Interfaces of performance / / edited by Maria Chatzichristodoulou, University of Hull, Janis Jefferies, Goldsmiths, University if London, Rachel Zerihan, Queen Mary, University of London |
Pubbl/distr/stampa | Farnham, England ; ; Burlington, United State : , : Ashgate, , 2009 |
Descrizione fisica | 1 online resource (233 p.) |
Disciplina | 700.105 |
Collana | Digital Research in the Arts and Humanities |
Soggetto topico |
Technology and the arts
Performing arts - Technological innovations |
Soggetto genere / forma | Electronic books. |
ISBN |
1-317-11461-2
1-317-11460-4 1-282-34442-0 9786612344428 0-7546-9843-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; List of Figures; Notes on Contributors; Series Preface; Introduction; 1 Creative Media: Performance, Invention, Critique; Part 1 Environments; 2 Environments, Interactions and Beings: The Ecology of Performativity and Technics; 3 Blurring the Boundaries: Performance, Technology and the Artificial Sublime - An Interview with Ruth Gibson and Bruno Martelli, igloo; Part 2 Bodies; 4 ORLAN-Vertigo/Self-Touching-You; 5 The Path to Silence; Part 3 Audiences; 6 Reactivation: Performance, Mediatization and the Present Moment
7 Moving Audiences: Strategies of Exposure in the Work of Gob Squad8 How to Kidnap your Audiences: An Interview with Matt Adams from Blast Theory; Part 4 Politics; 9 The Tendency to 'Trans-': The Political Aesthetics of the Biogrammatic Zone; 10 Guillermo Gómez-Peña: Ethno-Techno Politics; 11 Performative Science in an Age of Specialization: The Case of Critical Art Ensemble; Part 5 Affect; 12 Affective Connection; 13 Love at First Byte; Conclusion; Bibliography; Index |
Record Nr. | UNINA-9910456612203321 |
Farnham, England ; ; Burlington, United State : , : Ashgate, , 2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Interfaces of performance / / edited by Maria Chatzichristodoulou, Janis Jefferies, Rachel Zerihan |
Pubbl/distr/stampa | Farnham, England ; ; Burlington : , : Ashgate, , 2009 |
Descrizione fisica | 1 online resource (233 pages) |
Disciplina | 700.105 |
Collana | Digital Research in the Arts and Humanities |
Soggetto topico |
Technology and the arts
Performing arts - Technological innovations |
ISBN |
1-315-58924-9
1-317-11461-2 1-317-11460-4 1-282-34442-0 9786612344428 0-7546-9843-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; List of Figures; Notes on Contributors; Series Preface; Introduction; 1 Creative Media: Performance, Invention, Critique; Part 1 Environments; 2 Environments, Interactions and Beings: The Ecology of Performativity and Technics; 3 Blurring the Boundaries: Performance, Technology and the Artificial Sublime - An Interview with Ruth Gibson and Bruno Martelli, igloo; Part 2 Bodies; 4 ORLAN-Vertigo/Self-Touching-You; 5 The Path to Silence; Part 3 Audiences; 6 Reactivation: Performance, Mediatization and the Present Moment
7 Moving Audiences: Strategies of Exposure in the Work of Gob Squad; 8 How to Kidnap your Audiences: An Interview with Matt Adams from Blast Theory; Part 4 Politics; 9 The Tendency to 'Trans-': The Political Aesthetics of the Biogrammatic Zone; 10 Guillermo Gómez-Peña: Ethno-Techno Politics; 11 Performative Science in an Age of Specialization: The Case of Critical Art Ensemble; Part 5 Affect; 12 Affective Connection; 13 Love at First Byte; Conclusion; Bibliography; Index |
Record Nr. | UNINA-9910781199103321 |
Farnham, England ; ; Burlington : , : Ashgate, , 2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Interfaces of performance / / edited by Maria Chatzichristodoulou, Janis Jefferies, Rachel Zerihan |
Pubbl/distr/stampa | Farnham, England ; ; Burlington : , : Ashgate, , 2009 |
Descrizione fisica | 1 online resource (233 pages) |
Disciplina | 700.105 |
Collana | Digital Research in the Arts and Humanities |
Soggetto topico |
Technology and the arts
Performing arts - Technological innovations |
ISBN |
1-315-58924-9
1-317-11461-2 1-317-11460-4 1-282-34442-0 9786612344428 0-7546-9843-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; List of Figures; Notes on Contributors; Series Preface; Introduction; 1 Creative Media: Performance, Invention, Critique; Part 1 Environments; 2 Environments, Interactions and Beings: The Ecology of Performativity and Technics; 3 Blurring the Boundaries: Performance, Technology and the Artificial Sublime - An Interview with Ruth Gibson and Bruno Martelli, igloo; Part 2 Bodies; 4 ORLAN-Vertigo/Self-Touching-You; 5 The Path to Silence; Part 3 Audiences; 6 Reactivation: Performance, Mediatization and the Present Moment
7 Moving Audiences: Strategies of Exposure in the Work of Gob Squad; 8 How to Kidnap your Audiences: An Interview with Matt Adams from Blast Theory; Part 4 Politics; 9 The Tendency to 'Trans-': The Political Aesthetics of the Biogrammatic Zone; 10 Guillermo Gómez-Peña: Ethno-Techno Politics; 11 Performative Science in an Age of Specialization: The Case of Critical Art Ensemble; Part 5 Affect; 12 Affective Connection; 13 Love at First Byte; Conclusion; Bibliography; Index |
Record Nr. | UNINA-9910810928603321 |
Farnham, England ; ; Burlington : , : Ashgate, , 2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
New visions in performance : the impact of digital technologies / / edited by Gavin Carver and Colin Beardon |
Pubbl/distr/stampa | Lisse, The Netherlands ; ; Exton, Pa. : , : Swets & Zeitlinger Publishers, , 2004 |
Descrizione fisica | 1 online resource (204 p.) |
Disciplina | 791 |
Altri autori (Persone) |
CarverGavin
BeardonColin <1945-> |
Collana | Innovations in art and design |
Soggetto topico |
Performing arts
Performing arts - Technological innovations Digital control systems |
Soggetto genere / forma | Electronic books. |
ISBN |
1-135-30185-9
1-135-30186-7 1-280-15515-9 0-203-97108-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; New Visions in Performance: The Impact of Digital Technologies; Copyright; Contents; 1 Introduction; 2 The importance of being interactive; 3 The digital double; 4 The emergence of hyper-reality in performance; 5 The technology of the real: Wayne McGregor's Nemesis and the ecology of perception; 6 halving angels: technology's poem; 7 The Performance Animation Toolbox: developing tools and methods through artistic research; 8 Theatre of context: digital's absurd role in dramatic literature; 9 Haunting the movie: embodied interface/sensory cinema
10 Play it again, Sam: film performance, virtual environments and game engines11 Sorcerers' Apprentice: reactive digital forms of body and cloth in performance; 12 Turning conventional theatre inside out: democratising the audience relationship; 13 New visions in performance; Notes on authors; Index |
Record Nr. | UNINA-9910451530503321 |
Lisse, The Netherlands ; ; Exton, Pa. : , : Swets & Zeitlinger Publishers, , 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
New visions in performance : the impact of digital technologies / / edited by Gavin Carver and Colin Beardon |
Pubbl/distr/stampa | Lisse, The Netherlands ; ; Exton, Pa. : , : Swets & Zeitlinger Publishers, , 2004 |
Descrizione fisica | 1 online resource (204 p.) |
Disciplina | 791 |
Altri autori (Persone) |
CarverGavin
BeardonColin <1945-> |
Collana | Innovations in art and design |
Soggetto topico |
Performing arts
Performing arts - Technological innovations Digital control systems |
ISBN |
1-135-30185-9
1-135-30186-7 1-280-15515-9 0-203-97108-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; New Visions in Performance: The Impact of Digital Technologies; Copyright; Contents; 1 Introduction; 2 The importance of being interactive; 3 The digital double; 4 The emergence of hyper-reality in performance; 5 The technology of the real: Wayne McGregor's Nemesis and the ecology of perception; 6 halving angels: technology's poem; 7 The Performance Animation Toolbox: developing tools and methods through artistic research; 8 Theatre of context: digital's absurd role in dramatic literature; 9 Haunting the movie: embodied interface/sensory cinema
10 Play it again, Sam: film performance, virtual environments and game engines11 Sorcerers' Apprentice: reactive digital forms of body and cloth in performance; 12 Turning conventional theatre inside out: democratising the audience relationship; 13 New visions in performance; Notes on authors; Index |
Record Nr. | UNINA-9910784037603321 |
Lisse, The Netherlands ; ; Exton, Pa. : , : Swets & Zeitlinger Publishers, , 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
New visions in performance : the impact of digital technologies / / edited by Gavin Carver and Colin Beardon |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Lisse, The Netherlands ; ; Exton, Pa. : , : Swets & Zeitlinger Publishers, , 2004 |
Descrizione fisica | 1 online resource (204 p.) |
Disciplina | 791 |
Altri autori (Persone) |
CarverGavin
BeardonColin <1945-> |
Collana | Innovations in art and design |
Soggetto topico |
Performing arts
Performing arts - Technological innovations Digital control systems |
ISBN |
1-135-30185-9
1-135-30186-7 1-280-15515-9 0-203-97108-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; New Visions in Performance: The Impact of Digital Technologies; Copyright; Contents; 1 Introduction; 2 The importance of being interactive; 3 The digital double; 4 The emergence of hyper-reality in performance; 5 The technology of the real: Wayne McGregor's Nemesis and the ecology of perception; 6 halving angels: technology's poem; 7 The Performance Animation Toolbox: developing tools and methods through artistic research; 8 Theatre of context: digital's absurd role in dramatic literature; 9 Haunting the movie: embodied interface/sensory cinema
10 Play it again, Sam: film performance, virtual environments and game engines11 Sorcerers' Apprentice: reactive digital forms of body and cloth in performance; 12 Turning conventional theatre inside out: democratising the audience relationship; 13 New visions in performance; Notes on authors; Index |
Record Nr. | UNINA-9910813464203321 |
Lisse, The Netherlands ; ; Exton, Pa. : , : Swets & Zeitlinger Publishers, , 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Né qui, né ora : peripezie mediali della performance contemporanea / / di Ester Fuoco |
Autore | Fuoco Ester |
Pubbl/distr/stampa | Ledizioni |
Soggetto topico |
Technology and the arts
Performing arts - Technological innovations Human-computer interaction Audiences |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Altri titoli varianti | Né qui, né ora |
Record Nr. | UNINA-9910733755003321 |
Fuoco Ester | ||
Ledizioni | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|