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L'antiquité travestie [[electronic resource] ] : anthologie de la poésie burlesque (1644-1658) / / édition établie et commentée par Jean Leclerc
| L'antiquité travestie [[electronic resource] ] : anthologie de la poésie burlesque (1644-1658) / / édition établie et commentée par Jean Leclerc |
| Pubbl/distr/stampa | Québec [Qué.], : Presses de l'Université Laval, c2010 |
| Descrizione fisica | 1 texte électronique (viii, 549 p.) : numérique, fichier PDF |
| Disciplina | 840.9004 |
| Altri autori (Persone) | LeclercJean <1974-> |
| Collana | Collections de la République des lettres. Sources |
| Soggetto topico |
Burlesque (Literature)
Imitation in literature French literature - 17th century - History and criticism Littérature ancienne - Histoire et critique Pastiche Burlesque Poésie satirique française - 17e siècle Poésie satirique française - 17e siècle - Histoire et critique |
| Soggetto genere / forma | Libros electronicos. |
| ISBN | 2-7637-0369-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910457691003321 |
| Québec [Qué.], : Presses de l'Université Laval, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
L'antiquité travestie [[electronic resource] ] : anthologie de la poésie burlesque (1644-1658) / / édition établie et commentée par Jean Leclerc
| L'antiquité travestie [[electronic resource] ] : anthologie de la poésie burlesque (1644-1658) / / édition établie et commentée par Jean Leclerc |
| Pubbl/distr/stampa | Québec [Qué.], : Presses de l'Université Laval, c2010 |
| Descrizione fisica | 1 texte électronique (viii, 549 p.) : numérique, fichier PDF |
| Disciplina | 840.9004 |
| Altri autori (Persone) | LeclercJean <1974-> |
| Collana | Collections de la République des lettres. Sources |
| Soggetto topico |
Burlesque (Literature)
Imitation in literature French literature - 17th century - History and criticism Littérature ancienne - Histoire et critique Pastiche Burlesque Poésie satirique française - 17e siècle Poésie satirique française - 17e siècle - Histoire et critique |
| Soggetto genere / forma | Libros electronicos. |
| ISBN | 2-7637-0369-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910781610703321 |
| Québec [Qué.], : Presses de l'Université Laval, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
L'antiquité travestie : anthologie de la poésie burlesque (1644-1658) / / édition établie et commentée par Jean Leclerc
| L'antiquité travestie : anthologie de la poésie burlesque (1644-1658) / / édition établie et commentée par Jean Leclerc |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Québec [Qué.], : Presses de l'Université Laval, c2010 |
| Descrizione fisica | 1 texte électronique (viii, 549 p.) : numérique, fichier PDF |
| Disciplina | 840.9004 |
| Altri autori (Persone) | LeclercJean <1974-> |
| Collana | Collections de la République des lettres. Sources |
| Soggetto topico |
Burlesque (Literature)
Imitation in literature French literature - 17th century - History and criticism Littérature ancienne - Histoire et critique Pastiche Burlesque Poésie satirique française - 17e siècle Poésie satirique française - 17e siècle - Histoire et critique |
| Soggetto genere / forma | Libros electronicos. |
| ISBN |
9782763703695
2763703690 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Nota di contenuto | Intro -- Avant-propos -- Liste des abréviations -- Introduction -- Protocole éditorial -- Jean-François Sarasin -- notice -- Galanterie à une dame à qui on avoit donné en raillant le nom de Souris -- Anonyme -- L'Orphée grotesque,avec le bal rustique en vers burlesques Première partie -- Suitte de l'Orphée, avec les Bacchantes ou les rudes joueuses en vers burlesques Seconde partie -- D.L.B.M. -- L'Herato-technie ou L'art d'aimer d'Ovide en vers burlesques -- Nouguier -- Le Jason incognito -- Jean Du Teil -- La nopce burlesque, ou Le combat des Centaures et des Lapithes -- Anonyme -- L'Icare sicilien, ou La cheute de Mazarin, avec sa metamorphose, en vers burlesques -- Georges de Brébeuf -- Lucain travesty, ou Les guerres civiles de César et de Pompéeen vers enjoüez -- François Colletet -- Juvénal burlesque -- Anonyme -- La Batrachomyomachie,ou La guerre des grenoüilles & -- des ratsTraduite du grec d'Homère, en vers burle -- Annexes -- Variantes et corrections -- Glossaire -- Répertoire des expressions -- Index nominum -- Bibliographie. |
| Record Nr. | UNINA-9910963672703321 |
| Québec [Qué.], : Presses de l'Université Laval, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden
| Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (798 p.) |
| Disciplina | 782.109033 |
| Collana | Mainzer Historische Kulturwissenschaften |
| Soggetto topico |
Opera
Pastiche Work Concept Music Aesthetics Arts Cultural History Art Art History European Art Fine Arts |
| Soggetto non controllato | Opera; Pastiche; Work Concept; Music Aesthetics; Arts; Cultural History; Art; Art History; European Art; Fine Arts |
| ISBN |
9783839448854
3839448859 |
| Classificazione | LR 54171 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places |
| Altri titoli varianti | Over/zur Nieden (eds.), Operatic Pasticcios Contexts, Materials and Aesthetics |
| Record Nr. | UNINA-9910642294903321 |
| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Pictorial Irony, Parody, and Pastiche : Comic interpictoriality in the arts of the 19th and 20th centuries / Margaret A. Rose
| Pictorial Irony, Parody, and Pastiche : Comic interpictoriality in the arts of the 19th and 20th centuries / Margaret A. Rose |
| Autore | Rose Margaret A |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Bielefeld, : Aisthesis Verlag, 2020 |
| Descrizione fisica | 1 online resource (342 pages) : illustrations |
| Disciplina | 700.418 |
| Soggetto topico |
Interpictoriality
Irony Pastiche Parody Satire Meta-Art |
| ISBN | 3-8498-1612-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Acknowledgements Introduction Chapter 1. Varieties of Comic Interpictoriality I 1.1. Introduction 1.2. Parody 1.3. Meta-art 1.4. Irony 1.5. Satire 1.6. Parody, irony, and satire compared Chapter 2. Varieties of Comic Interpictoriality II 2.1. Pastiche and comic pastiche 2.2. In performance art, photography, and film 2.3. In installation art and sculpture 2.4. Caricature 2.5. Visual puns Chapter 3. Signals of Parodic Interpictoriality 3.1. Introduction 3.2. Signals of parody 3.3. The Reader/Spectator 3.4. The Recognition of Parody 3.5. Attitudes of the parodist to the work parodied 3.6. Public and private parody Chapter 4. Pictorial Irony, Parody, and Pastiche across Time 4.1. Introduction 4.2. “Choices of Hercules” 5. Conclusion 6. Bibliography 7. Index of Artists Named |
| Record Nr. | UNINA-9910957438803321 |
Rose Margaret A
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| Bielefeld, : Aisthesis Verlag, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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