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Knowing in Performing : Artistic Research in Music and the Performing Arts / Annegret Huber, Doris Ingrisch, Therese Kaufmann, Johannes Kretz, Gesine Schröder, Tasos Zembylas
| Knowing in Performing : Artistic Research in Music and the Performing Arts / Annegret Huber, Doris Ingrisch, Therese Kaufmann, Johannes Kretz, Gesine Schröder, Tasos Zembylas |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (228 pages) |
| Disciplina | 780.72/1 |
| Soggetto topico |
Artistic Research
Music Performing Arts Participatory Art Theatre Science Theatre Studies Musicology Cultural Theory |
| ISBN | 9783839452875 (Ebook) |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter 1 Inhalt/Contents 5 Einleitung 7 Foreword 17 The Pot Calling the Kettle Black 27 Artistic Research and Music Research 35 Artistic Paths in Five Images 51 Looking back, Looking through, Looking beneath 63 Making Sound, Making Music 77 voicings of an auralist 89 Creative (Mis)understandings: A Methodology of Inspiration 111 Schallnamen 131 Souveränität riskieren: Transdisziplinäre Forschung, kontextorientierte Aufführungspraxen und die Arbeit des Theaters der Versammlung 137 Knowing in Intra-Acting 147 In Love with Art & Philosophy // Zwischen Kunst & Philosophie 161 Worldmaking - Knowing through Performing 185 Shooting as a Researcher - Fracking Your Face 201 Abbildungsverzeichnis / Image Credits 213 Biografien / Biographies 217 |
| Altri titoli varianti | Huber et al. (eds.), Knowing in Performing Artistic Research in Music and the Performing Arts |
| Record Nr. | UNINA-9910476910903321 |
| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Pioneering Participatory Art Practices : Tracing Actors, Associations and Interactions across the Long Sixties / Annemarie Kok
| Pioneering Participatory Art Practices : Tracing Actors, Associations and Interactions across the Long Sixties / Annemarie Kok |
| Autore | Kok Annemarie <p>Annemarie Kok, Rijksuniversiteit Groningen, Niederlande </p> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2024 |
| Descrizione fisica | 1 online resource (485 pages) |
| Disciplina | 700.28 |
| Collana | Image |
| Soggetto topico |
Participatory Art
John Dugger David Medalla Piotr Kowalski Telewissen Documenta 5 Long Sixties Europe Art Cultural History Art History of the 20th Century Art History Sociology of Culture Fine Arts |
| ISBN | 3-8394-7219-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Contents -- Acknowledgements -- 1 Introduction -- 1.1 Nothing new under the sun -- 1.2 Three cases of participatory art -- 1.3 Research questions and aims -- 1.4 Structure of the book -- 2 It is all about co‑creation. Where the history of participatory art and ANT link up -- A Tracing participatory art -- 2.1 An 'open' definition of participatory art -- 2.2 A genealogy of participatory art -- 2.3 The swinging sixties -- 2.4 Mapping the field of research -- 2.5 Participation and the notions of freedom and control: a theoretical perspective -- Participation as a tool for liberation -- Ladders of participation -- Participation as a tool for control -- The interplay of freedom and control -- From theory to practice -- B Tracing associations -- 2.6 Thinking with actor‐network theory -- 2.7 The journey of ANT -- 2.8 ANT and the study of art -- 2.9 Three steps towards a 'risky account' of participatory art -- Choose a starting point -- Following actors -- Writing a report -- 2.10 The challenges and limitations of the ANT toolbox -- 2.11 In conclusion -- 3 Participation at documenta 5. Illusions, plans and reality -- 3.1 A fifth documenta and the appointment of Szeemann -- Early conversations and clashes -- Szeemann's reputation -- Szeemann's request for freedom -- 3.2 The first concept plan -- The 100‐Day Event -- The idea of participation in the first concept plan for d5 -- The material event‐structure designed by Archigram -- The Street -- Playful and activating exhibition models -- A heavenly Jerusalem -- 3.3 The situation in the autumn of 1970 -- 3.4 The second concept plan -- Reality check -- The executive team and the association between Bode and Szeemann -- Echoes of the first concept plan -- A section devoted to participation and play -- Eight artists and their participatory works -- The Parisian art scene.
Additional plans for three other sections at the Friedrichsplatz -- Participation in connection to the second concept plan for d5 -- "Opfer des Rotstifts" -- The constraints of official positions -- 3.5 Participatory art at d5 -- 3.6 In conclusion -- 4 "Please take off your shoes". In and around Dugger and Medalla's People's Participation Pavillion -- 4.1 A pavilion in the garden -- 4.2 Two comrades -- 4.3 Harald Szeemann and the invitation to participate in d5 -- 4.4 The d5 catalogue -- 4.5 Communism and "participatory Maoism" -- Growing politicisation -- Orientation towards China and Mao -- A communist pavilion -- "[Y]ou can't make revolution unless you are in it" -- Rectification -- 4.6 Artists Liberation Front -- 4.7 Popa at Moma -- 4.8 "The 'Random' show" -- 4.9 Kinetic connections -- 4.10 The Exploding Galaxy -- 4.11 Eastern philosophy and art -- 4.12 Travel -- 4.13 The institutional framework -- 4.14 In conclusion -- 5 Enlightening. Piotr Kowalski's participatory tools for the people -- 5.1 Carrying light in Kassel -- 5.2 Fluorescent tubes in Paris, Amsterdam and Stockholm -- 5.3 A family of manipulators -- 5.4 The art scene in Paris in the long sixties -- 5.5 Science for the people -- From science, via architecture, to the visual arts -- Bridging art and science -- The viewer as experimenter -- 5.6 Learning by doing -- 5.7 Instruments in Florence -- 5.8 Energy and matter -- 5.9 Cybernetic principles -- 5.10 Making art burst -- 5.11 The spirit of 1968 -- 5.12 Fieldwork -- 5.13 In conclusion -- 6 Make your own 'television'. On tour with the telewissen video bus -- 6.1 A red van in front of the Museum Fridericianum -- 6.2 A five‐day film programme -- 6.3 A new participatory medium -- 6.4 The telewissen network -- 6.5 From viewing and presenting yourself, to sharing your opinion, to producing your own video: a trajectory of participation. A magic mirror in Darmstadt -- Public debate in Kassel -- DIY TV -- 6.6 Alternative media practice and theory -- 6.7 American media 'freaks' -- 6.8 Experimental music in Darmstadt -- 6.9 Do it yourself! -- 6.10 Hippies and Yippies -- 6.11 Pedagogy and education -- 6.12 The art world -- 6.13 In conclusion -- 7 Concluding remarks -- Bibliography. |
| Altri titoli varianti | Kok, Pioneering Participatory Art Practices Tracing Actors, Associations and Interactions across the Long Sixties |
| Record Nr. | UNINA-9911046694703321 |
Kok Annemarie <p>Annemarie Kok, Rijksuniversiteit Groningen, Niederlande </p>
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| Bielefeld, : transcript Verlag, 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
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Participatory Art
(2)
- Art (1)
- Art History (1)
- Art History of the 20th Century (1)
- Artistic Research (1)