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Film Serials and the American Cinema, 1910-1940 : Operational Detection / / Ilka Brasch
| Film Serials and the American Cinema, 1910-1940 : Operational Detection / / Ilka Brasch |
| Autore | Brasch Ilka |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2018 |
| Descrizione fisica | 1 online resource (321 pages) : illustrations |
| Disciplina | 791.43 |
| Collana | Film culture in transition |
| Soggetto topico |
Film serials
ART - Film & Video PERFORMING ARTS - Film - History & Criticism Theatre studies Film theory & criticism Electronic, holographic & video art Film serials - History |
| Soggetto genere / forma | History |
| Soggetto non controllato | General & world history |
| ISBN | 90-485-3780-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Table of Contents; Acknowledgements; 1. Introduction; 2. The Operational Aesthetic; 3. Film Serials Between 1910 and 1940; 4. Detectives, Traces, and Repetition in The Exploits of Elaine; 5. Repetition, Reiteration, and Reenactment: Operational Detection; 6. Sound Serials: Media Contingency in the 1930s; 7. Conclusion: Telefilm, Cross-Media Migration, and the Demise of the Film Serial; Index of Names; Index of Film Titles; Index of Subjects |
| Record Nr. | UNISA-996309227703316 |
Brasch Ilka
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| Amsterdam, : Amsterdam University Press, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Film Serials and the American Cinema, 1910-1940 : Operational Detection / / Ilka Brasch
| Film Serials and the American Cinema, 1910-1940 : Operational Detection / / Ilka Brasch |
| Autore | Brasch Ilka |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2018 |
| Descrizione fisica | 1 online resource (321 pages) : illustrations |
| Disciplina | 791.43 |
| Collana | Film culture in transition |
| Soggetto topico |
Film serials
ART - Film & Video PERFORMING ARTS - Film - History & Criticism Theatre studies Film theory & criticism Electronic, holographic & video art Film serials - History |
| Soggetto genere / forma | History |
| Soggetto non controllato | General & world history |
| ISBN | 90-485-3780-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Table of Contents; Acknowledgements; 1. Introduction; 2. The Operational Aesthetic; 3. Film Serials Between 1910 and 1940; 4. Detectives, Traces, and Repetition in The Exploits of Elaine; 5. Repetition, Reiteration, and Reenactment: Operational Detection; 6. Sound Serials: Media Contingency in the 1930s; 7. Conclusion: Telefilm, Cross-Media Migration, and the Demise of the Film Serial; Index of Names; Index of Film Titles; Index of Subjects |
| Record Nr. | UNINA-9910320754703321 |
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Brasch Ilka
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| Amsterdam, : Amsterdam University Press, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Ingmar Bergman : an enduring legacy / / edited by Erik Hedling
| Ingmar Bergman : an enduring legacy / / edited by Erik Hedling |
| Autore | Hedling Erik |
| Pubbl/distr/stampa | Lund, : Lund University Press, 2021 |
| Descrizione fisica | 1 online resource (312 pages) : illustrations (black and white); digital file(s) |
| Disciplina | 791.430233092 |
| Collana | Lund University Press |
| Soggetto topico |
Films, Cinema
PERFORMING ARTS - Film - History & Criticism |
| Soggetto non controllato | Ingmar Bergman; Swedish cinema; film criticism; Erik Nordgren; transnational film production; Henrik Ibsen; Arthur Janov; film music; autobiographical writing; auteurism |
| ISBN | 91-985577-1-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Ingmar Bergman at 100: an introduction / Erik Hedling -- 1. Ingmar Bergman on the international scene / Peter Cowie -- 2. Bergman transnational: Munich–Rome–Los Angeles, or ‘the last temptation of Ingmar Bergman’ / Thomas Elsaesser -- 3. Bergman and the business: notes on the director’s ‘worth in the market’ / Olof Hedling -- 4. Bergman, writing, and photographs: the auteur as an ekphrastic ghost / Maaret Koskinen -- 5. The playfulness of Ingmar Bergman: screenwriting from notebooks to screenplays / Anna Sofia Rossholm -- 6. Cinema as a detour: Ingmar Bergman, writer / Jan Holmberg -- 7. Laughing through tears: the soundscape of Ingmar Bergman’s Smiles of a Summer Night / Alexis Luko -- 8. Sound, act, presence: classical music in the films of Ingmar Bergman—a lecture recital / Anyssa Neumann -- 9. Film-musical moments in Ingmar Bergman’s films / Ann-Kristin Wallengren -- 10. Where does music come from? Musical meaning and musical discourse in Ingmar Bergman’s films / Per F. Broman -- 11. Bergman, Janov, and Autumn Sonata / Paisley Livingston -- 12.Persona’s penis / Daniel Humphrey -- 13. Battlefield family: Ingmar Bergman, Henrik Ibsen, and television / Michael Tapper -- 14. Bergman/Birdman/Vogler: an ecocritical examination of the birds of Bergman / Linda Haverty Rugg -- 15. Visionaries and charlatans: Ingmar Bergman’s filmmaking / Laura Hubner -- 16. Imagined without dialogue: Sawdust and Tinsel and Dreams / Dan Williams -- 17. The ghost in the machine: Saraband / Lars Gustaf Andersson -- 18. Return to the bourgeoisie: Fanny and Alexander in Swedish politics / Erik Hedling -- Index. |
| Record Nr. | UNINA-9910504306903321 |
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Hedling Erik
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| Lund, : Lund University Press, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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