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African American performance and theater history : a critical reader / / edited by Harry J. Elam and David Krasner
| African American performance and theater history : a critical reader / / edited by Harry J. Elam and David Krasner |
| Pubbl/distr/stampa | Oxford [England] ; ; New York, : Oxford University Press, 2001 |
| Descrizione fisica | xiv, 367 p. : ill |
| Disciplina | 792/.089/96073 |
| Collana | Oxford scholarship online |
| Soggetto topico |
Black theater - United States
Performance art - United States American drama - Afro-American authors Performing Arts |
| ISBN |
0-19-772297-0
1-60256-346-2 1-280-65503-8 0-19-802928-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910814053603321 |
| Oxford [England] ; ; New York, : Oxford University Press, 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The domain-matrix : performing lesbian at the end of print culture / / Sue-Ellen Case
| The domain-matrix : performing lesbian at the end of print culture / / Sue-Ellen Case |
| Autore | Case Sue-Ellen |
| Pubbl/distr/stampa | Bloomington, Indianapolis, Indiana : , : Indiana University Press, , 1996 |
| Descrizione fisica | 1 online resource (267 pages) : illustrations |
| Disciplina | 306.76/63 |
| Collana | Theories of representation and difference The domain-matrix |
| Soggetto topico |
Lesbianism - United States
Lesbians - United States - Computer network resources Computers - Social aspects - United States Performance art - United States Gays in popular culture - United States Lesbian artists in popular culture - United States |
| ISBN | 0-253-11631-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910154733703321 |
Case Sue-Ellen
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| Bloomington, Indianapolis, Indiana : , : Indiana University Press, , 1996 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Liminalities : a journal of performance studies
| Liminalities : a journal of performance studies |
| Pubbl/distr/stampa | Tampa, FL, : Liminalities, ©2005- |
| Descrizione fisica | 1 online resource |
| Disciplina | 700 |
| Soggetto topico |
Performance art - United States
Arts, Modern - 21st century Arts, American - 21st century Arts, American Arts, Modern Performance art |
| Soggetto genere / forma | Periodicals. |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996336660903316 |
| Tampa, FL, : Liminalities, ©2005- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Liminalities : a journal of performance studies
| Liminalities : a journal of performance studies |
| Pubbl/distr/stampa | Tampa, FL, : Liminalities, ©2005- |
| Descrizione fisica | 1 online resource |
| Disciplina | 700 |
| Soggetto topico |
Performance art - United States
Arts, Modern - 21st century Arts, American - 21st century Arts, American Arts, Modern Performance art |
| Soggetto genere / forma | Periodicals. |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910890912003321 |
| Tampa, FL, : Liminalities, ©2005- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Loca motion : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallan
| Loca motion : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallan |
| Autore | Habell-Pallan Michelle |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : New York University, c2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791/.082/0973 |
| Soggetto topico |
American drama - Hispanic American authors - History and criticism
American drama - Mexican American authors - History and criticism American drama - Women authors - History and criticism Hispanic American women - Intellectual life Mexican American women - Intellectual life Hispanic Americans in the performing arts Women in popular culture - United States Performing arts - United States Performance art - United States Popular culture - United States Hispanic American theater |
| ISBN |
0-8147-4460-5
0-8147-7340-0 1-4294-1415-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1 From the Shadows of the Spanish Fantasy Heritage to a Transnational Imaginary -- 2 “No Cultural Icon” Marisela Norte and Spoken Word— East L.A. Noir and the U.S./Mexico Border -- 3 The Politics of Representation: Queerness and the Transnational Family in Luis Alfaro’s Performance -- 4 Translated/Translating Woman: Comedienne/Solo Performer Marga Gomez, “Sending All Those Puerto Ricans Back to Mexico,” and the Politics of a Sexualized Location -- 5 “¿Soy Punkera, Y Que?” Sexuality, Translocality, and Punk in Los Angeles and Beyond -- 6 Bridge over Troubled Borders: The Transnational Appeal of Chicano Popular Music -- Epilogue “Call Us Americans, ’Cause We Are All from the Américas”: Latinos at Home in Canada -- Notes -- Bibliography -- Index -- About the Author |
| Record Nr. | UNINA-9910828573803321 |
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Habell-Pallan Michelle
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| New York, : New York University, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Loca motion [[electronic resource] ] : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallán
| Loca motion [[electronic resource] ] : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallán |
| Autore | Habell-Pallán Michelle |
| Pubbl/distr/stampa | New York, : New York University, c2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791/.082/0973 |
| Soggetto topico |
American drama - Hispanic American authors - History and criticism
American drama - Mexican American authors - History and criticism American drama - Women authors - History and criticism Hispanic American women - Intellectual life Mexican American women - Intellectual life Hispanic Americans in the performing arts Women in popular culture - United States Performing arts - United States Performance art - United States Popular culture - United States Hispanic American theater |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8147-4460-5
0-8147-7340-0 1-4294-1415-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910449745803321 |
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Habell-Pallán Michelle
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| New York, : New York University, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Loca motion [[electronic resource] ] : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallán
| Loca motion [[electronic resource] ] : the travels of Chicana and Latina popular culture / / Michelle Habell-Pallán |
| Autore | Habell-Pallán Michelle |
| Pubbl/distr/stampa | New York, : New York University, c2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791/.082/0973 |
| Soggetto topico |
American drama - Hispanic American authors - History and criticism
American drama - Mexican American authors - History and criticism American drama - Women authors - History and criticism Hispanic American women - Intellectual life Mexican American women - Intellectual life Hispanic Americans in the performing arts Women in popular culture - United States Performing arts - United States Performance art - United States Popular culture - United States Hispanic American theater |
| ISBN |
0-8147-4460-5
0-8147-7340-0 1-4294-1415-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1 From the Shadows of the Spanish Fantasy Heritage to a Transnational Imaginary -- 2 “No Cultural Icon” Marisela Norte and Spoken Word— East L.A. Noir and the U.S./Mexico Border -- 3 The Politics of Representation: Queerness and the Transnational Family in Luis Alfaro’s Performance -- 4 Translated/Translating Woman: Comedienne/Solo Performer Marga Gomez, “Sending All Those Puerto Ricans Back to Mexico,” and the Politics of a Sexualized Location -- 5 “¿Soy Punkera, Y Que?” Sexuality, Translocality, and Punk in Los Angeles and Beyond -- 6 Bridge over Troubled Borders: The Transnational Appeal of Chicano Popular Music -- Epilogue “Call Us Americans, ’Cause We Are All from the Américas”: Latinos at Home in Canada -- Notes -- Bibliography -- Index -- About the Author |
| Record Nr. | UNINA-9910783765403321 |
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Habell-Pallán Michelle
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| New York, : New York University, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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On edge [[electronic resource] ] : performance at the end of the twentieth century / / C. Carr
| On edge [[electronic resource] ] : performance at the end of the twentieth century / / C. Carr |
| Autore | Carr C |
| Edizione | [Rev. ed.] |
| Pubbl/distr/stampa | Middletown, Conn., : Wesleyan University Press, c2008 |
| Descrizione fisica | 1 online resource (394 p.) |
| Disciplina | 700/.973/09045 |
| Soggetto topico |
Performance art - United States
Arts, American - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8195-7242-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; On Edge; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction: Leaving Terra Firma; Foreword to the Revised Edition; In Extremis; Roped: A Saga of Art in Everyday Life Linda Montano, Tehching Hsieh; Before and After Science Stelarc; This is Only a Test Chris Burden; A Great Wall Marina Abramovic, Ulay; Underground; The Hot Bottom: Art and Artifice in the East Village; Country Clubbing 8BC's Pig Phest; To Thine Own Self Be True Ethyl Eichelberger; Sex Gods, Ekstatic Women John Sex, Nina Hagen, Dancenoise
The Revolution That Won't Be Televised Michael Smith, Karen Finley, Harry Kipper, et al.R.I.P. 8BC The end of the never-ending talent show; Art Crimes Cinema of Transgression, Outlaw Parties, et al.; Loisada Talking Pictures Ela Troyano; The Queer Frontier Holly Hughes, Carmelita Tropicana; Disenchanted Evening Donna Henes; Big Bang Theory Poppo Shiraishi; Bad Company at the Love Club Karen Finley, Carlo McCormick; Help Thou Mine Unbelief The Church of the Little Green Man; Nightclubbing The Tompkins Square Riot; The Triumph of Neoism The Millionth Apartment Festival Don't Make Me Over Slaves of New York, Darius JamesJust Revolting Missing Foundation; Regenerate Art; Unspeakable Practices, Unnatural Acts: The Taboo Art of Karen Finley; The Lady Is a Dick: The Dyke Noir Theater of Holly Hughes; Body Beautiful FrankMoore; Lydia Lunch Faces the Void; Learning to Love the Monster Jon Moritsugu, Johanna Went; The Kipper Kids in Middle Age; Life is a Killer Joe Coleman; Is That You? Fiona Templeton; Deconstructing Dixie Laurie Carlos, Jessica Hagedorn, Robbie McCauley; A Crash of Symbols Sherman Fleming, Kristine Stiles; Two Birds with One Stone Dancenoise A Public Cervix Announcement Annie Sprinkle, the Smut FestRevisions of Excess The V-Girls, Blue Man Group; An Artist Retreats from Rage Rafael Montañez Ortiz; Beauties and Beasts Salley May, Ms. Make-Believe, David Lynch; Radical Shriek Diamanda Galas; Simulacra Stops Here The Border Arts Workshop /Taller de Arte Fronterizo; Redicovering America Guillermo Gómez-Peña; Talk Show Robbie McCauley, Jeannie Hutchins; A Cinema Against the Vérités Shu Lea Cheang; Wired; Am I a Camera? John Jesurun; Am I Living in a Box? Ann Magnuson; The Vanguard Moves to Melrose Place Mel Chin and the GALA Committee The Heart of the Web Nina Sobell, Emily HartzellCall Her Ishmael Laurie Anderson; War on Art; An NEA Timeline (Just the Lowlights); Portrait of an Artist in the Age of AIDS David Wojnarowicz; The Sexual Politics of Censorship Targeted Artists and the Wrathful Dads; With Mapplethorpe in Cincinnati ""The Perfect Moment"" on Trial; The Adventures of Andre Serrano in Pursuit of the White Supremacists; Gross Indecency: The NEA Four Decision; Fin-de-Millenium; The Bohemian Diaspora; In the Discomfort Zone William Pope.L; Dancing in the Streets Yoshiko Chuma; The Pain Artist Bob Flanagan The World According to Jack Smith |
| Record Nr. | UNINA-9910463871503321 |
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Carr C
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||
| Middletown, Conn., : Wesleyan University Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
On edge : performance at the end of the twentieth century / / C. Carr
| On edge : performance at the end of the twentieth century / / C. Carr |
| Autore | Carr C |
| Edizione | [Rev. ed.] |
| Pubbl/distr/stampa | Middletown, Conn., : Wesleyan University Press, c2008 |
| Descrizione fisica | 1 online resource (394 pages) |
| Disciplina | 700/.973/09045 |
| Soggetto topico |
Performance art - United States
Arts, American - 20th century |
| ISBN | 0-8195-7242-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; On Edge; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction: Leaving Terra Firma; Foreword to the Revised Edition; In Extremis; Roped: A Saga of Art in Everyday Life Linda Montano, Tehching Hsieh; Before and After Science Stelarc; This is Only a Test Chris Burden; A Great Wall Marina Abramovic, Ulay; Underground; The Hot Bottom: Art and Artifice in the East Village; Country Clubbing 8BC's Pig Phest; To Thine Own Self Be True Ethyl Eichelberger; Sex Gods, Ekstatic Women John Sex, Nina Hagen, Dancenoise
The Revolution That Won't Be Televised Michael Smith, Karen Finley, Harry Kipper, et al.; R.I.P. 8BC The end of the never-ending talent show; Art Crimes Cinema of Transgression, Outlaw Parties, et al.; Loisada Talking Pictures Ela Troyano; The Queer Frontier Holly Hughes, Carmelita Tropicana; Disenchanted Evening Donna Henes; Big Bang Theory Poppo Shiraishi; Bad Company at the Love Club Karen Finley, Carlo McCormick; Help Thou Mine Unbelief The Church of the Little Green Man; Nightclubbing The Tompkins Square Riot; The Triumph of Neoism The Millionth Apartment Festival Don't Make Me Over Slaves of New York, Darius James; Just Revolting Missing Foundation; Regenerate Art; Unspeakable Practices, Unnatural Acts: The Taboo Art of Karen Finley; The Lady Is a Dick: The Dyke Noir Theater of Holly Hughes; Body Beautiful FrankMoore; Lydia Lunch Faces the Void; Learning to Love the Monster Jon Moritsugu, Johanna Went; The Kipper Kids in Middle Age; Life is a Killer Joe Coleman; Is That You? Fiona Templeton; Deconstructing Dixie Laurie Carlos, Jessica Hagedorn, Robbie McCauley; A Crash of Symbols Sherman Fleming, Kristine Stiles; Two Birds with One Stone Dancenoise A Public Cervix Announcement Annie Sprinkle, the Smut Fest; Revisions of Excess The V-Girls, Blue Man Group; An Artist Retreats from Rage Rafael Montañez Ortiz; Beauties and Beasts Salley May, Ms. Make-Believe, David Lynch; Radical Shriek Diamanda Galas; Simulacra Stops Here The Border Arts Workshop /Taller de Arte Fronterizo; Redicovering America Guillermo Gómez-Peña; Talk Show Robbie McCauley, Jeannie Hutchins; A Cinema Against the Vérités Shu Lea Cheang; Wired; Am I a Camera? John Jesurun; Am I Living in a Box? Ann Magnuson; The Vanguard Moves to Melrose Place Mel Chin and the GALA Committee The Heart of the Web Nina Sobell, Emily Hartzell; Call Her Ishmael Laurie Anderson; War on Art; An NEA Timeline (Just the Lowlights); Portrait of an Artist in the Age of AIDS David Wojnarowicz; The Sexual Politics of Censorship Targeted Artists and the Wrathful Dads; With Mapplethorpe in Cincinnati ""The Perfect Moment"" on Trial; The Adventures of Andre Serrano in Pursuit of the White Supremacists; Gross Indecency: The NEA Four Decision; Fin-de-Millenium; The Bohemian Diaspora; In the Discomfort Zone William Pope.L; Dancing in the Streets Yoshiko Chuma; The Pain Artist Bob Flanagan; The World According to Jack Smith |
| Record Nr. | UNINA-9910788517503321 |
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Carr C
|
||
| Middletown, Conn., : Wesleyan University Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
On edge : performance at the end of the twentieth century / / C. Carr
| On edge : performance at the end of the twentieth century / / C. Carr |
| Autore | Carr C |
| Edizione | [Rev. ed.] |
| Pubbl/distr/stampa | Middletown, Conn., : Wesleyan University Press, c2008 |
| Descrizione fisica | 1 online resource (394 pages) |
| Disciplina | 700/.973/09045 |
| Soggetto topico |
Performance art - United States
Arts, American - 20th century |
| ISBN | 0-8195-7242-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; On Edge; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction: Leaving Terra Firma; Foreword to the Revised Edition; In Extremis; Roped: A Saga of Art in Everyday Life Linda Montano, Tehching Hsieh; Before and After Science Stelarc; This is Only a Test Chris Burden; A Great Wall Marina Abramovic, Ulay; Underground; The Hot Bottom: Art and Artifice in the East Village; Country Clubbing 8BC's Pig Phest; To Thine Own Self Be True Ethyl Eichelberger; Sex Gods, Ekstatic Women John Sex, Nina Hagen, Dancenoise
The Revolution That Won't Be Televised Michael Smith, Karen Finley, Harry Kipper, et al.; R.I.P. 8BC The end of the never-ending talent show; Art Crimes Cinema of Transgression, Outlaw Parties, et al.; Loisada Talking Pictures Ela Troyano; The Queer Frontier Holly Hughes, Carmelita Tropicana; Disenchanted Evening Donna Henes; Big Bang Theory Poppo Shiraishi; Bad Company at the Love Club Karen Finley, Carlo McCormick; Help Thou Mine Unbelief The Church of the Little Green Man; Nightclubbing The Tompkins Square Riot; The Triumph of Neoism The Millionth Apartment Festival Don't Make Me Over Slaves of New York, Darius James; Just Revolting Missing Foundation; Regenerate Art; Unspeakable Practices, Unnatural Acts: The Taboo Art of Karen Finley; The Lady Is a Dick: The Dyke Noir Theater of Holly Hughes; Body Beautiful FrankMoore; Lydia Lunch Faces the Void; Learning to Love the Monster Jon Moritsugu, Johanna Went; The Kipper Kids in Middle Age; Life is a Killer Joe Coleman; Is That You? Fiona Templeton; Deconstructing Dixie Laurie Carlos, Jessica Hagedorn, Robbie McCauley; A Crash of Symbols Sherman Fleming, Kristine Stiles; Two Birds with One Stone Dancenoise A Public Cervix Announcement Annie Sprinkle, the Smut Fest; Revisions of Excess The V-Girls, Blue Man Group; An Artist Retreats from Rage Rafael Montañez Ortiz; Beauties and Beasts Salley May, Ms. Make-Believe, David Lynch; Radical Shriek Diamanda Galas; Simulacra Stops Here The Border Arts Workshop /Taller de Arte Fronterizo; Redicovering America Guillermo Gómez-Peña; Talk Show Robbie McCauley, Jeannie Hutchins; A Cinema Against the Vérités Shu Lea Cheang; Wired; Am I a Camera? John Jesurun; Am I Living in a Box? Ann Magnuson; The Vanguard Moves to Melrose Place Mel Chin and the GALA Committee The Heart of the Web Nina Sobell, Emily Hartzell; Call Her Ishmael Laurie Anderson; War on Art; An NEA Timeline (Just the Lowlights); Portrait of an Artist in the Age of AIDS David Wojnarowicz; The Sexual Politics of Censorship Targeted Artists and the Wrathful Dads; With Mapplethorpe in Cincinnati ""The Perfect Moment"" on Trial; The Adventures of Andre Serrano in Pursuit of the White Supremacists; Gross Indecency: The NEA Four Decision; Fin-de-Millenium; The Bohemian Diaspora; In the Discomfort Zone William Pope.L; Dancing in the Streets Yoshiko Chuma; The Pain Artist Bob Flanagan; The World According to Jack Smith |
| Record Nr. | UNINA-9910819447603321 |
|
Carr C
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| Middletown, Conn., : Wesleyan University Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
