Info
Circus as Multimodal Discourse [[electronic resource] ] : Performance, Meaning, and Ritual
| Circus as Multimodal Discourse [[electronic resource] ] : Performance, Meaning, and Ritual |
| Autore | Bouissac Paul |
| Pubbl/distr/stampa | London, : Bloomsbury Publishing, 2012 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina |
791.3
791.3014 |
| Soggetto topico |
Circus -- Social aspects
Discourse analysis -- Social aspects Modality (Linguistics) Multimedia communications Performing arts -- Semiotics Semiotics Visual communication Circus - Social aspects Performing arts - Semiotics Discourse analysis - Social aspects Social Sciences Recreation & Sports |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-70614-8
1-4411-0261-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; HalfTitle; Series; Title; Copyright; Dedication; Contents; Introduction: Playing with Fire; 1 Circus Performances as Rituals: Participative Ethnography; Circus online; Circus in the field; The spectator as ethnographer; Circus as ritual; 2 The "Textility" of Circus Acts: Disentangling Cognition and Pleasure; Writing circus: From performance to text; Events and their verbal accounts; Scripts, skills, and algorithms: The birth of a circus act; Description and explanation; Disentangling meanings, emotions, and pleasure: Textility and cognitive malleability; 3 Magic in the Ring
Veils of illusionBelief and disbelief; The mechanisms of miracles and the logic of illusions; A double-edged skill; 4 Horses which Speak, Count, and Laugh; The cultured horse; An equine performance on record; A multimodal dialogic discourse; Themes and variations: A cowboy and his horse; Pragmatics of the "educated" horse act: A biosemiotic perspective; 5 Steeds and Symbols: Multimodal Metaphors; Circus horses: From the steppe to the ring; A semiotic perspective: Making sense of things; The social contract and the birth of the arts; Once upon a time: A play of nature and culture The ascent of the horseTextualizing the horse; Equestrians as cultural heroes; 6 The Staging of Actions: Heroes, Antiheroes, and Animal Actors; A theory of action; The modalities of actions: From doing to making another do; Ironical discourse: A dog act in the semiotic square; 7 Circus Animals as Symbols, Actors, and Persons; In the company of animals; The representation of animals in cultures; Animal agencies: Legal and moral issues; A cultural paradigm shift : Animals as nonhuman persons; 8 Dancing with Tigers, Lying with Lions: Translating Biology into Art; Tigers in the wild The fifth dimension of spaceFrom biology to art; The poetics and rhetoric of the cage act; The lion's anger; A master at work; A work of art; 9 Clowns at Work: A Sociocritical Discourse; Clowns unmasked; Clowns at work; Syntax and semantics of chaos: Herbert Marcuse at the circus; Power of the mask; What is a gag and how it works: A conversation; 10 The Imaginary Circus; Romancing the circus; The circus as a phantasm; The ascent of the clown; Circus mystics: The juggler and the funambulist; 11 Ideology and Politics in the Circus Ring; Poetics and politics of the body Erotic circus: The tame and the wildIdeology, politics, and propaganda; The body politic in performance; 12 The Postanimal Circus; A cultural revolution: The animal liberation movement; The new circus: Human, humane, and humanitarian; Circus and subversion: From anticircus to counterculture and activism; The return of the animal?; Conclusion: Pleasures of the Circus: Attraction, Emotion, and Addiction; Truth and deception; The logic of attraction; Information, fear, and empathy; Games, rewards, and addiction; Performance, ritual, and meaning; Bibliography; Index |
| Record Nr. | UNINA-9910462521603321 |
Bouissac Paul
|
||
| London, : Bloomsbury Publishing, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Circus as Multimodal Discourse [[electronic resource] ] : Performance, Meaning, and Ritual
| Circus as Multimodal Discourse [[electronic resource] ] : Performance, Meaning, and Ritual |
| Autore | Bouissac Paul |
| Pubbl/distr/stampa | London, : Bloomsbury Publishing, 2012 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina |
791.3
791.3014 |
| Soggetto topico |
Circus -- Social aspects
Discourse analysis -- Social aspects Modality (Linguistics) Multimedia communications Performing arts -- Semiotics Semiotics Visual communication Circus - Social aspects Performing arts - Semiotics Discourse analysis - Social aspects Social Sciences Recreation & Sports |
| ISBN |
1-283-70614-8
1-4411-0261-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; HalfTitle; Series; Title; Copyright; Dedication; Contents; Introduction: Playing with Fire; 1 Circus Performances as Rituals: Participative Ethnography; Circus online; Circus in the field; The spectator as ethnographer; Circus as ritual; 2 The "Textility" of Circus Acts: Disentangling Cognition and Pleasure; Writing circus: From performance to text; Events and their verbal accounts; Scripts, skills, and algorithms: The birth of a circus act; Description and explanation; Disentangling meanings, emotions, and pleasure: Textility and cognitive malleability; 3 Magic in the Ring
Veils of illusionBelief and disbelief; The mechanisms of miracles and the logic of illusions; A double-edged skill; 4 Horses which Speak, Count, and Laugh; The cultured horse; An equine performance on record; A multimodal dialogic discourse; Themes and variations: A cowboy and his horse; Pragmatics of the "educated" horse act: A biosemiotic perspective; 5 Steeds and Symbols: Multimodal Metaphors; Circus horses: From the steppe to the ring; A semiotic perspective: Making sense of things; The social contract and the birth of the arts; Once upon a time: A play of nature and culture The ascent of the horseTextualizing the horse; Equestrians as cultural heroes; 6 The Staging of Actions: Heroes, Antiheroes, and Animal Actors; A theory of action; The modalities of actions: From doing to making another do; Ironical discourse: A dog act in the semiotic square; 7 Circus Animals as Symbols, Actors, and Persons; In the company of animals; The representation of animals in cultures; Animal agencies: Legal and moral issues; A cultural paradigm shift : Animals as nonhuman persons; 8 Dancing with Tigers, Lying with Lions: Translating Biology into Art; Tigers in the wild The fifth dimension of spaceFrom biology to art; The poetics and rhetoric of the cage act; The lion's anger; A master at work; A work of art; 9 Clowns at Work: A Sociocritical Discourse; Clowns unmasked; Clowns at work; Syntax and semantics of chaos: Herbert Marcuse at the circus; Power of the mask; What is a gag and how it works: A conversation; 10 The Imaginary Circus; Romancing the circus; The circus as a phantasm; The ascent of the clown; Circus mystics: The juggler and the funambulist; 11 Ideology and Politics in the Circus Ring; Poetics and politics of the body Erotic circus: The tame and the wildIdeology, politics, and propaganda; The body politic in performance; 12 The Postanimal Circus; A cultural revolution: The animal liberation movement; The new circus: Human, humane, and humanitarian; Circus and subversion: From anticircus to counterculture and activism; The return of the animal?; Conclusion: Pleasures of the Circus: Attraction, Emotion, and Addiction; Truth and deception; The logic of attraction; Information, fear, and empathy; Games, rewards, and addiction; Performance, ritual, and meaning; Bibliography; Index |
| Record Nr. | UNINA-9910785948403321 |
|
Bouissac Paul
|
||
| London, : Bloomsbury Publishing, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Circus as Multimodal Discourse : Performance, Meaning, and Ritual
| Circus as Multimodal Discourse : Performance, Meaning, and Ritual |
| Autore | Bouissac Paul |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London, : Bloomsbury Publishing, 2012 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina |
791.3
791.3014 |
| Soggetto topico |
Circus -- Social aspects
Discourse analysis -- Social aspects Modality (Linguistics) Multimedia communications Performing arts -- Semiotics Semiotics Visual communication Circus - Social aspects Performing arts - Semiotics Discourse analysis - Social aspects Social Sciences Recreation & Sports |
| ISBN |
1-283-70614-8
1-4411-0261-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; HalfTitle; Series; Title; Copyright; Dedication; Contents; Introduction: Playing with Fire; 1 Circus Performances as Rituals: Participative Ethnography; Circus online; Circus in the field; The spectator as ethnographer; Circus as ritual; 2 The "Textility" of Circus Acts: Disentangling Cognition and Pleasure; Writing circus: From performance to text; Events and their verbal accounts; Scripts, skills, and algorithms: The birth of a circus act; Description and explanation; Disentangling meanings, emotions, and pleasure: Textility and cognitive malleability; 3 Magic in the Ring
Veils of illusionBelief and disbelief; The mechanisms of miracles and the logic of illusions; A double-edged skill; 4 Horses which Speak, Count, and Laugh; The cultured horse; An equine performance on record; A multimodal dialogic discourse; Themes and variations: A cowboy and his horse; Pragmatics of the "educated" horse act: A biosemiotic perspective; 5 Steeds and Symbols: Multimodal Metaphors; Circus horses: From the steppe to the ring; A semiotic perspective: Making sense of things; The social contract and the birth of the arts; Once upon a time: A play of nature and culture The ascent of the horseTextualizing the horse; Equestrians as cultural heroes; 6 The Staging of Actions: Heroes, Antiheroes, and Animal Actors; A theory of action; The modalities of actions: From doing to making another do; Ironical discourse: A dog act in the semiotic square; 7 Circus Animals as Symbols, Actors, and Persons; In the company of animals; The representation of animals in cultures; Animal agencies: Legal and moral issues; A cultural paradigm shift : Animals as nonhuman persons; 8 Dancing with Tigers, Lying with Lions: Translating Biology into Art; Tigers in the wild The fifth dimension of spaceFrom biology to art; The poetics and rhetoric of the cage act; The lion's anger; A master at work; A work of art; 9 Clowns at Work: A Sociocritical Discourse; Clowns unmasked; Clowns at work; Syntax and semantics of chaos: Herbert Marcuse at the circus; Power of the mask; What is a gag and how it works: A conversation; 10 The Imaginary Circus; Romancing the circus; The circus as a phantasm; The ascent of the clown; Circus mystics: The juggler and the funambulist; 11 Ideology and Politics in the Circus Ring; Poetics and politics of the body Erotic circus: The tame and the wildIdeology, politics, and propaganda; The body politic in performance; 12 The Postanimal Circus; A cultural revolution: The animal liberation movement; The new circus: Human, humane, and humanitarian; Circus and subversion: From anticircus to counterculture and activism; The return of the animal?; Conclusion: Pleasures of the Circus: Attraction, Emotion, and Addiction; Truth and deception; The logic of attraction; Information, fear, and empathy; Games, rewards, and addiction; Performance, ritual, and meaning; Bibliography; Index |
| Record Nr. | UNINA-9910955462003321 |
|
Bouissac Paul
|
||
| London, : Bloomsbury Publishing, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performance analysis : an introductory coursebook / / edited by Colin Counsell and Laurie Wolf
| Performance analysis : an introductory coursebook / / edited by Colin Counsell and Laurie Wolf |
| Pubbl/distr/stampa | London : , : Routledge, , 2001 |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina |
791.014
791/.01/4 |
| Altri autori (Persone) |
CounsellColin <1956->
WolfLaurie |
| Soggetto topico |
Body, Human
Gender identity Gender identity - Political aspects Human body Performing arts Performing arts - Political aspects Performing arts - Semiotics Political aspects Semiotics Human body - Political aspects Literature - General Languages & Literatures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-59266-3
1-280-14097-6 0-203-97700-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Book Cover; Title; Copyright; Contents; Decoding the artefact; The politics of performance; Performing gender and sexual identity; Performing ethnicity; The performing body; The space of performance; Spectator and audience; At the borders of performance; Analysing performance; Bibliography; Index |
| Record Nr. | UNINA-9910450604803321 |
| London : , : Routledge, , 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performance analysis : an introductory coursebook / / edited by Colin Counsell and Laurie Wolf
| Performance analysis : an introductory coursebook / / edited by Colin Counsell and Laurie Wolf |
| Pubbl/distr/stampa | London : , : Routledge, , 2001 |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina |
791.014
791/.01/4 |
| Altri autori (Persone) |
CounsellColin <1956->
WolfLaurie |
| Soggetto topico |
Body, Human
Gender identity Gender identity - Political aspects Human body Performing arts Performing arts - Political aspects Performing arts - Semiotics Political aspects Semiotics Human body - Political aspects Literature - General Languages & Literatures |
| ISBN |
92-5-104437-6
1-134-59265-5 1-134-59266-3 1-280-14097-6 0-203-97700-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Book Cover; Title; Copyright; Contents; Decoding the artefact; The politics of performance; Performing gender and sexual identity; Performing ethnicity; The performing body; The space of performance; Spectator and audience; At the borders of performance; Analysing performance; Bibliography; Index |
| Record Nr. | UNINA-9910783013403321 |
| London : , : Routledge, , 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performance, embodiment and cultural memory [[electronic resource] /] / edited by Colin Counsell and Roberta Mock
| Performance, embodiment and cultural memory [[electronic resource] /] / edited by Colin Counsell and Roberta Mock |
| Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars, 2009 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 306.4/84 |
| Altri autori (Persone) |
CounsellColin <1956->
MockRoberta |
| Soggetto topico |
Performing arts - Social aspects
Collective memory Body language Human body - Symbolic aspects Group identity Performing arts - Anthropological aspects Performing arts - Semiotics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-48117-7
9786612481178 1-4438-1471-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CONTENTS; INTRODUCTION; PERFORMING INTERCULTURAL MEMORY IN THE DIASPORIC PRESENT; EMBODIMENT OF MEMORY AND THE DIASPORIC AGENT IN AKRAM KHAN COMPANY'S BAHOK; TOHU-BOHU; BELATED SPACES; BARCELONA; DEAD BODIES/LIVE BODIES; CONSUMING CULTURE; NO SWEAT; PIANOLA KARAOKE AND OTHER ATTRACTIONS; NOISE, MEMORY, GESTURE; KEY TEXTS; CONTRIBUTORS |
| Record Nr. | UNINA-9910464902803321 |
| Newcastle upon Tyne, : Cambridge Scholars, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performance, embodiment and cultural memory [[electronic resource] /] / edited by Colin Counsell and Roberta Mock
| Performance, embodiment and cultural memory [[electronic resource] /] / edited by Colin Counsell and Roberta Mock |
| Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars, 2009 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 306.4/84 |
| Altri autori (Persone) |
CounsellColin <1956->
MockRoberta |
| Soggetto topico |
Performing arts - Social aspects
Collective memory Body language Human body - Symbolic aspects Group identity Performing arts - Anthropological aspects Performing arts - Semiotics |
| ISBN |
1-282-48117-7
9786612481178 1-4438-1471-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CONTENTS; INTRODUCTION; PERFORMING INTERCULTURAL MEMORY IN THE DIASPORIC PRESENT; EMBODIMENT OF MEMORY AND THE DIASPORIC AGENT IN AKRAM KHAN COMPANY'S BAHOK; TOHU-BOHU; BELATED SPACES; BARCELONA; DEAD BODIES/LIVE BODIES; CONSUMING CULTURE; NO SWEAT; PIANOLA KARAOKE AND OTHER ATTRACTIONS; NOISE, MEMORY, GESTURE; KEY TEXTS; CONTRIBUTORS |
| Record Nr. | UNINA-9910788990703321 |
| Newcastle upon Tyne, : Cambridge Scholars, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Semiotics at the Circus / / Paul Bouissac
| Semiotics at the Circus / / Paul Bouissac |
| Autore | Bouissac Paul |
| Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter Mouton, , [2010] |
| Descrizione fisica | 1 online resource (207 p.) |
| Disciplina | 791.3 |
| Collana | Semiotics, Communication and Cognition [SCC] |
| Soggetto topico |
Circus - Social aspects
Performing arts - Semiotics Performing arts - Audiences Visual communication |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-70651-9
9786612706516 3-11-021831-3 |
| Classificazione | ER 755 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction. A semiotician at the circus -- Chapter 1. The production of circus space -- Chapter 2. The time of the circus. Cognitive and emotional dimensions of acrobatics and other circus acts -- Chapter 3. In what sense is a circus animal performing? -- Chapter 4. Horses' feathers: from tacit knowledge to circus metaphors -- Chapter 5. Circus and cycles -- Chapter 6. The pyramid and the wheel: the visual discourse of circus acrobatics -- Chapter 7. The logic of clown faces -- Chapter 8. Incident, accident, failure: life and death at the circus -- Chapter 9. There's no business like show business: the marketing of performance -- Chapter 10. The researcher as spectator: the pragmatics of circus performances -- Conclusion. Circus in perspective -- Backmatter |
| Record Nr. | UNINA-9910455722903321 |
|
Bouissac Paul
|
||
| Berlin ; ; Boston : , : De Gruyter Mouton, , [2010] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Semiotics at the Circus / / Paul Bouissac
| Semiotics at the Circus / / Paul Bouissac |
| Autore | Bouissac Paul |
| Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter Mouton, , [2010] |
| Descrizione fisica | 1 online resource (207 p.) |
| Disciplina | 791.3 |
| Collana | Semiotics, Communication and Cognition [SCC] |
| Soggetto topico |
Circus - Social aspects
Performing arts - Semiotics Performing arts - Audiences Visual communication |
| Soggetto non controllato |
Communication
Cultural Studies Performing Arts Pragmatics Semiotics |
| ISBN |
1-282-70651-9
9786612706516 3-11-021831-3 |
| Classificazione | ER 755 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction. A semiotician at the circus -- Chapter 1. The production of circus space -- Chapter 2. The time of the circus. Cognitive and emotional dimensions of acrobatics and other circus acts -- Chapter 3. In what sense is a circus animal performing? -- Chapter 4. Horses' feathers: from tacit knowledge to circus metaphors -- Chapter 5. Circus and cycles -- Chapter 6. The pyramid and the wheel: the visual discourse of circus acrobatics -- Chapter 7. The logic of clown faces -- Chapter 8. Incident, accident, failure: life and death at the circus -- Chapter 9. There's no business like show business: the marketing of performance -- Chapter 10. The researcher as spectator: the pragmatics of circus performances -- Conclusion. Circus in perspective -- Backmatter |
| Record Nr. | UNINA-9910780737103321 |
|
Bouissac Paul
|
||
| Berlin ; ; Boston : , : De Gruyter Mouton, , [2010] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theory of performing arts [[electronic resource] /] / by André Helbo
| Theory of performing arts [[electronic resource] /] / by André Helbo |
| Autore | Helbo André |
| Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : Benjamins, 1987 |
| Descrizione fisica | 1 online resource (161 p.) |
| Disciplina |
790.2/0141
790.20141 |
| Collana | Critical theory |
| Soggetto topico |
Performing arts - Semiotics
Performing arts - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-35892-1
9786613358929 90-272-7900-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
THEORY OF PERFORMING ARTS; Editorial page; Title page; Copyright page; Table of contents; Foreword; I. CRITICAL THEORY AND PERFORMING ARTS; 1. A general socio-semiotic model; 1. The discourse of social sciences; 1.1. The negative image of semiotics; 1.2. Actualization - Natural language (langue) and speech (parole); 1.3. Language and society; 1.4. The relational structure; 1.5. Enunciation; 2. Methodology. Spectacular discourse; 2.1. The polysemy of convention; 2.2. Arbitrariness and observation; 2.3. The possible world; 2.4. Persusasive and interpretative doing; 2.5. Modalities
2.6. Specific rhetorics Note of the translator; Notes; 2. Towards a theatre semiotics; Notes; 3. Theatrology and literary studies; 1. What is theatrology?; 2. Theatrical production; 2.1. Identification; 2.2. Differentiation; 2.3. Text and performance; 3. Theatrical reception; 4. Montage; Notes; II. FUNDAMENTAL CONTROVERSIES; 1. Research methodology; 1. General survey; 2. Semiotics of theater; 3. Relationships to other scientific disciplines; 4. The scientific quest; Note; 2. Communication and cognition; 1. The validity of the rubrics; 2. The relevance of the concept of stimulation 3. Relevance of the concept of communication Notes; 3. Pragmatics and discourse; 1. A double delegation process; 2. Enunciation instances; 3. Ponendo tollens; Notes; 4. The code, irrelevant concept?; 1. The icon; 2. The index; 3. The signal; 4. The symbol; 5. Stereotypes; Notes; III. NEW PERSPECTIVES AND NEW INSTRUMENTS; 1. The visual paradigm and the scene; 1. Process of an encounter; 2. Semiology of the image; 3. Visual semiotics; 4. The theatrical text; 4.1. Plastic materiality; 4.2. On the relationship premanifested-linguistics-iconics; 4.3. On the verbalization of the figurated 4.4. On codes Notes; 2. Readable and visible dimensions. Opera and theater.; 1. Definitions. Why is opera theory relevant to theatrology?; 2. Theater; 3. Opera; 4. The emancipated image; 5. Enunciated historicity; 6. A poetics; 3. Reception and relation; 1. Mask, otherness; 2. The theatrical object; 3. System of the game; 4. Approach of the theatrical game; Notes; 4. Constructing coherence; 1. Methodological premises; 2. The spectacular text; 3. The components of the spectacular text; 4. Pragmatic study of the spectacular text; 5. Contextual study of the spectacular text; 6. Text and coherence 7. Conclusion 5. The spectacular paradigm; Notes; References |
| Record Nr. | UNINA-9910457550503321 |
|
Helbo André
|
||
| Amsterdam ; ; Philadelphia, : Benjamins, 1987 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
