008 |
| Descrizione fisica | 1 online resource (685 p.) |
| Disciplina | 771/.44 |
| Collana | For Only |
| Soggetto topico |
Raw file formats (Digital photography)
Photography - Digital techniques Image processing - Digital techniques File conversion (Computer science) Photography, Artistic |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-470-43144-X
1-118-07936-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Capture workflow -- pt. II. Camera raw workflow -- pt. III. Making camera raw work harder for you. |
| Record Nr. | UNINA-9910462414203321 |
Sheppard Rob
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| Indianapolis, Ind., : Wiley, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adobe Camera Raw for digital photographers only [[electronic resource] /] / Rob Sheppard
| Adobe Camera Raw for digital photographers only [[electronic resource] /] / Rob Sheppard |
| Autore | Sheppard Rob |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Indianapolis, Ind., : Wiley, c2008 |
| Descrizione fisica | 1 online resource (685 p.) |
| Disciplina | 771/.44 |
| Collana | For Only |
| Soggetto topico |
Raw file formats (Digital photography)
Photography - Digital techniques Image processing - Digital techniques File conversion (Computer science) Photography, Artistic |
| ISBN |
0-470-43144-X
1-118-07936-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Capture workflow -- pt. II. Camera raw workflow -- pt. III. Making camera raw work harder for you. |
| Record Nr. | UNINA-9910785798403321 |
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Sheppard Rob
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| Indianapolis, Ind., : Wiley, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adobe Photoshop CC for photographers : 2016 release : version 2015.5 : a professional image editor's guide to the creative use of Photoshop for the Macintosh and PC / / Martin Evening
| Adobe Photoshop CC for photographers : 2016 release : version 2015.5 : a professional image editor's guide to the creative use of Photoshop for the Macintosh and PC / / Martin Evening |
| Autore | Evening Martin |
| Edizione | [2016 edition--version 2015.5.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (754 pages) |
| Disciplina | 770.28553 |
| Soggetto topico |
Photography - Digital techniques
Computer graphics |
| ISBN |
9781315535173
1315535173 9781315535159 1315535157 9781315535166 1315535165 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Photoshop fundamentals -- 2. Camera raw image processing -- 3. Sharpening and noise reduction -- 4. Image editing essentials -- 5. Black and white -- 6. Extending the dynamic range -- 7. Image retouching -- 8. Layers, selections and masking -- 9. Blur, optical and rendering filters -- 10. Print output -- 11. Automating Photoshop. |
| Record Nr. | UNINA-9910153187603321 |
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Evening Martin
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| New York : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adobe Photoshop CS6 digital classroom [[electronic resource] /] / Jennifer Smith and the AGI Creative Team
| Adobe Photoshop CS6 digital classroom [[electronic resource] /] / Jennifer Smith and the AGI Creative Team |
| Autore | Smith Jennifer |
| Pubbl/distr/stampa | Indianapolis, Ind., : John Wiley & Sons, Inc., 2012 |
| Descrizione fisica | 1 online resource (450 p.) |
| Disciplina | 006.686 |
| Collana | CourseSmart |
| Soggetto topico |
Photography - Digital techniques
Computer graphics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-92768-3
1-118-22478-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Adobe Photoshop CS6 Digital Classroom; About the Authors; Acknowledgments; Credits; Contents; Starting up; About Photoshop Digital Classroom; Prerequisites; Adobe Photoshop CS6 versions; System requirements; Starting Adobe Photoshop CS6; Resetting Adobe Photoshop CS6 preferences; Loading lesson files; Working with the video tutorials; Setting up for viewing the video tutorials; Viewing the video tutorials with the Adobe Flash Player; Additional resources; Lesson 1: Exploring Photoshop CS6; Starting up; Experimenting with new Vector capabilities; Filling a vector shape with a pattern
Adding a mask to a Vector layerUsing the new brush tips; Saving the new Brush; Adding strokes to vector images; Cloning your new snowflake; Adding Text layers from another document; Updating text styles; Cropping an image; Self study; Review; Lesson 2: Getting to Know the Workspace; Starting up; Opening an existing document in Mini Bridge; Discovering the Tools panel; Selection, Cropping, and Measuring Tools; Retouching and Painting Tools; Drawing and Type Tools; Navigation Tools; Accessing tools and their options; Using panels; Putting the panel system to use; Choosing other panels Expanding and collapsing your panelsCustomizing your panels; Hidden tools; Navigating the image area; Using the Zoom tool; Using the Hand tool; Tabbed windows; Maximizing productivity with screen modes; Self study; Review; Lesson 3: Taking Advantage of Adobe Bridge; Starting up; What is Adobe Bridge?; Navigating through Bridge; Using folders in Adobe Bridge; Making a Favorite; Creating and locating metadata; Using keywords; Creating a Metadata Template; Opening a file from Adobe Bridge; Searching for files using Adobe Bridge; Searching by name or keyword; Using the Filter panel Saving a CollectionAutomation tools in Adobe Bridge; Batch renaming your files; Additional Photoshop Tools; Automated tools for Photoshop: Web Photo Gallery; Saving or uploading your Web Gallery; Automated tools for Photoshop: PDF contact sheet; Changing the view; Self study; Review; Lesson 4: Photoshop Basics; Starting up; Opening an existing document; Understanding document settings; Viewing an image's size and resolution; Using Copy and Paste; Dragging and dropping to copy an image; Transforming and editing combined images; Changing the size of a placed image; Removing a background Understanding the stacking order of layersRefining the edges of copied images; Adding text; Saving files; Understanding file formats; Choosing a file format; Saving a JPEG file; Saving for print; Changing the color settings; Adjusting image size; Saving a Photoshop PDF file; Self study; Review; Lesson 5: Making the Best Selections; Starting up; The importance of a good selection; Using the Marquee tools; Creating a square selection; Creating a selection from a center point; Changing a selection into a layer; Working with the Magic Wand tool; The Lasso tool Adding to and subtracting from selections |
| Record Nr. | UNINA-9910461808303321 |
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Smith Jennifer
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| Indianapolis, Ind., : John Wiley & Sons, Inc., 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adobe Photoshop CS6 digital classroom [[electronic resource] /] / Jennifer Smith and the AGI Creative Team
| Adobe Photoshop CS6 digital classroom [[electronic resource] /] / Jennifer Smith and the AGI Creative Team |
| Autore | Smith Jennifer |
| Pubbl/distr/stampa | Indianapolis, Ind., : John Wiley & Sons, Inc., 2012 |
| Descrizione fisica | 1 online resource (450 p.) |
| Disciplina | 006.686 |
| Collana | CourseSmart |
| Soggetto topico |
Photography - Digital techniques
Computer graphics |
| ISBN |
1-283-92768-3
1-118-22478-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Adobe Photoshop CS6 Digital Classroom; About the Authors; Acknowledgments; Credits; Contents; Starting up; About Photoshop Digital Classroom; Prerequisites; Adobe Photoshop CS6 versions; System requirements; Starting Adobe Photoshop CS6; Resetting Adobe Photoshop CS6 preferences; Loading lesson files; Working with the video tutorials; Setting up for viewing the video tutorials; Viewing the video tutorials with the Adobe Flash Player; Additional resources; Lesson 1: Exploring Photoshop CS6; Starting up; Experimenting with new Vector capabilities; Filling a vector shape with a pattern
Adding a mask to a Vector layerUsing the new brush tips; Saving the new Brush; Adding strokes to vector images; Cloning your new snowflake; Adding Text layers from another document; Updating text styles; Cropping an image; Self study; Review; Lesson 2: Getting to Know the Workspace; Starting up; Opening an existing document in Mini Bridge; Discovering the Tools panel; Selection, Cropping, and Measuring Tools; Retouching and Painting Tools; Drawing and Type Tools; Navigation Tools; Accessing tools and their options; Using panels; Putting the panel system to use; Choosing other panels Expanding and collapsing your panelsCustomizing your panels; Hidden tools; Navigating the image area; Using the Zoom tool; Using the Hand tool; Tabbed windows; Maximizing productivity with screen modes; Self study; Review; Lesson 3: Taking Advantage of Adobe Bridge; Starting up; What is Adobe Bridge?; Navigating through Bridge; Using folders in Adobe Bridge; Making a Favorite; Creating and locating metadata; Using keywords; Creating a Metadata Template; Opening a file from Adobe Bridge; Searching for files using Adobe Bridge; Searching by name or keyword; Using the Filter panel Saving a CollectionAutomation tools in Adobe Bridge; Batch renaming your files; Additional Photoshop Tools; Automated tools for Photoshop: Web Photo Gallery; Saving or uploading your Web Gallery; Automated tools for Photoshop: PDF contact sheet; Changing the view; Self study; Review; Lesson 4: Photoshop Basics; Starting up; Opening an existing document; Understanding document settings; Viewing an image's size and resolution; Using Copy and Paste; Dragging and dropping to copy an image; Transforming and editing combined images; Changing the size of a placed image; Removing a background Understanding the stacking order of layersRefining the edges of copied images; Adding text; Saving files; Understanding file formats; Choosing a file format; Saving a JPEG file; Saving for print; Changing the color settings; Adjusting image size; Saving a Photoshop PDF file; Self study; Review; Lesson 5: Making the Best Selections; Starting up; The importance of a good selection; Using the Marquee tools; Creating a square selection; Creating a selection from a center point; Changing a selection into a layer; Working with the Magic Wand tool; The Lasso tool Adding to and subtracting from selections |
| Record Nr. | UNINA-9910790343503321 |
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Smith Jennifer
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| Indianapolis, Ind., : John Wiley & Sons, Inc., 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adobe Photoshop Elements 10 : maximum performance : unleash the hidden performance of elements / / Mark Galer, Dr. Abhijit Chattaraj
| Adobe Photoshop Elements 10 : maximum performance : unleash the hidden performance of elements / / Mark Galer, Dr. Abhijit Chattaraj |
| Autore | Galer Mark |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford : , : Focal Press, an imprint of Elsevier, , 2012 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 006.686 |
| Altri autori (Persone) | ChattarajAbhijit |
| Soggetto topico | Photography - Digital techniques |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-138-37208-0
1-136-10958-7 1-283-35496-9 9786613354969 0-240-52381-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Optimize -- pt. 2. Enhance -- pt. 3. Composites. |
| Record Nr. | UNINA-9910461652803321 |
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Galer Mark
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| Oxford : , : Focal Press, an imprint of Elsevier, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Adobe Photoshop Elements 10 : maximum performance : unleash the hidden performance of elements / / Mark Galer, Dr. Abhijit Chattaraj
| Adobe Photoshop Elements 10 : maximum performance : unleash the hidden performance of elements / / Mark Galer, Dr. Abhijit Chattaraj |
| Autore | Galer Mark |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford : , : Focal Press, an imprint of Elsevier, , 2012 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 006.686 |
| Altri autori (Persone) | ChattarajAbhijit |
| Soggetto topico | Photography - Digital techniques |
| ISBN |
1-138-37208-0
1-136-10958-7 1-283-35496-9 9786613354969 0-240-52381-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Optimize -- pt. 2. Enhance -- pt. 3. Composites. |
| Record Nr. | UNINA-9910789887803321 |
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Galer Mark
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| Oxford : , : Focal Press, an imprint of Elsevier, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Aesthetics in digital photography / / Henri Maître
| Aesthetics in digital photography / / Henri Maître |
| Autore | Maître H (Henri) |
| Pubbl/distr/stampa | London, England : , : ISTE Ltd and John Wiley & Sons, Inc., , [2023] |
| Descrizione fisica | 1 online resource (324 pages) |
| Disciplina | 770 |
| Soggetto topico |
Photography - Digital techniques
Digital cameras Image processing - Digital techniques |
| ISBN |
1-394-22597-0
1-394-22595-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Title Page -- Copyright Page -- Contents -- Introduction: Image and Gaze -- Chapter 1. The Legacy of Philosophers -- 1.1. The objectivist approach -- 1.1.1. The source: ancient Greece -- 1.1.2. After Greece -- 1.1.3. Kant and modern aesthetics -- 1.1.4. Objectivism after Kant: from pseudo-subjectivism to aesthetic realism -- 1.2. The subjectivist approach -- 1.2.1. From classicism to romanticism -- 1.2.2. The moderns -- 1.2.3. The influence of neurobiology -- 1.3. Subjectivism and objectivism: an ongoing debate -- Chapter 2. Neurobiology or the Arbitrator of Consciousness -- 2.1. fMRI protocols and neuroaesthetics -- 2.2. The fMRI quest for "beauty processes" in the brain -- 2.2.1. The role of the prefrontal cortex -- 2.2.2. The role of the insular cortex -- 2.2.3. The role of the visual areas -- 2.2.4. The role of memory and cognition -- 2.2.5. The role of embodiment -- 2.3. Responses from functional electric encephalography -- 2.4. A global cognitive scheme for aesthetic judgment? -- 2.4.1. J. Petitot's neurogeometric model -- 2.4.2. A. Chatterjee's aesthetic emotion model -- 2.4.3. The model by Brown et al -- 2.4.4. Model proposed by H. Leder -- 2.4.5. The model by C. Redies -- 2.4.6. The emotions model developed by S. Koelsch et al. -- 2.4.7. L.H. Hsu's model of emotions based on A. Damásio -- 2.4.8. Other models -- 2.5. A critique of neuroaesthetic methods -- 2.5.1. Criticism of neuroaesthetic methods -- 2.5.2. Criticisms of the objectives of neuroaesthetics -- Chapter 3. What Are the Criteria For a Beautiful Photo? -- 3.1. Before we enter into the fray -- 3.1.1. What reference books do we have? -- 3.1.2. "Beauty of an image" or "quality of an image"? -- 3.1.3. A glossary of aesthetic appraisal -- 3.1.4. Measuring beauty -- 3.2. Composition -- 3.2.1. Complexity versus simplicity -- 3.2.2. Unity.
3.2.3. A specific case in composition: landscapes -- 3.2.4. Using oculometry to analyze composition -- 3.2.5. Format or aspect ratio -- 3.2.6. The rule of thirds (RoT) -- 3.2.7. The center of the image -- 3.2.8. Other rules for composition -- 3.3. Histograms, spectral properties and textures -- 3.3.1. Histograms and gray levels -- 3.3.2. Focus, spectral density, fractals -- 3.3.3. Textures -- 3.4. Color -- 3.4.1. About the concept of color -- 3.4.2. Preferences related to isolated colors -- 3.4.3. Preferences related to color palettes -- 3.5. What behavioral psychosociology has to say -- 3.5.1. Images of nature -- 3.5.2. The aesthetics of faces -- 3.5.3. The role of the signature, title and context -- 3.5.4. Perception and memory: prototypicality -- Chapter 4. Algorithmic Approaches to "Calculate" Beauty -- 4.1. First steps: C. Henry -- 4.2. G.D. Birkhoff's mathematical approach -- 4.3. Those who followed G.D. Birkhoff -- 4.3.1. Beauty according to H.J. Eysenck -- 4.3.2. The Post-War years: the designers, A. Moles and M. Bense -- 4.3.3. A dynamic approach: P. Machado and A. Cardoso -- 4.3.4. Work carried out by J. Rigau, M. Feixas and M. Bert -- 4.4. Algorithmic approach with AI: J. Schmidhuber -- Chapter 5. The Holy Grail of the Digital World: Artificial Intelligence -- 5.1. Which artificial intelligence? -- 5.1.1. The principles -- 5.1.2. Learning algorithms -- 5.2. Why artificial intelligence in aesthetics? -- 5.3. Expert opinions -- 5.4. The database -- 5.4.1. Generalist databases, used for aesthetic judgments -- 5.4.2. Databases that are specialized for aesthetic photography -- 5.4.3. Databases dedicated to artistic judgment -- 5.4.4. Other image databases that are sometimes used -- 5.4.5. Increasing databases -- Chapter 6. Primitive-based Classification Methods -- 6.1. Judging aesthetics. 6.1.1. Multimedia primitives: the ACQUINE system (Datta et al.) -- 6.1.2. Edges and chromatic distance: Ke et al. -- 6.1.3. Photography rules: Luo and Tang and Mavridaki and Mezaris -- 6.1.4. High-level primitives: Dhar et al. -- 6.1.5. Generic descriptors of vision: Marchesotti et al. -- 6.2. Help in composing beautiful photos -- 6.2.1. The library of aesthetic primitives developed by Su et al. -- 6.2.2. The OSCAR system by Yao et al. -- 6.2.3. Embedded systems: Lo et al. and Wang et al. -- 6.3. Some specific research related to the evaluation of aesthetics using primitives -- 6.3.1. Color harmony: Lu et al. -- 6.3.2. Group photography: Wang et al. -- 6.3.3. Social networks and crowdsourcing: Schifanella et al. -- 6.3.4. Looking at comments: San Pedro et al. -- Chapter 7. Deep Neural Network Systems -- 7.1. DNNs dedicated to aesthetic evaluation -- 7.1.1. High and low resolutions: the RAPID system, Lu et al. -- 7.1.2. The multi-path DMA-Net architecture: Lu et al. -- 7.1.3. Adapting to the size of the image: Mai et al. -- 7.1.4. Finding beauty on the Web: Redi et al. -- 7.1.5. Siamese and GAN networks: Kong et al. and Deng et al. -- 7.1.6. Paying attention to the image construction: A-Lamp -- 7.2. Variants around the basic DNN architecture -- 7.2.1. Comparing photos between themselves: Schwarz et al. -- 7.2.2. Making use of knowledge of the subject: Kao et al. -- 7.2.3. BDN: halfway between classification and DNN -- 7.2.4. Using the distribution of the evaluations -- 7.2.5. Extracting a "dramatic" image from a panorama: the Creatism system -- 7.3. Written appraisals: analyzing them and formulating new ones -- 7.3.1. Photo critique captioning dataset (PCCD) -- 7.3.2. Neural aesthetic image retriever (NAIR) -- 7.3.3. Semantic processing by Ghosal et al. -- 7.3.4. Aesthetic multi attribute network (AMAN) -- 7.4. Measuring subjective beauty. 7.4.1. Recommendation systems -- 7.4.2. Defining the user's psychological profile -- 7.4.3. Learning the user's tastes through tests -- 7.4.4. Multiplying concurrent expertise -- Chapter 8. A Critical Analysis of Machine Learning Techniques -- 8.1. The popularity of studies on aesthetics -- 8.2. A summary of learning methods -- 8.2.1. Which architecture? Which software? -- 8.2.2. What performances? -- 8.3. Questioning the hypotheses -- 8.4. Specific features of beautiful images detected by a computer -- 8.4.1. Some observations on the photos in the AVA database -- 8.4.2. The scores in the AVA database -- Conclusion -- Appendix 1. A Brief Review of Aesthetics -- Appendix 2. Aesthetics in China -- Appendix 3. The Aesthetic of Persian Miniatures -- Appendix 4. Aesthetics in Japan -- References -- Index -- EULA. |
| Record Nr. | UNINA-9910830064403321 |
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Maître H (Henri)
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| London, England : , : ISTE Ltd and John Wiley & Sons, Inc., , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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After the camera : digital transformations for conceptual nude & portrait photography / / Thom Rouse, award-winning fine-art photographer
| After the camera : digital transformations for conceptual nude & portrait photography / / Thom Rouse, award-winning fine-art photographer |
| Autore | Rouse Thom |
| Pubbl/distr/stampa | Buffalo, NY : , : Amherst Media, Incorporated, , [2016] |
| Descrizione fisica | 1 online resource (262 pages) : color illustrations |
| Disciplina | 771.44 |
| Soggetto topico |
Photography - Digital techniques
Photography, Artistic |
| ISBN |
1-68203-006-7
1-68203-005-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | After the camera : digital transformations for conceptual nude and portrait photography |
| Record Nr. | UNINA-9910136640403321 |
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Rouse Thom
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| Buffalo, NY : , : Amherst Media, Incorporated, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Alternate light source imaging : forensic photography techniques / / Norman Marin, Jeffrey Buszka ; series editor, Larry S. Miller
| Alternate light source imaging : forensic photography techniques / / Norman Marin, Jeffrey Buszka ; series editor, Larry S. Miller |
| Autore | Marin Norman |
| Pubbl/distr/stampa | Oxford : , : Anderson Publishing, , 2013 |
| Descrizione fisica | 1 online resource (95 pages) : illustrations (chiefly color) |
| Disciplina | 363.25 |
| Collana |
Gale eBooks
Forensic studies for criminal justice |
| Soggetto topico |
Legal photography
Infrared photography Photography, Ultraviolet Photography - Digital techniques |
| ISBN |
1-317-52416-0
1-315-72216-X 1-317-52417-9 1-4557-7548-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Alternate Light Source Imaging; Copyright Page; Contents; 1 Electromagnetic Radiation; 1.1 Light and the Electromagnetic Spectrum; 1.2 Properties of Light; 1.3 Light and Matter; 1.4 Luminescence; 2 Photographic Equipment for Alternate Light Source Imaging; 2.1 The Digital Camera and Alternate Light Photography; 2.2 Light Interpretation; 2.3 Camera File Formats; 2.4 ISO and Long Exposures; 2.5 Recommended Photographic Equipment; 3 UV and Narrowband Visible Light Imaging; 3.1 UV Reflectance and Fluorescence Photography; 3.2 Photographic Equipment; 3.2.1 Lenses; 3.2.2 Filters
3.3 UV Light Sources3.4 Effects of UV Radiation; 3.5 Alternate Light Sources; 3.6 Wavelength and Barrier Filter Selection; 3.7 Applications of UV Reflectance and Fluorescence Photography; 3.7.1 Fibers and Trace Evidence; 3.7.2 Gunshot Residue; 3.7.3 Bruising, Bite Marks, and Ligature Marks; 3.8 Domestic Violence Injuries; 3.8.1 Deceased Victims; 3.8.2 Fingerprints; 3.8.3 Body Fluids; 3.8.4 Bloodstains and Chemiluminescence; 3.8.5 Document Examination; 3.8.6 Paint and Cleaning Agents; 4 Digital Infrared Photography; 4.1 Digital IR Photography 4.1.1 Cameras and Specialized Photographic Equipment4.1.2 Specialized Cameras; 4.1.3 Light Sources; 4.1.4 Filters; 4.1.5 Photographic Considerations; 4.1.5.1 White Balance; 4.1.5.2 File Format; 4.1.5.3 International Organization for Standardization; 4.1.5.4 Lenses; 4.1.5.5 Focus Shift; 4.1.5.6 Aperture and Shutter Speed; 4.1.5.7 Resolution; 4.2 Forensic Applications of IR Photography; 4.2.1 Bloodstain Patterns; 4.2.2 Gunshot Residue; 4.2.3 Bruising; 4.2.4 Tattoos; 4.2.5 Fingerprint Powders and Dust Impressions; 4.2.6 Document Examination; 4.2.7 IR Luminescence; 5 Polarized Light Photography References |
| Record Nr. | UNINA-9910792477203321 |
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Marin Norman
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| Oxford : , : Anderson Publishing, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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