Acting and Being : Explorations in Embodied Performance / / by Elizabeth Hess |
Autore | Hess Elizabeth |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (XIII, 239 p. 10 illus.) |
Disciplina | 790 |
Soggetto topico |
Performing arts
Dance Self Identity (Psychology) Performing Arts Self and Identity |
ISBN | 1-349-95106-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Part I. States of Being -- Chapter 1. Behavioral States -- Chapter 2. Physiological States -- Chapter 3. Psychological States -- Part II. Explorations in Embodied Performance -- Chapter 4. Behavioral Explorations -- Chapter 5. Physiological Explorations -- Chapter 6. Psychological Explorations -- Part III The Interplay of Acting & Being -- Chapter 7. Character Work -- Chapter 8. Scene Study -- Chapter 9. Production -- Bibliography. |
Record Nr. | UNINA-9910157398803321 |
Hess Elizabeth
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Acting Queer : Gender Dissidence and the Subversion of Realism / / by Conrad Alexandrowicz |
Autore | Alexandrowicz Conrad |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (225 pages) |
Disciplina | 305.3 |
Soggetto topico |
Performing arts
Theater Actors Queer theory Gender identity Performing Arts Contemporary Theatre Performers and Practitioners Queer Theory Gender and Sexuality |
ISBN | 3-030-29318-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: ‘Straight-looking, Straight-acting’ -- 2. ‘You’re Soaking in It’: the Influence of Hollywood -- 3. Gender Dissidence and Its Prohibitions -- 4. Gendered Movement and “Physical’ Acting -- 5. The Subversion of Realism -- 6. Queer-looking, Queer-acting -- 7. Extensions and Excursions: Acting Queer Ecology. |
Record Nr. | UNINA-9910483216703321 |
Alexandrowicz Conrad
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Actors and the Art of Performance [[electronic resource] ] : Under Exposure / / by Susanne Granzer |
Autore | Granzer Susanne |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (xi, 120 pages) : illustrations |
Disciplina | 792.02801 |
Collana | Performance Philosophy |
Soggetto topico |
Motion picture authorship
Motion pictures and television Theater Philosophy Performing arts Screenwriting Screen Studies Theatre and Performance Studies Philosophy, general Performing Arts |
ISBN | 1-137-59634-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Part I: Hits -- 1. Auditorium X -- Double stalemate -- Turning point, peripeteia -- Turn around -- i, mine -- 2. Speculations -- Actors' fears -- Crying -- Child's play -- Exposed -- With-out me -- 3. Black out -- First time at the theater -- Part II: Experts in being? -- 4. The actor: A creature of fable -- why do you want to be an actor? -- 5. The Causa Corpora -- The kiss of Olympia -- Machine against man -- The actor's trump card -- 6. The gift of acting -- Skipping -- Prejudice -- Subject-based thinking versus stage experience -- Master and servant -- Bodies on stage -- Innocence of becoming -- Language and speaking -- Digesting speech -- Counterwords -- The Other, the others -- Affect versus thought -- Thinking and acting -- Repetition -- 7. The gift of death -- Tu es mort -- Theater as a symbolic death -- Point of no return -- Felicity -- a salto mortale -- Our friend Touchstone -- 8. Finale and punctum -- Why do you want to be an actor? |
Record Nr. | UNINA-9910134808903321 |
Granzer Susanne
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Adaptation Considered as a Collaborative Art : Process and Practice / / edited by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (373 pages) |
Disciplina |
741.5973
801 |
Collana | Adaptation in Theatre and Performance |
Soggetto topico |
Performing arts
Motion picture acting Technology in literature Literature—Translations Motion picture authorship Theater—Production and direction Performing Arts Screen Performance Literature and Technology/Media Translation Studies Screenwriting Theatre Direction and Production |
ISBN |
9783030251611
3030251616 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Process and Practice -- 2. Collaborating with the Dead, or Adapters as Secret Agents -- 3. 'Playing the Maids': Playing with Adaptive Possibilities - Collaboration and the Actor's Process -- 4. The Not-So-Singular Life of Albert Nobbs -- 5. Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe's The Butcher Boy on Stage -- 6. The Alien World of Objects: Stanley Kubrick's The Killing -- 7. Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine -- 8. "His world had vanished long before he entered it" Wes Anderson's homage to Stefan Zweig -- 9. Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm's Der Schimmelreiter / The Rider on the White Horse (1888) -- 10. Adapting Hein's Willenbrock: Andreas Dresen and the legacy of the GDR 'Ensemble' Tradition -- 11. Same Player, Shoot Again: Géla Babluan's 13 (Tzameti), Transnational Auto-Remakes, and Collaboration -- 12. Anselm Kiefer's Signature -- 13. Adaptation as Arguing with the Past: The Case of Sherlock -- 14. The Prestige Noverlisation of the Contemporary TV Series: David Hewson's The Killing -- 15. Things You Can Do to an Author When He's Dead: Literary Prosthetics and the Example of Heinrich von Kleist -- 16. Collaborating with the Dead, Playing the Shakespeare Archive; or How We Can Avoid Being Pushed from Our Stools. |
Record Nr. | UNINA-9910483880203321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Adapting War Horse : Cognition, the Spectator, and a Sense of Play / / by Toby Malone, Christopher J. Jackman |
Autore | Malone Toby |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (XIII, 113 p. 3 illus. in color.) |
Disciplina | 790 |
Collana | Palgrave Pivot |
Soggetto topico |
Performing arts
Children's literature Motion pictures—Great Britain Performing Arts Children's Literature British Cinema and TV |
ISBN | 1-137-59475-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction. Playing the War Horse Game.-Chapter 1. “We Get to Know Him” -- Chapter 2. “Making Fit” -- Chapter 3. Spectatorship as Embodied Practice -- Chapter 4. Animated Horse-Play -- Chapter 5. Emotional Promises -- Chapter 6. Tour Horse -- Works Cited. |
Record Nr. | UNINA-9910255247003321 |
Malone Toby
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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African Youth Languages : New Media, Performing Arts and Sociolinguistic Development / / edited by Ellen Hurst-Harosh, Fridah Kanana Erastus |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (xv, 255 pages) : illustrations |
Disciplina | 306.44096 |
Soggetto topico |
African languages
Sociolinguistics Applied linguistics Multilingualism Performing arts Slang African Languages Applied Linguistics Performing Arts Slang and Jargon |
ISBN | 3-319-64562-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1. Introduction -- Section I. Social and Advertising Media -- Chapter 2. Functions of urban and Youth language in the new media: The Case of Sheng in Kenya; Fridah Kanana Erastus and Hildah Kebeya -- Chapter 3. View on the Updating of Nouchi Lexicon and Expressions; Akissi Béatrice Boutin and Jean-Claude Dodo -- Chapter 4. Social media as an extension of, and negotiation space for, a community of practice: a comparison of Nouchi and Tsotsitaal; Roland Raoul Kouassi and Ellen Hurst -- Chapter 5. The Use of Addressing Terms in Social Media: The Case of Cameroonian Youth Practices; Augustin E. Ebongue -- Chapter 6. The Impact of Youth Language on Linguistic Landscapes in Kenya and Tanzania; Leonard Muaka -- Chapter 7. Creative Use of Urban Youth Language in Advertisements: A Case of Mixing Codes; Edinah Gesare Mose and Orpha Bonareri Ombati -- Section 2. Music, Performance Poetry and Video -- Chapter 8. Plurality, translingual splinters and music-modality in Nigerian youth languages; Lasisi Adeiza Isiaka -- Chapter 9. Contestant Hybridities African urban youth language in Nigerian music and social media; Taiwo Oloruntoba-Oju -- Chapter 10. Linguistic (and non-linguistic) Influences on Urban Performance Poetry in South African Contemporary Youth Culture; Unathi Nopece -- Chapter 11. Slangs in Yoruba Home Videos: A Morpho-Pragmatic Analysis; Asiru Hameed Tunde. |
Record Nr. | UNINA-9910300596103321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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After In-Yer-Face Theatre : Remnants of a Theatrical Revolution / / edited by William C. Boles |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (255 pages) |
Disciplina | 792.09 |
Soggetto topico |
Theater
Theater—History Performing arts Contemporary Theatre Theatre History National/Regional Theatre and Performance Performing Arts Teatre |
Soggetto genere / forma | Llibres electrònics |
ISBN | 3-030-39427-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Chapter One: Introduction: Reflections on In-Yer-Face from the Other Side of the Atlantic; William C. Boles -- 2. Chapter Two: “In the Pursuit of New Writers”: The Royal Court Young Peoples’ Theatre and the Development of First Time Playwrights in the 1990s; Nicholas Holden -- 3. Chapter Three: “A Shop Window for Outrage”: Harold Pinter’s Ashes to Ashes, In-Yer-Face Theatre and the Royal Court’s 1996 West End Season; Graham Saunders -- 4. Chapter Four: “The Last Rolo”: Love, Conflict and War in Anthony Neilson’s Penetrator; Rachael Newberry -- 5. Chapter Five: Mark Ravenhill’s Dialectical Emotions: “In-Yer-Face” as Post-Brechtian Theater; Anja Hartl -- 6. Chapter Six: Undressing Sarah Kane: A Portuguese Perspective on In-Yer-Face; Cátia Faísco -- 7. Chapter Seven: Russian “In-Yer-Face Theatre” as a Problem or a Process; Elena Dotsenko -- 8. Chapter Eight: Surfing the Wave of In-Yer-Face Theatre on Australian Shores; Sandra Gattenhof -- 9. Chapter Nine: The Hidden Dialogue between Sarah Kane and Edward Bond: The Dramaturgy of Accident Time and Ethical Subjectivities; Chien-Cheng Chen -- 10. Chapter Ten: From “In-Yer-Face” to “In-Yer-Head”: Staging the Mind in Martin Crimp, Sarah Kane and Anthony Neilson; Solange Ayache -- 11. Chapter Eleven: Philip Ridley: Still In-Yer-Face; Thomas A. Oldham -- 12. Chapter Twelve: Tales from the East End: Dialogic and Confessional Storytelling as Therapy (?) in the Plays of Philip Ridley; Cath Badham -- 13. Chapter Thirteen: Joe Penhall’s Fatherhood Plays: Escaping the Influence of Sam Shepard and the Lad; William C. Boles -- 14. Chapter Fourteen: “Experiential, not speculative”: Love In and After In-Yer-Face; Korbinian Stöckl -- 15. Chapter Fifteen: The Echo Chamber: Theater in a “Post-Truth” World. |
Record Nr. | UNINA-9910483803703321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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American Progress : Nerdkultur, akrobatische Komik und Commedia dell'arte / / von Holger Schulze |
Autore | Schulze Holger |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | Wiesbaden : , : Springer Fachmedien Wiesbaden : , : Imprint : Springer VS, , 2016 |
Descrizione fisica | 1 online resource (90 p.) |
Disciplina | 300 |
Collana | Serienkulturen: Analyse – Kritik – Bedeutung |
Soggetto topico |
Communication
Sociology Performing arts Media Research Performing Arts |
ISBN | 3-658-09135-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | The General Electric-Building -- A Polymorphous-Perverted Child: Tracy Jordan -- The Funcooker: Die mediale Erzählung -- The Tragically Suffering Me: Liz Lemon -- SeinfeldVision: Die Tektonik der Medien -- The Terminator of Nerd-Pride & Prejudice: Frank Rossitano -- Christmas Special & Live Show: Die mediale Bühne -- The Mormon Parsifal: Kenneth Parcell -- Believe in the Stars: Die mediale Persona -- The Non-Symbolic Phallus: Jack Donaghy -- Dealbreakers: The commedia dell'arte by Tina Fey. |
Record Nr. | UNINA-9910483956503321 |
Schulze Holger
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Wiesbaden : , : Springer Fachmedien Wiesbaden : , : Imprint : Springer VS, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Animation : art & industry / / edited by Maureen Furniss |
Pubbl/distr/stampa | Herts : , : JL, , [2012] |
Descrizione fisica | 1 online resource (vii, 240 pages) |
Disciplina | 791.4334 |
Soggetto topico |
Animation (Cinematography)
Animated films Performing Arts |
ISBN | 0-86196-904-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction / Maureen Furniss -- Global perspectives -- Fine art animation / Cecile Starr -- Some critical perspectives on Lotte Reiniger / William Moritz -- It's Mickey Mouse / Esther Leslie -- Norman McLaren : His UNESCO work in Asia / Terence Dobson -- Conventions versus clichés / Patrick Drazen -- My neighbor Totoro / Helen McCarthy -- Glocalisation vs. Globalization : The work of Nick Park and Peter Lord / Marian Quigley -- Toward a postmodern animated discourse : Bakhtin, intertextuality and the cartoon carnival / Terry Lindvall and Matthew Melton -- Innocent play or the copycat effect? Computer game research and classification / Jørgen Stensland -- Winsor McCay / John Canemaker -- The live wire : Margaret J. Winkler and animation history / J. B. Kaufman -- Disney and the art world : The early years / Bill Mikulak -- The art of Chuck Jones : John Lewell interviews the veteran Hollywood animator / John Lewell and Chuck Jones -- The Disney studio at war / Charles Solomon -- UPA / Jules Engel -- Blacklisted animators / Karl Cohen -- Clay animation and the early days of television : The "Gumby" series / Michael Frierson -- Commercial breaks / Bill Hanna and Tom Ito -- "Cartoon, anti-cartoon" / George Griffin -- Computers, new technology and animation / James Lindner, Tina Price, Carl Rosendahl, and John Lasseter -- The illusion of "identity" : Gender and racial representation in Aladdin / Sean Griffin -- Selling Bugs Bunny : Warner Bros. and character merchandising in the nineties / Linda Simensky. |
Record Nr. | UNINA-9910787408703321 |
Herts : , : JL, , [2012] | ||
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Lo trovi qui: Univ. Federico II | ||
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Animation : art & industry / / edited by Maureen Furniss |
Pubbl/distr/stampa | Herts : , : JL, , [2012] |
Descrizione fisica | 1 online resource (vii, 240 pages) |
Disciplina | 791.4334 |
Soggetto topico |
Animation (Cinematography)
Animated films Performing Arts |
ISBN | 0-86196-904-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction / Maureen Furniss -- Global perspectives -- Fine art animation / Cecile Starr -- Some critical perspectives on Lotte Reiniger / William Moritz -- It's Mickey Mouse / Esther Leslie -- Norman McLaren : His UNESCO work in Asia / Terence Dobson -- Conventions versus clichés / Patrick Drazen -- My neighbor Totoro / Helen McCarthy -- Glocalisation vs. Globalization : The work of Nick Park and Peter Lord / Marian Quigley -- Toward a postmodern animated discourse : Bakhtin, intertextuality and the cartoon carnival / Terry Lindvall and Matthew Melton -- Innocent play or the copycat effect? Computer game research and classification / Jørgen Stensland -- Winsor McCay / John Canemaker -- The live wire : Margaret J. Winkler and animation history / J. B. Kaufman -- Disney and the art world : The early years / Bill Mikulak -- The art of Chuck Jones : John Lewell interviews the veteran Hollywood animator / John Lewell and Chuck Jones -- The Disney studio at war / Charles Solomon -- UPA / Jules Engel -- Blacklisted animators / Karl Cohen -- Clay animation and the early days of television : The "Gumby" series / Michael Frierson -- Commercial breaks / Bill Hanna and Tom Ito -- "Cartoon, anti-cartoon" / George Griffin -- Computers, new technology and animation / James Lindner, Tina Price, Carl Rosendahl, and John Lasseter -- The illusion of "identity" : Gender and racial representation in Aladdin / Sean Griffin -- Selling Bugs Bunny : Warner Bros. and character merchandising in the nineties / Linda Simensky. |
Record Nr. | UNINA-9910827574003321 |
Herts : , : JL, , [2012] | ||
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Lo trovi qui: Univ. Federico II | ||
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