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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910456396403321 |
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910781129403321 |
|
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction / / Arved Ashby
| Absolute music, mechanical reproduction / / Arved Ashby |
| Autore | Ashby Arved Mark |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| ISBN |
9786612697661
9780520945692 0520945697 9781282697669 1282697668 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9911094440003321 |
|
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction / / Arved Ashby
| Absolute music, mechanical reproduction / / Arved Ashby |
| Autore | Ashby Arved Mark |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| ISBN |
9786612697661
9780520945692 0520945697 9781282697669 1282697668 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9911151741603321 |
| Ashby Arved Mark | ||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performance practice in the music of Steve Reich / / Russell Hartenberger [[electronic resource]]
| Performance practice in the music of Steve Reich / / Russell Hartenberger [[electronic resource]] |
| Autore | Hartenberger Russell |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2016 |
| Descrizione fisica | 1 online resource (xxi, 260 pages) : digital, PDF file(s) |
| Disciplina | 786.8092 |
| Collana | Music since 1900 |
| Soggetto topico | Performance practice (Music) - History - 20th century |
| ISBN |
1-316-77610-7
1-316-77742-1 1-316-77764-2 1-316-60608-2 1-316-58496-8 1-316-77786-3 1-316-77874-6 1-316-77808-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Series information; Title page; Copyright information; Dedication; Table of contents; List of figures; List of music examples; Foreword; Preface; Acknowledgments; Introduction; 1 Drumming, early days; Yoga; Moondog; Rehearsals; Premiere performances; First tour to Europe; Second tour to Europe; 2 Percussion and Drumming; 3 The process of composing Drumming; Early sketchbook entries of the drumming pattern; Phrase groupings; Development of the Drumming pattern; Further development of the Drumming pattern; 4 Drumming, Part I; Instruments; Part assignments; Basic pattern
Resultant patternsPerformance practice; First build-up section (construction); Second build-up section (reconstruction); 5 Drumming, Part II; Singers; Vocal resultant patterns; Instruments; Performance practice; Playing style; 6 Drumming, Part III; Instruments; Whistling and piccolo; Performance practice; Transition from marimbas to glockenspiels; Phasing on glockenspiels; Glockenspiel deconstruction; 7 Drumming, Part IV; Performance practice; Build-up (construction); Phasing; Resultant patterns for voices and piccolo; 8 Acoustics of Drumming; 9 Anatomy of a phase An approach to phasing in DrummingPlay precisely with the other player(s); Always feel the first note of the drumming pattern as "one"; Practice jumping in at the next interlocking position; Interlocking mode and phasing mode; Hand movement; Mental control; Push-pull effect; Reference points; Phasing length and musicality; Group phases; Steady part; Marimba section; Glockenspiel section; Final section; Most common mistakes in phasing; Going too far; Thinking you have reached the next interlocking pattern when you have not; Losing track of your "one" in relation to the steady pattern Moving hands at different speeds, causing disorientationPlaying your pattern unevenly so it is unclear when you have reached the next interlocking relationship...; Becoming completely confused and not knowing what to do; What to do if you make a mistake while phasing; Practicing phasing; What really happens in a phase; Recording; Data retrieval; Conclusion; 10 Performance practice in Drumming; Dynamics; Tempo/pacing; Attack placement; Duration; Hand patterning and phrasing; Ghana sketchbooks; Concentration; Energy and endurance; Time feel; Base eight; Drumming and West African drumming The process of learning/teaching DrummingPerformance practice after Drumming; 11 Clapping Music; Performance practice; Social context of clapping; Conclusion; 12 Music for Pieces of Wood; Development of rhythmic patterns; Instruments; Performance practice; 13 Six Pianos; Piano store rehearsals; Final version; Composition in 4/4; Six Marimbas; 14 Music for Mallet Instruments, Voices, and Organ; Rehearsals; Performance practice; 15 Music for 18 Musicians; Instrumentation; Ensemble members; Early rehearsals; The ensemble; Town Hall premiere; Performance practice Performance issues for string players |
| Record Nr. | UNINA-9910136604403321 |
|
Hartenberger Russell
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| Cambridge : , : Cambridge University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Recording the classics [[electronic resource] ] : maestros, music, and technology / / James Badal
| Recording the classics [[electronic resource] ] : maestros, music, and technology / / James Badal |
| Autore | Badal James Jessen <1943-> |
| Pubbl/distr/stampa | Kent, Ohio, : Kent State University Press, c1996 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 781.49 |
| Soggetto topico |
Conductors (Music)
Performance practice (Music) - History - 20th century Sound recordings - Social aspects Sound recording industry |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-61277-487-3
0-585-16105-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910456338903321 |
|
Badal James Jessen <1943->
|
||
| Kent, Ohio, : Kent State University Press, c1996 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Recording the classics [[electronic resource] ] : maestros, music, and technology / / James Badal
| Recording the classics [[electronic resource] ] : maestros, music, and technology / / James Badal |
| Autore | Badal James Jessen <1943-> |
| Pubbl/distr/stampa | Kent, Ohio, : Kent State University Press, c1996 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 781.49 |
| Altri autori (Persone) | BadalJames Jessen <1943-> |
| Soggetto topico |
Conductors (Music)
Performance practice (Music) - History - 20th century Sound recordings - Social aspects Sound recording industry |
| ISBN |
1-61277-487-3
0-585-16105-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910778732503321 |
|
Badal James Jessen <1943->
|
||
| Kent, Ohio, : Kent State University Press, c1996 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Recording the classics : maestros, music, and technology / / James Badal
| Recording the classics : maestros, music, and technology / / James Badal |
| Autore | Badal James Jessen <1943-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Kent, Ohio, : Kent State University Press, c1996 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 781.49 |
| Altri autori (Persone) | BadalJames Jessen <1943-> |
| Soggetto topico |
Conductors (Music)
Performance practice (Music) - History - 20th century Sound recordings - Social aspects Sound recording industry |
| ISBN |
1-61277-487-3
0-585-16105-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Copyright -- Contents -- Preface -- Author's Note -- Introduction -- Lorin Maazel -- Colin Davis -- Kurt Masur -- Antal Doráti -- Erich Leinsdorf -- Christoph von Dohnányi -- Simon Rattle -- Charles Dutoit -- Christopher Hogwood -- Vladimir Ashkenazy -- Riccardo Chailly -- Pierre Boulez -- Andrew Davis -- Erich Kunzel -- Leonard Slatkin -- Neeme Järvi -- Bibliography. |
| Record Nr. | UNINA-9911108147803321 |
|
Badal James Jessen <1943->
|
||
| Kent, Ohio, : Kent State University Press, c1996 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Recording the classics : maestros, music, and technology / / James Badal
| Recording the classics : maestros, music, and technology / / James Badal |
| Autore | Badal James Jessen <1943-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Kent, Ohio, : Kent State University Press, c1996 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 781.49 |
| Altri autori (Persone) | BadalJames Jessen <1943-> |
| Soggetto topico |
Conductors (Music)
Performance practice (Music) - History - 20th century Sound recordings - Social aspects Sound recording industry |
| ISBN |
1-61277-487-3
0-585-16105-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Copyright -- Contents -- Preface -- Author's Note -- Introduction -- Lorin Maazel -- Colin Davis -- Kurt Masur -- Antal Doráti -- Erich Leinsdorf -- Christoph von Dohnányi -- Simon Rattle -- Charles Dutoit -- Christopher Hogwood -- Vladimir Ashkenazy -- Riccardo Chailly -- Pierre Boulez -- Andrew Davis -- Erich Kunzel -- Leonard Slatkin -- Neeme Järvi -- Bibliography. |
| Record Nr. | UNINA-9911147181803321 |
|
Badal James Jessen <1943->
|
||
| Kent, Ohio, : Kent State University Press, c1996 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
