Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Acting Queer [[electronic resource] ] : Gender Dissidence and the Subversion of Realism / / by Conrad Alexandrowicz
| Acting Queer [[electronic resource] ] : Gender Dissidence and the Subversion of Realism / / by Conrad Alexandrowicz |
| Autore | Alexandrowicz Conrad |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (225 pages) |
| Disciplina | 305.3 |
| Soggetto topico |
Performing arts
Theater Actors Queer theory Gender identity Performing Arts Contemporary Theatre Performers and Practitioners Queer Theory Gender and Sexuality |
| ISBN | 3-030-29318-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: ‘Straight-looking, Straight-acting’ -- 2. ‘You’re Soaking in It’: the Influence of Hollywood -- 3. Gender Dissidence and Its Prohibitions -- 4. Gendered Movement and “Physical’ Acting -- 5. The Subversion of Realism -- 6. Queer-looking, Queer-acting -- 7. Extensions and Excursions: Acting Queer Ecology. |
| Record Nr. | UNINA-9910483216703321 |
Alexandrowicz Conrad
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Applied Theatre Artist [[electronic resource] ] : Responsivity and Expertise in Practice / / by Kay Hepplewhite
| The Applied Theatre Artist [[electronic resource] ] : Responsivity and Expertise in Practice / / by Kay Hepplewhite |
| Autore | Hepplewhite Kay |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (236 pages) : illustrations |
| Disciplina | 792 |
| Soggetto topico |
Theater
Actors Performing arts Applied Theatre Performers and Practitioners Performing Arts |
| ISBN | 3-030-47268-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introducing Responsivity and the Applied Theatre Practitioner -- Chapter 2: The Applied Theatre Artist as responsive educator: Grafted expertise and a search for the ‘golden nugget’ -- Chapter 3: The Applied Theatre Artist as responsive activist: The personal is political in a feminist approach -- Chapter 4: The Applied Theatre Artist as responsive clown: A ‘beautiful mistake’ in learning disabled theatre -- Chapter 5: The Applied Theatre Artist as responsive dialogue: The art of doing less in a creative aging project -- Chapter 6: The Applied Theatre Artist as responsive performer: Defining the role in work with young people -- Chapter 7: Responsivity and the development of Applied Theatre Practitioner -- . |
| Record Nr. | UNINA-9910484986203321 |
|
Hepplewhite Kay
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Artistic Research in Performance through Collaboration [[electronic resource] /] / edited by Martin Blain, Helen Julia Minors
| Artistic Research in Performance through Collaboration [[electronic resource] /] / edited by Martin Blain, Helen Julia Minors |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (291 pages) : illustrations |
| Disciplina | 707.2 |
| Soggetto topico |
Performing arts
Theater Actors Arts Performing Arts Performers and Practitioners Contemporary Theatre |
| ISBN | 3-030-38599-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Chapter One: Introduction: Defining the Territory: Interrogating the Collaborative Processes, Issues and Concepts; Martin Blain and Helen Julia Minors -- 2. Chapter Two: The Place of Artistic Research in Higher Education; Martin Blain and Helen Julia Minors -- 3. Chapter Three: Why collaborate? Towards a Philosophy and Politics of Creative Collaboration; Mine Doğantan-Dack -- 4. Chapter Four: The Aesthetics of Collaboration; Andy Hamilton -- 5. Chapter Five: In The Bee Hive: Valuing Craft in the Cultural Industries; Alice Kettle, Helen Felcey and Amanda Ravetz -- 6. Chapter Six: The Right Thing to Play? Issues of Riff, Groove and Theme in Freely Improvised Ensemble Music: A Case Study; Adam Fairhall -- 7. Chapter Seven: Soundpainting: a Tool for Collaborating during Performance -- Helen Julia Minors -- 8. Chapter Eight: Collaboration and the Practitioner-Researcher; Tom Armstrong -- 9. Chapter Nine: Creative Industries and Copyright: Research into Collaborative Artistic Practices in Dance; Mathilde Pavis and Karen Wood -- 10. Chapter Ten: Romance and Contagion: Notes on a Conversation Between Drawing and Dance; Sally Morfill -- 11. Chapter Eleven: The Good, The God and the Guillotine: Insider/Outsider perspectives; Martin Blain and Jane Turner -- 12. Chapter Twelve: Connecting Silos: The New Arts Organisations and HEI Collaborations; Roger McKinley and Mark Wright. |
| Record Nr. | UNINA-9910484258203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary African Dance Theatre [[electronic resource] ] : Phenomenology, Whiteness, and the Gaze / / by Sabine Sörgel
| Contemporary African Dance Theatre [[electronic resource] ] : Phenomenology, Whiteness, and the Gaze / / by Sabine Sörgel |
| Autore | Sörgel Sabine |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (ix, 174 pages) : illustrations |
| Disciplina | 305.8 |
| Collana | New World Choreographies |
| Soggetto topico |
Dance
Performing arts Theater Actors Ethnology—Africa Performing Arts Contemporary Theatre Performers and Practitioners Applied Theatre African Culture |
| ISBN |
9783030415013
3030415015 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze. |
| Record Nr. | UNINA-9910483373803321 |
|
Sörgel Sabine
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dance Leadership [[electronic resource] ] : Theory Into Practice / / by Jane M. Alexandre
| Dance Leadership [[electronic resource] ] : Theory Into Practice / / by Jane M. Alexandre |
| Autore | Alexandre Jane M |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (X, 212 p. 33 illus., 29 illus. in color.) |
| Disciplina | 792.8 |
| Soggetto topico |
Dance
Theater—Production and direction Performing arts Theater Actors Theatre Direction and Production Performing Arts Contemporary Theatre Performers and Practitioners |
| ISBN | 1-137-57592-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Chapter 1. Toward a Theoretical View of Dance Leadership -- Chapter 2. “We Think Differently in the Landscape of Dance" -- Chapter 3. “I Wanted to Be a Dance Company and not a Social Project" -- Chapter 4. “The Outcome Will Be Exciting If the Process Is Exciting" -- Chapter 5. “We Found There Were Issues We Had to Address” -- Chapter 6. “I Want to Ask Questions That Are Normally Swept Under the Carpet” -- Chapter 7. “Dance Points Us into Life” -- Chapter 8. Circling Back, Moving Forward -- Chapter 9. Enhancing the Theory -- Chapter 10. Conclusion. Bibliography. |
| Record Nr. | UNINA-9910164899903321 |
|
Alexandre Jane M
|
||
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
debbie tucker green [[electronic resource] ] : Critical Perspectives / / edited by Siân Adiseshiah, Jacqueline Bolton
| debbie tucker green [[electronic resource] ] : Critical Perspectives / / edited by Siân Adiseshiah, Jacqueline Bolton |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (355 pages) |
| Disciplina | 791 |
| Soggetto topico |
Theater
Performing arts Theater—Production and direction Actors Contemporary Theatre Performing Arts Theatre Direction and Production National/Regional Theatre and Performance Theatre Industry Performers and Practitioners |
| ISBN | 3-030-34581-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: ‘change ain’t fuckin polite, scuse my language’: situating debbie tucker green -- Part I: Dramaturgies of Resistance -- Chapter 2: Black Rage: Diasporic Empathy and Ritual in debbie tucker green’s hang -- Chapter 3: ‘What about the burn their bra bitches?’: debbie tucker green as the Willfully Emotional Subject -- Chapter 4: debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter -- Chapter 5: Engaging with Human Rights: truth and reconciliation and hang -- Chapter 6: ‘I’m a black woman. I write black characters’: Black Mothers, the Police, and Social Justice in random and hang -- Chapter 7: ‘Almost, but not quite’: Reconciling debbie tucker green’s Dramaturgy with British Playwriting Studies -- Chapter 8: Yarns and Yearnings: Story-Layering, Signifyin’, and debbie tucker green’s Black-Feminist Anger -- Part II: Affective Encounters -- Chapter 9: sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green’s stoning mary and hang -- Chapter 10: Jumping to (and away from) Conclusions: Rhythm and Temporality in debbie tucker green’s Drama -- Chapter 11: Trading Voice and Voicing Trades: Musicality in debbie tucker green’s trade -- Chapter 12: ‘Hearing Voices’: Performing the Mind in debbie tucker green’s Dramatic-Poetics -- Chapter 13: Cartographies of Silence in debbie tucker green's truth and reconciliation -- Chapter 14: debbie tucker green and the Work of Mourning -- Chapter 15: Reflections on hang. |
| Record Nr. | UNINA-9910484433603321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Directing Desire [[electronic resource] ] : Intimacy Choreography and Consent in the Twenty-First Century / / by Kari Barclay
| Directing Desire [[electronic resource] ] : Intimacy Choreography and Consent in the Twenty-First Century / / by Kari Barclay |
| Autore | Barclay Kari |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (215 pages) |
| Disciplina | 792.9 |
| Soggetto topico |
Theater - History
Theater - Production and direction Actors Cultural industries Theater Contemporary Theatre and Performance Theatre Direction and Production Performers and Practitioners Theatre Industry |
| ISBN | 3-031-31222-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction Boundary Practice -- Chapter 2. Erotic Repetitions: A Brief History of Intimacy Choreography -- Chapter 3. Sexual Script Analysis: Sex Positivity and Authorship in Intimate Scenes -- Chapter 4. “Intermediate” Pornography: Mediating Presence with the Intimacy Kit -- Chapter 5. Playing with Trauma: Race, Consent, and Culturally Responsive Intimacy -- Chapter 6. Immersive Intimacy: Violation and Transformative Justice in Immersive Performance -- Chapter 7. Conclusion: Keep in Touch. |
| Record Nr. | UNINA-9910746994203321 |
|
Barclay Kari
|
||
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Enacting Lecoq [[electronic resource] ] : Movement in Theatre, Cognition, and Life / / by Maiya Murphy
| Enacting Lecoq [[electronic resource] ] : Movement in Theatre, Cognition, and Life / / by Maiya Murphy |
| Autore | Murphy Maiya |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (225 pages) |
| Disciplina | 791 |
| Collana | Cognitive Studies in Literature and Performance |
| Soggetto topico |
Theater
Actors Performing arts Phenomenology Performers and Practitioners Performing Arts Phenomenology |
| ISBN | 3-030-05615-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Crafting Necessary Temptations and Needful Freedoms: Lecoq’s Actor-Instructor Relationship -- 3. Enacting Cognitive and Creative Foundations -- 4. Lecoq’s Mime and the Process of Identifications: Enacting Movement, Selfhoods, and Otherness -- 5. Significant Practices and Principles: Play, Improvisation, Mask Work, and Language -- 6. Conclusion: “Beautiful, beautiful, but where are you going?”. |
| Record Nr. | UNINA-9910483965403321 |
|
Murphy Maiya
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
English Theatre and Social Abjection [[electronic resource] ] : A Divided Nation / / by Nadine Holdsworth
| English Theatre and Social Abjection [[electronic resource] ] : A Divided Nation / / by Nadine Holdsworth |
| Autore | Holdsworth Nadine |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (245 pages) : illustrations |
| Disciplina | 306.4848 |
| Collana | Contemporary Performance InterActions |
| Soggetto topico |
Performing arts
Theater Actors Performing Arts Theatre Industry Contemporary Theatre National/Regional Theatre and Performance Performers and Practitioners Theatre and Performance Studies |
| ISBN | 1-137-59777-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction - A Divided Nation: Theatre and Social Abjection -- 2. Chapter One - ‘Anti-Northern Prejudice’: Representing the Northern Subaltern -- 3. Chapter Two - ‘You’re All the Same, Lads with Bricks’: Riots and Rioters -- 4. Chapter Three - Blighting these Green and Pleasant Lands: Gypsies and Travellers -- 5. Chapter Four - ‘The Beast that Lies Dormant in the Belly of Our Country’: Race, Nation and Belonging -- . |
| Record Nr. | UNINA-9910483586903321 |
|
Holdsworth Nadine
|
||
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
George Alexander and the Work of the Actor-Manager [[electronic resource] /] / by Lucie Sutherland
| George Alexander and the Work of the Actor-Manager [[electronic resource] /] / by Lucie Sutherland |
| Autore | Sutherland Lucie |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (305 pages) : illustrations |
| Disciplina | 792.020924 |
| Collana | Palgrave Studies in Theatre and Performance History |
| Soggetto topico |
Theater—History
Theater Actors Theatre History Theatre Industry Performers and Practitioners National/Regional Theatre and Performance |
| ISBN | 3-030-40935-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. George Alexander and the St. James’s ‘brand’ -- 3. The actor-manager system: autonomy and collaboration -- 4. The actor-manager system: the role of the playwright -- 5. Managing risk: cross-sector adaptation -- 6. The Legacy of Alexander at the St. James’s Theatre. |
| Record Nr. | UNINA-9910484303003321 |
|
Sutherland Lucie
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
- Actors (27)
-
Performers and Practitioners
(27)
- Theater (27)
- Performing arts (21)
- Performing Arts (20)